Top 1200 Big Book Quotes & Sayings - Page 2

If I were asked what book is better than a cheap book, I should answer that there is one book better than a cheap book, - and that is a book honestly come by.

I wasn't a big comic book reader. I always had trouble knowing which box to read next. I was always reading from the wrong box. I was like, this is a comic book that doesn't make any sense! I think I was reading them all out of sequence.

Every book takes me from 35 to 41 days to write. I don't know why that is. I've tried to get it down to 30 or 31, depending on the length of the month, but it won't work. I don't drink while I'm writing because it fuddles my logical processes, but when I finish a book I go down to the kitchen and pour myself a big belt.

As it now stands, I Enoch appears to consist of the following five major divisions: (1) The Book of the Watchers (chaps. 1-36); (2) The Book of the Similitudes (chaps. 37-7l)-, (3) The Book of Astronomical Writings (chaps. 72-82); (4) The Book of Dream Visions (chaps. 83-90); and (5) The Book of the Epistle of Enoch (chaps. 91-107).

One of the traps or the pitfalls of writing a trilogy - or a triptych, or whatever term you want to use - is that the second book can be a long second act to get you from book one to book three, which borrows all of its energy from the first book.

The best way to get kids to read a book is to say: 'This book is not appropriate for your age, and it has all sorts of horrible things in it like sex and death and some really big and complicated ideas, and you're better off not touching it until you're all grown up. I'm going to put it on this shelf and leave the room for a while. Don't open it.

I wasn't really a big comic book guy, growing up.

I was not a big comic-book reader.

You have to surrender to your mediocrity, and just write. Because it's hard, really hard, to write even a crappy book. But it's better to write a book that kind of sucks rather than no book at all, as you wait around to magically become Faulkner. No one is going to write your book for you and you can't write anybody's book but your own.

The book. The book...think about a book. What a perfect invention. The best and most important ever.

God has the Big Book, the beautiful proofs of mathematical theorems are listed here.

I'm a big comic book guy.

It's important to read a book, but also to hold the book, to smell the book... it's perfume, it's incense, it's the dust of Egypt.

Many years, I would publish four books - an anthology, a book of criticism, a new book of poems, a book of essays.

I like seeing my physical progress through a volume, particularly if it's a big book.

'The Things They Carried' is labeled right inside the book as a work of fiction, but I did set out when I wrote the book to make it feel real... I use my own name, and I dedicated the book to characters in the book to give it the form of a war memoir.

There is not on the face of the earth-after the Book of Allah - a book which is more sahih than the book of Malik.

To gain the book, one must give up all hope for the book. It is the only way the book can get written.

My personal telephone book is a book of the dead now. I'm so old. Almost all of my friends have died, and I don't have the guts to take their names out of the book.

Sarah Palin - now don't laugh - is writing a book. Not just reading a book, writing a book. Actually, in the word of the publisher, she's 'collaborating' on a book. What an embarrassment! It's one of these 'I told you,' books that jocks do.

The book has very specific qualities. Let's say in 2300 they discover the physical book, after having lived with the digital book for several hundred years. They'll be able to say, "Look at all the cool stuff you can have in a real book and how different it is." The differences are manifold.

For every Book of Job, there's a Book of Leviticus, featuring some of the most boring prose ever written. But if you were stranded on a desert island, what book would better reward long study? And has there ever been a more beautiful distillation of existential philosophy than the Book of Ecclesiastes?

Making a book is such a big enterprise.

I immediately went out and bought a book on anger management. And now I have that book, and I don't know if I'll get to the book. But I'm certainly excited about the day where I can't find the book, and I get to say, 'Where the hell is my anger management book?!'

I'm not a big basketball book guy.

As a digital creator, there's been so much pressure to write a book because so many of my peers have done it. I've been very adamant about saying, "No! I don't want to release a book just for the sake of writing a book. I'm going to write a book when I feel like I have something to say in a book."

I'm usually working either on a picture book and a young adult book, or a middle grade book and a young adult book. When I get bored with one, I move to the other, and then I go back.

The term Big Brother is from George Orwell's book 1984 - where everyone's watched over by a network of cameras called Big Brother. I've never understood why Orwell chose that phrase for somebody watching you all the time. Isn't that more like Creepy Uncle?

I would like to one day write a nice big novel and enjoy writing it and people enjoy reading it but I cannae be bothered or I don't have any ideas that would fill up a big book like that.

I didn't want to do a book just to do a book. I wanted to do a book that, if you should read it, you might take one thing from it. Until that was clear in my mind, I wasn't going to do one.

There's a big difference between the National Book Awards and the Academy Awards. At the Academy Awards you can feel the greed and envy and ego. Whereas the National Book Awards are in New York.

When you take time , often to reflect on the miracle of life - the miracle that you are even able to read this book - the gift of sight ,of love and all the rest , it can hep to remind you that many of the things that you think as "big stuff" are really just "small stuff" that you are turning into big tuff

Great nations write their autobiographies in three manuscripts - the book of their deeds, the book of their words and the book of their art.

It's always a better choice to write a new book than it is to keep pounding your head against the submissions wall with a book that's just not happening. The next book you write could be the book, the one that isn't a fight to get representation for at all.

Now, to describe the process of the Wrapped Reichstag, which went from 1971 to '95, there is an entire book about that, because each one of our projects has its own book. The book is not an art book, meaning it's not written by an art historian.

The process of writing a book is infinitely more important than the book that is completed as a result of the writing, let alone the success or failure that book may have after it is written . . . the book is merely a symbol of the writing. In writing the book, I am living. I am growing. I am tapping myself. I am changing. The process is the product.

Anyone who has an imagination can write a book - it's cheap to do - but movies are big money.

I'd say the purest experience for the movie is not to have read the book because I think when you've read the book you're just ticking off boxes. I think that after you see the movie, reading the book is a cool thing. I always say the movie's not meant to replace the book. That's ridiculous. I'm a huge fan of the book.

Yes! I am big comic book geek. I can't live without them.

My grandmother would give me a beautiful book each year. I especially loved the Beatrix Potter books. They were very detailed. And I promised myself that was what I'd do. I also loved the big words she used. I was excited because I knew what they meant from the context. I put a few big words in for just that reason.

Usually, the creating of the book happens while I'm writing the book. I start with Chapter One, with a few ideas and a handful of characters, and the book grows from there.

I rarely, if ever, had another book in mind while I was writing the previous book. Each book starts from ashes, really.

Get Up is basically the book I wanted to have my first year of sobriety. I wish someone had given me this book a year before I even went to a meeting because I was already miserable. I didn't enjoy drinking anymore, I just couldn't stand the idea of not doing it. I was afraid if I got sober I wouldn't be able to write anymore. That was a really big fear of mine, which turned out not to be true.

'The Red' is the first book in a trilogy that gained a big following as a self-published e-book, and is now out in paper from Saga. It introduces us to reluctant hero Shelley, a former anti-war activist who chooses to join the military rather than serve jail time after being arrested at a protest.

Read a lot. Expect something big, something exalting or deepening from a book. No book is worth reading that isn't worth re-reading.

When a translator translates my book, it is no longer just my book. It is the translator's book, too. So the book in another language is almost the work of two people. And that is quite interesting to me.

You need to be naive enough to do things differently. No big publishing house would have allowed us to co-create a fully designed, four color business book in landscape format - because it was contrary to the publishing industry logic. However, we thought of Business Model Generation as a product, not just a book - similar to Apple products.

I'm publicizing the book that's done. I'm writing the book that's in the hopper, and I'm doing a little advance research on the book to come.

I am a big believer in the fact that all authors really write only one book.

I began writing books after speaking for several years and I realize that when you have a written book people think that you're smarter than you really are if I can joke. But it's interesting. People will buy your book and hire you without reading the book just because you have a book and you have a book on a subject that they think is of interest to themselves or e to their company.

One of the big misapprehensions about mathematics that we perpetrate in our classrooms is that the teacher always seems to know the answer to any problem that is discussed. This gives students the idea that there is a book somewhere with all the right answers to all of the interesting questions, and that teachers know those answers. And if one could get hold of the book, one would have everything settled. That's so unlike the true nature of mathematics.

Attending a book group is always a salutary experience for a writer. There's no guarantee that the people there will have enjoyed your book, and, as anyone who has taken part in a book group will know, half the fun is in ripping a book you haven't liked to shreds.

A big book is like a serious relationship; it requires a commitment.

A big leather-bound volume makes an ideal razorstrap. A thing book is useful to stick under a table with a broken caster to steady it. A large, flat atlas can be used to cover a window with a broken pane. And a thick, old-fashioned heavy book with a clasp is the finest thing in the world to throw at a noisy cat.

The book is not really the container for the book. The book itself is the narrative. It's the thing that people create.

Enthusiasm is big. When I write a book, it's a three-year commitment. Toward the end, I'm writing seven days a week, and it's exhausting but thrilling. The only hope is to have some real enthusiasm for the book. ... Above all, you need some strong emotional or personal connection to your material.

I usually have about four books on the go - a bedside book, a lavatory book, a downstairs book, and the book in my study that I read sneakily while I should be writing. Short stories for the lavatory, obviously.

If i write a book it will probably be a book about how not to use the internet or a book of poetry.

I was a big comic book fan from 13 on.

I was never a big comic book fan. I was always more into the baseball cards.