Top 1200 Black Books Quotes & Sayings

Explore popular Black Books quotes.
Last updated on April 14, 2025.
People don't realize it hurts my feelings when someone looks at my hair or my eyes, and says, 'But you're not actually black. You're black, but you're not black black, because your eyes are green.' I'm like, 'What? No, no, I'm definitely black.' Even some of my closest friends have said that. It's been a bit touchy for me.
I, however, like black. It is a color that makes me comfortable and the color with which I have the most experience. In the darkest darkness, all is black. In the deepest hole, all is black. In the terror of my Addicted mind, all is black. In the empty periods of my lost memory, all is black. I like black, goddammit, and I am going to give it its due.
One, I have a wonderful publisher, Black Sparrow Press; as long as they exist, they will keep me in print. And they claim they sell very respectable numbers of my books, so I guess, and it's true, every place I go, my books are in libraries and on bookshelves.
'Black Panther' had a whole cast of beautiful black brilliance. Black scientists. Black presidents. The style. The technology. The color. — © Shaun King
'Black Panther' had a whole cast of beautiful black brilliance. Black scientists. Black presidents. The style. The technology. The color.
She said it out loud, the words distributed into a room that was full of cold air and books. Books everywhere! Each wall was armed with overcrowded yet immaculate shelving. It was barely possible to see paintwork. There were all different styles and sizes of lettering on the spines of the black, the red, the gray, the every-colored books. It was one of the most beautiful things Liesel Meminger had ever seen. With wonder, she smiled. That such a room existed!
It did occur to me that certainly African-Americans are not underserved in picture books, but those books are almost all about specifically black experiences.
Books have been my classroom and my confidant. Books have widened my horizons. Books have comforted me in my hardest times. Books have changed my life.
I read all types of books. I read Christian books, I read black novels, I read religious books. I read stuff like 'Rich Dad, Poor Dad' and 'The Dictator's Handbook' and then I turned around and read science-fiction novels.
Of course Black Lives Matter and the killing of young black boys is heartbreaking to all of us. Everyone knows I am a black mother of a black son, so there is no way I could watch what's happening and not be affected.
Richard Price, who has made a fortune writing fake ghetto books, says he takes a cab into the ghetto, transcribes Black speech for a brief time and returns home. His fake ghetto books have bought him a townhouse in Gramercy Park and home on Staten Island.
I've gotten a firsthand view at the destruction that black men and black women not being able to stay and build healthy relationships has had on the black family and black children.
There aren't many children's books about black characters that are just going on adventures. My library has over 2,000 children's books in it, and most of the protagonists are either white or creatures.
Like books and black lives, albums still matter.
My 'Black Panther' run really wasn't about Black Panther. It was about Ross. It was about exploding myths about black superheroes, black characters, and black people, targeted specifically at a white, male-dominated retailer base.
As far as I knew white women were never lonely, except in books. White men adored them, Black men desired them and Black women worked for them. — © Maya Angelou
As far as I knew white women were never lonely, except in books. White men adored them, Black men desired them and Black women worked for them.
The books in Mo and Meggie's house were stacked under tables, on chairs, in the corners of the rooms. There where books in the kitchen and books in the lavatory. Books on the TV set and in the closet, small piles of books, tall piles of books, books thick and thin, books old and new. They welcomed Meggie down to breakfast with invitingly opened pages; they kept boredom at bay when the weather was bad. And sometimes you fall over them.
I would say I'm black because my parents said I'm black. I'm black because my mother's black. I'm black because I grew up in a family of all black people. I knew I was black because I grew up in an all-white neighborhood. And my parents, as part of their protective mechanisms that they were going to give to us, made it very clear what we were.
I already optioned a book called The Personal History of Rachel DuPree. I also like The Book of Negroes by Lawrence Hill. And I love all of Octavia Butler's books. She's created some very complicated black heroines with a variety of belief systems. There are many great books out there, but those are a few of the ones that stand out.
[Among the books he chooses, a statesman] ought to read interesting books on history and government, and books of science and philosophy; and really good books on these subjects are as enthralling as any fiction ever written in prose or verse.
Black Realism or cosmopolitan black politician is a code word to say this is a black person that is not tied to a civil rights/black power traditional black politics.
I felt like it was a courageous show [Black-ish] from the beginning. We are a black family - we're not a family that happens to be black. But the show is not even about us being black. The show is about us being a family. That is groundbreaking - on TV, the black characters either happen to be black or they're the "black character," where everything they say is about being black. I think that's the genius.
'Smart Funny and Black' is basically a live black pop culture game show that I created. We have a live band. We have two contestants that we call 'blacksperts.' They come on stage and compete in games that I've created that test their knowledge of black culture, black history, and the black experience.
It's important to read books and see people who look like you. It helps you know that you are not the only one or the weird one because you're a black girl and you are not seeing anyone who looks like you in these books.
My books are not about how it feels to be a black man. My books are about how it feels to be a human being, and part of what I'm trying to sort out is what we mean - what I mean, what you mean, what everybody in the culture means - when they say 'black man,' or they say 'white person.'
Black and white is so familiar. It's how we see the printed word in books, so it's kind of neutral in a way. Yet it's ironic that black and white is so charged socially, what with its association with race.
I've nothing against kids reading anything they please, but I do have a problem with pink books for girls and black books for boys.
My bedroom was filled with reading material: books salvaged from dustbins, books borrowed from friends, books with missing pages, books found in the street, abandoned, unreadable, torn, scribbled on, unloved, unwanted and dismissed. My bedroom was the Battersea Dogs' Home of books.
Only idiots or snobs ever really thought less of 'genre books' of course. There are stupid books and there are smart books. There are well-written books and badly written books. There are fun books and boring books. All of these distinctions are vastly more important than the distinction between the literary and the non-literary.
I used to joke for years that I was a black man. I adopted the black culture, the black race. I married a black woman, and I had black kids. I always considered myself a 'brother.'
I am a product of endless books. My father bought all the books he read and never got rid of any of them. There were books in the study, books in the drawing room, books in the cloakroom, books (two deep) in the great bookcase on the landing, books in a bedroom, books piled as high as my shoulder in the cistern attic...In the seemingly endless rainy afternoons I took volume after volume from the shelves. I had always the same certainty of finding a book that was new to me as a man who walks into a field has of finding a new blade of grass.
There is a black which is old and a black which is fresh. Lustrous black and dull black, black in sunlight and black in shadow.
Aside from the posters, wherever there was room, there were books. Stacks and stacks of books. Books crammed into mismatched shelves and towers of books up to the ceiling. I liked my books.
Adults who loved and knew me, on many occasions sat me down and told me that I was black. As you could imagine, this had a profound impact on me and soon became my truth. Every friend I had was black; my girlfriends were black. I was seen as black, treated as black, and endured constant overt racism as a young black teenager.
Year after year, author/historian William Loren Katz continues to mine the lodestone of Black culture, and it is simply amazing how often he manages to find new treasures. Here, with the same insight he brought to Black Indians and his other books, the author traces the courageous role of Black women in settling the West. He deftly shows how these pioneering spirits helped stabilize early communities in Texas, Oklahoma, California and elsewhere.
I was brought up in black neighborhoods in South Baltimore. And we really felt like we were very black. We acted black and we spoke black. When I was a kid growing up, where I came from, it was hip to be black. To be white was kind of square.
Black men, we're known for getting into some drama with other black men, specifically black-on-black crime. We're used to the confrontational attitude.
I'm admitting that I don't know that to be true, but it does sound pretty good. So a big part of my childhood was affecting black culture and black accents and black music and anything black I was into.
Books ARE a form of political action. Books are knowledge. Books are reflection. Books change your mind.
The black man in North America was sickest of all politically. He let the white man divide him into such foolishness as considering himself a black 'Democrat,' a black 'Republican,' a black 'Conservative,' or a black 'Liberal' ...when a ten-million black vote bloc could be the deciding balance of power in American politics, because the white man's vote is almost always evenly divided.
So there you have it, a lifetime of first smelling the books, they all smell wonderful, reading the books, loving the books, and remembering the books. — © Ray Bradbury
So there you have it, a lifetime of first smelling the books, they all smell wonderful, reading the books, loving the books, and remembering the books.
We don't live in a world that nurtures and cares for Black girls like me. And if the world doesn't care about a Black girl like me, then what will happen to our Black babies who grow up to become Black children and Black adults?
No intelligent black man or black woman in his or her right black mind wants white boys and white girls coming to their homes to marry their black sons and daughters.
There's an inherent idea that if a Black executive producer and a Black director are going to do a movie based on a Black writer's book that everybody is going to be Black.
There's probably more of a struggle to get material and narratives published that really speak to black culture. And that has a lot to do with the mergers and buyouts and the corporations being more in control of the purse strings. We find that the projects have to come with higher expectations rather than books that just should be published. That's disturbing because we might find fewer and fewer children's books by African Americans or with black cultural themes.
There are places and spaces for black writers to write about race as a central thing. It's important. We're still dealing with the remnants of slavery. We're still dealing with racism on a daily basis. For me, I choose to write books about black people where we are normal. I was raised to believe that I deserve to be in a room just like anybody else. I try to write books like that.
We don't want to create a literary ghetto in which black writers are only allowed to write black characters and women writers are put on 'girl books.'
Black was bestlooking. ... Ebony was the best wood, the hardest wood; it was black. Virginia ham was the best ham. It was black on the outside. Tuxedos and tail coats were black and they were a man's finest, most expensive clothes. You had to use pepper to make most meats and vegetables fit to eat. The most flavorsome pepper was black. The best caviar was black. The rarest jewels were black: black opals, black pearls.
The rest, with very little exaggeration, was books. Meant-to-be-picked-up books. Permanently-left-behind books. Uncertain-what-to-do-with books. But books, books. Tall cases lined three walls of the room, filled to and beyond capacity. The overflow had been piled in stacks on the floor. There was little space left for walking, and none whatever for pacing.
I didn't learn black history in school. I had to go find Malcolm X books.
All the books that were being published by African-American guys were saying 'screw whitey', or some variation of that. Not the scholars but the pop books. And the other thing they said was, 'You have to confront the oppressor.' I understand that. But you don't have to look at the world through his eyes. I'm not a stereotype; I'm not somebody else's version of who I am. And so when people said at that time black is beautiful – yeah? Of course. Who said it wasn't? So I was trying to say, in The Bluest Eye, wait a minute. Guys. There was a time when black wasn't beautiful. And you hurt.
Like books and black lives - albums still matter. Tonight and always. — © Prince
Like books and black lives - albums still matter. Tonight and always.
Iron and coal dominated everywhere, from grey to black: the black boots, the black stove-pipe hat, the black coach or carriage, the black iron frame of the hearth, the black cooking pots and pans and stoves. Was it a mourning? Was it protective coloration? Was it mere depression of the senses? No matter what the original color of the paleotechnic milieu might be it was soon reduced by reason of the soot and cinders that accompanied its activities, to its characteristic tones, grey, dirty-brown, black.
The locomotives are black. The coal is black. The tracks are black. The night is black. So what am I going to do with color?
What I did do a lot as a child was read, and I particularly remember reading all the 'Hardy Boys' books, a set of history books called the 'Landmark Books,' and a series of science books called the 'All About Books.'
The high rate of unemployment among teenagers, and especially black teenagers, is both a scandal and a serious source of social unrest. Yet it is largely a result of minimum wage laws. We regard the minimum wage law as one of the most, if not the most, anti-black laws on the statute books.
I wasn't seeing black girls in the books I was assigned to read at my school. I was tired of only reading about white boys and dogs and wanted to collect books featuring black girls.
But the vast majority of books ever written are not accessible to anyone except the most tenacious researchers at premier academic libraries. Books written after 1923 quickly disappear into a literary black hole.
As far as this categorization of books, the way I see it is there are really a hundred-odd categories of books plus one, and on the top shelf at home, I've got the books I love, my favorite books, and that's the type of book that I want to write.
Black children need to see their lives reflected in the books they read. If they don't, they won't feel welcome in the world of literature. The lives of African-Americans are rich and diverse, and the books our children read should reflect that.
Growing up, there was this explosion of B television. 'Fresh Prince of Bel Air,' you have 'Family Matters,' 'A Different World.' I had examples - of black children, black families, black women, black men - that represented who I was.
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