Top 1200 Black Family Quotes & Sayings

I am the black sheep of my family. They are all super talented and intelligent and got proper jobs. Most of my family is in medicine, actually. They are all too clever to be doing what I do.

One of the facets of growing up the way I did, I never had the experience of being solely in the black community. Even my family, my mother is what they call Creole, so she's part French, part black, and grew up in Louisiana. It's a very specific kind of blackness that is different than what is traditionally thought of as the black community and black culture. So, I never felt a part of whatever that was.

I don't like to see projects that are all black or all white. It's how life is. I do like to make sure that I do a nice black family film; that's like keeping my home base. I do other things, but I like to always come back to a positive family film, because of all the negative influences today.

The inspiration for this movie [Something New] was this Newsweek article that came out a couple of years ago that talks about 42.4 percent of black women in America aren't married. Black women are shooting up the corporate ladder way faster than our black male counterparts. And (black men) are either dating outside their race, in jail or dying. And so if you want to have a family, you want to be married, you have to look at other options.

When we look at each other, we're the same family. You don't have to see black or Latino - we're one family. That's America.

Growing up, there was this explosion of B television. 'Fresh Prince of Bel Air,' you have 'Family Matters,' 'A Different World.' I had examples - of black children, black families, black women, black men - that represented who I was.

I had white family members, black family members, white friends, black friends by the time I was 16.

I think that many black people thought this would be a wonderful and extraordinary thing, for a black family to occupy the White House. Not only black people; a lot of white people thought that, too, but particularly black people.

There are folks who now know black families - like the Johnsons on 'Black-ish' or the folks on 'Modern Family.' They become part of who you are. You share their pains. You understand their fears. They make you laugh, and they change how you see the world.

Even in 'Hollyoaks,' we were known as 'the black family' as opposed to just 'the new family.' But that's where we are in the world, I guess. It's getting better; everything's heading in the right direction, whether it be race, sex, gender.

I used to joke for years that I was a black man. I adopted the black culture, the black race. I married a black woman, and I had black kids. I always considered myself a 'brother.'

Mr. Cosby wanted to do a show not about an upper-middle-class black family, but an upper-middle-class family that happened to be black. Though it sounds like semantics, they're very different approaches.

Black-ish is really a show about an American family and these are some of the topics that come up - for all of us, in different ways - and we get to see how this family is walking through it.

I was brought up in black neighborhoods in South Baltimore. And we really felt like we were very black. We acted black and we spoke black. When I was a kid growing up, where I came from, it was hip to be black. To be white was kind of square.

Under slavery, families were ripped apart, and it was a desire of black men and black women to be together with their loved ones. Family meant something. Spouses meant something.

If you see a black family, it's looting, but if it's a white family they are looking for food.

My family belonged to a very particular formation - middle-class and coloured, not black. That meant it had a closer connection to the plantocracy than many other people did. So I didn't feel like an ordinary black Jamaican boy.

There's a time when it was an event for a black person to be on television. Where black households would gather around, 'Oh, you know, Sammy Davis is going to be on 'All in the Family' tonight! Let's go check it out!' It was a big, big thing.

I talked to members of my family, and did some personal research that didn't really have anything to do with the time and place I was writing about, but that gave me a feeling of the experience of being black in a time and place where it was very difficult to be black.

There are black men who are madly in love with white women. God bless them, if that's what works for them. I just hope that we can strike a balance that portrays black folks and the black family in a light that's not extreme. Those are the types of characters that I find myself attracted to.

Black Realism or cosmopolitan black politician is a code word to say this is a black person that is not tied to a civil rights/black power traditional black politics.

The locomotives are black. The coal is black. The tracks are black. The night is black. So what am I going to do with color?

You have to know the forces that are against you and that are trying to break you down. We talk about the problems facing the black community: the decimation of the black family; the mass incarceration of the black man; we're talking about the brutality against black people from the police. The educational system.

We were the only black family in my neighborhood for many years. Wherever we lived, we were often the only black family, and certainly the only Haitian family. But my parents were really great at providing a loving home where we could feel safe and secure.

My whole family was - we grew up in New York, but all my relatives and all my father and stepfather's family, they were all from the South. So I like that old Black voice, and I love the sort of old Black man with a corncob pipe, sitting there telling a whopper.

I've gotten a firsthand view at the destruction that black men and black women not being able to stay and build healthy relationships has had on the black family and black children.

My family is part Creole, and we're Indian, and we're also very, very black. My father was so black, he was blue.

No one in my family is musical, including extended family. I am like the black sheep.

I think that in any family - black, white, Chinese, Spanish, whatever - family is family. You know that there's dysfunction, and that there's this cousin who doesn't like this auntie. But, at the end of the day, like I say, love brings everybody together.

'Black Panther' had a whole cast of beautiful black brilliance. Black scientists. Black presidents. The style. The technology. The color.

Race means family and all black people whether they like it or not, are family.

'Pretty Deadly' is the story of these immortal and mortal characters, and the mortals' story follows Sarah's family, a black family, through the ages. I never made the choice of, 'Oh, this is gonna be the story of an African American family!'

Between 2007 and 2010, the average white family experienced an 11% reduction in wealth, but the average black family lost 31% of its wealth. The average Hispanic family lost 44.7%.

The welfare state has done to Black Americans what slavery (and Jim Crow and racism) could not have done. . .break up the black family. Today, just slightly over 30 percent of black kids live in two-parent families. Historically, from the 1870s on. . . 75-90 percent of black kids lived in two-parent families.

Studies that bring clarity and direction to the black male situation as an integral part of the black family/community are unpopular, not easy to get published and very dangerous.

Black was bestlooking. ... Ebony was the best wood, the hardest wood; it was black. Virginia ham was the best ham. It was black on the outside. Tuxedos and tail coats were black and they were a man's finest, most expensive clothes. You had to use pepper to make most meats and vegetables fit to eat. The most flavorsome pepper was black. The best caviar was black. The rarest jewels were black: black opals, black pearls.

I've never been called the black sheep. Everybody in my family had something weird about them, like, 'What's wrong with you?!' We all were black sheep.

When my family first moved to Hempstead in the 1960s, they were one of the first black families. It used to be an all-white neighborhood, but there was white flight when the black people with money started moving in. When I was, like, 13 or 14, Hempstead had just become all black, and the poverty became worse and worse.

I, however, like black. It is a color that makes me comfortable and the color with which I have the most experience. In the darkest darkness, all is black. In the deepest hole, all is black. In the terror of my Addicted mind, all is black. In the empty periods of my lost memory, all is black. I like black, goddammit, and I am going to give it its due.

People come up and say, 'Thank you' for showing a black family loving their masculine-presenting child and for undoing the myth of black people as being rabidly homophobic.

Now we have black and white elected officials working together. Today, we have gone beyond just passing laws. Now we have to create a sense that we are one community, one family. Really, we are the American family.

Increasingly independent black economic, cultural and political power gave Blacks more freedom to do what came natural to them. Divorced from White influence and culture, they reverted quickly to their genotype - increasingly typical of black societies around the world. Males exhibited exaggerated sexual aggression and promiscuity that led to the dissolution of the Black nuclear family in America. Females reverted to the age-old African model of maternal provisioning of children.

My family is as complicated as the next family. We have our joys and our tragedies, and we bear both with a black humour that is in our genes.

For every nineteenth-century middle-class family that protected its wife and child within the family circle, there was an Irish ora German girl scrubbing floors in that home, a Welsh boy mining coal to keep the home-baked goodies warm, a black girl doing the family laundry, a black mother and child picking cotton to be made into clothes for the family, and a Jewish or an Italian daughter in a sweatshop making "ladies" dresses or artificial flowers for the family to purchase.

I would say I'm black because my parents said I'm black. I'm black because my mother's black. I'm black because I grew up in a family of all black people. I knew I was black because I grew up in an all-white neighborhood. And my parents, as part of their protective mechanisms that they were going to give to us, made it very clear what we were.

It's very necessary, showing the positive aspect of a black father. We see a lot of black women being the head of the household and holding the house down, but I think we need to have those images because there are black fathers out there who are doing the same thing and who are the glue to the family. That's who Black Lightning is.

A racially integrated community is a chronological term timed from the entrance of the first black family to the exit of the last white family.

There is a black which is old and a black which is fresh. Lustrous black and dull black, black in sunlight and black in shadow.

We are made for goodness. We are made for love. We are made for friendliness. We are made for togetherness. We are made for all of the beautiful things that you and I know. We are made to tell the world that there are no outsiders. All are welcome: black, white, red, yellow, rich, poor, educated, not educated, male, female, gay, straight, all, all, all. We all belong to this family, this human family, God's family.

My father had a dairy farm. He employed three black families and one white family, and I used to play with black children.

You know, growing up, I lived in a neighborhood in Long Island where there was basically one black family. And I remember hearing all the parents and the kids in the neighborhood say racist things about this family.

If you're going to compare a middle-income black kid with a middle- income white kid, and, say, you control for family background, family education, and family income, and if this middle-income black kid doesn't score as well as the white kid on the test, then I say, look, you haven't taken into consideration the cumulative effect of living in a segregated neighborhood and going to a de facto segregated school. You're denying a position at Harvard or some other place to a kid that really could make it. That's why I support affirmative action that's based on both class and race.

Black Nativity certainly lends itself to reinterpretation. It was kind of designed to be infused with the creativity of whoever is putting it on, and every performance is a little bit different. So, this is definitely my version of Black Nativity. It has its own story, which is a family story. Langston Hughes' Black Nativity informs it, and is contained within it.

I want to deal with somebody who comes from another country to the United States and has a family that comes. I don't care if it's a black family from Jamaica or a Hispanic family from Mexico. These issues need to be dealt with, but they need to be dealt with in the entertaining way.

The black family unit that had survived 150 years of slavery was decimated in less than 30 years by welfare payments that stopped if the family structure remained intact.

I felt like it was a courageous show [Black-ish] from the beginning. We are a black family - we're not a family that happens to be black. But the show is not even about us being black. The show is about us being a family. That is groundbreaking - on TV, the black characters either happen to be black or they're the "black character," where everything they say is about being black. I think that's the genius.

Black women's feelings of responsibility for nurturing the children in their own extended family networks have stimulated a more generalized ethic of care where black women feel accountable to all the black community's children.

My family is part Creole, and were Indian, and were also very, very black. My father was so black, he was blue.

Part of our tradition as black women is that we are universalists. Black children, yellow children, red children, brown children, that is the black woman's normal, day-to-day relationship. In my family alone, we are about four different colors.

I come from a magnetic field of Catholicism. I was baptised by my mother's family, who were all traditional Catholics. But my mother was the black sheep of the family - she ran away to the ballet at 17.