Top 1200 Black Friday Quotes & Sayings - Page 3

White-on-black shootings evoke America's history of racism and so carry an iconic payload of menace. Black-on-black shootings carry no such payload, although they are truly menacing to the black community. They evoke only despair.

When I started, I was aware of using the black as a rhetorical device. It's understanding that black people come in a wide range of colors, but you find instances in a lot of black literature in which the blackness is used as a metaphor.

Black Lives Matter has no more to do with black issues than Students for a Democratic Society had to do with democracy. They are means to an end, and they use the black population as sacrifices for their goals.

Black is modest and arrogant at the same time. Black is lazy and easy - but mysterious. [...] But above all black says this: 'I don't bother you - don't bother me'

I suggest that Black feminist thought consists of specialised knowledge created by African-American women which clarifies a standpoint of and for Black women. In other words, Black feminist thought encompasses theoretical interpretations of Black women's reality by those who live it.

Come election time, black and white politicians put on their costumes of compassion and care, shake black hands, kiss black babies, sing 'We Shall Overcome' in black , and pray that we will ignore the reality of everyday suffering and the damage that is being done to our future in exchange for our votes.

I have so many clothes, but really, I have the same variations of the same thing, usually black jeans, black jumpers, black double-breasted coats.

Even though it's called Music Of Black Origin, it's not just music for black people. Music is for everybody. I think it's good that black music is acknowledged, and it's open for lots of artists, including white artists who have been inspired by black musical heritage.

There were only ever two black kids at my school. I never considered myself to be 'a black kid'. I was who I was. Which isn't to say things haven't happened to me that wouldn't have happened if I wasn't black.

My writing is definitely influenced by and speaks to African-Americans because that is who I am. I'm black. I'm a black woman. I'm a black mother, wife, churchgoer, etc. I am the legacy of slavery.

The easy answer is to say that it's a part for black people to see black heroes, but to me it's important to young Mexican kids to see a black hero.

The epidemic is truly black-on-black crime. The greatest danger to the lives of young black men are young black men.

The black church often has reinforced certain self images that are damaging to black peoples' beauty, black peoples' confidence.

I'm not going to be one of those people who says, 'I'm a showrunner; I'm not a black showrunner.' I'm black when I go to sleep. I'm black when I wake up, period. It doesn't affect my perspective on everything, but at the same time, it's who I am, and I'm proud of it.

Have I had experiences by other people identifying me as black and behaving towards me as black? Yes. Just for as long as maybe somebody who was born categorised as black? No.

The search for the new black is one of the most elusive quests known to man. It's rumored that Christopher Columbus once searched for the new black and simply gave up. Yet every season we are convinced that some magical chromatic fabric will usurp black as the king of fashion, only to realize later that black still reigns supreme.

I was wearing black clothes almost from the beginning. I feel comfortable in black. I felt like black looked good onstage, that it was attractive, so I started wearing it all the time.

With 'Black Panther,' black artists were provided with the opportunity and agency to create art that captures the full range of their imaginative possibilities. It matters that Chadwick Boseman is the protagonist and is supported by a cast of nearly all black characters.

We've been fighting our whole lives to say we're just human beings like everyone else. When we start separating ourselves in our work, that doesn't help the cause. I've heard it for years: 'How do you feel being a black filmmaker?' I'm not a black filmmaker, I'm a filmmaker. I'm a black man, I have black children. But I'm just a filmmaker.

Black males who refuse categorization are rare, for the price of visibility in the contemporary world of white supremacy is that black identity be defined in relation to the stereotype whether by embodying it or seeking to be other than it…Negative stereotypes about the nature of black masculinity continue to overdetermine the identities black males are allowed to fashion for themselves.

People called me 'Iman the black model'. In my country, we're all black, so nobody called somebody else black. It was foreign to my ears.

When you're a black superhero, you can't erase the notion that you're black. If you're black, living in the community, and you want to change things, there are going to be things that happen. That's true of anybody. I mean, you could use celebrity as a similar metaphor.

We understand that, in our communities, black trans folk, gender-nonconforming folk, black queer folk, black women, black disabled folk - we have been leading movements for a long time, but we have been erased from the official narrative.

In discussions around the hiring and firing of Black faculty at universities, the charge is frequently heard that Black women are more easily hired than are Black men.

If Barack Obama now, or some black person in the future, should become president, neither Jesse Jackson nor Al Sharpton would be out of a job. A black president can't end black misery; a black president can't be a civil rights leader or primarily a crusader for racial justice.

A black conservative is a black who dissents from the victimization explanation of black fate.

I feel an obligation to use black dancers because there must be more opportunities for them, but not because I'm a black choreographer talking to black people.

Black! Black! Black! I am proud of being a Negro. Nor have I ever tried to beg tolerance from anyone. Superiority is not proved by color, but by the brain, by education, by willpower, by moral courage.

The black characters on TV are the sidekicks, or they're insignificant. You could put all the black sidekicks on one show, and it would be the most boring, one-dimensional show ever. Even look at the black women on 'Community' and 'Parks and Recreation' - they are the archetype of the large black women on television. Snide and sassy.

I'm not talking about my children's father'he's a wonderful black man, the hero of my life, and he's never disrespected or betrayed me. But I'm talking about what I see in the streets and in the media, this naked hatred that black men have towards the authentic black woman'which is really an indication of black men's hatred for blackness itself.

Being black has been put in such a negative light. For such a long time, being black has been criminalized, but being black is something that I should be proud of because we have so many black people who have accomplished so many amazing things in the world.

I read so much stuff that black women say, especially about my relationship. 'Oh, he left his black wife to go be with some exotic chick.' First of all, my girl is black: she's Jamaican.

My mother is black, from Grenada, so my blackness was always there, but It wasn't until I started hanging with the upperclassmen black actors at my high school that I really got my roots in being a black American, which is a distinctly different identity and experience.

I have this problem where it's like'I can never stop thinking. For instance, I find myself obsessing over the treatment of black women and girls by black men'the fact that black men have a special prejudice against black women and generally don't protect them or attempt to understand them, and I cry an awful lot about that.

I'm an African woman, I suppose these thoughts torture me more than they do black American people, because it's like watching my own children trapped in a car that's sinking to the bottom of a lake and being impotent to save them'the black Americans have their own holocaust going on. You see the black man erasing black children from the landscape, you see black women desperately trying to get the black man's attention by wearing blonde hair and fake blue eyes, 500 years after he sold her and their children across the ocean.

The truth of the matter is, I am a black woman, and I am an actor. I don't try to get caught up in being a black actor; I'm just an actor who is a black woman. It's not about forgetting that you're black, but you don't need to be hammered over the head, either; it just is what it is.

I think that many black people thought this would be a wonderful and extraordinary thing, for a black family to occupy the White House. Not only black people; a lot of white people thought that, too, but particularly black people.

Western funerals: black hearses, and black horses, and fast-fading flowers. Why should black be the colour of death? Why not the colours of a sunset?

That was the day my whole world went black. Air looked black. Sun looked black. I laid up in bed and stared at the black walls of my house….Took three months before I even looked out the window, see the world still there. I was surprised to see the world didn’t stop.

If conservatives are so concerned about black-on-black crime, it is concerning the only time I hear them talking about it is when they want to stick it to the black community.

We used to have an all-Black baseball team, all Black stars and when White folks took Jackie Robinson and brought him into the major league that was the beginning of the crushing of Black baseball teams and leagues.

When I was coming up, we didn't have the movement of Black Girl Magic or Black Girls Rock, but my parents made it their business to make sure I saw positive images of myself and celebrated images of black women.

There's no reason why you can't say "August Wilson, playwright" even though all of my work, every single play, is about black Americans, about black American culture, about the black experience in America. I write about the black experience of men, or I write about black folks. That's who I am. In the same manner that Chekhov wrote about the Russians, I write about blacks. I couldn't do anything else. I wouldn't do anything else.

I come from a real working class background, and I didn't know anyone sophisticated - except I saw Edie Sedgewick once at the Art Museum in Philly. She had these black leotards and little black pumps and this big ermine cape and all these white dogs and black sunglasses and black eyes. She was classy!

The most ironic outcome of the black Civil Rights movement has been the creation of a new black middle class which is increasingly separate from the black underclass.

My staples are a beautiful pair of black pants, a lightweight coat, a great black heel, and a black cardigan. Everything else is just a topping on my fashion sundae.

The establishment wonders why we can't get more of the black vote. It's because it's not doing the things necessary to establish a deeper relationship with the black community. Most black people don't think alike. Most black people just vote alike.

When 'Raw Like Sushi' came out in the U.S., I wasn't considered to be black enough. They didn't really know where to put me. The music wasn't 'black black' sounding. It wasn't R&B; it wasn't straight up hip-hop, although obviously in that dimension and world.

Until the image of the black man in the mind of the black man has been changed, there will always be delinquency, parental and juvenile. The idea is not to change the attitude of the white man to the black man but to change the attitude of the black man to himself.

America has a black president, but there are no black studio heads, and there just aren't that many black people working anywhere on film sets, let alone in positions of power in Hollywood. That's what needs to change.

Black History is enjoying the life of our ancestors who paved the way for every African-American. No matter what color you are, the history of Blacks affected everyone; that's why we should cherish and respect Black history. Black history changed America and is continuing to change and shape our country. Black history is about everyone coming together to better themselves and America. Black history is being comfortable in your own skin no matter what color you are. Black history makes me proud of where I came from and where I am going in life.

Being gay is harder than being black. I didn't have to come out black. I didn't have to tell my parents about what its like to be black.

That's why for Zakk Wylde's Black Label Society the colors are black and white. There are no gray issues. Life is black and it's white. There's no in-between.

I was always the only black in the movie theater, the only black in class, the only black in the library, the only black in the discotheque. I always felt observed and judged.

I was born in Jackson, Mississippi, in 1969, in a time and place where no one was saying, 'Look how far we've come,' because we hadn't come very far, to say the least. Although Jackson's population was half white and half black, I didn't have a single black friend or a black neighbor or even a black person in my school.

I'm black. I've been black all my life, and as far as I know, I'll die black.

The Black church is extremely important in Black America. I think most Americans themselves believe in a divine power, in a god, and I'm sure that that number increases with Black people.

There are many things that black women can continue to do to help black folk. First, black women have historically been among the most vocal advocates for equality in our community. We must take full advantage of such courage by continuing to combat the sexism in our communities. Black women, whether in church, or hip-hop, don't receive their just due. Second, when black women are in charge of child-rearing, they must make ever so sure to raise black children who respect both men and women, and who root out the malevolent beliefs about women that shatter our culture.

I wanted to make sure the focus [in The Land] was on human beings themselves and their decisions, but still connected to the urban environment that people associate as being black. I think I was able to make a film without commenting on "black this or black that" and you still feel the presence of it. There's no one character who's saying "we're all black and we're all in this struggle." It's that you just feel it. Some of that is because we get the sense from a lot of independent films that black people struggle all the time.

I was born in Jackson, Mississippi, in 1969, in a time and place where no one was saying, Look how far weve come, because we hadnt come very far, to say the least. Although Jacksons population was half white and half black, I didnt have a single black friend or a black neighbor or even a black person in my school.