Top 1200 Black Racism Quotes & Sayings - Page 10

There's a very big gulf between the black civil rights leadership in America and the black middle class in America. The black middle class are conservative. Many of those minorities can be persuaded to be members of the Republican Party.

There's this black and green hair style I did one time. And it was literally inspired by my neighbor taking out their green recycling bins in a black outfit. I just loved the color combination, and I was like, Oh, I want black and green hair now.

[...] the only folks who kill black folks any more are black folks. [...] black folks kill more black folks than the KKK ever did.

The movement for black lives isn't just about black people. Black liberation has never just been about black people. It's been about a fight for our humanity, for our dignity.

I have two brown boys I have to raise and I have to teach them the inequalities that being a black man comes with. That's a tough conversation to have with a young kid who doesn't see anything, who's always sheltered, who can get anything he wants, who's going to go to the best schools but at the same time he's a black boy and his dad is black.

The other thing about the Nights is that it is quite racist. One parentheses is that I think this is one of the negative things that appeal to people, that The Arabian Nights could be used as a disguise for racism. It suited the West. You could smuggle racism into children's literature, you see. The African magician in the story of Aladdin, he's labeled explicitly as the "African Magician." He's not a character but a stereotype, and a lot of this got into nursery literature in this Oriental disguise.

Dear White Fella When I am born I’m black When I grow up I’m black When I am sick I’m black When I go out ina sun I’m black When I git cold I’m black When I git scared I’m black And when I die I’m still black. But you white fella When you’re born you’re pink When you grow up you’re white When you git sick you’re green When you go out ina sun you go red When you git cold you go blue When you git scared you’re yellow And when you die you’re grey And you got the cheek to call me coloured?

The 'black armband' view of our history reflects a belief that most Australian history since 1788 has been little more than a disgraceful story of imperialism, exploitation, racism, sexism and other forms of discrimination. I take a very different view. I believe that the balance sheet of our history is one of heroic achievement and that we have achieved much more as a nation of which we can be proud of than which we should be ashamed.

Blackness is a state of mind and I identify with the black community. Mainly, because I realized, early on, when I walk into a room, people see a black woman, they don't see a white women. So out of that reason alone, I identify more with the black community.

I did not disregard my culture, if I did, it was the white American culture, and I accepted my true culture, when I accepted Mohammed Ali, because this is a black name, Islam is the black man's religion, and so I would like to say, that I would like to clarify that point that I reclaimed my real culture, and that's being a black man and wearing a black name with a black body, and not a white name, so I would never say that I didn't disown my culture.

It's always baffled me why BET looks the way it does. This is Black Entertainment Television. Why are we up there, then, looking like idiots? It's because black people are marketing black people like that.

My point is you can fight racism and sexism and homophobia more effectively if you're doing it from the position that you're standing for the dignity of all people, and that you're actually standing for the underdog in the red states and the blue states. I think it's more effective when you're anti-racism and anti-sexism and anti-homophobia and that is the centerpiece for a project to uplift all humanity, and frankly to defend and uplift the children of all species.

Not too long after 'OITB' debuted, I was at NewFest and I saw 'Black Is Blue,' a short film by Cheryl Dunye about a Black trans man trying to make it in Oakland. It was the first time I could recall seeing a Black trans man on screen and this was in 2015.

I never wear a black belt with a black shoe. It's always the opposite: a brown shoe with a black belt.

I've done movies for certain reasons; I did 'Anaconda' because the black man lives. Simple. The black man isn't dead in the first three pages, like Jurassic Park. It's like, 'The black man kills the snake with a Latino girl? Damn! I got to do this.'

I like America; I enjoy being there. Some people can't stand the insincerity - I love the waiter asking me how my day has been, the can-do culture there. I love the fact that again, you are visible in America. You turn the TV on, there are black politicians, black policemen, black soldiers.

The street is as diverse as any other sector, but in peoples' mind it gets appropriated as a black man who's tough. Trying to make it through by staying hard and phallocentric. To me, that is just an impoverished conception of what it is to be a black male. It doesn't do justice to my grandfather, my father, my brother - or just the black men I grew up with.

Part of our tradition as black women is that we are universalists. Black children, yellow children, red children, brown children, that is the black woman's normal, day-to-day relationship. In my family alone, we are about four different colors.

Black-Scholes is a know-nothing system. If you know nothing about value - only price - then Black-Scholes is a pretty good guess at what a 90-day option might be worth. But the minute you get into longer periods of time, it's crazy to get into Black-Scholes. For example, at Costco we issued stock options with strike prices of $30 and $60, and Black-Scholes valued the $60 ones higher. This is insane.

The drug war has nothing to do with making communities livable or creating a decent future for black kids. On the contrary, prohibition is directly responsible for the power of crack dealers to terrorize whole neighborhoods. And every cent spent on the cops, investigators, bureaucrats, courts, jails, weapons, and tests required to feed the drug-war machine is a cent not spent on reversing the social policies that have destroyed the cities, nourished racism, and laid the groundwork for crack culture.

Black fathers are often disappointed if their sons aren't good at sports. Not excelling at sports as a black boy meant not being cool - even weirder, it meant not really being black.

I always love where I can plug a black woman in anywhere, and when that comes up, I don't say, 'Oh that has to be a black woman.' I say, 'Why not a black woman?'

When you're in a black group, you have to keep in mind you're not black. You just have to be sensitive. We have to be appreciative that the black nationalist struggle is a nationalist struggle.

If black artists can win major commissions and international acclaim, why do we assume that to be black is always to be marginal, or in need of special support? We have to recognize how diversity initiatives can make black artists feel ghettoized and, as some cultural commentators have argued, bear 'the burden of representation.'

I like the way black looks. I think I look better in darker clothes. And maybe the fact that I wear black so much makes me more aware of putting people at ease. The black is sort of the bad-guy guise, so I work overtime to make people comfortable.

Racism is a disease. Go to your doctor with an ailment, and let the doctor tell you, 'Well, look, I'm not going to treat you; we're just not going to talk about it. It's going to go away.' You would look at him like he's crazy. By not talking about racism, it's not going to go away.

We cannot assume that people by virtue of the fact that they are black are going to associate themselves with progressive political struggles. We need to divest ourselves the kinds of strategies that assume that black unity black political unity is possible.

I don't want to see trickle down racism. I don't want to see a president of the United States saying things which change the character of the generations of Americans that are following. Presidents have an impact on the nature of our nature. And trickle down racism, trickle down bigotry, and trickle down misogyny, all these extraordinarily dangerous to the heart and character of America.

Everyone that knows me already know that I rarely stray from my black jeans, black T-shirt and a black jacket - tailored or leather. I like to have a uniform and one that's versatile. I'm a very hands-on Creative Director, and I need to feel comfortable and be able to move between both casual and more formal attire at the same time.

Your decision to place your law enforcement resources in these communities is racism, but nobody has called people out on this. The law itself is not racist. But people's decision about where we're going to place our efforts, who we're going to prosecute, who we're not going to prosecute, is racism. And nobody's calling them on it.

A black boxer's career is the perfect metaphor for the career of a black male. Every day is like being in the gym, sparring with impersonal opponents as one faces the rudeness and hostility that a black male must confront in the United States, where he is the object of both fear and fascination.

I always give the example, if you turn on the radio today, black radio, Lenny Kravitz is not black. Bob Marley wasn't black: in the beginning, only white college stations played Bob Marley.

A lot of people of color and the Black Lives Matter movement will talk about what's really happening, but it seems like you can't get the black president to say something that's obvious about what's happening to black people in this country.

I try to speak my points of view about black America, and how I feel about black men and the role that black men should play in their lives with their children and in their lives with their women.

I was in the Black Power movement. I feel as energized about Black Lives Matter. I don't feel in any way separated from Black Lives Matter. I do believe we are hand and glove. I am the legislative tool.

You are a white. The Imperial Wizard. Now, if you don't think this is logic you can burn me on the fiery cross. This is the logic: You have the choice of spending fifteen years married to a woman, a black woman or a white woman. Fifteen years kissing and hugging and sleeping real close on hot nights. With a black, black woman or a white, white woman. The white woman is Kate Smith. And the black woman is Lena Horne. So you're not concerned with black or white anymore, are you? You are concerned with how cute or how pretty. Then let's really get basic and persecute ugly people!

We have this interesting problem with black holes. What is a black hole? It is a region of space where you have mass that's confined to zero volume, which means that the density is infinitely large, which means we have no way of describing, really, what a black hole is!

When we don't have information, we go to the simplest outlook, to black and white. But then we have to lie to ourselves. Black is never as black as you're painting it and white is never as white.

When someone asks me about violence, I just find it incredible, because what it means is that the person who’s asking that question has absolutely no idea what black people have gone through, what black people have experienced in this country, since the time the first black person was kidnapped from the shores of Africa.

Black holes are very exotic objects. Technically, a black hole puts a huge amount of mass inside of zero volume. So our understanding of the center of black holes doesn't make sense, which is a big clue to physicists that we don't have our physics quite right.

Within the lesbian community I am Black, and within the Black community I am a lesbian. Any attack against Black people is a lesbian and gay issue, because I and thousands of other Black women are part of the lesbian community. Any attack against lesbians and gays is a Black issue, because thousands of lesbians and gay men are Black. There is no hierarchy of oppression.

It's not the black belt that you wear on your waist. It's the black belt in your heart and knowing that you can go out there and you can do it. That's what a true black belt is.

Arguably the most important parallel between mass incarceration and Jim Crow is that both have served to define the meaning and significance of race in America. Indeed, a primary function of any racial caste system is to define the meaning of race in its time. Slavery defined what it meant to be black (a slave), and Jim Crow defined what it meant to be black (a second-class citizen). Today mass incarceration defines the meaning of blackness in America: black people, especially black men, are criminals. That is what it means to be black.

The inspiration for this movie [Something New] was this Newsweek article that came out a couple of years ago that talks about 42.4 percent of black women in America aren't married. Black women are shooting up the corporate ladder way faster than our black male counterparts. And (black men) are either dating outside their race, in jail or dying. And so if you want to have a family, you want to be married, you have to look at other options.

I think it's important for people to understand that dance, movement, choreography is about an experience and entertainment but it's also about perception and a lens. So when we're talking about a Black female's experience through a Black female's lens, that's going to be totally different from a Black female's perspective through a Black male's lens.

Integration is the biggest con job ever pulled on any group of people, any nationality in the world. It was a plot by white liberals to gain black political power for themselves and their wild ideas, and for a few black bourgeoisie who were paid to exercise leverage as black spokesmen.

There is no monolithic black culture. It's completely different for someone born in Harlem to someone born in Houston or London with one exception, which is that people contributing to black culture have the experience of being black.

Many times, I get young people asking, 'What do you think about black movies?' And I say, 'What are you talking about? You mean Hollywood movies that have black people in them?' It's gone back to that, and that's not the same thing as a black movie.

Black holes provide theoreticians with an important theoretical laboratory to test ideas. Conditions within a black hole are so extreme, that by analyzing aspects of black holes we see space and time in an exotic environment, one that has shed important, and sometimes perplexing, new light on their fundamental nature.

There is a considerable amount of content to what made Tommy End Tommy End and what makes Aleister Black Aleister Black, but there are a lot of similarities. I sometimes feel like Tommy End shed his skin and became Aleister Black. I truly feel that in WWE Tommy End could become Aleister Black.

I am an abolitionist. What does this mean? Abolitionist resistance and resilience draws from a legacy of black-led anti-colonial struggle in the United States and throughout the Americas, including places like Haiti, the first black republic founded on the principles of anti-colonialism and black liberation.

I do believe that healing takes place on a number of different levels and that in fact black healing can be deepened by trying to heal across as well as within. But it could be that to call for black and Jewish healing without acknowledging the need for intra-black healing puts the cart before the horse.

I'm dark-skinned. When I'm around black people, I'm made to feel 'other' because I'm dark-skinned. I've had to wrestle with that, with people going, 'You're too black.' Then I come to America, and they say, 'You're not black enough.'

Do you have any idea what Ali meant to black people? He was the leader of a nation, the leader of Black America. As a young black, at times I was ashamed of my color; I was ashamed of my hair. And Ali made me proud.

When I have my Afro and walk down the street, there's no doubt that I'm black. With this [straightened] hair, if I talk about being black on air, viewers write and say, "You're black?!" I feel [straightening your hair] is giving up a sense of your identity. Let's be honest: It's an effort to look Anglo-Saxon.

As the lone black host at two different all-sports stations, black callers and listeners dominated my show. Black advertisers did not. The show was financially supported primarily by white businesses, and the largest demographic for listener growth was white males.

Nowadays, people shoot digitally and it's all in color, but you press a button and it all goes to black and white. But it's not lit for black and white. So, it's a tricky thing. If you're going do black and white, you better remember to separate things with light, because color ain't gonna be there.

I think it's a bit of a myth that black Americans need one leader. We're not a monolith. And now that legal segregation and discrimination has been pretty much abolished there isn't the sort of universal mandate that a black leader would have. Black folks live in a wide variety of social situations right now.

Having Black hair is unique in that Black women change up styles a lot. You can walk down one street block in New York City and see 10 different hairstyles that Black women are wearing: straight curls, short cuts, braids - we really run the gamut.

I don't like the fact that most black people or black comedians have to present themselves in a flamboyant way. It's good if you can do that, but I don't like to think that's the way all black comedians are. I'm not that type.