Top 1200 Black Metal Quotes & Sayings - Page 4

For black America needs a politics whose first mission isn't the reinforcement of the idea of black America; and a discourse of race that isn't centrally concerned with preserving the idea of race and racial unanimity. We need something we don't yet have: a way of speaking about black poverty that doesn't falsify the reality of black advancement; a way of speaking about black advancement that doesn't distort the enduring realities of black poverty.

You have to know the forces that are against you and that are trying to break you down. We talk about the problems facing the black community: the decimation of the black family; the mass incarceration of the black man; we're talking about the brutality against black people from the police. The educational system.

Expectations that black directors have to make black films about black subject matter are, to me, kind of absurd.

Black writers, of whatever quality, who step outside the pale of what black writers are supposed to write about, or who black writers are supposed to be, are condemned to silences in black literary circles that are as total and as destructive as any imposed by racism.

It's great to be black in Hollywood. When a black actor does something, it seems new and different just by virtue of the fact that he's black.

While I might not have a specific experience that is fully American, there is still a knowledge, something that I logically understand as a black woman and a black woman who is existing in America and a black woman who is in the diaspora that are just known quantities that I think anyone can relate to who is black.

It was darker than a pitch-black panther, covered in tar, eating black licorice at the very bottom of the deepest part of the Black Sea.

It would seem that some black people want to say that when you, as a black, become successful, you cease to be black. That's ridiculous.

The most ironic outcome of the black Civil Rights movement has been the creation of a new black middle class which is increasingly separate from the black underclass.

In discussions around the hiring and firing of Black faculty at universities, the charge is frequently heard that Black women are more easily hired than are Black men.

Actually we've had a black bourgeoisie or the makings of a black bourgeoisie for many more decades.In a sense the quest for the emancipation of black people in the US has always been a quest for economic liberation which means to a certain extent that the rise of black middle class would be inevitable. What I think is different today is the lack of political connection between the black middle class and the increasing numbers of black people who are more impoverished than ever before.

And all was black and still, and black and cold, and black and dead, and black.

I'm black. I've been black all my life, and as far as I know, I'll die black.

The epidemic is truly black-on-black crime. The greatest danger to the lives of young black men are young black men.

My staples are a beautiful pair of black pants, a lightweight coat, a great black heel, and a black cardigan. Everything else is just a topping on my fashion sundae.

Be Black, buy Black, think Black, and all else will take care of itself.

A black conservative is a black who dissents from the victimization explanation of black fate.

Back when we was in school in Mississippi, we had Little Black Sambo. That's what you learned: Anytime something was not good, or anytime something was bad in some kinda way, it had to be called black. Like, you had Black Monday, Black Friday, black sheep... Of course, everything else, all the good stuff, is white. White Christmas and such.

Black males who refuse categorization are rare, for the price of visibility in the contemporary world of white supremacy is that black identity be defined in relation to the stereotype whether by embodying it or seeking to be other than it…Negative stereotypes about the nature of black masculinity continue to overdetermine the identities black males are allowed to fashion for themselves.

I'm a black man that is proud to be black, and I want to help the black community, but I love all mankind.

I don't see myself a Great Black Hope. I'm just a golfer who happens to be black and Asian. It doesn't matter whether they're white, black, brown or green.

America has a black president, but there are no black studio heads, and there just aren't that many black people working anywhere on film sets, let alone in positions of power in Hollywood. That's what needs to change.

To me, not every black filmmaker who is making black films is trying to make black cinema.

I used to do this big rant at the end of some gigs with Ben Folds Five. The band broke into this big heavy metal thing and I started as a joke to scream in a heavy metal falsetto. I found myself saying things like: Feel my pain, I am white, feel my pain.

I came up with the idea of a daredevil who's going to go upside down, in a metal car, at 90 mph, and it's never been done before. I get into this metal car, I'm strapped in. You pull back, and it's a roller coaster at Magic Mountain, with kids and nuns and everything else! I pass out while everybody else is having a wonderful time.

I had seen other comic friends of mine go to indie labels. Like David Cross and Pat Oswald went to Subpop, and Subpop didn't make total sense for me, but the metal version of that did. So I made a small list with Metal Blade, Prosthetic and couple of other labels, and Relapse was one of them.

I write most of my first drafts on an old manual typewriter, a really old one. It's a big black metal "Woodstock" from about 1920. I try to write everything down at once, in one sitting. The longer stories in this collection are divided up into sections. Each section represents a different sitting, a different idea for the same story.

Black makes your life so much simpler. Everything matches black, especially black.

Standing to America, bringing home black gold, black ivory, black seed.

When I started, the music I would be drawn to would be heavy metal and new wave like Black Sabbath - things that seemed more shocking - and then, of course, eventually I would find bands and writers who were laying things out very clearly and whose words felt very sharp to the touch and sharp to your feelings.

My composition often goes toward the black middle class or the black super-wealthy or strong historical black figures.

I've always had an interest in complicating the way that we perceive the black character, whether it's the black academic or scholar or activist or black intellectual.

I come from a real working class background, and I didn't know anyone sophisticated - except I saw Edie Sedgewick once at the Art Museum in Philly. She had these black leotards and little black pumps and this big ermine cape and all these white dogs and black sunglasses and black eyes. She was classy!

I am a Negro: Black as the night is black, Black like the depths of my Africa.

When I'm born I'm black, when I grow up I'm black, when I'm in the sun I'm black, when I'm sick I'm black, when I die I'm black, and you...when you're born you're pink, when you grow up you're white, when you're cold you're blue, when you're sick you're green, when you die you're grey and you dare call me coloured.

The Black church is extremely important in Black America. I think most Americans themselves believe in a divine power, in a god, and I'm sure that that number increases with Black people.

The old alchemy, or what was just called alchemy, has a history. Most people, if they've been trained in sciences, think of alchemy as the precursor to chemistry. Back in time, people were called alchemists and they worked for kings and rich people, smelting metal and trying to change base metal into gold, because the king wanted to be richer.

Racism is not only in football, it's in cricket too. Even within teams as a black man, I get the end of the stick. Black and powerful. Black and proud.

When I get 13 or 14 years old, I get crazy with rock music, like, like, deeply crazy. And one of my favorite bands at that moment was, for example, like - bands like Metallica or Led Zeppelin, Black Sabbath, Pink Floyd and Santana, you know? And then I start to play metal, actually, when I was - at the age of 15.

As a black member of parliament and minister for nearly a decade, I was determined not to be defined by my race. I didn't want to be 'the black politician', when being black is just a part of who I am.

Even though it's called Music Of Black Origin, it's not just music for black people. Music is for everybody. I think it's good that black music is acknowledged, and it's open for lots of artists, including white artists who have been inspired by black musical heritage.

Metal buildings are the dream that Modern Architects had at the beginning of this century. It has finally come true, but they themselves don't realize it. That's because it doesn't take an Architect to build a metal building. You just order them out of a catalog - comes with a bunch of guys who put it together in a couple of days, maybe a week. And there you go - you're all set to go into business - just slap a sign out front.

Black Lives Matter has no more to do with black issues than Students for a Democratic Society had to do with democracy. They are means to an end, and they use the black population as sacrifices for their goals.

Black art is not some kind of a magic wand: there still has to be a humble heart attached that's listening to it. And I know it's not a wand because plenty of fans love to turn on us as soon as they realize we are actual black people, with black concerns in our black lives.

It's very necessary, showing the positive aspect of a black father. We see a lot of black women being the head of the household and holding the house down, but I think we need to have those images because there are black fathers out there who are doing the same thing and who are the glue to the family. That's who Black Lightning is.

Black Consciousness therefore takes cognizance of the deliberateness of God's plan in creating Black people black.

It's hard being black. You ever been black? I was black once - when I was poor.

Come election time, black and white politicians put on their costumes of compassion and care, shake black hands, kiss black babies, sing 'We Shall Overcome' in black , and pray that we will ignore the reality of everyday suffering and the damage that is being done to our future in exchange for our votes.

We understand that, in our communities, black trans folk, gender-nonconforming folk, black queer folk, black women, black disabled folk - we have been leading movements for a long time, but we have been erased from the official narrative.

I know I'm black. Everyone knows I'm black. But I don't want to be defined as a black hockey player.

If you are a soul singer, you are a soul singer. If you are a heavy metal singer, then you are a heavy metal singer. What's color got to do with it? I don't go around thinking, 'I sing soul music and I'm white.' I just sing the way I feel.

I think metal and horror definitely go hand in hand. Even when you go to a horror convention and meet the fans, nine out of 10 times if they're not wearing some sort of horror shirt, they're wearing a shirt with a metal band on it.

It's perfectly possible to spotlight Black joy over Black suffering. Setting the story in the past doesn't mean that Black folks do nothing but suffer.

I wanted to be a leading man - the black lawyer, the black doctor, the black policeman.

I write almost all my songs on an acoustic guitar, even if they turn into rock songs, hard rock songs, metal songs, heavy metal songs, really heavy songs I love writing on an acoustic because I can hear what every string is doing; the vibrations haven't been combined in a collision of distortion or effects yet.

Quiet this metal! Let the manes put off their terror, let them put off their aqueous bodies with fire. Let them assume the milk-white bodies of agate. Let them draw together the bones of the metal.

It's not white versus black any more, it's haves versus have-nots. Unless the black middle-classes unite to promote the interests of the black underclass, tension between them is inevitable. What we, the black middle class have to do, is think of a strategy to avert that.

I write almost all my songs on an acoustic guitar, even if they turn into rock songs, hard rock songs, metal songs, heavy metal songs, really heavy songs... I love writing on an acoustic because I can hear what every string is doing; the vibrations haven't been combined in a collision of distortion or effects yet.

We didn't say, 'Hey, we're gonna pick a bunch of cover songs,' or, 'We're gonna write an original song that has to sound like this, because we're a metal band, so we're gonna cover some metal songs.' We did the opposite. We just said, 'We're gonna have fun with these songs, and we're gonna try different things.'

If Barack Obama now, or some black person in the future, should become president, neither Jesse Jackson nor Al Sharpton would be out of a job. A black president can't end black misery; a black president can't be a civil rights leader or primarily a crusader for racial justice.