Top 1200 Black Race Quotes & Sayings - Page 4

Explore popular Black Race quotes.
Last updated on November 15, 2024.
And all was black and still, and black and cold, and black and dead, and black.
I very much dislike the word "race," and I never use it. I use the word "racist." Race is not a fact. There is only one race: human. Skin color is less than 2 percent of the DNA.
I'm very proud of the colour of my skin and that I'm inspiring people from all backgrounds, but I think it will be great for the next mixed-race or black female principal dancer if she doesn't have to be asked about that.
The great drama at the core of American race relations is always the same: Can black Americans ever be truly equal - are they capable of achieving it and are others capable of accepting it?
Black art is not some kind of a magic wand: there still has to be a humble heart attached that's listening to it. And I know it's not a wand because plenty of fans love to turn on us as soon as they realize we are actual black people, with black concerns in our black lives.
Democrats do have a historic race going. Hillary Clinton vs. Barack Obama. Normally, when you see a black man or a woman president an asteroid is about to hit the Statue of Liberty.
It is bad enough to be white and poor; it is worse still to be black, or brown, and female, and young, and poor. Simply said, race makes class hurt more. — © Michael Eric Dyson
It is bad enough to be white and poor; it is worse still to be black, or brown, and female, and young, and poor. Simply said, race makes class hurt more.
In 2004, there were more black men disenfranchised than in 1870 - the year the 15th Amendment was ratified, prohibiting laws that deny the right to vote exclusively on the basis of race.
It's hard to find black roles that are just whimsical and fun and colorful. And I think, in many ways, that can be just as powerful in making commentary about race through movies.
Don't terrorize. Organize. Don't burn. Give kids a chance to learn . . . The real answer to race problems in this country is education. Not burning and killing. Be ready. Be qualified. Own something. Be somebody. That's Black Power.
It would seem that some black people want to say that when you, as a black, become successful, you cease to be black. That's ridiculous.
Growing up as a black kid with a white father who loves you, who affirms you, who was part of your life is fundamentally different than what black people in my family were subjected to in the 19th century or the 18th century. But unfortunately, it doesn't change the old racial order. I think we need to let the old racial order just stay where it is and not seek to improve upon it. Not try to create more racial categories, because all that does is it makes a race stick around longer.
I'm a black man that is proud to be black, and I want to help the black community, but I love all mankind.
I am a Negro: Black as the night is black, Black like the depths of my Africa.
As a black man, sometimes you can't tell if what you're seeing has underlying bigotry, or it's a normal conversation and you're being paranoid. That dynamic in itself is unsettling. I admit sometimes I see race and racism when its not there.
Especially when we're dealing with issues of race, culture, identity, and history, the time has passed for the 'white savior' holding the black person's hand through their own history.
Be Black, buy Black, think Black, and all else will take care of itself.
It's great to be black in Hollywood. When a black actor does something, it seems new and different just by virtue of the fact that he's black.
It was darker than a pitch-black panther, covered in tar, eating black licorice at the very bottom of the deepest part of the Black Sea.
Aspiring black leaders are often asked to transcend race, even though no one ever asked, say, Hillary Clinton to transcend gender. This is a precarious race straddle that most members of the breakthrough generation seem to reject. Even the most well meaning white Obama supporters seem to take deep satisfaction in this idea. Obama, they insisted, could be raceless, a reasurringly optimistic view of America's deepest burden that ignores countless peices of evidence to the contrary.
Black Consciousness therefore takes cognizance of the deliberateness of God's plan in creating Black people black.
A show like 'Orange Is the New Black' has every race and ethnicity - and you don't even have to depend on four networks any more. You can go to Amazon or Netflix and be in an award-winning show.
I think race has been a burden for black Americans. Being Muslim has also been a challenge because so many people do not understand Islam. — © Kareem Abdul-Jabbar
I think race has been a burden for black Americans. Being Muslim has also been a challenge because so many people do not understand Islam.
In comedy, I often see so many weird race jokes, and it's like, there is no racial diversity in your show to even make those race jokes. The problem is that there is no one in the back to say, 'Hey, that race joke is not really appropriate.'
But what of black women?... I most sincerely doubt if any other race of women could have brought its fineness up through so devilish a fire.
I have always secretly felt that what mankind should be in an ideal sense is that mixture of people and races. I really believe in it. I don't think there is anything sacred in the integrity of race, white or black.
To me, not every black filmmaker who is making black films is trying to make black cinema.
I think being born in America and growing up exclusively within the American boundaries of race and race oppression is a very different experience for those of us who grew up under the boundaries of race and race experience in the Caribbean or for those who grew up in Africa.
The humor of jazz is rich and many-sided. Some of it is obvious enough to make a dog laugh. Some is subtle, wry-mouthed, or back-handed. It is by turns bitter, agonized, and grotesque. Even in the hands of white composers it involuntarily reflects the half-forgotten suffering of the negro. Jazz has both white and black elements, and each in some respects has influenced the other. It's recent phase seems to throw the light of the white race's sophistication upon the anguish of the black.
I don't see myself a Great Black Hope. I'm just a golfer who happens to be black and Asian. It doesn't matter whether they're white, black, brown or green.
While I might not have a specific experience that is fully American, there is still a knowledge, something that I logically understand as a black woman and a black woman who is existing in America and a black woman who is in the diaspora that are just known quantities that I think anyone can relate to who is black.
This country is just that great that the opportunities are there for a Hispanic president, a black president or any other race for a president, yes.
Standing to America, bringing home black gold, black ivory, black seed.
You have to have a good race plan. Our race plan this morning was to win the heat and get into the finals tonight. Tonight will be the big race.
Race is such a contentious issue because of the painful history of racism. Race didn't create racism, but racism created race.
It's perfectly possible to spotlight Black joy over Black suffering. Setting the story in the past doesn't mean that Black folks do nothing but suffer.
Expectations that black directors have to make black films about black subject matter are, to me, kind of absurd.
It's not white versus black any more, it's haves versus have-nots. Unless the black middle-classes unite to promote the interests of the black underclass, tension between them is inevitable. What we, the black middle class have to do, is think of a strategy to avert that.
You have to know the forces that are against you and that are trying to break you down. We talk about the problems facing the black community: the decimation of the black family; the mass incarceration of the black man; we're talking about the brutality against black people from the police. The educational system.
Black makes your life so much simpler. Everything matches black, especially black.
It's hard being black. You ever been black? I was black once - when I was poor.
The reason we had an all-black outfield in '51 is Don Mueller got hurt, so Hank Thompson was a legitimate replacement. So what? People talk about, 'You're the first to do this. You're the first to do that.' Don't dwell on race all the time.
Black writers, of whatever quality, who step outside the pale of what black writers are supposed to write about, or who black writers are supposed to be, are condemned to silences in black literary circles that are as total and as destructive as any imposed by racism.
At 50, I thought proudly: Here we are, half century! Being 60 was fairly frightening. You want to know how I spent my 70th birthday? I put on a completely black face, a fuzzy black Afro wig, wore black clothes and hung a black wreath on my door.
I think it is difficult to achieve a meaningful political coalition if you have race-based programs that divide members of the coalition. The problem I have, however, is that white people assume an either/or position: Either we have race-based programs or we don't. What I see is comprehensive social reform that includes race-based and race-neutral programs.
Like for 'Black Nails,' I just had black nails - and I never have black nails. It was my first and last time getting black nails. And that's so not normal for me. So when you're recording, you're up at the mic and you gotta name the file, so I just look down and I'm like, 'Black Nails!' That's literally what it was.
A key text for me is James Baldwin's essays. And, in particular, his essay Stranger in the Village. It's a text that I've used in a lot of paintings. The essay is from the mid-'50s, when he's moved to Switzerland to work on a novel, and he finds himself the only black man living in a tiny Swiss village. He even says, "They don't believe I'm American - black people come from Africa." The essay is not only about race relations, but about what it means to be a stranger anywhere.
My composition often goes toward the black middle class or the black super-wealthy or strong historical black figures. — © Rashid Johnson
My composition often goes toward the black middle class or the black super-wealthy or strong historical black figures.
I've always had an interest in complicating the way that we perceive the black character, whether it's the black academic or scholar or activist or black intellectual.
Race was a word that bred arrogance, danger and violence. When had incitement to race served a peaceful purpose? Race was a fuel and it needed only a match to light it. Any match - my hostility, your ambition, a third person's advantage.
When I'm born I'm black, when I grow up I'm black, when I'm in the sun I'm black, when I'm sick I'm black, when I die I'm black, and you...when you're born you're pink, when you grow up you're white, when you're cold you're blue, when you're sick you're green, when you die you're grey and you dare call me coloured.
I know I'm black. Everyone knows I'm black. But I don't want to be defined as a black hockey player.
When I first started in modeling, I went back to England, and it was really hard, because I would go around to the agencies and they would be like, 'We already have one mixed-race black girl.'
I'd never seen anything like it in my life. Someone so blatantly challenging the ideas of race and gender and sexuality. In a way, it was comparable to David Bowie, except that Prince brought that to the black community.
But to say that the race is the metaphor for the life is to miss the point. The race is everything. It obliterates whatever isn't racing. Life is the metaphor for the race.
I'm black and Cuban, Australian and Irish, and like most people in America, I'm someone whose roots come from somewhere else. I'm a mixed race, first-generation American.
I feel like I'm put in a position where I have to engage with what people bring to my work, which is an expectation for me to talk about race because it's not normal for a black writer to be writing in the theatre.
I wanted to be a leading man - the black lawyer, the black doctor, the black policeman. — © David Alan Grier
I wanted to be a leading man - the black lawyer, the black doctor, the black policeman.
It's very necessary, showing the positive aspect of a black father. We see a lot of black women being the head of the household and holding the house down, but I think we need to have those images because there are black fathers out there who are doing the same thing and who are the glue to the family. That's who Black Lightning is.
Every rebel is, with us, more or less a soldier who has missed his vocation, a being made for a heroic life ... The European race is a race of masters and soldiers. If you reduce this noble race to the work in a slave's prison like Negroes or Chinamen, it will rebel.
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