Top 245 Bernard Shaw Quotes & Sayings

George Bernard Shaw of England stopped over just long enough to make one speech in Bombay, India, started a war and 100 Indians killed each other. That's what I call good speech-making. The only enthusiasm any of our speakers can rouse is a demand to kill the speaker.

I sang barber shop harmony and sort of got into performing. And it just came naturally. Then, when I was in college after the war, I did a play, 'Pygmalion,' by George Bernard Shaw. And from then on, I knew that's what I wanted to do.

At 83, George Bernard Shaw's mind was perhaps not quite as good as it used to be, but it was still better than anyone else's.

As George Bernard Shaw observed: "All great truths begin as blasphemies." Yet I have to say, the idea that there is intelligent life elsewhere in the cosmos does not seem terribly radical to me, nor does the notion that we could be receiving help from outside of our dimension.

People believe pictures. It's a photograph that's in your passport, not a painting. Now, George Bernard Shaw said, 'I would exchange every painting of Christ for one snapshot.' That's what the power of photography is.

I hate Bernard Shaw because he says that life is compromise.

I made use of the college library by borrowing books other than scientific books, such as all of the plays by George Bernard Shaw, the writing of Edgar Allan Poe. The college library helped me to develop a broader aspect on life.

The way Bernard Shaw believes in himself is very refreshing in these atheistic days when so many people believe in no God at all.

It was there that we really first came in contact with the work of Shoji Hamada, who was Bernard's best friend from Japan, who had come from Japan back to England with [Bernard] Leach when Leach was establishing his pottery.

I'm an outlaw, not a philosopher, but I know this much: there's meaning in everything, all things are connected, and a good champagne is a drink.' Bernard began to sing again. Timidly, Leigh-Cheri joined in. Between verses, they opened another bottle. The popping of its cork echoed throughout the great stone chamber. Of the three billion people on earth, only Bernard and Leigh-Cheri heard the popping of the cork and its echoes. Only Bernard and Leigh-Cheri passed out under the tablecloth.

During the last decades, films about the black experience have been produced, directed, and even scripted by white men. Some of them are excellent. But most reflect George Bernard Shaw’s warning that 'if you do not tell your stories others will tell them for you and they will vulgarize and degrade you.'

P.G. Wodehouse was a huge influence on me when I was younger, as were Edgar Rice Burroughs and George Bernard Shaw.

Mr. Bernard died on a Monday, at the age of seventy-five, his body wasted. He lay in state for two days in the lobby of the Bernard Gursky Tower and, as he failed to rise on the third, he was duly buried.

Seeing clearly within himself and always able to dodge around the ends of any position, including his own, Shaw assumed from the start the dual role of prophet and gadfly. To his contemporaries it appeared frivolous and contradictory to perform as both superman and socialist, sceptic and believer, legalist and heretic, high-brow and mob-orator. But feeling the duty to teach as well as to mirror mankind, Shaw did not accept himself as a contradictory being.

If a man called Christmas Day a mere hypocritical excuse for drunkenness and gluttony, that would be false, but it would have a fact hidden in it somewhere. But when Bernard Shaw says the Christmas Day is only a conspiracy kept up by poulterers and wine merchants from strictly business motives, then he says something which is not so much false as startling and arrestingly foolish. He might as well say that the two sexes were invented by jewellers who wanted to sell wedding rings.

Churchill was one of the few men I have met who even in the flesh give me the impression of genius. George Bernard Shaw is another. It is amusing to know that each thinks the other is overrated.

Mr. Shaw came for a short time recently to be regarded less as an author than as an incident in the European War. In the opinion of many people it seemed as if the Allies were fighting against a combination composed of Germany, Austria-Hungary, Turkey, and Mr. Shaw.

My toils in the quotation field have led me to formulate two or three laws about the way people use and abuse quotations. My first law is: When in doubt, ascribe all quotations to Bernard Shaw - which I don't mean to be taken literally, but as a general observation of the habit people have of attaching remarks to the nearest obvious speaker. Churchill, Wilde, Orson Welles and Alexander Woollcott are other useful figures upon whom to father remarks when you don't know who really said them.

Fiona Shaw is a goddess to me.

George Bernard Shaw writes like a Pakistani who has learned English when he was twelve years old in order to become an accountant.

It became quite clear to me that the Natural Law mystique, in Catholic, libertarian or neo-pagan forms, remains basically a set of rhetorical strategies to hypnotize others into the state which Bernard Shaw called "barbarism" and defined as 'the belief that the laws of one's own tribe are the laws of the universe'.

The Too Short albums are not the autobiography of Todd Shaw.

As yet, Bernard Shaw hasn't become prominent enough to have any enemies, but none of his friends like him.

Plato was only a Bernard Shaw who unfortunately made his jokes in Greek.

Nobody can read Freud without realizing that he was the scientific equivalent of another nuisance, George Bernard Shaw.

I don't believe in morality . I'm a disciple of Bernard Shaw.

Shaw's plays are the price we pay for Shaw's prefaces.

Rees's First Law of Quotations: When in doubt, ascribe all quotations to George Bernard Shaw.

There is a long dishonourable tradition of western intellectuals who have been duped by Moscow. The list includes Bernard Shaw, the Webbs, H. G. Wells, and Andre Gide.

Shaw writes as if it were always midday.

In two thousand years all our generals and politicians may be forgotten, but Einstein and Madame Curie and Bernard Shaw and Stravinsky will keep the memory of our age alive.

You may be able to read Bernard Shaw's plays, you may be able to quote Shakespeare or Voltaire or some new philosopher; but if you in yourself are not intelligent, if you are not creative, what is the point of this education?

The word "utopia" has two meanings. It means both "good place" and "nowhere". That's the way it should be. The happiest places, I think, are the ones that reside just this side of paradise. The perfect person would be insufferable to live with; likewise, we wouldn't want to live in the perfect place, either. "A life time of happiness! No man could bear it: It would be hell on earth," wrote George Bernard Shaw, in his play Man and Superman.

Those were the days in this country where H. G. Wells, Bernard Shaw and Conan Doyle could have influence, and thats gone, thats true. But I dont think we have less influence in the hearts and minds of readers. I think, if anything, we have just as much, if not more.

'Man and Superman,' first performed in 1905, is by common consent one of George Bernard Shaw's greatest and most significant plays, yet hardly anybody performs it today, for the understandable reason that an uncut performance runs for about five hours.

Most difficult thing in the world, to write a play. Do you know the story of Shaw at the Fabian society? H.G. Welles said "I'm terribly sorry I've missed the last five meetings, I've been terribly busy, I'm engaged in writing a scientific pamphlet on the effects of radioactivity in 1984 and I've produced a novel, and various pieces of science fiction to do, and I've had a bit of personal trouble, and I had my copy to bring out for the newspaper." Shaw leapt up and said, "I've not missed one meeting, and I have written a play!" hardest thing in the world. If it were easy they'd all be at it.

Erik Erikson has commented: Potentially creative men like (Bernard) Shaw build the personal fundament of their work during a self-decreed moratorium, during which they often starve themselves, socially, erotically, and, at last but not least, nutritionally, in order to let the grosser weeds die out, and make way for the growth of their inner garden.

The greatest artists, saints, philosophers, and, until quite recent times, scientists... have all assumed that the New Testament promise of eternal life is valid.... I'd rather be wrong with Dante and Shakespeare and Milton, with Augustine of Hippo and Francis of Assisi, with Dr. Johnson, Blake, and Dostoevsky than right with Voltaire, Rousseau, the Huxleys, Herbert Spencer, H. G. Wells, and Bernard Shaw.

Why aren't people more successful? Because most people do not select and pursue a vision without regard for other objectives. Most people shift from one activity to another without any focused or directed purpose, naively assuming that things will take care of themselves or will be taken care of by others. George Bernard Shaw said, "The people who get on in this world are the people who get up and look for the circumstances they want, and if they can't find them, make them."

What, or who, led you to take up photography, and about what date ? George Bernard Shaw – I always wanted to draw and paint. I had no literary ambition. I aspired to be a Michelangelo, not a Shakespeare. But I could not draw well enough to satisfy myself; and the instruction I could get was worse than useless. So when dry plates and push buttons came into the market I bought a box camera and began pushing the button. It was in 1898.

Shaw does not merely decorate a proposition, but makes his way from point to point through new and difficult territory. This explains why Shaw must either be taken whole or left alone. He must be disassembled and put together again with nothing left out, under pain of incomprehension; for his politics, his art, and his religion - to say nothing of the shape of his sentences - are unique expressions of this enormously enlarged and yet concentrated consciousness.

At the end of that two weeks Bernard [Leach] asked us if we would like to sit with him tending the kiln, the big oil-fired kiln that they had. He was still sitting what we call a kiln watch at that time, and he wondered if we would like to sit the watch with him and talk. So naturally this was our last opportunity to talk with him, so we said yes. We didn't realize Bernard's kiln watch was from 1:00 in the morning until 4:00 AM.

Bernard [Leach] knew Ben Nicholson, Barbara Hepworth, Terry Frost, Peter Lanyon, Johnny Wells. I can think of a number of people that we met there just because we were living with Bernard. Some of them became our friends, particularly the younger artists, but we were privileged to at least meet and talk with the older artists also. And they would come to dinner, and we would simply be included in the conversation, which was quite fascinating.

I must say Bernard Shaw is greatly improved by music.

Unless you are a Bernard Shaw you find a preface a most embarrassing business.

If a farmer calls me to a sick animal, he couldn't care less if I were George Bernard Shaw.

Bernard Shaw said that when you copy yourself, you know you've got style. And I feel that if you can write like you write, then you are true to yourself. And it's not an easy thing to do - it's a disgustingly difficult thing to do.

We had a wonderful trip, a seven-day trip, talking and sitting in the sun and so forth [with Bernard Leach]. And as we were approaching England, Leach said, "Do you have a place to live?" And we said, "No, we didn't." We hadn't worried about that. But Bernard had just separated from his second wife, which we had not realized, and Bernard was a person who could not stand to live alone. So he said, "Would you like to share my house with me?" Naturally we said yes.

Tavi looked wildly around the courtyard, and when his gaze flicked toward them, his face lit witha ferocious smile. "Uncle Bernard! Uncle Bernard!" he shouted, pointing at Doroga. "He followed me home! Can we keep him?

Bernard Shaw remains the only model we have of what the citizen of a democracy should be: an informed participant in all things we deem important to the society and the individual.

I love 'Jaws,' and I think Robert Shaw's performance in 'Jaws' is one of the best screen performances of all time. I am a massive Robert Shaw fan. I think he's a brilliant, brilliant talent and we lost him way before his time.

Deploring change is the unchangeable habit of all Englishmen. If you find any important figures who really like change, such as Bernard Shaw, Keir Hardie, Lloyd George, Selfridge or Disraeli, you will find that they are not really English at all, but Irish, Scotch, Welsh, American or Jewish. Englishmen make changes, sometimes great changes. But, secretly or openly, they always deplore them.

When Jennie, mother of Winston Churchill invited playwright George Bernard Shaw to lunch, he telegraphed: "Certainly not. What have I done to provoke such an attack on my well-known habits?" She replied, "Know nothing of your habits; hope they are better than your manners."

We depend on the critics to give us a glimpse of what happened. Bernard Shaw championed Ibsen, who got the most terrible notices for his plays. Kenneth Tynan championed young writers, and as a result, the theatre has changed radically.

George Bernard Shaw was right. He summed it all up when he said: "The secret of being miserable is to have the leisure to bother about whether you are happy or not." So don't bother to think about it! Spit on your hands and get busy. Your blood will start circulating; your mind will start ticking-and pretty soon this whole positive upsurge of life in your body will drive worry from your mind. Get busy. Keep busy. It's the cheapest kind of medicine there is on this earth-and one of the best.

While browsing in a second-hand bookshop one day, George Bernard Shaw was amused to find a copy of one of his own works which he himself had inscribed for a friend: "To ----, with esteem, George Bernard Shaw." He immediately purchased the book and returned it to the friend with a second inscription: "With renewed esteem, George Bernard Shaw.

Concerning no subject would [George Bernard] Shaw be deterred by the minor accident of total ignorance from penning a definitive opinion.

I used to think [Shoji] Hamada never drew, until there was a book by Bernard [Leach] published about his work [Hamada: Potter, Tokyo; New York: Harper & Row, 1975] and at the rear of the book were a number of wonderful little sketches, but they were not drawings like Bernard made.

George Bernard Shaw said that thinking was the greatest of all human endeavors, but I would say that feeling was. Allowing yourself to feel things, to feel love or wrath, hatred, rage.

When I was younger, I had two players: Luke Shaw and Gareth Bale. When Shaw was at Southampton, he was a left-back, and I loved watching him bomb up and down the wing, create goals, score goals, so I think I try to emulate that. Gareth Bale - same thing, really.