Top 1200 Black Boy Quotes & Sayings

With 'Dear Black Boy,' I wanted to encourage BIack boys to dream outside of sports and think differently.

The Carrie Mae Weems photograph 'Blue Black Boy,' I thought, was fantastic.

Who will cry for the little boy, lost and all alone? Who will cry for the little boy, abandoned without his own? Who will cry for the little boy? He cried himself to sleep. Who will cry for the little boy? He never had for keeps. Who will cry for the little boy? He walked the burning sand. Who will cry for the little boy? The boy inside the man. Who will cry for the little boy? Who knows well hurt and pain. Who will cry for the little boy? He died and died again. Who will cry for the little boy? A good boy he tried to be. Who will cry for the little boy, who cries inside of me?

Self-doubt is a constant companion for a chubby, gay, black boy born in the South.

Combining the lack of emotional literacy they may be imbued with, with the fact that if you're black you're not supposed to be that smart and if you... as a boy you're not even supposed to like school. All of the sudden you've got kids who are afraid, black kids and Latino kids who are afraid to be great, afraid to bask in the enjoyment of education, lest they be labeled less than black, less than Latino, less they be called the oreo.

I've been in situations where I was 'black boy white,' or 'white boy black.' People didn't know, "Is he the whitest black person in the world or is he the blackest white person in the world?"

I guess cause i'm black boy, I'm supposed to say 'peace', sing songs, and get capped on.

When I was young I was one of the second generation of black people in Holland. My father was the first. My mother was white, and living with a black man at that time and having a how-you-say half-caste boy is not easy.

I felt like it was a courageous show [Black-ish] from the beginning. We are a black family - we're not a family that happens to be black. But the show is not even about us being black. The show is about us being a family. That is groundbreaking - on TV, the black characters either happen to be black or they're the "black character," where everything they say is about being black. I think that's the genius.

The locomotives are black. The coal is black. The tracks are black. The night is black. So what am I going to do with color?

I was brought up in black neighborhoods in South Baltimore. And we really felt like we were very black. We acted black and we spoke black. When I was a kid growing up, where I came from, it was hip to be black. To be white was kind of square.

As a young black boy, it made me proud to see black leaders that did something amazing and made the world change.

'Black Panther' had a whole cast of beautiful black brilliance. Black scientists. Black presidents. The style. The technology. The color.

I would say I'm black because my parents said I'm black. I'm black because my mother's black. I'm black because I grew up in a family of all black people. I knew I was black because I grew up in an all-white neighborhood. And my parents, as part of their protective mechanisms that they were going to give to us, made it very clear what we were.

People don't realize it hurts my feelings when someone looks at my hair or my eyes, and says, 'But you're not actually black. You're black, but you're not black black, because your eyes are green.' I'm like, 'What? No, no, I'm definitely black.' Even some of my closest friends have said that. It's been a bit touchy for me.

Black Realism or cosmopolitan black politician is a code word to say this is a black person that is not tied to a civil rights/black power traditional black politics.

Lochie. The boy I once loved. The boy I still love. The boy I will continue to love, even when my part in this world is over too.

Then began an experience that turned my life around-working on a book with a black kid as hero. None of the manuscripts I'd been illustrating featured any black kids-except for token blacks in the background. My book would have him there simply because he should have been there all along. Years before I had cut from a magazine a strip of photos of a little black boy. I often put them on my studio walls before I'd begun to illustrate children's books. I just loved looking at him. This was the child who would be the hero of my book.

Of course Black Lives Matter and the killing of young black boys is heartbreaking to all of us. Everyone knows I am a black mother of a black son, so there is no way I could watch what's happening and not be affected.

The way we have been programmed and conditioned to think about the black kid being an athlete, it's like every young black boy people would see say 'what sport do you play?' instead of just asking 'what do you do?' 'What are you interested in?'

I carried Rudy softly through the broken street...with him I tried a little harder at comforting. I watched the contents of his soul for a moment and saw a black-painted boy calling the name Jesse Owens as he ran through an imaginary tape. I saw him hip-deep in some icy water, chasing a book, and I saw a boy lying in bed, imagining how a kiss would taste from his glorious next-door neighbor. He does something to me, that boy. Every time. It's his only detriment. He steps on my heart. He makes me cry.

Growing up, there was this explosion of B television. 'Fresh Prince of Bel Air,' you have 'Family Matters,' 'A Different World.' I had examples - of black children, black families, black women, black men - that represented who I was.

Black fathers are often disappointed if their sons aren't good at sports. Not excelling at sports as a black boy meant not being cool - even weirder, it meant not really being black.

The American white relegates the black to the rank of shoeshine boy; and he concludes from this that the black is good for nothing but shining shoes.

I have two brown boys I have to raise and I have to teach them the inequalities that being a black man comes with. That's a tough conversation to have with a young kid who doesn't see anything, who's always sheltered, who can get anything he wants, who's going to go to the best schools but at the same time he's a black boy and his dad is black.

Yes, you have people shouting racist abuse and throwing bananas on the field, and there are issues regarding the number of black coaches and managers in the game, but which other industry allows a young black boy the exact same opportunity as a young white boy?

I, however, like black. It is a color that makes me comfortable and the color with which I have the most experience. In the darkest darkness, all is black. In the deepest hole, all is black. In the terror of my Addicted mind, all is black. In the empty periods of my lost memory, all is black. I like black, goddammit, and I am going to give it its due.

What age is a black boy when he learns he's scary?

A leather jacket,” Kami said as he shrugged into it. “Aren’t you trying a little too hard to play into certain bad boy clichés?” “Nah”, said Jared. “You’re thinking of black leather. Black leather’s for bad boys. It’s all in the color. You wouldn’t think I was a bad boy if I was wearing a pink leather jacket.” “That’s true,” Kami said. “What I would think of you, I do not know. So what does brown leather mean, then?” “I’m going for manly,” Jared said. “Maybe a little rugged.” “It’s bits of dead cow; don’t ask it to perform miracles.

Never put anything on paper, my boy, and never trust a man with a small black moustache.

The whites have become black. A particular sort of violent, destructive, nihilistic gangster culture has become the fashion. Black and white, boy and girl operate in this language together. This language, which is wholly false, which is this Jamaican patois that has intruded in England.

There's something in my voice tonally that's like a boy, so I started being able to do boy voices and to be known as having a naturalistic boy tone without pushing it.

I've got a Ferrari 430. It's black. I don't know what it cost but it wasn't cheap. I bought it because I was being a boy. It's fast and looks good.

Michael Jackson was a poor black boy who grew up to be a rich white woman

There is a black which is old and a black which is fresh. Lustrous black and dull black, black in sunlight and black in shadow.

I was a very poor young black boy in New Orleans, just a face without a name, swimming in a sea of poverty trying to survive.

I had a little Richard and that black piano, oh that sweet Georgia Peach, and the boy form Tupelo.

Black was bestlooking. ... Ebony was the best wood, the hardest wood; it was black. Virginia ham was the best ham. It was black on the outside. Tuxedos and tail coats were black and they were a man's finest, most expensive clothes. You had to use pepper to make most meats and vegetables fit to eat. The most flavorsome pepper was black. The best caviar was black. The rarest jewels were black: black opals, black pearls.

I'm admitting that I don't know that to be true, but it does sound pretty good. So a big part of my childhood was affecting black culture and black accents and black music and anything black I was into.

I actually loved to dress like a boy, and I still kind of do and try to sneak boy's pieces into my wardrobe. I have Levi's boot cut jeans that actually might be from the boy's department, but I love them. Those jeans and flannel are my favorites. If I could choose anything to wear for the rest of my life, I'd just want a boy's outfit.

Adults who loved and knew me, on many occasions sat me down and told me that I was black. As you could imagine, this had a profound impact on me and soon became my truth. Every friend I had was black; my girlfriends were black. I was seen as black, treated as black, and endured constant overt racism as a young black teenager.

He addressed a black lawyer as "boy". That`s why Jeff Sessions couldn`t get through Senate confirmation process under the old rules followed by Democrats and Republicans.

What's the difference between dragging a black man behind a truck in Jasper, Texas, and beating a white boy to death in Wyoming because he's gay?

Angry Black White Boy is bananas! Actually, it's a banana split with razor blades in it. Adam Mansbach is the white Richard Wright, and Angry Black White Boy is our generation's Native Son.

I first learned that there were black people living in some place called other than the United States in the western hemisphere when I was a very little boy, and my father told me that when he was a boy about my age, he wanted to be an Episcopal priest, because he so admired his priest, a black man from someplace called Haiti.

Playing in the NFL isn't really - and shouldn't have to be - every black boy's dream. But black boys don't always know that their dreams off the field matter.

If there was no Black Sabbath, I could still possibly be a morning newspaper delivery boy. No fun.

One boy's a boy, two boys are half a boy; three boys are no boy at all.

Iron and coal dominated everywhere, from grey to black: the black boots, the black stove-pipe hat, the black coach or carriage, the black iron frame of the hearth, the black cooking pots and pans and stoves. Was it a mourning? Was it protective coloration? Was it mere depression of the senses? No matter what the original color of the paleotechnic milieu might be it was soon reduced by reason of the soot and cinders that accompanied its activities, to its characteristic tones, grey, dirty-brown, black.

America is also the nameless foreigner, the homeless refugee, the hungry boy begging for a job and the black body dangling on a tree. America is the illiterate immigrant who is ashamed that the world of books and intellectual opportunities are closed to him. We are all that nameless foreigner, that homeless refugee, that hungry boy, that illiterate immigrant and that lynched black body. All of us, from the first Adams to the last Filipino, native born or alien, educated or illiterate-We are America!

'The Marriage of Souls', like 'The Rationalist', is an exploration of humanist philosophy wrapped between the delicate leaves of an eighteenth-century tale. The story of the two novels - and they should be read as a two-volume work - centres around the old war-horse of boy meets girl, boy loses girl, boy finds girl. But what a boy and what a girl.

That was always my experience-a poor boy in a rich town; a poor boy in a rich boy's school; a poor boy in a rich man's club at Princeton .... However, I have never been able to forgive the rich for being rich, and it has colored my entire life and works.

People really cannot understand the concept of a black boy in a tracksuit in London being from Scotland.

I have never used the word 'boy' to describe a black, nor would I tolerate it in my office.

I used to write things that might have sounded better coming out of an older person's voice or vision. Hence, "grandpa-boy." I'm an old man, but I'm a boy. A really old boy!

Part of what I am dealing with, with this blackness, is asking the question, "Where are those black people, who are as dark as the description of a young black boy that Solomon Northup gives in 12 Years A Slave?" He describes the young black 14-year-old boy as "blacker than any crow." You have to question if he is using that metaphorically or as a descriptive?

My family belonged to a very particular formation - middle-class and coloured, not black. That meant it had a closer connection to the plantocracy than many other people did. So I didn't feel like an ordinary black Jamaican boy.

The Scoutmaster guides the boy in the spirit of an older brother... He has simply to be a boy-man, that is: (1) He must have the boy spirit in him: and must be able to place himself in the right plane with his boys as a first step. (2) He must realise the needs, outlooks and desires of the different ages of boy life. (3) He must deal with the individual boy rather than with the mass. (4) He then needs to promote a corporate spirit among his individuals to gain the best results.

I used to joke for years that I was a black man. I adopted the black culture, the black race. I married a black woman, and I had black kids. I always considered myself a 'brother.'

I've gotten a firsthand view at the destruction that black men and black women not being able to stay and build healthy relationships has had on the black family and black children.