Top 1200 Black Guys Quotes & Sayings - Page 2

Explore popular Black Guys quotes.
Last updated on April 22, 2025.
At 50, I thought proudly: Here we are, half century! Being 60 was fairly frightening. You want to know how I spent my 70th birthday? I put on a completely black face, a fuzzy black Afro wig, wore black clothes and hung a black wreath on my door.
More black women are in the professional-managerial field, and they don't want to look like the guys sitting next to them in pinstriped suits.
I'm tired of having to consult a group of old white guys about my black girl craft. They don't even know what they're listening for or to. — © Azealia Banks
I'm tired of having to consult a group of old white guys about my black girl craft. They don't even know what they're listening for or to.
White people scare the crap out of me. I have never been attacked by a black person, never been evicted by a black person, never had my security deposit ripped off by a black landlord, never had a black landlord, never been pulled over by a black cop, never been sold a lemon by a black car salesman, never seen a black car salesman, never had a black person deny me a bank loan, never had a black person bury my movie, and I've never heard a black person say, 'We're going to eliminate ten thousand jobs here - have a nice day!'
Teaching Black Studies, I find that students are quick to label a black person who has grown up in a predominantly white setting and attended similar schools as "not black enough." ...Our concept of black experience has been too narrow and constricting.
Guys who are my friends, guys who I visit their homes, I don't feel like fighting those guys.
For a black person who's Senegalese, growing up in France, or a New York Jamaican, that's a completely different relationship with being black and how you might be accepted in that culture or that world. Everyone's experience is different. Especially black women and black men.
Black Market, like a lot of teams, is a family for me. Just guys that I grew up with that I trust and would do anything for.
Acting is primarily is where I want to go. But seeing how the visual effects guys work, and the special effects guys and the art department guys, how they work and seeing their visions is really interesting. I don't think those guys get the recognition they deserve.
My favorite is when you go to Afghanistan and you meet the special forces guys, and they look like these heavily armed surfers. These guys are the best. You see guys dressed as full Afghans, but then wearing a Yankees hat.
It's a mixed crowd at the dogs - black, white, hispanic - but to Walt they all look like Jackie Gleason. Heavyset guys with big plans and polyester souls.
'Smart Funny and Black' is basically a live black pop culture game show that I created. We have a live band. We have two contestants that we call 'blacksperts.' They come on stage and compete in games that I've created that test their knowledge of black culture, black history, and the black experience.
We have three kinds of guys on our team. We have guys that get it; they play good; they understand how to play winning football. We have some guys that are trying to get it, and they are working hard every day? We are supporting them, and we want the guys that have it to support them. Then we have some guys that don't get it and don't know that they don't get it. We are trying to replace them. We only have a couple left.
And all was black and still, and black and cold, and black and dead, and black.
I'm a big-guy guy. I look at guys like Shaq, Ben Wallace, guys who play inside and play tough. I don't pay much attention to the little guys; I like the big guys who do the dirty work.
Leadership is one of sports' intangibles. Guys can score, guys can fight, guys can skate faster than anybody else. But not everybody can say, 'Follow me.'
While I might not have a specific experience that is fully American, there is still a knowledge, something that I logically understand as a black woman and a black woman who is existing in America and a black woman who is in the diaspora that are just known quantities that I think anyone can relate to who is black.
I'm definitely not one of those guys that's chirping the guys that dress super nice, because you know, there's guys out there in the league - and on my team in fact - that have great style. And I'm just like, 'go for it, man, you look good!'
You don't see many bad guys fight amongst themselves. Bad guys always know exactly who they are and what they want. Good guys are the ones who are a little confused about their identities.
Obviously, I'm not not black. But this is one thing I do know after years and years of working with a lot of black players and black commentators on many networks: That if you go to the place of you're telling a black man, or a black woman, that 'You should know your place and stay in it,' when you get to there, them's fighting words.
My mom is Jamaican and Chinese, and my dad is Polish and African American, so I'm pretty mixed. My nickname in high school was United Nations. I was fine with it, even though I identify as a black woman. People don't realize it hurts my feelings when someone looks at my hair or my eyes, and says, "But you're not actually black. You're black, but you're not black black, because your eyes are green." I'm like, "What? No, no, I'm definitely black." Even some of my closest friends have said that. It's been a bit touchy for me.
I know I'm black. Everyone knows I'm black. But I don't want to be defined as a black hockey player. — © P.K. Subban
I know I'm black. Everyone knows I'm black. But I don't want to be defined as a black hockey player.
No intelligent black man or black woman in his or her right black mind wants white boys and white girls coming to their homes to marry their black sons and daughters.
There's an inherent idea that if a Black executive producer and a Black director are going to do a movie based on a Black writer's book that everybody is going to be Black.
I think there are so many guys coming up that are ready to bust loose. All they need is that one little flame of confidence that starts the inferno. And when you get those guys, once it starts happening, nothing can stop you. And you can tell which guys have it. You always know which guys have it.
Many intellectuals in America and in Europe, they are in the habit of taking sides: who are the bad guys? who are the good guys? They launch a demonstration against the bad guys, sign a petition in favor of the good guys, and going to sleep feeling well about themselves.
The black experience for me has been very interesting. Some days, I wake up, and I feel really black. Some days, I'm like, 'This is me. I'm black. Black Lives Matter. Black pride. Look at my cocoa skin.' I just feel it's my being.
The guys who stick around are the smartest guys and the guys who are the most self-driven. You have to have drive. The coaches can only take you so far. You have to want to learn and work.
Some guys are real noble guys, like Rich Franklin or Randy Couture. These guys are just really good people who happen to fight.
We need to band together in solidarity. There's so many portions of our community that are under-represented. You rarely see disabled actors on movie posters or black men or Latino guys.
Leadership is one of sports intangibles. Guys can score, guys can fight, guys can skate faster than anybody else. But not everybody can say, Follow me.
In sci-fi, the Black guys always die. So, it's extremely important to bring African-American characters to the genre and not have them killed.
Black art is not some kind of a magic wand: there still has to be a humble heart attached that's listening to it. And I know it's not a wand because plenty of fans love to turn on us as soon as they realize we are actual black people, with black concerns in our black lives.
A lot of racism going on in the world right now. Who's more racist? Black people or white people? Black people. You know why? 'Cuz we hate black people too! Everything white people don't like about black people, black people really don't like about black people.
When I was a teenager, black pride became newly popular again. Suddenly a lot of black people were wearing the fake kente cloth and red black and green and Bob Marley. That was sort of my window into finding my own identity as a black person.
It would seem that some black people want to say that when you, as a black, become successful, you cease to be black. That's ridiculous.
And guys don't get attached, guys don't give themselves over completely, and guys lie. That's why they should be handled with great trepidation, not trusted, and held at arm's length whenever possible.
Like for 'Black Nails,' I just had black nails - and I never have black nails. It was my first and last time getting black nails. And that's so not normal for me. So when you're recording, you're up at the mic and you gotta name the file, so I just look down and I'm like, 'Black Nails!' That's literally what it was.
There's a lot of young guys coming along, but I'd like to say to the various financiers, don't forget the senior guys. The senior guys and gals are there, willing to do their best work for you.
There's guys who train hard. There's guys who believe they're real tough. But there's only a certain amount of guys who believe - like, really believe - they should be the champion. I know I have that mentality, and I know other guys who have that mentality.
When guys are in NXT - not me, but the guys who are signed to developmental deals that are there - they're setting up the ring. They're tearing it down. They're working every day at the PC. And it's arduous training, man. Those guys go through a lot.
It's not white versus black any more, it's haves versus have-nots. Unless the black middle-classes unite to promote the interests of the black underclass, tension between them is inevitable. What we, the black middle class have to do, is think of a strategy to avert that.
Expectations that black directors have to make black films about black subject matter are, to me, kind of absurd. — © Roger Ross Williams
Expectations that black directors have to make black films about black subject matter are, to me, kind of absurd.
My 'Black Panther' run really wasn't about Black Panther. It was about Ross. It was about exploding myths about black superheroes, black characters, and black people, targeted specifically at a white, male-dominated retailer base.
We don't live in a world that nurtures and cares for Black girls like me. And if the world doesn't care about a Black girl like me, then what will happen to our Black babies who grow up to become Black children and Black adults?
Black men, we're known for getting into some drama with other black men, specifically black-on-black crime. We're used to the confrontational attitude.
If Black women stand strong and our commitment is to ending domination I know that I'm supporting Black males, Black children male and female Black elderly because the bottom line is the struggle to end domination in all its forms.
It's very necessary, showing the positive aspect of a black father. We see a lot of black women being the head of the household and holding the house down, but I think we need to have those images because there are black fathers out there who are doing the same thing and who are the glue to the family. That's who Black Lightning is.
Black Consciousness therefore takes cognizance of the deliberateness of God's plan in creating Black people black.
'Smart, Funny and Black' is about celebrating, critiquing and learning about black culture, black history, and the black experience.
You can easily separate 'team guys' from 'me guys' by how they accept coaching. The guys that accept it are about winning
Boxer guys are very tough and they play a very tough game, but its a game. Karate guys, tae kwon doe guys, kickboxers or judo guys, they are very tough guys and a lot of heart and a lot of training, but its very specifically as a sport. It's not a fight. A fight is everything goes.
I have always been amazed guys read my books and seem to enjoy them. Because I've raised boys, I like to think I can get inside a guy's mind. I try and make the boys talk like guys, sound like guys and react like guys.
So guys who are otherwise sensitive and thoughtful say and do ridiculously dumb things to impress other guys. It's an enormous performance, but guys know that if they fail, they'll be ridiculed as sissies mercilessly.
You play with guys who are big-name guys, and you grow up watching them and it's fun to play with those guys.
That's why I train with faster guys, lighter guys, my category and with the heavyweight guys. Because I want to be ready for everything.
Black is confusing. Where does the line start and stop with what is black and what isn't black? People that are mixed-race, or, imagine being from Sri Lanka or Bangladesh, people might say you're black but your features are so non-black, like you've got straight hair, you've got like a sharper nose, or such.
To me, not every black filmmaker who is making black films is trying to make black cinema. — © Arthur Jafa
To me, not every black filmmaker who is making black films is trying to make black cinema.
As a black person on the outside, because there's so much black art and so much of black people's work circulating, so many people imitating what black people do, you would think that there'd be more black people on the business side. It didn't cross my mind that every label head, for the most part, is a white guy.
E and Woods are incredibly talented individuals that I am so blessed to have been grouped with these guys. To have met these guys in life, to have met such great guys that I call my family.
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