Top 1200 Black Guys Quotes & Sayings

I was brought up in black neighborhoods in South Baltimore. And we really felt like we were very black. We acted black and we spoke black. When I was a kid growing up, where I came from, it was hip to be black. To be white was kind of square.

I used to joke for years that I was a black man. I adopted the black culture, the black race. I married a black woman, and I had black kids. I always considered myself a 'brother.'

The American ideal of sexuality appears to be rooted in the American ideal of masculinity. This idea has created cowboys and Indians, good guys and bad guys, punks and studs, tough guys and softies, butch and faggot, black and white. It is an ideal so paralytically infantile that it is virtually forbidden - as an unpatriotic act - that the American boy evolve into the complexity of manhood

There is a black which is old and a black which is fresh. Lustrous black and dull black, black in sunlight and black in shadow.

I think any time you bring those guys in, one with a lot of playoff experience, with rings - those guys won - guys in the locker room gravitate towards those guys. Those guys have been there, so there's a lot that they can teach the guys.

For me the music community was always like a model for what could be. The way people would play together, just harmony and being - old guys and young guys, black guys and white guys. It was setting an example for what the rest of us could be.

Creating a world that reflects the inner voyage of our characters was really important. Also, because this isn't a black and white show, and this isn't about bad guys and good guys, but it's about good men being capable of bad things and vice versa, I wanted to be in a city that had contradiction.

We were living in a tumultuous time, when the world was upside down. Freeman produced a show that was black and white, the good guys versus the bad guys.

I've gotten a firsthand view at the destruction that black men and black women not being able to stay and build healthy relationships has had on the black family and black children.

I'm admitting that I don't know that to be true, but it does sound pretty good. So a big part of my childhood was affecting black culture and black accents and black music and anything black I was into.

There are guys on different teams across the league who are bench guys, and guys who that - that's their role, to be on the bench encouraging guys to play hard and get good minutes.

When I was a kid, like 14 or 15, I played with the waiters from the hotel, 'cause that was the best game. And these guys, they'd let me play. And they were black guys.

When I did 'Good Guys Wear Black,' I had a lot of dialogue in that movie.

I grew up playing for Manhasset High on Long Island on a team with six black guys.

I took a lot of pride, honestly, in hiring these young guys, that not only to become future head coaches, but I wanted young guys that could help me - guys that can coach, guys that could study, guys that loved it, that would do it for nothing. That's how I got into coaching with the 49ers when John McVay hired me.

My plays are for the kind of black people who relate to funk music, to Parliament-Funkadelic. When those guys get out of a spaceship - the idea that black people are from outer space, theres a poetic truth to that. We are this vast people.

I think every group of black guys should have at least one white guy in it.

People don't realize it hurts my feelings when someone looks at my hair or my eyes, and says, 'But you're not actually black. You're black, but you're not black black, because your eyes are green.' I'm like, 'What? No, no, I'm definitely black.' Even some of my closest friends have said that. It's been a bit touchy for me.

Everyone deals with criticism in a different way. Some guys read it, some guys don't really listen to it, some guys try to stay away from it, some guys get angry about it.

All the books that were being published by African-American guys were saying 'screw whitey', or some variation of that. Not the scholars but the pop books. And the other thing they said was, 'You have to confront the oppressor.' I understand that. But you don't have to look at the world through his eyes. I'm not a stereotype; I'm not somebody else's version of who I am. And so when people said at that time black is beautiful – yeah? Of course. Who said it wasn't? So I was trying to say, in The Bluest Eye, wait a minute. Guys. There was a time when black wasn't beautiful. And you hurt.

I, however, like black. It is a color that makes me comfortable and the color with which I have the most experience. In the darkest darkness, all is black. In the deepest hole, all is black. In the terror of my Addicted mind, all is black. In the empty periods of my lost memory, all is black. I like black, goddammit, and I am going to give it its due.

The black man in North America was sickest of all politically. He let the white man divide him into such foolishness as considering himself a black 'Democrat,' a black 'Republican,' a black 'Conservative,' or a black 'Liberal' ...when a ten-million black vote bloc could be the deciding balance of power in American politics, because the white man's vote is almost always evenly divided.

I never saw Frankenstein or King Kong or the Creature from the Black Lagoon as bad guys. They were the good guys.

Racing does to white guys what movies do to black guys.

The whites have always had the say in America. White people made Jesus white, angels white, the Last Supper white. If I threaten you, I'm blackmailing you. A black cat is bad luck. If you're put out of a club, you're blackballed. Angel's-food cake is white; devil's-food cake is black. Good guys in cowboy movies wear white hats. The bad guys always wore black hats.

I play in a league that's 70 percent black and my peers, guys I come to work with, guys I respect who are very socially aware and are intellectual guys, if they identify something that they think is worth putting their reputations on the line, creating controversy, I'm going to listen to those guys.

I can't stand black guys. I would never touch one. It's gross.

My plays are for the kind of black people who relate to funk music, to Parliament-Funkadelic. When those guys get out of a spaceship - the idea that black people are from outer space, there's a poetic truth to that. We are this vast people.

The other thing that I got back then - the Parker novels have never had much of anything to do with race. There have been a few black characters here and there, but the first batch of books back then, I got a lot of letters from urban black guys in their 20s, 30s, 40s. What were they seeing that they were reacting to? And I think I finally figured it out - at that time, they were guys who felt very excluded from society, that they had been rejected by the greater American world.

Growing up, there was this explosion of B television. 'Fresh Prince of Bel Air,' you have 'Family Matters,' 'A Different World.' I had examples - of black children, black families, black women, black men - that represented who I was.

I like stories of the classic hero, of good versus evil, the ones in which the good guys wear white and the bad guys wear black... and I love a good sword fight.

Fairy tales thrive on black and white. In life, there's only grey - no bad guys, no good guys. You could be the Cheshire cat, Snow White, a troll pr a pastry-making witch whose diet consists only of little kids, but you'll always be you.

The locomotives are black. The coal is black. The tracks are black. The night is black. So what am I going to do with color?

I do feel in 2018 that pro wrestling has gone in such a different direction. Before, things were so black and white; now, it's shades of grey. It's not so much good guys and bad guys: there are people who are put in situations who do the right or wrong things, but people react to them like they are stars.

It was probably easier in the old days when the bad guys rode into town wearing black capes or whatever bad guys wore and the milk cows were ownded by honest people. Right off the bat, you'd know who you were dealing with. Now everybody dresses alike.

I'm more attracted to the bad guys. Why? Because in real life, I don't know any good guys. I know okay guys. I know polite guys. I know people who can control themselves.

You want to believe in black and white, good and evil, heroes that are truly heroic, villains that are just plain bad, but I've learned in the past year that things are rarely so simple. The good guys can do some truly awful things, and the bad guys can sometimes surprise the heck out of you.

Black was bestlooking. ... Ebony was the best wood, the hardest wood; it was black. Virginia ham was the best ham. It was black on the outside. Tuxedos and tail coats were black and they were a man's finest, most expensive clothes. You had to use pepper to make most meats and vegetables fit to eat. The most flavorsome pepper was black. The best caviar was black. The rarest jewels were black: black opals, black pearls.

I'm really not into black guys. I think that's more of a Kardashian thing. God bless them.

'Black Panther' had a whole cast of beautiful black brilliance. Black scientists. Black presidents. The style. The technology. The color.

I'm not one of these guys to do my solo stuff one night and Black Sabbath the next. I can't do that, you know. It's too much to handle.

In many ways for black actors there's been two leading guys: It's Will Smith vs. Denzel [Washington].

Of course Black Lives Matter and the killing of young black boys is heartbreaking to all of us. Everyone knows I am a black mother of a black son, so there is no way I could watch what's happening and not be affected.

Big black guys fear air travel almost as much as old white women fear big black guys.

When you think about the guys who started Twitter, and the Google guys, and the Facebook guys and the Napster guys, and the Microsoft guys, and the Dell guys and the Instagram guys, it's all guys. The girls, they're being left behind.

You take 5 white guys and you take 5 black guys and put em together for a week and what you won't have is 5 blacks guys talking like, 'Golly gee, we really won that big basketball game' but you will have 5 white guys talking like 'Yo slick, whuzzup...we be shootin hoops and mad playin, slammed those mofos

What's 'Atlanta' about? Technically, it's about a couple guys who are friends, but to me, 'Atlanta' is about black lives. I'm getting a real look at what black life means in Atlanta.

I felt like it was a courageous show [Black-ish] from the beginning. We are a black family - we're not a family that happens to be black. But the show is not even about us being black. The show is about us being a family. That is groundbreaking - on TV, the black characters either happen to be black or they're the "black character," where everything they say is about being black. I think that's the genius.

There are so many intelligent former black players, guys like Luther Blissett and Cyrille Regis, who never got a chance to become a top manager or a top coach because of the perception that surrounds people who look like them. They are black - which, for many, means they are good athletes but incapable of being anything above and beyond that.

I suppose it was later on that I realized that there was some reaction among the musicians themselves, some of whom resented the success of cool jazz in California, and that broke down into the white guys against the hard-blowing black guys in New York.

Your shoes have to match your belt. That's rule number one for guys. You can't put the brown shoes with the black belt. Or a brown belt with a black wristwatch. Just don't do it! Also, I don't like boots with suits. And when you wear sneakers, make sure they go with your shirt.

So how was Christmas for you guys? Did you all get lots of nice black t-shirts?

If anyone wants one my advise is to go where the orthodox Jews shop, because when it comes to a big black fedora, the guys with ringlets and long black coats definitely know a stylish hat when they see one. You want to get it home and use a hot steaming kettle, and bob's your uncle - you have a hat with all the right curves!

I'm so tired of reading all the negativity about black fathers running away and no black men as role models in society. I had a great father. Most of the guys I knew had great fathers.

I would say I'm black because my parents said I'm black. I'm black because my mother's black. I'm black because I grew up in a family of all black people. I knew I was black because I grew up in an all-white neighborhood. And my parents, as part of their protective mechanisms that they were going to give to us, made it very clear what we were.

If you take five white guys and put 'em with five black guys, and let 'em hang around together for about a month, and at the end of the month, you'll notice that the white guys are walking and talking and standing like the black guys do. You'll never see the black guys going, "Oh, golly! We won the big game today, yes sir!" But you'll see guys with red hair named Duffy going, "What's happenin'?"

I was the girl in the black leather jacket with the black fingernails, picked up after school by guys with loud cars and motorcycles. I carried straight-A grades, but I had a little trouble with rules. I tended to have a bit of an authority problem.

Adults who loved and knew me, on many occasions sat me down and told me that I was black. As you could imagine, this had a profound impact on me and soon became my truth. Every friend I had was black; my girlfriends were black. I was seen as black, treated as black, and endured constant overt racism as a young black teenager.

Black Realism or cosmopolitan black politician is a code word to say this is a black person that is not tied to a civil rights/black power traditional black politics.

Iron and coal dominated everywhere, from grey to black: the black boots, the black stove-pipe hat, the black coach or carriage, the black iron frame of the hearth, the black cooking pots and pans and stoves. Was it a mourning? Was it protective coloration? Was it mere depression of the senses? No matter what the original color of the paleotechnic milieu might be it was soon reduced by reason of the soot and cinders that accompanied its activities, to its characteristic tones, grey, dirty-brown, black.