Top 1200 Black Boy Quotes & Sayings - Page 2

The Little Boy and the Old Man Said the little boy, "Sometimes I drop my spoon." Said the old man, "I do that too." The little boy whispered, "I wet my pants." I do that too," laughed the little old man. Said the little boy, "I often cry." The old man nodded, "So do I." But worst of all," said the boy, "it seems Grown-ups don't pay attention to me." And he felt the warmth of a wrinkled old hand. I know what you mean," said the little old man.

Teaching Black Studies, I find that students are quick to label a black person who has grown up in a predominantly white setting and attended similar schools as "not black enough." ...Our concept of black experience has been too narrow and constricting.

Black men, we're known for getting into some drama with other black men, specifically black-on-black crime. We're used to the confrontational attitude.

If Black women stand strong and our commitment is to ending domination I know that I'm supporting Black males, Black children male and female Black elderly because the bottom line is the struggle to end domination in all its forms.

Obviously, I'm not not black. But this is one thing I do know after years and years of working with a lot of black players and black commentators on many networks: That if you go to the place of you're telling a black man, or a black woman, that 'You should know your place and stay in it,' when you get to there, them's fighting words.

I've learned not to let it be the end of the world if a boy doesn't like you. I used to put so much effort into boys. I started playing guitar because I wanted to impress this boy. Then, I ended up in love with guitar and I didn't care about the boy anymore.

In this perilous world, if a black boy wanted to live a halfway normal life and die a natural death he had to learn early the art of how to get along with white folks.

We don't live in a world that nurtures and cares for Black girls like me. And if the world doesn't care about a Black girl like me, then what will happen to our Black babies who grow up to become Black children and Black adults?

My story starts with my dad, a black boy born to a single mother in a small town in North Carolina. It starts with my parents meeting in Washington, D.C., in the '60s, at a time of incredible activism.

Black people lived right by the railroad tracks and the train would shake their houses at night. I would hear it as a boy and I thought: I'm gonna make a song that sounds like that.

My mom is Jamaican and Chinese, and my dad is Polish and African American, so I'm pretty mixed. My nickname in high school was United Nations. I was fine with it, even though I identify as a black woman. People don't realize it hurts my feelings when someone looks at my hair or my eyes, and says, "But you're not actually black. You're black, but you're not black black, because your eyes are green." I'm like, "What? No, no, I'm definitely black." Even some of my closest friends have said that. It's been a bit touchy for me.

You're sad-looking," she said. "My grandson used to be such a happy boy. He used to write me stories. I remember the first story he ever wrote me, 'Once upon a time, there was a boy.' And that became 'Once upon a time there was a boy who wanted to fly.' And they kept getting better and better over time. I never found out if the boy got to fly." I gave her a small smile. If only she knew the boy's wings had been clipped.

At 50, I thought proudly: Here we are, half century! Being 60 was fairly frightening. You want to know how I spent my 70th birthday? I put on a completely black face, a fuzzy black Afro wig, wore black clothes and hung a black wreath on my door.

There were not a lot of roles for a black man like myself that were different. Then 'Top Boy' came. I read the script and I loved that the characters were human.

Black people lived right by the railroad tracks, and the train would shake their houses at night. I would hear it as a boy, and I thought: I'm gonna make a song that sounds like that.

'Smart Funny and Black' is basically a live black pop culture game show that I created. We have a live band. We have two contestants that we call 'blacksperts.' They come on stage and compete in games that I've created that test their knowledge of black culture, black history, and the black experience.

I am the public, a boy from Chandigarh who's bought tickets in black and revered films since childhood, and when I choose scripts, I take out the garb of an actor-slash-star, and I consume the script as a layman.

Like for 'Black Nails,' I just had black nails - and I never have black nails. It was my first and last time getting black nails. And that's so not normal for me. So when you're recording, you're up at the mic and you gotta name the file, so I just look down and I'm like, 'Black Nails!' That's literally what it was.

Black Consciousness therefore takes cognizance of the deliberateness of God's plan in creating Black people black.

The idea behind a dish - the delight and the surprise - makes a difference. Great literature surprises and delights, and provokes us. It isn't just 'Here's the facts - boy meets girl, boy loses girl, boy gets girl.' It's how you tell it.

I have cousins in North Carolina who talk in that old Southern style of 'yakking,' if you will. All the black men in my life when I was a boy talked that way, and I love that kind of talk.

Expectations that black directors have to make black films about black subject matter are, to me, kind of absurd.

My 'Black Panther' run really wasn't about Black Panther. It was about Ross. It was about exploding myths about black superheroes, black characters, and black people, targeted specifically at a white, male-dominated retailer base.

Ah, Christ, I love you rings to the wild sky And I must think a little of the past: When I was ten I told a stinking lie That got a black boy whipped.

An office boy in London was the lowest of the low. The office boy was the tea boy. He would be the dog's body: It means someone who would do anything at all. I was quite prepared for that and enjoyed it.

That's how I became the damaged party boy who wandered through the wreckage, blood streaming from his nose, asking questions that never required answers. That's how I became the boy who never understood how anything worked. That's how I became the boy who wouldn't save a friend. That's how I became the boy who couldn't love the girl.

And your life,' Katie said to Christy, 'is turning into a rather predictable romance. Girl meets boy. Boy is a dork for four years. Girl blossoms into a gorgeous woman. Boy finds his brain. Girl turns into starry-eyed mush head.

No intelligent black man or black woman in his or her right black mind wants white boys and white girls coming to their homes to marry their black sons and daughters.

When Michael Jackson, a poor black boy who grew up to be a rich, white woman, married Elvis Presley's daughter the Scientologist. Makes you proud to be an American, dudn't it?

To me, not every black filmmaker who is making black films is trying to make black cinema.

Black is confusing. Where does the line start and stop with what is black and what isn't black? People that are mixed-race, or, imagine being from Sri Lanka or Bangladesh, people might say you're black but your features are so non-black, like you've got straight hair, you've got like a sharper nose, or such.

As a black person on the outside, because there's so much black art and so much of black people's work circulating, so many people imitating what black people do, you would think that there'd be more black people on the business side. It didn't cross my mind that every label head, for the most part, is a white guy.

For every nineteenth-century middle-class family that protected its wife and child within the family circle, there was an Irish ora German girl scrubbing floors in that home, a Welsh boy mining coal to keep the home-baked goodies warm, a black girl doing the family laundry, a black mother and child picking cotton to be made into clothes for the family, and a Jewish or an Italian daughter in a sweatshop making "ladies" dresses or artificial flowers for the family to purchase.

When I was a teenager, black pride became newly popular again. Suddenly a lot of black people were wearing the fake kente cloth and red black and green and Bob Marley. That was sort of my window into finding my own identity as a black person.

The boy's got problems, the boy's got stress, the boy's got a .38 hidden in his desk.

Alexander and I sat together on a backyard swing. "This is like a dream come true," Alexander said as we gently swung back and forth. "We can finally just focus on us now. Continue the traditional 'Boy meets girl, girl falls for boy, boy turns out to be a vampire' story.

For a black person who's Senegalese, growing up in France, or a New York Jamaican, that's a completely different relationship with being black and how you might be accepted in that culture or that world. Everyone's experience is different. Especially black women and black men.

The black experience for me has been very interesting. Some days, I wake up, and I feel really black. Some days, I'm like, 'This is me. I'm black. Black Lives Matter. Black pride. Look at my cocoa skin.' I just feel it's my being.

While I might not have a specific experience that is fully American, there is still a knowledge, something that I logically understand as a black woman and a black woman who is existing in America and a black woman who is in the diaspora that are just known quantities that I think anyone can relate to who is black.

Romance goes like this: Boy gets girl. Boy loses girl. Boy gets girl again. The end. It can't be any other way.

Alright, macho babe boy, I'm not some little ditz to bat my eyelashes at the buff stud in black leather. Don't try your he-man tactics with me. I'll have you know, in my office, I'm known as the ball-breaker. (Amanda)

And all was black and still, and black and cold, and black and dead, and black.

Oh, I'm going to raise him on Black Sabbath and Metallica and football and MMA and all things that should matter for a young boy, and discipline and strength and honor and courage and everything that I would hope to instill within my son.

Give me the boy who rouses when he is praised, who profits when he is encouraged and who cries when he is defeated. Such a boy will be fired by ambition; he will be stung by reproach, and animated by preference; never shall I apprehend any bad consequences from idleness in such a boy.

The problem is that television executives have got it into their heads that if one presenter on a show is a blonde-haired, blue-eyed heterosexual boy, the other must be a black Muslim lesbian.

I hope that there's a little black boy somewhere in Montana that never thought that he would see a reflection of himself, and he turns on the television, like, 'Oh my God, thank you.'

A lot of racism going on in the world right now. Who's more racist? Black people or white people? Black people. You know why? 'Cuz we hate black people too! Everything white people don't like about black people, black people really don't like about black people.

Mind you, as a little boy, I always had other interests from most kids. I was not a boy who rubbed around baseball bats. I always had the storytelling instinct, even as a child. I was a very imaginative little boy.

Black art is not some kind of a magic wand: there still has to be a humble heart attached that's listening to it. And I know it's not a wand because plenty of fans love to turn on us as soon as they realize we are actual black people, with black concerns in our black lives.

My first film goes into production in October. It's called White Boy Shuffle and it's based on a novel about a young black kid and it's sort of reminiscent of Catcher in the Rye.

It's very necessary, showing the positive aspect of a black father. We see a lot of black women being the head of the household and holding the house down, but I think we need to have those images because there are black fathers out there who are doing the same thing and who are the glue to the family. That's who Black Lightning is.

I've had this sensibility since I was a child. If there was a black boy in the school, I was the friend. If there was an effeminate guy, I was the friend. If there was somebody who was poor like me, I was the friend.

White people scare the crap out of me. I have never been attacked by a black person, never been evicted by a black person, never had my security deposit ripped off by a black landlord, never had a black landlord, never been pulled over by a black cop, never been sold a lemon by a black car salesman, never seen a black car salesman, never had a black person deny me a bank loan, never had a black person bury my movie, and I've never heard a black person say, 'We're going to eliminate ten thousand jobs here - have a nice day!'

We don't know: some little black boy or girl growing up in the inner city might grow up and cure cancer for all of us - if we let them do it.

I built the film [Boy and the World] this way. I gathered all the tools I usually use such as brushes, color pencils, crayons, watercolors, and everything else I found in my studio, and I put them on top of a table. I had this feeling of freedom and possibility like if I was this boy. I was using the boy's freedom to create this film.

The black man in North America was sickest of all politically. He let the white man divide him into such foolishness as considering himself a black 'Democrat,' a black 'Republican,' a black 'Conservative,' or a black 'Liberal' ...when a ten-million black vote bloc could be the deciding balance of power in American politics, because the white man's vote is almost always evenly divided.

There's an inherent idea that if a Black executive producer and a Black director are going to do a movie based on a Black writer's book that everybody is going to be Black.

When his first-born was put into his arms, he could see that the boy had inherited his own eyes, as they once were - large, brilliant, and black.

'Smart, Funny and Black' is about celebrating, critiquing and learning about black culture, black history, and the black experience.

The problem is that television executives have got it into their heads that if one presenter on a show is a blonde-haired, blue-eyed heterosexual boy, the other must be a either black gay or a lesbian. Chalk and cheese, they reckon, works.