In fact, the Bengali film industry is becoming more balanced between creativity and commercialization. And if Bollywood can remake south Indian and Hollywood films, why can't we do so!
Aakhir' stars Sanjay Suri and Bengali actress Rituparna Sengupta. It's very close to my heart and the most realistic work I've ever done.
I was brought up in a Bengali family. We were three girls and never made to feel any lesser than men.
I am happy to do a film in Bengali language as I know and love that language.
Recently, I did the Bengali film 'Rang Milanti,' directed by Kaushik Ganguly. I think my role in that is much better than in 'Kahaani.'
I feel I can express the nuances of the Bengali lifestyle and ways of thinking better than other cultures.
My mother is half Malayali and half Tamilian. I can speak Bengali and Tamil, but can't read or write.
I worked hard to reach where I am and I certainly don't want to lose my grip over either Bengali or Hindi cinema.
Earlier, people used to say no to regional films, but now people all over the world have started watching Bengali cinema.
When a director is remaking a film, he should tweak it, add Bengali sentiments to it and make it look like a regional movie. A copy-paste job is something I don't support at all.
So my first role was when I was five years old. I had one scene with my mom in a Bengali film called 'Gajamukta.' After that, I thought I'd become Madhuri Dixit.
We even had a different word for Christmas in my language, Bengali: Baradin, which literally meant 'big day.'
I am half Bengali and half Irish by birth.
The relationship between Victoria Ocampo and Tagore is something every Bengali has heard about and there is a mystery attached to it. This mystery is enough to attract an actor.
I really don't think size zero will ever catch on in Bengali cinema nor will a 22-inch waist.
I've more than 50 hits in Bengali cinema and it's a great feeling to have them released separately in the form of albums that are independent of the movies.
I have translated Bengali poets such as Subhash Mukhopadhyay and Sunil Gangopadhyay before. These were published by Hindi and Urdu magazines. But to take on Tagore's work is no easy task.
If you're talking about industry, I've never restricted myself to Tamil, Malayalam, Hindi, or Kannada. Whichever the language is, from Swahili to Marathi or Bhojpuri to Bengali, I would be happy to do it.
Originally Jagte Raho was offered to Satyajit Ray to direct but he wasn't available. That's why the whole crew was Bengali in the film because Dada was supposed to direct it.
I was an Indian with zero sense of caste till I was 20. That's an unusual privilege but it came out of the fact that I was a middle-class Bengali.
How can BJP be anti-Bangla when BJP founder Syama Prasad Mookerjee himself was a Bengali?
I've done a lot of Bengali films with heavyweights like Rituparna Ghosh, Buddhadeb Das Gupta and carved my niche with both commercial as well as art films.
In Bengali films, since I also write the lyrics, there are certain songs, which I get emotionally and personally attached to.
I have been offered several Bengali films. Due to destiny and good luck, 'Noukadubi' will be my first.
I like to read Bengali novels and short stories. I am not that fond of reading English books, as I don't have a connect with it.
I tapped into my potential in Bengali films, which I don't think directors in Bollywood were able to understand.
It is natural for the national audience to recognize me as an actor through 'Kahaani' because the film is in Hindi and has a far wider reach than Bengali films.
I've had a weakness for Bengali directors, be it Rituparno Ghosh, Aparna Sen, or Goutam Ghose, because of their sensitivity towards cinema.
I am songwriter. I do compose the music of songs that I write in Bengali. But I've never thought of composing for a film. That's a different art altogether.
My memory of my household is of one immersed in books and music. I have a very intimate relationship with Bengali literature, particularly Tagore, and my interest besides reading then was music.
After 'Kahaani,' I received a lot of offers for similar roles - from Hindi as well as Bengali filmmakers. But I didn't want a repeat performance of Bob.
I think from 'Hemanta' to 'Eagler Chokh' and 'Natoker Mato' in between, there has been Shakespearean touch in Bengali films and that is because Bengalis are hooked to theater.
I feel Bengali directors have offered me characters which have a story to tell and not just impress people because of what I wear in the film. That's the kind of roles I want to do.
I have worked in Telugu films. I found Bengali easier and sweeter than Telugu.
I want to urge filmmakers in Bengal to choose a subject and mount the film in a way that there's a Bengali connect. They must not fall into the typical remake pattern.
This trend used to exist in Bengali playback where singers and composers would have their own hit series. I am thrilled that Bengal is seeing a revival of that trend.
I was about 12 when I first encountered 'The Moonstone' - or a Classics Illustrated version of it - digging through an old trunk in my grandfather's house on a rainy Bengali afternoon.
The top Bengali directors in Bollywood know about me and the work that I have done. I have worked with everyone, from Anurag Basu, Pradeep Sarkar to Shoojit Sircar.
I've been greatly influenced by the music of R.D. Burman and Sudhin Dasgupta, and I took it as a challenge to bring back the golden days of Bengali music.
I would happily do any Malayalam or Bengali film, if the script is good and I get a good challenge as an actor.
People think that just because I live in Mumbai, I'm not interested in Bengali films. But I want to act more in Tollywood because roles here are meatier.
I am neither a Bengali nor am I from Delhi's St Stephen's. I am an Allahabad boy.
I am half Bengali and half Marathi.
As a child actor, I had sung a song in the Bengali film 'Bhagyadebata' but it wasn't kept in the final edit.
My father always taught me to never be quiet. That's the good thing about a Bengali household.
Mainstream Bengali cinema unashamedly tries to copy Bollywood. They forget that they don't have the kind of budgets that Hindi filmmakers have.
Yes, I have an Australian wife; she is half Bengali, half British.
To me he will not just be remembered as a great player and a lovely human being, but as somebody who tried to learn Bengali for the last 14 years but never managed to do so!
I have regional films, Bengali and Telugu, but always wanted to do a Marathi film especially because I think this industry makes the best comedy films.
I had learnt horse riding while shooting for a Bengali film earlier and was trained in sword fighting on the set of 'Manikarnika'.
I learnt to sing in Bengali, my mother tongue, then went on to sing in Hindi, Telugu, Tamil, Gujarati and every possible Indian language.
I love to cook, and both Pancham and Gulzarbhai loved to eat. Gulzarbhai loves my karela ghosht and my Bengali kheer.
The first film I gave music for was a Bengali film called 'Dadu.'
In Bengali films, I played my version of glamorous, where I played a wide-ranging characters.
I am ready to work in any industry whether its Bollywood, Hollywood, the digital platforms, South Indian film, or Bengali films. Wherever I get a good opportunity, I'll be there.
I have fond memories of Singapore. I shot here for around 25 days for 'Bengali Babu English Mem.'
Bengali and Malayalam industries are driven by sensible and subtle stories that people can relate to due to the states' literary and cultural heritage.
There are quality films being made in all languages, whether in Hindi cinema, Bengali or the south. Bollywood doesn't represent Indian cinema, per say.
I am very comfortable doing Bengali films because it's my mother tongue, which enables me to emote well, and my home is there too.
Culturally, I remember listening to Salil Chowdhury's music for Malayalam films. Many Bengali actors have worked in our films, too.
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