Top 1200 Big Shots Quotes & Sayings - Page 2

I was tired. I hadn't slept eight hours in two, three years. I lived on four, five hours of sleep. You can do it during a campaign because thousands are screaming for you. You're getting adrenaline shots each day. Then the campaign ends, and there are no more shots.

When shots are going for six and you're playing well, everyone is trying to big you up. Mis=hit one, get out, all the negative people come out.

All true competitors in any field and walk of life take adversity and are strengthened from it. They develop a reputation of determination and toughness that wins more decisive moments in life than winning shots. Bobby Blair was one tough player. Playing him was like going into a phone booth with an angry bobcat. His massive talent was only surpassed by his courage to hit the big shots under the most pressure. No one ever looked forward to playing him. It was going to be pain and suffering if you wanted to go the distance it took to beat him.

Most people don't know I like to block shots. I'm going to be a big point guard out there. So just come in and prove myself. Just show why I belong on this stage.

Most of the time when you're open that's when it's tough to make shots because you try to get some different focus than normally when some guys try to contest your shots.

I had no real photography experience, thankfully. I consciously took a lot of crowd shots. I was influenced by Seattle photographer Charles Peterson, who always seemed to incorporate fans in his live band shots.

Drew McFedries was the hardest hitter I've ever been around. A big, strong, athletic guy with power. He didn't have to hit you with a hard shot or load up - even the little short shots could hurt you.

I shoot a lot of bank shots and a lot of shots around the perimeter. There's a lot of things I like to work on, but I know my bread and butter when it comes down to it, and that's in the post.

Just someone trying to shoot in 70mm deserves the nomination, and he[Quentin Tarantino] is shooting interiors, like tight interior shots, for that matter. Obviously [Quentin] is the director and demanding the shots, but all credit for the beauty of that film [Hateful Eight] goes to the director of photography.

I was there in Washington in the `90s. It was pretty bad then. It`s much worse now [in 2015]. And that vicious cycle is you`ve got again big corporations, executives, Wall Street, very wealthy individuals in both parties who are calling the shots.

There are basically five ways to score in the half court. Layups, mid-range, three-pointers, free throws - and then what I call 'tough shots.' Tough shots come anywhere on the floor, under difficult circumstances. The ability to create that shot is a special skill in the NBA.

We look at the poor shots and ask why. Then we work on stability and balance. We're always trying to get the club in the little bit better position so we hit fewer poor shots.

It was more of me rushing my shots than anything. Thats the biggest thing for me. I was making good moves, but at the end of my moves, I was rushing all my shots. I learned a lesson.

We have the highest graduation rates, the broadest health care access, and the greatest level of home ownership and workforce participation in the country. And we did it all with a small population in a cold state that coastal big shots refer to as fly-over land.

If a guy is shooting a shot in the corner 70 percent of the missed shots usually come off that other side and 30 percent hits off the front rim so just playing the percentages and kind of studying your teammates' shots throughout the course of the game.

I was surrounded by talented people. I always remember Mrs. Carmel Snow, saying to me, "You know, Polly, if one person thinks they're a big star, then we're all stars. You just go out there and always do your best. And always have time to see any designer - no matter how big or how small, have time to see them. You don't have to just see the big shots. You never know what's coming around the corner and the talent that is going to be important. That is your job."

I don't shoot shots just to shoot shots. I'm always working in a rhythm, working on mechanics. I've got a checklist of the things I need to do with my form, my legs, my arms, all of my mechanics.

I shot millions and millions of shots, just wanted the ball and felt good every time I released the ball, especially in those last seconds of big games.

An actor's performance can be improved or shaped - or ruined - by what takes you use, how long you are on the actor's face, what line you put on the other actor's face, and when do you use close-ups or wide shots or two shots.

In limited-overs, leg-spinners are often rewarded as batsmen go for big shots. In Tests, they don't go after a bowler aggressively.

You've gotta play a head game; especially blocking shots, you've gotta make it hard. You're playing against the best of the best: they're not gonna go straight to the basket, do a layup. You've gotta lure them into some shots.

Sometimes you get nervous because you cannot make shots and then you rush your shot and then you take bad shots and then you get even more nervous.

When you're younger, you might make some shots you're not normally capable of, because you're more fluid, maybe stronger, maybe faster. As you get older, you learn not to take those crazy shots.

You go through periods of times where bands are calling the shots, and then sometimes, you've got the record companies calling the shots. I think it has to be a bit of both to make the thing work.

And all of the big shots of the car industry are there, strutting their stuff. And that year, they're feeling especially good because cars were selling more than ever before.

The big shots are not the only ones who are important. Remember, you can't sell anything on Wall Street unless someone digs it up somewhere else first.

Obviously, I can always get better on defense, improve intensity, my willingness to be locked in and stay in a stance, all that stuff is great, but I feel like playmaking, for myself, not only to create shots for myself but to create shots for others, benefits everybody.

There's times where I could take all the shots every time I touch the ball, but that's not me. I just play a team game and just take open shots.

There are a plenty of shots that I have been amazed by, but a lot of these shots are played because you have worn an iron mask. Take away the protection, and let me see if they play them. Don't forget that the past players did not have any protection.

Some players like to change clubs around the green to hit high or low shots. I play all of my short-game shots with my 54-degree sand wedge and change my ball position to hit it higher or lower. I think it's easier to learn one club than four.

I found out some of the spots on the floor that I like to shoot - do my little floater shots, my pull-up shots, being able to get all the way to the rim. By me doing that, it's kind of opened up my 3-point shot.

For me, it's just finding ways to create shots. I feel like if I got a shot off, it has a good chance of going in. So it's finding ways of creating different shots. Being smart. I watch film a lot, and different tricks that I can do to get my shot off the ball and creating ways to get shots off of pick-and-rolls or one-on-one situations like that.

In the school of boxing that I come from, that's frowned upon, giving up free shots, cos we know what those kinda shots do to a man's career, regardless of whether it shows up now, or shows up when you least need it. It takes a toll.

Watching two men jib and jab for 12 rounds is not entertaining for me. I want action, knockouts, big shots, and people getting up off the canvas. That's my ideal fight.

A hunter archer can also be out to shock by taking crazy shots. What makes his shots "crazy" is set by excessive risk, judged by hunting-archery standards, which would tend to draw agreement from knowledgeable observers.

I'm not better when I force shots. I'm going to take them as they come. They are really sagging in there, trying to take me out of the game. It's my job to find guys. I want to be aggressive and take my shots, but I can't force them.

I'm not afraid of taking big shots and things like that. It's a 50-50 chance. It might go in, it might not, but I'm not scared to take it.

I'm not a guy that's going to shoot 10 3s a game - I like to get to the basket. But some of those shots I do gotta take. Some of those shots I gotta let fly.

You wouldn't meet a Joe Frazier down today and then up tomorrow, said hello to big shots then ignore someone on the lower level; he was the most consistent human being. What you see is what you get.

When you hear my lyrics, you hear the shots that I throw at people. I throw shots because I always been the underdog. I got rejected so many times, and I say it in my lyrics constantly.

The only way to win tournaments is with the short game. Over half your shots out here are within 30 or 40 yards. Ballstriking is where I'm trying to improve, yes, but more to eliminate big numbers than make birdies.

In eighth grade, I pretty much didn't want to pass. I was 6'8'.' I was always bigger and stronger. I was getting triple-teamed, and the results weren't good. I wasn't helping my team. I was forcing shots. Then I started passing it out to my team, and they started hitting shots and slashing, and that's when things opened up for me.

I'm very proud to be part of a cast that's gonna put Hot Shots on screen for the first time, Hot Shots are the first line of defense against wildland fire and these guys are so selfless, they are guys that do what they do without wanting any kind of attention for it.

I've hit big shots in real games. I love the moment. I cherish the moment.

Golf is the crack of sports. If you hit five good shots, you know you can hit six good shots. The next time you hit six good shots, you know you can hit seven.

Even if it's just two shots, I just want to see the ball go in the hole. That gives me the confidence to know I can make shots when I'm called upon in a playoff type of situation.

You are what you think. So just think big, believe big, act big, work big, give big, forgive big, laugh big, love big and live big.

When you play guard, you're not going to block a lot of shots. Inside, you're going to block shots.

If they [Playboy] could promise me it wasn't camera-between-my-knees kind of shots, I would do it. I would do topless. I think it's empowering. Though if my mother had a real big problem with it, I'd have to say no right now.

Only great players can have two shots for one ball, like Tendulkar does, and a big reason is that he picks the ball very early.

As a middle-order batsman, a lot of times you have to trust your ability to play those big shots under pressure. It is also important to trust your partner at that time.

Chi Chi Rodriguez had as good a pair of hands as anybody I ever saw, and more shots than you can imagine. But Chi Chi had a habit of turning simple shots into difficult ones.

I am faster than other players and I can get to a lot of balls. They have big serves, much power, they can finish points with one or two shots. For me, it's not like that, but I still enjoy matching up to them.

Golf is not a game of good shots. It's a game of bad shots.

I make big shots everywhere. I get accustomed to it. I'm not afraid to be the goat. I don't worry about what you (reporters) say about me in the papers. In fact, I like it. It tickles me.

Pull and sweep are two shots which can help me score runs outside India. These are two shots that can immediately put pressure back on bowlers.

As long as I can take open shots or good shots, I'm going to take it.

Does Grandpa love to baby-sit his grandchildren? Are you kidding? By day he is too busy taking hormone shots at the doctor's or chip shots on the golf course. At night he and Grandma are too busy doing the cha-cha.

Being an instinctive player is great but there's time in the past where I've let how I'm playing at the time affect me, thinking I can play some big shots and I'd be alright.

The poetic temperament is the worst for golf. It dreams of brilliant drives, iron shots laid dead, and long putts holed, while in real golf success waits for him who takes care of the foozles and leaves the fine shots to take care of themselves.