Top 1200 Big Band Quotes & Sayings - Page 15

We're going to take on the big media, big business, and big donors that are bleeding our country dry. We're losing our jobs.

Part of why I started a band was due to feelings of shyness and social ineptitude. I saw it as some way of being able to interact with people from a safe distance. It's always been about trying to get to know people. Albeit, it's a bit of a contradiction because you can't really get to know people when they're 10 feet away and there's a big mass of them.

I was inspired by a lot of people when I was young, every band that came through town, to the theater, or the dance hall. I was at every dance, every night club, listened to every band that came through, because in those days we didn't have MTV, we didn't have television.

A band is a real band if they can play not just their songs, but they can just play.

Your band members? Your band members don't want to be tied to a machine. They want to be playing. That's what the Beatles did. And the Beatles' stuff is timeless. That's what I would suggest. Just get back to sweating, playing hard, hammering, and having a blast.

We lived near a supermarket, and whatever they threw away, we would get it, and my mother would make soup. Or she would get a big can of lard, a big can of meal, a big can of flour, a big can of beans, and fix the same meal for months.

Idealism is based on big ideas. And, as anybody who has ever been asked "What's the big idea?" knows, most big ideas are bad ones.

I think Pantera is a type of band that has been documented very, very well over the years. With the past re-releases, we were fortunate enough to have old demos and stuff that never really saw the light of day. But Pantera was not the type of band to waste many riffs or many parts or songs.

Well all the big companies are really panicked by the internet thing and all that, and sales went down, although sales have gone up again in this country a bit and also the big companies, because they're so big, they need big sales really so they're not really interested.

I used to go to the Church of the Harvest, right off Adams and La Brea. There was a pastor there who had the best big choir and the best band. He would start praying, and the music would start playing and just make people feel so good, you could break out of whatever you were going through. Soft music can have that effect, too.

After Porki,' I immediately got a film opposite Siddharth. Getting into Tollywood opposite a big hero and under a big banner was a big deal.

I was raised in bars. My grandmother had one, and when I was 12 years old I'd go stay with her and that's where I got to watch her band play -- she had a seven or eight-piece band, and I would sit in the kitchen and peek through the door. I was kind of a 12-year-old bottle washer.

The visual side of being a performer or in a band is, to me, as important as the music. I know not everyone shares that same opinion, but when I'm writing songs or working on lyrics or coming up with an idea, I think about videos as I'm in the studio. If I had all the money in the world, I would have the most amazing videos ever, you know? You're saying grandiose, and big; if the song warrants it, I try to push the visuals as far as I can.

We are just fans of music, we are not fans of a specific kind of music. We just happen to be a rock band. Until we explain ourselves, sometimes people don't understand why we limit ourselves to just being a rock band. It's because that is what we like doing.

Big data will never give you big ideas... Big data doesn't facilitate big leaps of the imagination. It will never conjure up a PC revolution or any kind of paradigm shift. And while it might tell you what to aim for, it can't tell you how to get there

I played in rock bands in college and then right out of college I moved over to Europe and lived in Ireland for about four years playing in indie rock bands. I love and miss being in a band, I still am in a band but pursuing that as a career I definitely missed it but I felt like that ship had sailed.

I grew up listening to everything. And rock and roll has always been a big, big part of it - as big a part of what I do as any other type of music.

When I moved to L. A. with this little wimpy garage band, the first people we met were the Doors. Then we met Jimi Hendrix, Janis Joplin. All of the people who died of excess were our big brothers and sisters. So I said to myself: How do you become a legend and enjoy it? The answer is to create a character as legendary as those guys and leave that character on the stage.

I remember Green Day came down and played this South Florida club called the Plus Five. I think I was too young to go - I think I was 12 or 13. It was before Green Day were on a major label, but I loved them because they were this band who were a punk band, but they had melody.

Jay Z in many ways is a rock artist. In the sense that they've used hard rock, punk rock, psychedelic rock aesthetics and influences in their music. When you see Kanye West, he has a full band playing. Jay Z has a full band playing with Marshalls.

What do we care, if the world is a joke? We'll give it a big kiss, we'll give it a poke. Death wears a big hat cause he's a big bloke.

Starting a band is the easy part. Once you've formed the band, you have to tell a story, and that story requires songs. And not just good songs, but great songs. After a while, great songs won't do - they have to be the best. Success doesn't make it any easier. Each time I start a new record, it's a brand-new search.

The day Metallica's over, i'm not going to put an ad looking for another band. I'll put my drumsticks on the shelf and there's 14 other things I wanna try. Metallica's the only band I've ever been and it's the only I ever wanna be in.

Childhood, all me influences were, say, between the time that I can remember, which would have been about three years old to the time that I was about five or six years old, all the music that I ever heard was jazz and it was American jazz, and it was big-band jazz, to be more defined.

I'm always a big fan of a big pot of chicken soup. I like to make a big pot of that, and I keep it in my freezer so when I come off the road and I just want to sit in my pajamas on my couch and catch up on the DVR and dig into a nice big bowl of chicken soup. It feeds my soul.

I grew up in New Jersey in the '80s. That means one thing: Big hair. ... I had big hair, my boyfriends had big hair, we all had big hair. Our prom looked like the poodle division of the Westminster dog show.

Somebody accumulates a lot of muscle and think himself to be a big man. But this big man is only big when all around him are smaller.

When I was growing up, until I was 18 or 19, I was totally invested in the classical music world. I had no concept of anything else. The closest thing to a cool band I listened to was Radiohead. Radiohead were the only band I liked in high school. I was just obsessed with classical music, opera, Claude Debussy, and that kind of stuff.

There's no way we could play a country song as well as a country band or a Latin song as well as a Latin band. We could never expect to do that. We just keep doing what we do, what we know how to do. We sound like ourselves.

With *NSYNC, we shopped our deal for a year in America, sang a capella in everybody's office, then moved to Germany for almost two years and became popular there. A guy representing a rock band came to our show in Budapest, saw 60,000 people get excited for a band from America that nobody in America knew, and told someone at RCA.

When I started making films I just decided "I'm the filmmaking equivalent of a garage band and I'll just make my garage band movies." But even the same musicians from garage bands would go to my movies and you could tell what they liked from the way that they dressed and they would be the first ones to walk out.

My favorite all-time artist... I would say, I think that must be Sigur Ros, I love that band. It's like going to the stars for me. When I put the music from Jonsi or Sigur Ros on, it's so relaxing, it's warm and it never gets boring to listen to, you always hear new things. Yeah, that must be my favorite band.

The collusion of big business, big labor, and big government threaten the spirit of small business that makes America great.

A friend of mine introduced me to Thurston Moore because she thought I would like him. He was playing with the tallest band in the world, the Coachmen. They were sort of like Talking Heads, jangly guitar, Feelies guitar. Anyway, it was love at first sight. His band broke up that night. And we started playing.

The difference between Tinted Windows and Hanson shows is a lot of just repertoire. Hanson has been a band for years - we have a lot of songs to pull from and it's a different dynamic - a common kind of thread. With Tinted Windows - it's kind of a little like 'hey, we're this new band.'

The name came from, erm... us all just agreeing on a name that we liked. There was talk of Swans at first, but there was already a band called Swans, way back in the eighties. An American band. So we thought, well, we can't have them, and I think Andy said, "well what about Doves?" We ruminated it around the three of us and went, well, it's not so bad, it's all right.

When I would play in big games at Ohio State, if the Goodyear Blimp was there, you knew it was a big-time game against a big-time opponent.

The Replacements definitely changed my life, I think they're just amazing. The thing that blew me away [a band like that] is that you'll get into a band from hearing one interesting song and then you'll realise that you've got seven or eight albums to listen to afterwards and every single one of them is a great record. The Replacements definitely changed my life.

I remember when I was a kid and I used to go and see Queen play live. It was like there was Queen the album band, and then Queen the four dudes on stage playing the songs on stage, and it never lacked anything to me when it was just the four dudes playing the big songs.

You're just these kids from a small town. You get a record deal, and everything just goes so fast. In the span of five albums... in a way, the band that you started in your bedroom, or your basement or your garage, kind of becomes not your band anymore. It becomes something bigger than you could have known. No one really prepares you.

Nine Inch Nails were the best and most popular industrial band of all time; as a consequence, industrial purists usually assert that Nine Inch Nails aren't an industrial band at all (this is a counterintuitive phenomenon that tends to occur with purists from all subcultures, musical or otherwise).

Fang swerved closer to me, big and supremely graceful, like a black panther with wings. Oh, God. I'm so stupid. Forget I just said that. "He needs a Band-Aid," I said. A look passed between me and Fang, full of suppressed humor, relief, understanding,love — Forget I said that too. I don't know what's wrong with me.

The nature of music fandom and music fans is that, very often, they fall in love with a band or a particular artist, and they really would like... I'm talking generally; that's not everyone. But a vast majority of the fan base would prefer the band to keep making the same record and the same style of music over and over again.

If you don't have a good rhythm section, your band is toast; you're a bar band. Good rhythm section, you've got a chance to get out of the bar.

When a big player leaves, a big player leaves. You're at a big club like Liverpool, another big player will come in the future.

You take all the time to write a song: you have to let it ooze on out by its natural self and that is pretty time consuming. Then you teach it to the band so everybody gets all the parts. Then you rehearse it and road test it, and all that. Then you get to the studio and there is a new guy in the band who calls himself the producer, right? Huh. He either makes it or breaks it usually before nightfall.

I spent most of my 20s playing music. I was in a band and we worked really hard and did not get very far. I was really close to being this guy who used to be in this band who is still playing and trying to get some recordings together, but I got really lucky. That's never lost in me, that I went through Saturday Night Live.

Whenever you do big stuff in the ring - a big move or a big hit - you have to let that moment breathe. That allows a moment to sink in for the fans so they can reflect on it.

Predetermine the objectives you want to accomplish. Think big, act big and set out to accomplish big results.

At least here in Stockholm if you go out to any of our 4 metal clubs and talk to ten guys you can be sure nine of them play in a band! The bad thing is there is no underground movement here anymore. Going to a show with local band's ten years ago would mean at least 300 people, now you can be lucky if 50 shows up!

I've never competed in powerlifting. But my goals weren't to be a powerlifter. My goals were to pack on size and get big, big, big.

Liverpool is a club with a big, big, big history, and all the clubs in the world have a big history if the present is not too successful. If you have never had success, then nobody knows how it is, but in Liverpool, everybody knows how it was.

We've done every record on our own. Its produced by our guitar player and sometimes we'll have some help mixin' it and have some outside engineers but for the most part, it's done by the band and I think that's the reason why CKY sounds like no other band, 'cause we make our own albums.

The difference between Tinted Windows and Hanson shows is a lot of just repertoire. Hanson has been a band for years - we have a lot of songs to pull from and it's a different dynamic - a common kind of thread. With Tinted Windows - it's kind of a little like "hey, we're this new band."

It's been my dream to be in a Western, and to be able to wear the clothes, have a big gun, wear a big hat, have a big horse, and be a take-no-prisoners lady in the Civil War era.

One of my first films was Zebrahead. I remember the producer asking me, "Can you handle the big lights?" And I thought, Do I want to be sarcastic, or do I want the job? So I said, "I don't handle the big lights, I just tell big men where to put the big lights and they do it."

I was inspired by a lot of people when I was young. Every band that came through town, to the theater, or the dance hall. I was at every dance, every night club, listened to every band that came through, because in those days we didn't have MTV, we didn't have television.

You have to know one big thing and stick with it. The leaders who had one very big idea and one very big commitment. This permitted them to create something. Those are the ones who leave a legacy.

A weird thing about Gossip that I've always said: "If I weren't in this band, I would never listen to it." But I would go see it. It's a band you would go see that you don't necessarily listen to.

The cast of 'Lemonade Mouth' was picked so perfectly. A lot of people see us as a band on camera, but not a lot of people know that Lemonade Mouth was a band off-camera, too.