Top 1200 Between The Lines Quotes & Sayings - Page 8

The people of America are red, white, black, yellow, and all the shades in between. Their eyes are blue, black, and brown, and all the shades in between. Their hair is straight, curly, kinky, and most of it in between. They are tall and short, slim and fat, athletic and anaemic, and most of them in between. They are the different peoples of the world becoming more and more the "in between." They are a people creating a new bridge of mankind in between the past of narrow nationalistic chauvinism and the horizon of a new mankind--a people of the world. Their face is the face of the future.

There are air-quality issues that cross state lines. There are water-quality issues, obviously, that cross state lines.

Anthony Hopkins is the kindest, sweetest most creative person I've met. He did something really insane between takes of the Westworld, out of nowhere. He started doing the lines from Silence of the Lambs, and I was like 'Oh my god, is this happening right now?' It was surreal. His voice changed, his demeanor changed, everything changed. He's a chameleon, in a matter of seconds he becomes something else.

Nowadays, there are plans to separate the Baltic states from the common power system of the former Soviet Union and to integrate them into the European system. What does it mean for us in practice? In practice, it means that a number of zones will emerge between several regions of the Russian Federation, where we will have no power transmission lines, since previously we used to have a loop transition through the Baltic countries.

Do not pass between two brahmanas, between a brahmana and his sacrificial fire, between a wife and her husband, a master and his servant, and a plough and an ox.

The failure of the Reformation to capture France had left for Frenchmen no half-way house between infallibility and infidelity; and while the intellect of Germany and England moved leisurely in the lines of religious evolution, the mind of France leaped from the hot faith which had massacred the Huguenots to the cold hostility with which La Mettrie, Helvetius, Holbach, and Diderot turned upon the religion of the fathers.

I think anytime you're writing to the middle grades, you're writing to young readers who are trapped in a number of ways between two worlds: between childhood and adulthood, between their friends and their parents.

When we look at the wider picture, the relationship between the U.K. and America, I know how valuable the friendship is between our two nations. As home secretary, I can tell the House that the importance of the relationship between our countries, the unparalleled sharing of intelligence between our countries, is vital.

And what amazes me as I hit the motorway is not the fact that everyone loses someone, but that everyone loves someone. It seems like such a massive waste of energy -- and we all do it, all the people beetling along between the white lines, merging, converging, overtaking. We each love someone, even though they will die. And we keep loving them, even when they are not there to love any more. And there is no logic or use to any of this, that I can see.

Do the structures of language and the structures of reality (by which I mean what actually happens) move along parallel lines? Does reality essentially remain outside language, separate, obdurate, alien, not susceptible to description? Is an accurate and vital correspondence between what is and our perception of it impossible? Or is it that we are obliged to use language only in order to obscure and distort reality -- to distort what happens -- because we fear it?

There comes a moment in every life when a choice must be made between right and wrong, between good and evil, between light and darkness. These decisions are made in an instant, but with repercussions that last a lifetime.

Arthur Miller said one of my favorite lines ever, that he had the mother say to her two sons about a very unstable father in Death of a Salesman. She said, "Attention must be paid." It's one of the most resonant lines that I think he ever wrote, and I think attention must be paid to the truth.

Between last night and this morning, I've been getting a lot of messages from overseas fans along the lines of 'There's an American comic ripping off Bleach!' I'm not that good at English, but I looked at the site and it seems it's a comic by Nick Simmons, the son of Gene Simmons. To be honest, I'm more bothered by the fact that Gene Simmons' son is a comic artist than whether or not it's a rip-off.

The difference between de jure and de facto segregation is the difference between open, forthright bigotry and the shamefaced kind that works through unwritten agreements between real estate dealers, school officials, and local politicians.

Howard Altmann has found a way to make language transform itself. If the elusive moment between I and Thou could speak, it might be one of his quietly amazing lines-'you ask the silence to invert itself / like a gymnast in the dark . . . ' Without a trace of rhetoric, In This House reminds us of the power of poetry: to show us how to live in a world in which we are strangers. It's a thrill to come close to such an original and deeply realized art.

I don't kid myself in thinking that I'm on the front lines. I know the people who are on the front lines. I mean there are people in some freakin' significant places making on-the-ground social front line change. I've marched. I've put feet on the ground for what I believe and what I'm against with no compromise. And there are people who are risking a whole hell of a lot more than me to make change, that's for damn sure.

There must be some other possibility than death or lifelong penance, said the Ellen Ward of my dream, that woman I hate and fear. I am sure she meant some meeting, some intersection of lines; and some cowardly, hopeful geometer in my brain tells me it is the angle at which two lines prop each other up, the leaning together from the vertical which produces the false arch.

We create these walls between fact and fiction, but often the difference between the two is as little as that between a real name and a pseudonym. So I'm not sure about those walls - certainly not in the realm of visual arts.

'Everything beautiful occurs when the body / is suspended,' Helena Mesa quotes a performance artist who hangs his own pierced body in the air. Mesa's poems are artfully suspended between lyric and narrative, between humans and animals, between Latin America and the U.S., between desire and the difficulty of its fulfillment. Horse Dance Underwater is an inventive, musical, and powerful debut.

The distinction between radical Islam and moderate Muslims is important, as are the differences between Sunnis and Shiites, and between militant and mystical Islam.

I left small businesses a little while ago and they were all complaining that Obamacare is putting them out of business. Not only the regulations, which are a disaster and the taxes, but Obamacare is putting them out of business. So you have that concept, the savings accounts, health care. What you really have are ways of getting people energized by take - you have to take down the lines between the state so you have competition.

I want my music to be something that people use in order to access parts of themselves. So in that sense, every piece I write is about all emotions at once, about the lines in between. It's never only about one thing or another. It's emotionally getting at those things that we can't really describe - things for which we don't have labels. So yes, it's about something, and it has a use. It's neither about nothing nor about something concrete - it's about what you bring to it as a listener.

There is more difference between a zebra and a horse, or between a dolphin and a porpoise, than there is between you and the furry creatures your distant ancestors left behind when they set out to take over the world.

Obama came in and said he was going turn everything around, and you can't. Give the guy a break. But I question a lot of what's happening. It's certainly going to reflect in my vote, but who else is there? It's a horrible time, because people vote party lines instead of what's good for the country. I think the whole health care issue turned so ugly, because of party lines, and that's not what that's supposed to be about.

In a very real sense, the Constitution is our compact with history . . . [but] the Constitution can maintain that compact and serve as the lodestar of our political system only if its terms are binding on us. To the extent we depart from the document's language and rely instead on generalities that we see written between the lines, we rob the Constitution of its binding force and give free reign to the fashions and passions of the day.

Funny bones, to me, are more important than funny lines. If a comedian is just not likable and doing the lines, you could read them yourself. Whereas if someone [you like] shambles out, and they tell you what a bad day they've had, they don't have to say anything. I love them. I want to hug them because they've been through something. And it comes back to empathy, always empathy.

These days its not just that the line between right and wrong has been made unclear, today Christians are being asked by our culture today to erase the lines and move the fences, and if that were not bad enough, we are being asked to join in the celebration cry by those who have thrown off the restraints religion had imposed upon them. It is not just that they ask we accept, but they now demand of us to celebrate it too.

Happiness doesn't come from getting what you want. It doesn't come from within, either. Happiness comes from *between*--from finding the right relationship between yourself and others, between yourself and your work, and between yourself and something larger than yourself.

The man in between waits between the two, not hearing the lie and not seeing the true. Unknowing what is and denying what seems, and there he will sleep, the man in between.

When men give lines, women learn to not trust men. When women wear makeup, men learn to not trust women. Male lines and female makeup are divorce training.

We're going to come up with a great healthcare plan, whether it's healthcare savings accounts, we have a lot of different things. We're going to get rid of the lines between states, we're going to have great competitive bidding. But I say all the time, you can call it anything you want. People are not going to die in the middle of the street. People are not going to die on the sidewalk if I'm president, okay?

It's hard to tell the difference between sea and sky, between voyager and sea. Between reality and the workings of the heart.

In any character you are given to play, be it evil/good/whatever character, you begin with self. You examine yourself and ruthlessly see similarities between you and the devil, or between you and the dictator, or between you and the kind man.

I like using LEGO bricks as a medium because I enjoy seeing people’s reaction to artwork created from something with which they are familiar. …My goal is to elevate this simple plaything to a place it has never been before. I also appreciate the cleanliness of the LEGO® brick. The right angles. The distinct lines. But, from a distance, those right angles and distinct lines offer new perspectives, changing to curves.

We must choose between the violence of adults and the smiles of children. Between the ugliness of hate and the will to oppose it. Between inflicting suffering and humiliation on our fellow man and offering him the solidarity and hope he deserves.

My practice is focused on bodies and relationships; the relationships between people and other creatures, between people and our bodies, between creatures and the environment, between the artificial and the natural.

For most of American history, of course, the important religious divides were between denominations - not just between Protestants and Catholics and Jews but between Lutherans and Episcopalians and Southern Baptists and the other endlessly fine-tuned sects.

We have always put the quest for balance at the center of our storytelling, whether it is the struggle to find it within one character, between a character and society, between disparate cultures or between humans and their environment.

Long-lived persons have one or two lines which extend through the whole hand; short-lived persons have two lines not extending through the whole hand.

There are times when only America can make the difference between war and peace, between freedom and repression, between life death. We cannot save all the world's children but we can save many of them.

Even during the years of the Cold War, the intense confrontation between the Soviet Union and the United States, we always avoided any direct clash between our civilians and, most certainly, between our military.

The script is a starting point, not a fixed highway. I must look through the camera to see if what I've written on the page is right or not. In the script, you describe imagined scenes, but it's all suspended in mid-air. Often, an actor viewed against a wall or a landscape, or seen through a window, is much more eloquent than the lines you've given him. So then you take out the lines. This happens often to me and I end up saying what I want with a movement or a gesture.

A transference neurosis corresponds to a conflict between ego and id, a narcissistic neurosis corresponds to that between between ego and super-ego, and a psychosis to that between ego and outer world.

For an electric guitarist to solo effectively on an acoustic guitar you need to develop tricks to avoid the expectation of sustain that comes from playing electrics. Try cascades, for example. Drop arpeggios over open strings, and let the open strings sing as you pick with your fingers. It's kind of a country style of playing, but it works very well in-between heavily strummed parts and fingered lead lines.

We must remember that there is a great difference between a myth and a miracle. A myth is the idealization of a fact. A miracle is the counterfeit of a fact. There is the same difference between a myth and a miracle that there is between fiction and falsehood -- between poetry and perjury. Miracles belong to the far past and the far future. The little line of sand, called the present, between the seas, belongs to common sense to the natural.

I memorize my lines and I show up. I think it's just instinctual, and sometimes it's wrong and the director says, "No, do it this way." And then I can change, because I didn't spend all night practicing it this one way. All I do to get ready for the day is the night before, I read my lines once or twice, memorize them, and then I show up.

Every day-care center, whether it knows it or not, is a school. The choice is never between custodial care and education. The choice is between unplanned and planned education, between conscious and unconscious education, between bad education and good education.

What is an artist? A provincial who finds himself somewhere between a physical reality and a metaphysical one... It’s this in-between that I’m calling a province, this frontier country between the tangible world and the intangible one - which is really the realm of the artist.

Working with Katherine Hepburn, she said to me, "Don't act." She said, "Read the lines. Just be. Just speak the lines." I said, "Okay." She said, "You look good. You got a good pair of shoulders, you got a good head, good face."

In relations between the rich and the strong, between the rich and the poor, between the master and the servant, it's liberty that grinds down, and the law which liberates.

Since I started making films, I've been a nut for dialogue. When I first saw Star Wars when I was 12 years old, I came home and recited all of the lines from it. Before I talked about Death Stars exploding and Tie Fighters I was talking about how funny Princess Leia was and how sarcastic Han Solo was. So to me that's always the most important thing, and I love hearing great actors say great lines.

Football is made up of all kinds of conflict. In a dressing room, between players, between us and the manager, between us and loads of people who don't seem to matter. It's constant and harsh sometimes.

Ultimately, the success of America's market economy depends on trust. This includes trust between buyers and sellers, between lenders and borrowers, and between investors and the companies in which they invest.

I remembered getting the script for the auditions [of Aladdin], I had asked someone there if improvs were allowed, and he said everyone is sticking to the script. I said to myself that they are either going to love me or hate me. I was crossing out lines and throwing in my own lines. I went into the room and started doing things. They were like, "This boy is nuts! We should keep him." That's how it all came about.

The whole notion of politics is they always present you with this or this or this. I’ll get a newspaper to read between the lines. Why do you have to adhere to prescribed formulas that they have and people argue over them and they’re all in a box. And you watch Fox claw CNN, and CNN claw Fox. Sometimes I catch a piece of the news and it seems insanity to me. I quietly support candidates. I’m not out there banging a drum for candidates. But I have supported a candidate and it’s a whole other world.

an Autobiography is the truest of all books; for while it inevitably consists mainly of extinctions of the truth, shirkings of the truth, partial revealments of the truth, with hardly an instance of plain straight truth, the remorseless truth is there, between the lines, where the author-cat is raking dust upon it which hides from the disinterested spectator neither it nor its smell... the result being that the reader knows the author in spite of his wily diligences.

You can look at what's happened to America in the last years and say a lot of people were asleep. A lot of people were not staying awake and watching what was going on and facing the pain of that and dealing with it.I don't care if the rest of the audience doesn't think along those lines at all, because the audience is a huge spectrum of people, from people who are introspective to people who just want to be scared and have fun, and all the points in between.

The real differences around the world today are not between Jews and Arabs; Protestants and Catholics; Muslims, Croats, and Serbs. The real differences are between those who embrace peace and those who would destroy it. Between those who look to the future and those who cling to the past. Between those who open their arms and those who are determined to clench their fists.

Two of the many areas of conflict between Judeo-Christian values and leftism concern the separation between the holy and the profane and the separation between humans and animals.

Imagine a poem written with such enormous three-dimensional words that we had to invent a smaller word to reference each of the big ones; that we had to rewrite the whole thing in shorthand, smashing it into two dimensions, just to talk about it. Or don’t imagine it. Look outside. Human language is our attempt at navigating God’s language; it is us running between the lines of His epic, climbing on the vowels and building houses out of the consonants.