Top 230 Berry Quotes & Sayings - Page 4

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Last updated on April 17, 2025.
Listen- my relationship with radio on a personal level is nothing but a one way love-a-thon... I love radio, I grew up on radio. That's where I heard Buddy Holly, that's where I heard Chuck Berry. I couldn't believe it the first time I heard one of my records on the radio, and I STILL love hearing anything I'm involved with on radio, and some of my best friends were from radio. But we were on different sides of that argument, there's no question about that.
There are certain things that we take for granted that simply would not have existed without the great migration. Motown, for example, would not have existed - it simply would not, because Berry Gordy, the founder of it, his parents had migrated from Georgia to Detroit where he founded Motown, and where did he get his talent?
I saved a man's life once," said Granny. "Special medicine, twice a day. Boiled water with a bit of berry juice in it. Told him I'd bought it from the dwarves. That's the biggest part of doct'rin, really. Most people'll get over most things if they put their minds to it, you just have to give them an interest.
I liked the Beatles but I wasn't mad on the Stones. I always thought they were a slight rip-off of Chuck Berry and some of the old blues people, and they never seemed to change. If people compare me to Jagger and the Stones I would be the one to be put down ... I've been far more progressive than any of them.
The first songs I learned were 'It Takes a Worried Man' and Woody Guthrie's 'Grand Coulee Dam,' 'Rock Island Line' - those kind of American folk songs that were probably on the edge of blues. After that was Eddie Cochran and Chuck Berry songs. And then I heard Muddy Waters, Jimmy Reed and Big Bill Broonzy on the radio.
To crave and to have are as like as a thing and its shadow. For when does a berry break upon the tongue as sweetly as when one longs to taste it, and when is the taste refracted into so many hues and savors of ripeness and earth, and when do our senses know any thing so utterly as when we lack it? And here again is a foreshadowing - the world will be made whole. For to wish for a hand on one's hair is all but to feel it. So whatever we may lose, very craving gives it back to us again.
We opened for the Kinks, the Beach Boys, the Guess Who, Chuck Berry, Sha Na Na. We opened for Cheech and Chong - I opened for Cheech, and Don opened for Chong. — © Walter Becker
We opened for the Kinks, the Beach Boys, the Guess Who, Chuck Berry, Sha Na Na. We opened for Cheech and Chong - I opened for Cheech, and Don opened for Chong.
Interference is a terrific page-turner, but it's also a haunting, powerful look at the way families and friendships entangle us all. Berry is a sharp-eyed, engaging writer, and she deftly captures the terrors, ruptures and intimacies of one seemingly ordinary neighborhood, always finding a precarious beauty in her characters' lives. This is a book that is terrifying, startling, and very hard to put down.
Now the autumn shudders In the rose's root. Far and wide the ladders Lean among the fruit. Now the autumn clambers Up the trellised frame, And the rose remembers The dust from which it came. Brighter than the blossom On the rose's bough Sits the wizened orange, Bitter berry now; Beauty never slumbers; All is in her name; But the rose remembers The dust from which it came.
We may say of angling, as Dr. Boteler said of strawberries, Doubtless God could have made a better berry, but doubtless God never did; and so, if I might be judge, God never did make a more calm, quiet, innocent recreation than angling.
Thomas Berry calls the Ecozoic Era, a time when we recognize the imperative of caring for the planet as a means of compassionate survival. We do not know what the outcome is going to be, but we have an opportunity to make these kinds of creative and imaginative leaps of thought and actions both locally and globally. This is completely antithetical to the direction George W. Bush is leading this nation. I do trust that the open space of democracy is ultimately the open space of our hearts and that we can follow our own leadership that carries a long-term view way beyond "four more years."
When you're working opposite Halle Berry, you're going to get a lot. So you have to give a lot. That said, what I've found striking in the past few days is that people are aware of a good chemistry that exists between us on screen. If that's so, it's due to the fact that she and I have a real liking for each other in real life and a real mutual respect.
One summer I remember, I got exposed to Chuck Berry and Buddy Holly and Buddy Holly was a very very big, made a very big impression on me. Because of a lot of things, you know, the way he looked and his charisma.
You see those magazines, 'Oh, look at so-and-so without makeup, Halle Berry without makeup.' It's so crazy to wake up in the morning and have that thought - 'Do I need to put makeup on? Do I need to do something because I know people are going to know who I am?'
James Brown, Ray Charles, Jackie Wilson, Chuck Berry and Little Richard - I think they had strong influences on a lot of people, because these were the guys who really got rock'n'roll going. I like to start with the origin of things, because once it gets along it changes. It's so interesting to see how it really was in the beginning.
Daisy smiled and said, "Jay Berry, you won't die. You may think you will, but you won't. In a day or two, you'll be as good as new, I hope." "You're just saying that because you heard Papa say it," I said. "No, I'm not!" Daisy said. "I'm saying it because I'm a nurse, and nurses are supposed to cheer up their patients." I knew all too well that once Daisy had gotten into one of her Red Cross nursing spells, it was ridiculous to even think of trying to argue her out of it. So I just groaned, closed my eyes, and sat there while
I'm a hybrid-genre person, which a lot of people find confusing. I grew up listening to American country music and rock n' roll made between 1955 and 1959. The Everly Brothers and Chuck Berry were my first musical loves and are still what I am most moved by. Roy Orbison came a little bit later.
I'm not going to dinner with somebody who eats like a bird, nor do I want to eat like a bird. But its weird: In our business, I'm a size 2 and considered curvy. Its important to remind young women, 'Listen, even skinny girls have cellulite, even Halle Berry has cellulite, and what you see in photos isn't totally real.'
My love of music comes from as long as I remember. I begged my mum to learn piano for a year when I was 4; she wanted to make sure I was serious, and I wanted to be Chuck Berry when I grew up! We were a very musical family; my mum would play guitar, and her, my dad and aunt would sing and harmonize!
Because of my age, the roles that I'm in doesn't have as much depth as I would like, but that will change. Halle Berry, Angelina Jolie, they play heavy, meaty roles, which are the sort that I want to play...because of what I look like, I play with my looks, which is cool, but I've done it so many times. But one day I would love to play against my looks.
Music is everybody's possession. It's only publishers who think that people own it. If you were going to give Rock 'n' Roll another name you might as well call it Chuck Berry. We're more popular than Jesus now; I don't know which will go first - Rock and Roll or Christianity.
I waited, and I’m sure Elvis did too, for each Ricky Nelson record like we would a Chuck Berry record or a Fats Domino record, to see what was going on. I used to say to some of the guys that Ricky Nelson learned to sing on million selling records.
My parents had this massive record player in the living room, a 'blue spot grand' they called it... it used up an entire rainforest to make this thing, and it had all these records in it. Some were rock, some were reggae, but a lot was blues - Ray Charles, Chuck Berry and all that stuff.
After Chuck Berry died, it seemed web sites popped up like mushrooms to show where he'd taken the guitar introduction to 'Johnny B. Goode' from to prove that his music was nothing new, that it was only ignorance, or vanity, that led his listeners to think that not only was the music different - they might be, too.
Coffee has assumed a social meaning that goes far beyond the simple black brew in the cup. The worldwide coffee culture is more than a culture - it is a cult. There are usenet newsgroups on the subject, along with innumerable sites on the World Wide Web, and Starbucks outlets populate every street corner, vying for space with other coffeehouses and chains. And after all is said and done, it's just the pit of a berry from an Ethiopian shrub.
THE WILD ROSE” – BY WENDELL BERRY Sometimes, hidden from me in daily custom and in ritual I live by you unaware, as if by the beating of my heart. Suddenly you flare again in my sight A wild rose at the edge of the thicket where yesterday there was only shade And I am blessed and choose again, That which I chose before.
I had been hungry all the years- My noon had come, to dine- I, trembling, drew the table near And touched the curious wine. 'Twas this on tables I had seen When turning, hungry, lone, I looked in windows, for the wealth I could not hope to own. I did not know the ample bread, 'Twas so unlike the crumb The birds and I had often shared In Nature's diningroom. The plenty hurt me, 'twas so new,-- Myself felt ill and odd, As berry of a mountain bush Transplanted to the road. Nor was I hungry; so I found That hunger was a way Of persons outside windows, The entering takes away.
What interested me about Chuck Berry was the way he could step out of the rhythm part with such ease, throwing in a nice, simple riff, and then drop straight into the feel of it again. We used to play a lot more rhythm stuff. We'd do away with the differences between lead and rhythm guitar. You can't go into a shop and ask for a "lead guitar". You're a guitar player, and you play a guitar.
I put some red stuff on my mouth and cheeks so I look healthy - any old red lip pencil and a lip colour from Dr. Hauschka in a crushed berry tone. I never put anything on my eyes, or I look like Joan Crawford.
I learned [playing Chuck Berry] that there's something to be said for the courage of conviction, that sense of belief, being bold enough to believe in your vision. And there's a quote that really fits his particular energy. It says - they say don't go where the path may lead, but go where there's no path and leave a trail. I think that's exactly what Chuck did, you know. It's an inspiration to a lot of folks, not just musicians, but people everywhere.
People always talk about good time rock and roll, Chuck Berry or whatever, like this liberating force for feeling good. But what I need in my life is to be liberated into feeling bad. Not sad. I have plenty of sad. What I need is a place where I can spray anger in sparks like a gnarled piece of electrical cable. Just be mad at stuff and soak in the helplessness.
Growing up biracial, I didn't have someone to look up to watching TV or movies. Halle Berry was the closest one who looked like me. I'm happy to see more biracial people on screen, and I'm happy to represent for the little girls who didn't have someone who looked like me on TV.
The elements that create glamour are not specific styles - bias-cut gowns or lacquered furniture - but more general qualities: grace, mystery, transcendence. To the right audience, Halle Berry is more glamorous commanding the elements as Storm in the X-Men movies than she is walking the red carpet in a designer gown.
I first met Jimmy Page in London in 1961, and he was listening to James Burton, Scotty Moore and Cliff Gallup with Gene Vincent, as was I ... these were the rock and roll guys who really sparked our interest in the guitar, and later we delved into other things and went different directions ... during my time with Eric Clapton, we talked about what we'd listened to early on, and he was a huge fan of Chuck Berry and Jerry Lee Lewis
There is a great book out called 'Everything I Needed to Learn I Learned in Kindergarten,' and I believe that everything I ever needed to learn on guitar was in my first two years of hungry learning: Scotty Moore, Hank Marvin, Chet Atkins, Lenny Breau, Chuck Berry and Bo Diddley.
I watched Elvis Presley become - I listened to Elvis Presley. I watched Chuck Berry become. I listened to Little Richard. I heard that music, and it was part of my upbringing.
The interesting thing about the miracle berry in chemo patients is that it actually straightens out their taste buds, whereas for you and I, it blocks our bitter and sour receptors. For them, it straightens them out to taste food as it normally tastes.
When I behold a fashionable table set out in all its magnificence, I fancy that I see gouts and dropsies, fevers and lethargies, with other innumerable distempers lying in ambuscade among the dishes. Nature delights in the most plain and simple diet. Every animal but man keeps to one dish. Herbs are the food of this species, fish of that, and flesh of a third. Man falls upon everything that comes in his way; not the smallest fruit or excrescence of the earth, scarce a berry or a mushroom can escape him.
After my early days of being a passionate young Elvis fan, Chuck Berry, Little Richard, etc. I got interested in Ray Charles and Ella Fitzgerald. Then I got turned on to the blues. I realized how important it was to our music in England at the time. Everyone was into the blues. Then you start looking at the different kinds of blues, and you follow the journey backwards from Chicago to earlier times back down to the Delta to the Memphis Blues.
A solitary American monk named Thomas Berry writes that in our relationship to nature, we have been autistic for centuries. Wrapped tightly in our own version of knowledge, we have been unreceptive to the wisdom of the natural world. To tune in again, to have the "spontaneous environmental rapport" that characterized our ancestors, will take doing something that is perfectly delightful: reimmersing ourselves in the natural world.
The only recording studio was in Motown - it was called Tamla/Motown at that time and we used to audition there because Smokey Robinson was at that studio and Berry Gordy was the president. I remember asking Smokey to listen to my group and he did. For the first couple of years we were just singing background. We used to back up Marvin Gaye; Mary Wells was there then, Marv Johnson, the Marvelettes, Martha Reeves and the Vandellas, Junior Walker and the All-Stars.
I grew up listening to a lot of that stuff, Motown and Stooges. But also early rock-and-roll like Chuck Berry, Little Richard, Jerry Lee Lewis, and Elvis Presley. I feel like as I grew older, I've been working with different musicians, people that have are constantly showing me different things.
There is a neuron in your brain that will respond only to pictures of Jennifer Aniston - provided you have had prior visual exposure to the actress. That neuron does not respond to pictures of Bill Clinton or Halle Berry. Only Jennifer. I used the story to explain the almost ridiculous plasticity of the organ. There is no such thing as Jennifer Aniston in our evolutionary history - she was born in 1969, for heaven's sake - but we are flexible enough to devote an entire cell to her if we have previously encountered her in some fashion.
It would not do for the consumer to know that the hamburger she is eating came from a steer who spent much of his life standing deep in his own excrement in a feedlot, helping to pollute the local streams. Or that the calf that yielded the veal cutlet on her plate spent its life in a box in which it did not have room to turn around. Wendell Berry, "The Pleasures of Eating," What Are People For?, 1989 Jesus pioneered a relationship ethic based on compassion. Being a disciple means building relationships - with the Creator and with all creation and creatures.
Never mind what you've heard. Halle Berry was not the first black woman to win an Academy Award for Best Actress. She was actually the 74th white one. And never mind all this talk about America electing its first black President; Barack Obama is actually the 44th white man to hold the job.
When I started reaching teenage years, I listened to everything that was on the radio like everyone else did, which was Chuck Berry, Beach Boys and then of course The Beatles, Stones. And of course in the 60's, I was completely blown away like everyone else by Hendrix, Cream, Deep Purple, Jeff Beck and all of that... so those were my influences.
I was growing up at a time when music was growing and changing so fast. I had learned all the big band sounds of the 1940s, Glenn Miller, Tommy Dorsey. But then along came Chuck Berry, Les Paul, Fats Domino and I figured out how to make their music as well.
Strawberries that in gardens grow Are plump and juicy fine, But sweeter far as wise men know Spring from the woodland vine. No need for bowl or silver spoon, Sugar or spice or cream, Has the wild berry plucked in June Beside the trickling stream. One such to melt at the tongue's root, Confounding taste with scent, Beats a full peck of garden fruit: Which points my argument.
I'm looking through old things of mine, and there was this binder from when I was 14 years old. It is essentially a dream board. It is a school binder that I had put magazine clippings on. It said, 'TV actress, fame, a picture of Halle Berry, a picture of Christina Aguilera.' I was obsessed with both of them.
And a lot of the technique and the little T-Bone phrases that define his style, Chuck Berry, when he rearranged the beat, they became rock 'n roll guitar licks. So in essence, T-Bone was not only the first electric blues guitar player, but he was the first electric rock 'n roll guitar player, really.
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