Top 1200 Big Screen Quotes & Sayings - Page 3

I can't live without my 15-inch MacBook Pro. I drag it everywhere I go. I love having a big screen with me at all times, especially in transit.

Any good parody takes a grain of truth and exaggerates it for the big screen. People ask me if I'm offended at all and I say not in the least.

You can't fix a bad script after you start shooting. The problems on the page only get bigger as they move to the big screen.

'Paranormal Activity' had fifty versions because it was $250 to reshoot. We'd screen it, see one thing wrong, shoot for an hour, fix it, and then screen it again. You don't have to be disciplined about it. On a regular movie, you have to screen it and think of every problem, reshoot for three days and solve every problem, and then you're done.

When I was old enough to go to movies alone, I got to see 'Frankenstein' and 'Dracula' on the big screen. I just fell in love with them.

I am not against kissing on-screen but I definitely do not want to be written about for the number of kisses I have had on screen.

[Alfred] Hitchcock was very interested in the image on the screen.As is any good cinema director. That is the language they speak. It is not literature, it is images on screen.

The standard of writing that I'm getting now from 'Big Finish' compares very favourably with some of the stuff I was doing on screen in the '80s.

On stage it's just a wild setting - we have a big screen - hecklers, I'm fighting. It's entertainment, but I want to pierce [the audience's] souls and have them think about what I have to say.

TV is great, and I love it, but to watch somebody's hand-crafted drawings on the big screen is an experience that we've forgotten as an audience, how much fun 2D can be.

The most difficult thing has definitely been movies. From a comedian's standpoint, you think being real big is the best thing, but with movies, the screen is huge, you're big anyway! Also, coming from a TV personality - MTV was all about high energy and selling the hottest video - I had to learn to [take it down]. A lot of characters I'm playing are not necessarily that kind of guy.

I mean, movies are all geared to be basically under 25, and they're all tentpoles, explosions, excitement and all that - they take advantage of the big screen, which is great.

It's much easier to hate someone on screen, if you actually like them off screen. It's a more enjoyable ride. There's nothing personal about it.

I'm kind of intimidated by the big screen - I often keep my performances much smaller and much more natural and subtle.

I was approached for acting roles when I was young. I had said that I look into the mirror every day and don't think my face suits for the big screen. So I will not do the films.

an off-screen persona of Globally Conscious Earth Mother and an aggressive on-screen embodiment of Kali, Goddess of Destruction.

It seems that the ideal age for a Bollywood heroine is 24, which is great, but it would be nice to see some older women too on the big screen.

Survivor has been such a hit, and out of that have come so many interesting stories from people that we don't see on the big screen. We have helped make them incredible celebrities.

Even though the topic [of slavery] itself is the big, screaming elephant in the room, we still get a chance to have fun and enjoy what is on the screen, and we have moments where we're actually happy.

If I had the opportunity to buy the latest movie that's out that month and watch it on the comfort of my big screen TV, I would pay for that.

One very clear memory I have of college is that I never learned anything in the big lectures. I have a feeling I'd have done even worse if they'd been on a laptop screen.

Who doesn't wants to be seen on the big screen? But that doesn't mean I will be a part of any project. TV has given me recognition, and I need to live up to the expectation of my audience.

I was very introverted as a child and as an adult. But something inside told me that I needed to express myself, and it would be on the big screen.

Most of my work is okay to look at on a TV screen or a flat screen, but this is actually much better in a theatre.

Theatrically seeing a movie with a group of people and having a collective experience has an authenticity that you can't get with your big screen television.

Romance on the screen happens even with people who do not have off-screen chemistry. To bring that out from them is my job.

I don't enjoy the boo scare when you're watching a movie and then suddenly there's a big shark on the screen. The only thing they're doing is catching you off guard.

Wray Nerely, the character in Con Man, he actually had a role in Rogue One, but he got cut. It sucked. John Swartz, the producer, is a big fan of Con Man. I even got to screen Con Man while we were shooting Star Wars. They had a theater there, and they let me screen one of the little 10-minute episodes for everyone. What sucked was I had to follow Star Wars.

I think I might want to get into development, as in developing my own sort of piece, whether it be for the stage or the big screen or for television.

Sticking to my schedule, I've gotten over seven months ahead, which allowed me to write a 'Pearls Before Swine' movie script for the big screen.

I write a lot, poems and such, and when I look at it the next day, I can analyze what the problem is and find the solution. It's the same when I watch myself on the big screen, but first, my vanity has to go away and so I have to watch it ten times. But when it has gone, and I don't think my nose is too big and everything else, then I start analyzing, and I think it helps me to become a better person.

When you put a big budget into a film, it doesn't necessarily mean it will be a better picture, but it does help in creating new images on the screen.

It's nice to see my work recognized as being worth something beyond the printed page, and it was very cool seeing Thanos up on the big screen.

I do understand sometimes when actors say there's no one to talk to, or you can't react to, there's truth in that, but for me, I've always enjoyed green screen, and blue screen.

On screen and off screen in WWE, seeing people reflect what our world looks like, that's the goal, and I'm excited to be a part of that.

I just want to say that I'm, like, living for myself, because I was onstage at Radio City Music Hall with Christina Aguilera - and my name was on the screen. It was a big moment!

I've been a huge animation fan since I was a kid, so the idea of seeing my characters in full motion on the big screen is completely mind-blowing.

There's a simplicity in typography that demands absolute accuracy... the only way you can experience it is by doing it, and you can't do it on a screen because a screen never gives you the entire picture.

My first job on the screen was 'Sea Patrol,' and that was quite intense, but I guess my first big break was 'SLiDE.'

I can see that cinema seems to be finished. Everybody has a bigger screen at home. I'm assuming eventually you won't need a screen at all - these iPhones will just project.

It's one of those once in a lifetime opportunities for me to be sharing the screen with a star of the stature of Pawan Kalyan, and I jumped at it. The intensity that he brings to the screen is incredible, he's a phenomenal performer.

If a hip-hop artist can get on stage and entertain an arena full of 30,000 people and keep their attention for 45 minutes, imagine that on a big screen.

Most filmmakers looked at it as a medium to palm off sub-standard stuff. I don't look at it like that. Your TV screen, mobile screen is as relevant as a cinema hall.

I just wanted to make sure that what I write is what appears on screen, to not have some idiot change it on its way to the screen.

We want to see women in more power positions, not just in front of the screen but behind the screen as well.

For actors, we always feel like there shouldn't be any divide for anybody. The industry is the one that kind of creates the idea that if you're such-and-such an actor, you can't be on the big screen.

I think comedy's harder to pull off on the screen than on the stage, anyway. Tragedy is easier on the screen... oddly enough.

You can't stop people watching on mobiles, but I hope the old fashioned idea of sitting in a dark room with a big screen with a group of strangers lives on forever.

I love female heroes too and would love to bring many more to the big screen in the future.

I think in China they have a camera for every street corner, and if you jaywalk, they don't give you a ticket. They put you on the big TV screen to shame you.

I have been working for both the small and the big screen and I found advantage in both of them and disadvantage in none.

Singers put emotions into songs which the actors later replicate on screen. When I know that I can also present myself well on-screen, why not do that?

I've never understood the notion that actors and actresses should look great on-screen just because they're on-screen. That doesn't make sense to me.

It's kind of a test when you read a novel thinking about its potential for the screen: How does it play on your mind's screen?

We want to make movies for the big screen. We want people to go to the theater and feel like they're watching a movie.

To me, sex appeal means that when an actress is on the screen, she just engulfs the whole screen.

Whether it's Cyd Charisse and Fred Astaire or 'West Side Story,' see it on the big screen. That's the way we should appreciate it.

My husband wanted one of those big-screen TVs for his birthday. So I just moved his chair closer to the one we have already.

Bruce Lee was the first star I idolized. Growing up as a Chinese American, there weren't many people like me on the big screen.

When you make a movie like 'Straw Dogs,' your goal is to have people's eyes remain glued to the screen. It serves you no purpose to turn away from the screen.