Top 1200 Big Book Quotes & Sayings - Page 16

What did Napolean do for relaxation? He read a book. What did Lincoln do for relaxation? He read a book. What does Congress do for relaxation? They book a red.

My first book, 'When You Were Mine,' got optioned for film and went into preproduction as 'Rosaline.' That was the classic model: Hollywood calls, options book, and that's it. You sign on the dotted line.

Why do you read many books? The great book is within your heart. Open the pages of this inexhaustible book, the source of all knowledge. You will know everything.

Many [book] even lay flat in the floor open. Their spines upward. Elinor couldn't bear to look! Didn't the monster know that was the way to break a book's neck?

Remember that the book which bores you when you are twenty or thirty will open doors for you when you are forty or fifty - and vise versa. Don’t read a book out of its right time for you.

Early on my career, I figured out that I just have to write the book I have to write at that moment. Whatever else is going on in the culture is just not that important. If you could get the culture to write your book, that would be great. But the culture can't write your book.

I opened a book and in I strode. Now nobody can find me. I've left my chair, my house, my road, My town and my world behind me. I'm wearing the cloak, I've slipped on the ring, I've swallowed the magic potion. I've fought with a dragon, dined with a king And dived in a bottomless ocean. I opened a book and made some friends. I shared their tears and laughter And followed their road with its bumps and bends To the happily ever after. I finished my book and out I came. The cloak can no longer hide me. My chair and my house are just the same, But I have a book inside me.

To read a book, to think it over, and to write out notes is a useful exercise; a book which will not repay some hard thought is not worth publishing.

I think every filmmaker makes different choices. I remember in the early days, in some of the early comic book movies, certain white dissolves were used that would try to emulate the look and feel of comic book panel borders. Sometimes they would frame shots in panels or circles that gave it a real comic book feel.

This was an age before e-books. We all knew that the only way you can allow a book to survive in print in the long term is in paperback. The hardback has a certain life, and then it stops having that. It stops selling, and if you want the book to just stay around there has to be a paperback edition. So if there were not a paperback edition the book would eventually disappear from the shelves, and we would have lost the battle.

I appreciate your giving my book -- and in no small way, me -- a chance. To thank you, I really wanted to acknowledge all of you in the book. Unfortunately, I didn't have enough room for each name. So I've put in a code name that stands for all of you reading this book. The name is 'Mom.' It will be our little secret. So when you see 'Mom' in the acknowledgments, you'll know I'm really talking about you. And don't let my mother try to tell you otherwise.

Literature was the only religion her father practiced, when a book fell on the floor he kissed it, when he was done with a book he tried to give it away to someone who would love it.

Even God had a Welsh name : He spoke to him in the old language; He was to have a peculiar care For the Welsh people. History showed us He was too big to be nailed to the wall Of a stone chapel, yet still we crammed him Between the boards of a black book .

My first book, 'To Be or Not To Be,' took 'Hamlet' and converted it to the choose-your-own-path format. It was a great fit for a book where you control what happens - a book as game - because the plot of 'Hamlet' is very game-like: get a mission from a ghost to kill the final boss, kill the final boss, and game over. You win.

Big things always interest me, but the big things don't work because they're too big. You have to find characters in which to couch all those things.

In my family, education was something you endured. My parents weren't educated past high school, and the only book in our house was a 'Reader's Digest' condensed book. Can you imagine?

I think I write for reluctant readers. Of course I want everyone to enjoy my books, but if the kids in the back row who normally don't pick up a book are engaged with what I'm writing, along with the kids who are big readers anyway, then I really feel like I've done my job.

I'm still happy with the way Einstein's Dreams came out. That book came out of a single inspiration. I really felt like I was not creating the words, that I was hearing the words. That someone else was speaking the words to me and I was just writing them down. It was a very strange experience. That can happen with a short book. I don't think it could happen with a long book.

It took me eight books to finally be at a point in my career where I could come out with a book and say, 'This is meant to be a funny book,' and we didn't have to make any bones about it.

My sixth book, 'A Breath of Snow and Ashes,' was nominated for a number of book awards, one of which was The Quill Award, and they had it in New York at the Natural History Museum.

I'm a big dreamer. You might as well go to the top. You want to dream big, you dream big.

I've never gone back to the stacks after my book's expiration at the front of the store. Not because I'm above it or anything, but I'd be mortified if someone caught me looking for my own book.

I was a little nervous backstage. But I had this book, Gandhi. I just read his quotes, closed my eyes and focused my thoughts. Presently, this book is my prized possession.

I remember as a young child, during one of my frequent trips to the local library, spending hours looking at book after book trying in vain to find one that had my name on it. Because there were so many books in the library, with so many different names on them, I’d assumed that one of them — somewhere — had to be mine. I didn’t understand at the time that a person’s name appears on a book because he or she wrote it. Now that I’m twenty-six I know better. If I were ever going to find my book one day, I was going to have to write it.

Run a test. Give a 5-year-old a printed book and an iPad and see what happens. That 5-year-old is going to go right for the iPad. They're not intimidated by it. They know what to do with it. They'll start searching around. And in a children's e-book, you can have links to kid-safe encyclopedia. So if they click on the lion, it takes them to Africa and tells them all about lions. So now, the e-book is educational.

I mean, sports are big, big, big business.

I think it's a mistake to think, 'Am I going to write a young adult book, or do I desperately want to write a book for adults?' I think the better ambition is to try to write someone's favorite book, because those categorizations of adult, young adult, become kind of superfluous.

If a book told you something when you were fifteen, it will tell you it again when you're fifty, though you may understand it so differently that it seems you're reading a whole new book.

Everyone in the book's ecology, starting with the author and including the publisher, the distributor, the booksellers, the libraries, and ending up with the reader, should benefit from a healthy book trade.

This book will take you two days to read. Did you even see the cover? It’s mostly pink. If you’re reading this book every night for months, something is not right.

I feel luck plays a vey crucial role in determining the success of the book. Marketing a book is also very important. You need to try all tricks in the trade.

My favorite sports novel is End Zone by Delillo. It's such a great looking book too, the black cover with the football player on it. It's just a fantastic little book.

I'm a big comic book geek and I've been reading comic books since pretty much since I was five or six in 1971 or something like that. So, I mean, I read it all and there's certainly a lot of different iterations of Superman that I personally have enjoyed more than others.

The fact of the matter is that you should really stop concerning yourself with writing a book because anyone can write a book that totally sucks. There is nothing special about that.

I labored for eight years thinking I was writing a book for adults that was a nostalgic look back on childhood. Then my publisher informed me I'd written a children's book.

The librarian's mission should be, not like up to now, a mere handling of the book as an object, but rather a know how (mise au point) of the book as a vital function.

There's something special about writing by hand, writing with a fountain pen, and there's something special about writing into a book, to take a blank book and turn it into an actual book.

The only things I read are gossip columns. If I read three pages of a book, I'm out like a light. When I pick up the book again, I've forgotten what I've read and have to start over again. By page three, even if I've just awakened from a nine -hour nap, I fall asleep again. So if anyone gives me a book, it had better have lots of pictures.

Ever read any [Friedrich] Hayek? He's great. The Road To Serfdom is like... I'm not a big political-science reader, but I actually dog-eared my copy. I ended up going back through it and writing a précis, I was so impressed by this book. It's all about what happens when government tries to make everything right.

I listen to a little bit of hip-hop, but I mainly go back to what was big when I was at the University of Georgia in the '70s. I'm a big Emerson, Lake & Palmer guy, a big Jackson Browne guy, the soundtrack of college.

You don't know about me, without you have read a book by the name of 'The Adventures of Tom Sawyer,' but that ain't no matter. That book was made by a Mr. Mark Twain, and he told the truth, mainly.

Almost any poll of regular churchgoers will reveal that their favorite book in the New Testament is the Gospel of John. It is the book that is most often used at Christian funerals.

The last book I read before I wrote my first book - 'Ghosts of Manhattan' - was 'The Gold Coast' by DeMille. I loved it, and it gave me a lot of energy to start into my own.

I've had mainstream readers complain that the book is really a romance, and romance readers complain that the book isn't a romance - with the same book! It really depends on the individual reader's expectations going into the story, and that's very hard to predict person to person.

Some people may contend that there is no image more charming that a child holding a puppy or kitten. But for me that's a distant second. When I see a child clutching a book... to his or her tiny bosom, I'm moved. Children can possess a book in a way they can never possess a video game, a TV show, or a Darth Vader doll. A book comes alive when they read it. They give it life themselves by understanding it.

A reader is entitled to believe what he or she believes is consonant with the facts of the book. It is not unusual that readers take away something that is spiritually at variance from what I myself experienced. That's not to say readers make up the book they want. We all have to agree on the facts. But readers bring their histories and all sets of longings. A book will pluck the strings of those longings differently among different readers.

I labored for eight years thinking that I was writing a book for adults that was a nostalgic look back on childhood. Then my publisher informed me I'd written a children's book.

Being a plus-size actress, it is slim pickings, so anytime any role comes up for a plus-size actress, my agents are all over it, and they were like, 'You have to book this job. It's 'American Horror Story.' It's a big deal.' No pressure, right?

There has never been a book like this. At once a poetics of place, a work of deep history, a bildungsroman, and an acute inquiry into the big subjects: love, family, other animals, the nature of creativity. It is sublime. It's also very funny. Haunting and haunted, Hold Still is the memoir of an artist that is art itself.

There are, however, those who have called the book [The Kite Runner] divisive and objected to some of the issues raised in the book, namely racism, discrimination, ethnic inequality etc.

I've always been entranced when it came to musical comedy; it's probably my favorite thing. It's a real true American form, and it's big, like Shakespeare big, when it's right. It's loud, and it's big: you have to be ready vocally and physically. It can bring people to their feet and can be as thrilling as a circus.

If we might reverently imagine ourselves scheming beforehand what kind of book the Book of God ought to be, how different would it be from the actual Bible! There would be as many Bibles as there are souls, and they would differ as widely. But in one thing, amid all their differences, they would probably agree: they would lack the variety, both in form and substance, of the Holy Book which the Church of God places in the hands of her children.

I saw Roland Barthes's 'Mourning Diary' at a bookshop, and I felt it was like I was destined to see the book. I read it all in one go while I was in the shop. The book was mind-blowing.

Yes, the stories are dangerous, she was right. A book is a magic carpet that flies you off elsewhere. A book is a door. You open it. You step through. Do you come back?

In the book, D'Artagnan doesn't actually become an official Musketeer until quite near the end, and we make quite a big thing about that. I won't give too much away, but when he finally does make it, they're not going to make it easy for him. That never changes.

I'm big on manners. I'm big on politeness. I'm big on gratitude.

My wife made me a book of photographs she took of our road trip across the United States. Makes for a good coffee table book.

I write all the time, I've got a big, thick, old ledger book that I write stuff down in. I used to watch TV and write things that people would say and now I tend to get it more out of books and from conversations with people I meet.

The Rebecca Riots by David Williams is an unassuming book, but its significance is universal. The book and its author determined my life; they made me want to be a historian of Wales and of the world.

I'm a big greens fan. I'm a big vegetable fan. I'm a big whole grains fan. And I exercise a lot. That's how I keep this petite dancer's figure.