Top 1200 Between The Lines Quotes & Sayings - Page 9

Pay attention to the gap - the gap between two thoughts, the brief, silent space between words in a conversation, between the notes of a piano or flute, or the gap between the in-breath and the out-breath. When you pay attention to those gaps, awareness of 'something' becomes - just awareness. The formless dimension of pure conciousness arises from within you and replaces identification with form.

The world is in such a mess because of the continuous conflict that arises between human beings - not only between individuals but between tribes and nations and this group and that group and so on. But change can come in only when people start with themselves.

I can't write from the subconscious actually, because a lot of the time when I co-write with other people, I'm writing for them as opposed to for myself. When it comes to lyrics, I tend to want to give them their voice, since it's most likely going to be on their record, or somebody else's record. And I find for more commerial-style music, people want simplicity, less vagueness, and less space to fill between the lines, so to speak. So I can't be quite as ethereal and mystical.

Libraries' most powerful asset is the conversation they provide - between books and readers, between children and parents, between individuals and the collective world. Take them away and those voices turn inwards or vanish. Turns out that libraries have nothing at all to do with silence.

The eternal struggle in the law between constancy and change is largely a struggle between history and reason, between past reason and present needs.

What is the distance between here and there, between now and then, between right and wrong? In Greg Baxter's pellucid first novel, 'The Apartment,' it may be simply the length of a day - but a day in which one travels surprisingly far, literally and figuratively.

The experience of being in between-between the time we leave home and arrive? at our destination; between the time we leave adolescence and arrive at adulthood; between the time we leave doubt and arrive at faith. It is like the time when a trapeze artist lets go the bars and hangs in midair, ready to catch another support: it is a time of danger, of expectation, of uncertainty, of excitement, or extraordinary aliveness.

People have to recognize that it’s going to take some time for trust to be built not only between Democrats and Republicans, between Congress and the White House, between the House and the Senate. You know, we’ve had a dysfunctional political system for a while now.

Know the difference between Giant and Jumbo? Between two-ounce and a big two-ounce? Between a quart and a full quart? What's a tall 24-inch? What does Extra Long mean? Who's kidding who?

When I was at Notre Dame studying under Joe Evans, Frank O'Malley, and others, there was a very lively debate about the distinction between natural law and revealed truth. Most of the philosophers of church and state expected that what was going to be advocated as the law of the land would be related to natural law. If you attempted to draw lines about certain general moral truths that were derivative of logic and reason, they would prove to be widely shared, and therefore suitable to be enacted into law on both the civic and religious sides.

At this moment, you are seamlessly flowing with the cosmos. There is no difference between your breathing and the breathing of the rain forest, between your bloodstream and the world’s rivers, between your bones and the chalk cliffs of Dover.

The planet has a kind of intelligence, it can actually open a channel of communication with an individual human being. The message that nature sends is, transform your language through a synergy between electronic culture and the psychedelic imagination, a synergy between dance and idea, a synergy between understanding and intuition, and dissolve the boundaries that your culture has sanctioned between you, to become part of this Gaian supermind

Hell, I ain't paid to make good lines sound good. I'm paid to make bad lines sound good.

What I try to do is to make your face look like it did when you were younger. I always tell people it's not just about filling in the lines, but re-creating the shape of your face as it was in your early- or mid-twenties. People see the lines as they age but they don't see how their shape is changing. I think it's all about restoring the contours. You can fill in a line and it makes you look a little better, but it doesn't make you look younger.

The battle between two men over a girl is the same as the fight for two men over a piece of land. It is all about desire. There is no difference between a love triangle and the conflict between Israel and Palestine.

The Lok Sabha election is not a contest between political parties. It is a fight between Modi-Shah, and the country. Only when these two people are removed, will it be a proper contest between parties.

Generally, the arguments for same-sex marriage go along these lines: 'I have a civil right.' What the homosexual movement wants to do is to hitch their agenda to the civil rights movement, but I point out that this is illegitimate for a number of reasons. Number one, no black person has ever left his black-ness or changed his black-ness, but plenty of people have come out of the homosexual movement. What we need to do is distinguish between race and behavior.

The history of mankind, the history of salvation, passes by way of the family... The family is placed at the center of the great struggle between good and evil, between life and death, between love and all that is opposed to love.

I think seeing is about truly looking, observing, and taking things in with an open mind. It's easy to see things at face value but some of the most beautiful things are not apparent at first glance. The works that stick with me and that I find to be most beautiful are often not aesthetically inviting right off the bat. So I think having an open mind and allowing the lines to blur between art, music, fashion, food, what have you, all leads to cultivating a much more open and enjoyable aesthetic sensibility.

As we grow in our consciousness.. there will be more compassion and more love. And then... the barriers between people.. between religions.. and between nations will begin to fall.

The poet is born with the capacity of arranging words in such a way that something of the quality of the graces and inspirations he has received can make itself felt to other human beings in the white spaces, so to speak, between the lines of his verse. This is a great and precious gift; but if the poet remains content with his gift, if he persists in worshipping the beauty in art and nature without going on to make himself capable, through selflessness, of apprehending Beauty as it is in the divine Ground, then he is only an idolater.

What matters is not the isolated entity, but the space between things, the relationship of things – the Bond…Every conflict that occurs – whether between husband and wife, social or racial groups – is resolved only when we can fully see and embrace the space – the Bond – between us.

The Soviet Union came apart along ethnic lines. The most important factor in this breakup was the disinclination of Slavic Ukraine to continue under a regime dominated by Slavic Russia. Yugoslavia came apart also, beginning with a brutal clash between Serbia and Croatia, here again 'nations' with only the smallest differences in genealogy; with, indeed, practically a common language. Ethnic conflict does not require great differences; small will do.

Stories move in circle. They don’t move in straight lines. So it helps if you listen in circles. There are stories inside stories and stories between stories and finding your way through them is as easy and as hard as finding your way home. And part of the finding is the getting lost. And when you’re lost you start to look around and to listen.

I don't choose between my house phone and my mobile. I don't choose between my laptop and my notebook. And I don't intend to choose between my e-reader and my bookshelf.

Translation is a kind of transubstantiation; one poem becomes another. You can choose your philosophy of translation just as you choose how to live: the free adaptation that sacrifices detail to meaning, the strict crib that sacrifices meaning to exactitude. The poet moves from life to language, the translator moves from language to life; both, like the immigrant, try to identify the invisible, what's between the lines, the mysterious implications.

The dissolution of a family, global crisis creates the massive fracture, not only in the Middle East but between America and Israel, between Europe and Israel, between American Jews and Israeli Jews. The distances seem to be widening wherever you look.

There was no difference between the rich and poor people. No difference between people from the west and from the east. There was no dispute between the leaders of the Maidan. We can win only when we are united.

A loving and kindly approach works between individuals, it works between groups and it would work between nations if nations had the courage to try it.

That, if a straight line falling on two straight lines makes the interior angles on the same side less than two right angles, the two straight lines, if produced indefinitely, meet on that side on which the angles are less than two right angles.

My goal was to tell a dialogue between high fashion and streetwear. So, the name Off-White, in my mind, is between black and white. So, that middle ground is a mixture between both genres of fashion.

I have a lot of friends and family that have suffered because of the church's judgment; my best friend in the world is gay. I felt a lot of people around me drawing lines in the sand, and that year I decided: I don't want to draw lines and have to be on one side or the other, but if someone's going to push me to one or the other side of the line, I'm going to stand on the side of those being judged because that's where I feel Jesus meets people.

[While designing] I'm mixing two lines of thought really: me as a designer for women and then me as a man. At the start of the design process it's the designer for women that comes to the forefront - sketching and revising the silhouette. Then the man comes into the picture - and I look at the shoe from a very masculine point of view. Then there is a conflict between the two sides of me. Sometimes the man wins, and sometimes the designer wins.

You know, you're just sitting with him [Chevy Chase], then you're doing a scene with him and acting, and all of a sudden you go, "Omigod, that's Chevy Chase!" And then you've got to keep acting. "Danny, your lines? Your lines...? You've got to keep going!" "Oh, sorry, sorry!"

So many of the properties of matter, especially when in the gaseous form, can be deduced from the hypothesis that their minute parts are in rapid motion, the velocity increasing with the temperature, that the precise nature of this motion becomes a subject of rational curiosity. Daniel Bernoulli, Herapath, Joule, Kronig, Clausius, &c., have shewn that the relations between pressure, temperature and density in a perfect gas can be explained by supposing the particles move with uniform velocity in straight lines, striking against the sides of the containing vessel and thus producing pressure.

There are no different categories of love. There isn't one kind of love between a mother and child, another between lovers, and another between friends. The love that is real is the love that lies at the heart of all relationships. That is the love of God and it doesn't change with form or circumstance.

There's not a lot of talking between actors - either between actors or between actors and directors. People think that they sit in rooms and talk about psychology and motivations. I don't think that happens much.

May I repeat what I told you here: treat nature by means of the cylinder, the sphere, the cone, everything brought into proper perspective so that each side of an object or a plane is directed towards a central point. Lines parallel to the horizon give breadth... lines perpendicular to this horizon give depth. But nature for us men is more depth than surface, whence the need to introduce into our light vibrations, represented by the reds and yellows, a sufficient amount of blueness to give the feel of air.

Vienna is relatively small. And it had wonderful salons, opportunities for people to get together. There was a lot of interaction between scientists and non-scientists, between Jews and non-Jews, between artists, writers and scientists, including medical scientists.

There's bleeding between age groups in terms of reading material, and there's bleeding between media. So there are books that are clearly comics and books that are prose, and then there are these books that are kind of in-between.

I criticized Nawaz Sharif's personal friendship with Modi, but my point has been that there should be good and friendly ties between India and Pakistan at state level. But friendship between these two leaders hasn't turned into a friendly relationship between the two states.

What quality is shared by all objects that provoke our aesthetic emotions? Only one answer seems possible— significant form. In each, lines and colors combined in a particular way; certain forms and relations of forms, stir our aesthetic emotions. These relations and combinations of lines and colors, these aesthetically moving forms, I call ‘Significant Form’; and ‘Significant Form’ is the one quality common to all works of visual art.

And in some way, Clary thought, he meant it, meant his gratitude. He had long ago lost the ability to distinguish between force and cooperation, between fear and willingness, between love and torture. And with that realization came a rush of numbness—what was the point of hating Valentine for being a monster when he didn’t even know he was one?

By elevating the dictum of the market to the role of the sole criterion of rationality and efficiency, economics denies even all "respectability" to the distinction between essential and non-essential consumption, between productive and unproductive labor, between actual and potential surplus.

Community, then, is an indispensable term in any discussion of the connection between people and land. A healthy community is a form that includes all the local things that are connected by the larger, ultimately mysterious form of the Creation. In speaking of community, then, we are speaking of a complex connection not only among human beings or between humans and their homeland but also between human economy and nature, between forest or prairie and field or orchard, and between troublesome creatures and pleasant ones. All neighbors are included.

The connection between art and Christ is like the connection between sunlight and the sun. It is, in fact, the connection between Sonlight and the Son.

My time as an MP has made me more aware of the power dynamics that exist in society: between men and women, between people of different backgrounds and ethnicities, between those in positions of power and those with very little of it.

They tell you to memorize your lines, follow your light, and hit your marks. Those are the three things that you shouldn't do. You should not learn your lines, you should not hit your mark, and you should never follow your light. Find your light - that's my opinion. Everyone else will tell me I'm wrong, but that's my opinion.

It's a battle between record company, between producer and between mastering engineer. Because the louder you make your record in a digital process, the more dynamics are squished out of it. Nobody knows exactly what happens, but the dynamics in the performance disappear, and everything is at the same volume.

I once said that effort is between you, and you, and nobody else. The same can be true between and individual and their camera. What you're shooting is between you and you and nobody else. Outcomes are for the audience. The action is yours alone.

I know the difference between right and wrong, and I can tell good from bad. But I also know that the more difficult decisions come when we have to choose between good and better. The toughest calls of all are those we have to make between bad and worse.

What kind of choice is it, really, when motherhood forces you into a delicate balancing act -- not just between work and family, as the equation is typically phrased, but between your premotherhood and postmotherhood identities? What kind of choice is it when you have to choose between becoming a mother and remaining yourself?

The conflict is not between Christianity and Islam or between East and West - instead, it is between stupid people and other stupid people.

I'm quite severely dyslexic so I struggle with acting in certain ways. I always have to put in triple the amount of effort, which would always frustrate me a lot. I suppose that some people can just look at a script once and know it. That's not me. I really have to spend a bit of time with the lines. But it's my job and I've got better and better at it. If you're learning a lot, things start going quicker. Doing the lines with repetition and you just get it in your head somehow.

The frontiers are not east or west, north or south; but wherever a man fronts a fact, though that fact be a neighbor, there is anunsettled wilderness between him and Canada, between him and the setting sun, or, farther still, between him and it. Let him build himself a log house with the bark on where he is, fronting IT, and wage there an Old French war for seven or seventy years, with Indians and Rangers, or whatever else may come between him and the reality, and save his scalp if he can.

Paleontologists had long been aware of a seeming contradiction between Darwin's postulate of gradualism, confirmed by the work of population genetics, and the actual findings of paleontology. Following phyletic lines through time seemed to reveal only minimal gradual changes but no clear evidence for any change of a species into a different genus or for the gradual origin of an evolutionary novelty. Anything truly novel always seemed to appear quite abruptly in the fossil record.

I believe that the real difference in the American church is not between conservatives and liberals, fundamentalists and charismatics, nor between Republicans and Democrats. The real difference is between the aware and the unaware.

Communism... is the genuine resolution of the antagonism between man and nature and between man and man; it is the true resolution of the conflict between existence and essence, objectification and self-affirmation, freedom and necessity, individual and species. It is the riddle of history solved and knows itself as the solution.

As we grow in our consciousness, there will be more compassion and more love, and then the barriers between people, between religions, between nations will begin to fall. Yes, we have to beat down the separateness.

[In comedy] you never want to leave the actors hanging out to dry. So you need to come up with funny individual stories for each character, and then you do this sort of comedy geometry, weaving them together. Once you've got a funny structure and you know why the scenes are funny, then you get super funny people to say your own lines, say their own lines, say things in their own way, and every scene is a live rewrite in front of the camera.