Top 1200 Black Humor Quotes & Sayings - Page 6

There are so many things to talk about between black people, Hispanic people, white people, gay people, men, women, it's all based on fear. We all have fears, this thing that stops us from embracing as we are one. We are never going to be one. People are messed up, but humor lets us see how ignorant we can be.

I was wearing black clothes almost from the beginning. I feel comfortable in black. I felt like black looked good onstage, that it was attractive, so I started wearing it all the time.

I feel an obligation to use black dancers because there must be more opportunities for them, but not because I'm a black choreographer talking to black people.

My mother is black, from Grenada, so my blackness was always there, but It wasn't until I started hanging with the upperclassmen black actors at my high school that I really got my roots in being a black American, which is a distinctly different identity and experience.

Being gay is harder than being black. I didn't have to come out black. I didn't have to tell my parents about what its like to be black.

Humor disarms people. It opens them up to starting a dialogue about things they wouldn't normally talk about. I don't understand how people who don't have a sense of humor get through life.

There were only ever two black kids at my school. I never considered myself to be 'a black kid'. I was who I was. Which isn't to say things haven't happened to me that wouldn't have happened if I wasn't black.

Black is modest and arrogant at the same time. Black is lazy and easy - but mysterious. [...] But above all black says this: 'I don't bother you - don't bother me'

The truth of the matter is, I am a black woman, and I am an actor. I don't try to get caught up in being a black actor; I'm just an actor who is a black woman. It's not about forgetting that you're black, but you don't need to be hammered over the head, either; it just is what it is.

There's no reason why you can't say "August Wilson, playwright" even though all of my work, every single play, is about black Americans, about black American culture, about the black experience in America. I write about the black experience of men, or I write about black folks. That's who I am. In the same manner that Chekhov wrote about the Russians, I write about blacks. I couldn't do anything else. I wouldn't do anything else.

That was the day my whole world went black. Air looked black. Sun looked black. I laid up in bed and stared at the black walls of my house….Took three months before I even looked out the window, see the world still there. I was surprised to see the world didn’t stop.

I have so many clothes, but really, I have the same variations of the same thing, usually black jeans, black jumpers, black double-breasted coats.

There are many things that black women can continue to do to help black folk. First, black women have historically been among the most vocal advocates for equality in our community. We must take full advantage of such courage by continuing to combat the sexism in our communities. Black women, whether in church, or hip-hop, don't receive their just due. Second, when black women are in charge of child-rearing, they must make ever so sure to raise black children who respect both men and women, and who root out the malevolent beliefs about women that shatter our culture.

There's one more thing I want to say. It's a touchy subject. Black beauty. Black sensuality. We live in a culture where the beauty of black people isn't always as celebrated as other types. I'd like to help change that if I can!

When people, especially from France, would ask me to talk about or so they could write about New York Jewish humor, I'd say I don't know anything about New York Jewish humor. I know who Zero Mostel was and I know Mel Brooks, but that's about all I could tell you about New York Jewish humor.

The easy answer is to say that it's a part for black people to see black heroes, but to me it's important to young Mexican kids to see a black hero.

I'm really interested in the link between creativity and humor because humor is a type of creativity, and I do think that humorous people and humorous health helps creativity.

We used to have an all-Black baseball team, all Black stars and when White folks took Jackie Robinson and brought him into the major league that was the beginning of the crushing of Black baseball teams and leagues.

It has always surprised me how little attention philosophers have paid to humor, since it is a more significant process of mind than reason. Reason can only sort out perceptions, but the humor process is involved in changing them.

I think that many black people thought this would be a wonderful and extraordinary thing, for a black family to occupy the White House. Not only black people; a lot of white people thought that, too, but particularly black people.

My writing is definitely influenced by and speaks to African-Americans because that is who I am. I'm black. I'm a black woman. I'm a black mother, wife, churchgoer, etc. I am the legacy of slavery.

Seven out of 10 black faces you see on television are athletes. The black athlete carries the image of the black community. He carries the cross, in a way, until blacks make inroads in other dimensions.

That's why for Zakk Wylde's Black Label Society the colors are black and white. There are no gray issues. Life is black and it's white. There's no in-between.

I have this problem where it's like'I can never stop thinking. For instance, I find myself obsessing over the treatment of black women and girls by black men'the fact that black men have a special prejudice against black women and generally don't protect them or attempt to understand them, and I cry an awful lot about that.

People called me 'Iman the black model'. In my country, we're all black, so nobody called somebody else black. It was foreign to my ears.

I was always the only black in the movie theater, the only black in class, the only black in the library, the only black in the discotheque. I always felt observed and judged.

Have I had experiences by other people identifying me as black and behaving towards me as black? Yes. Just for as long as maybe somebody who was born categorised as black? No.

If conservatives are so concerned about black-on-black crime, it is concerning the only time I hear them talking about it is when they want to stick it to the black community.

The one thing I didn't expect was to learn how much of a sense of humor Jerry Reinsdorf has. He's really funny. I never got a chance to see his sense of humor when I was working for him or playing for him.

Humor is always important. There are people who help us deal with difficulty or hardship; from the concentration camps to the court jester, there was a need for humor. As long as these kinds of things exist, with repressive regimes, you need it to deal with the weight of daily life.

Western funerals: black hearses, and black horses, and fast-fading flowers. Why should black be the colour of death? Why not the colours of a sunset?

If one tends to be a humorous person and you have a sense of humor the rest of your life then you can certainly lighten the load, I think, by bringing that to your trials and tribulations. It's easy to have a sense of humor when everything is going well.

Humor is the balance of the tonal. Within the tonal you've got reason and humor. The two balance each other so that the tonal can accept and understand the journeys into the nagual.

Zen is non-serious. Zen has a tremendous sense of humor. No other religion has evolved so much that it can have that sense of humor.

I was a heathen Jewess with no bat mitzvah. Only the neurosis, the brown hair, and the self-deprecating humor. But being one of the only Jewish kids in my WASPy hometown definitely informed my perspective on the humor of being an outsider.

There was a manifesto in the late '60s/early '70s, and it basically laid out what 'black art' was and that it should embrace black history and black culture. There were all these rules - I was shocked, when I found it in a book, that it even existed, that it would demarcate these artists.

I was born in Jackson, Mississippi, in 1969, in a time and place where no one was saying, Look how far weve come, because we hadnt come very far, to say the least. Although Jacksons population was half white and half black, I didnt have a single black friend or a black neighbor or even a black person in my school.

Until the image of the black man in the mind of the black man has been changed, there will always be delinquency, parental and juvenile. The idea is not to change the attitude of the white man to the black man but to change the attitude of the black man to himself.

I'm not talking about my children's father'he's a wonderful black man, the hero of my life, and he's never disrespected or betrayed me. But I'm talking about what I see in the streets and in the media, this naked hatred that black men have towards the authentic black woman'which is really an indication of black men's hatred for blackness itself.

Black History is enjoying the life of our ancestors who paved the way for every African-American. No matter what color you are, the history of Blacks affected everyone; that's why we should cherish and respect Black history. Black history changed America and is continuing to change and shape our country. Black history is about everyone coming together to better themselves and America. Black history is being comfortable in your own skin no matter what color you are. Black history makes me proud of where I came from and where I am going in life.

When you're a black superhero, you can't erase the notion that you're black. If you're black, living in the community, and you want to change things, there are going to be things that happen. That's true of anybody. I mean, you could use celebrity as a similar metaphor.

If black lives matter, then why is it that black women are more than five times as likely as a white woman to have an abortion? I think the womb that brings forth the black life should matter... Because black lives absolutely matter, what about the babies in that womb? What about that mama?

I suppose I look for humor in most situations because it humanizes things; it makes a character much more three-dimensional if there's some kind of humor. Not necessarily laugh-out-loud type of stuff, just a sense that there is a humorous edge to things. I do like that.

Keeping a sense of humor about life. My parents divorced when I was 8, and whenever I felt down, my mom would remind me that a sense of humor gets you through just about anything.

A lot of people say, 'Hey, God doesn't have a sense of humor.' Yes, He does. God has a great sense of humor.

The establishment wonders why we can't get more of the black vote. It's because it's not doing the things necessary to establish a deeper relationship with the black community. Most black people don't think alike. Most black people just vote alike.

With 'Black Panther,' black artists were provided with the opportunity and agency to create art that captures the full range of their imaginative possibilities. It matters that Chadwick Boseman is the protagonist and is supported by a cast of nearly all black characters.

I'm not going to be one of those people who says, 'I'm a showrunner; I'm not a black showrunner.' I'm black when I go to sleep. I'm black when I wake up, period. It doesn't affect my perspective on everything, but at the same time, it's who I am, and I'm proud of it.

We've been fighting our whole lives to say we're just human beings like everyone else. When we start separating ourselves in our work, that doesn't help the cause. I've heard it for years: 'How do you feel being a black filmmaker?' I'm not a black filmmaker, I'm a filmmaker. I'm a black man, I have black children. But I'm just a filmmaker.

A big part of the humor is in identifying with the tragic elements of the film. The New Zealand sense of humor is very dark. Our films are usually very dark and it's always someone being killed. Usually a child.

I think that sense of humor is important in marriage. A sense of humor gets people through marriage.

I was born in Jackson, Mississippi, in 1969, in a time and place where no one was saying, 'Look how far we've come,' because we hadn't come very far, to say the least. Although Jackson's population was half white and half black, I didn't have a single black friend or a black neighbor or even a black person in my school.

When 'Raw Like Sushi' came out in the U.S., I wasn't considered to be black enough. They didn't really know where to put me. The music wasn't 'black black' sounding. It wasn't R&B; it wasn't straight up hip-hop, although obviously in that dimension and world.

In a way, a lot of my humor comes from presenting things that are dramatic or shocking and then people not having socially appropriate responses, having people denying the drama by failing to react to it, and that's a really classic form of humor.

From the very beginning, I started doing music performances with a lot of theatrical aspects to them, where humor was a part of it but not necessarily had to be. Humor is just another tool to make the palette more rich and interesting for myself and eventually for the public. It's a great way to break out of convention.

I'm an African woman, I suppose these thoughts torture me more than they do black American people, because it's like watching my own children trapped in a car that's sinking to the bottom of a lake and being impotent to save them'the black Americans have their own holocaust going on. You see the black man erasing black children from the landscape, you see black women desperately trying to get the black man's attention by wearing blonde hair and fake blue eyes, 500 years after he sold her and their children across the ocean.

White-on-black shootings evoke America's history of racism and so carry an iconic payload of menace. Black-on-black shootings carry no such payload, although they are truly menacing to the black community. They evoke only despair.

When I was coming up, we didn't have the movement of Black Girl Magic or Black Girls Rock, but my parents made it their business to make sure I saw positive images of myself and celebrated images of black women.

The black church often has reinforced certain self images that are damaging to black peoples' beauty, black peoples' confidence.

You start out with Mad magazine, and you go right through the sort of black humor of Lenny Bruce, Lord Buckley, Mort Sahl, Paul Krassner... If you put Lenny together with Mad magazine and run it through the brain of a college student, you get National Lampoon.