Top 1200 Black Racism Quotes & Sayings - Page 11

Hitler had a lot of Jews high up in the hierarchy of the Third Reich. Color does not necessarily denote quality, content or value. If a black is a tyrant, he is first and foremost a tyrant, then he incidentally is black. Bush is a tyrant and if he gathers around him black tyrants, they all have to be treated as they are being treated.

There's no way you can do any homework on Black Lives Matters, and not see that it's a Marxist political organization. It's not about Black Death. It's not about black men. It is a political move. It's a communist political move.

Black Consciousness is an attitude of the mind and a way of life, the most positive call to emanate from the black world for a long time. Its essence is the realisation by the black man of the need to rally together with his brothers around the cause of their oppression - the blackness of their skin - and to operate as a group to rid themselves of the shackles that bind them to perpetual servitude.

With the Black Lives Matter movement, a lot of the focus is on the protest and dissent. I'm hoping to dismantle the public notion - for folks outside of the community - of what Black Lives Matter means. It's really about saying that black lives matter: that humanity is the same when you go inside people's homes.

Everybody has told the story of black people in struggle except black people. The black people in the struggle haven't had the means to tell the story historically. There were a million slaves, but you see very few slave narratives. And that is intentional.

I got into my very theatrical phase. I wore only black: a big black hat and wild hair and wild black clothes, and I carried a sword stick. I went there still looking like Miss Florida, and I came back looking very different.

There is still an assumption among many people that to be black is to be lower class. In the last fifteen to twenty years, perhaps even further back than that, there's also been an explosion of a very wealthy black class in the United States, but those people are often treated as special cases: they're athletes, entertainers. Jay-Z. Basketball players. The country metabolizes the fact these rich black people exist, but it seems only to reinforce the idea that every other black person is limping along in poverty.

One thing that the white man can never give the black man is self respect. The black man in the ghettos, have to start self correcting his own material moral, and spiritual defects, and evil. The black man need to start his own program to get rid of drunkenness, drug addiction and prostitution. The black man in America has to lift up his own sense of values.

The Black Lives Matter movement is stronger when non-black people step up for it.

Black-on-black crime is a massive human rights issue that's going on in America.

Blackness is a state of mind, and I identify with the black community. Mainly, because I realized, early on, when I walk into a room, people see a black woman, they don't see a white woman. So out of that reason alone, I identify more with the black community.

Tainting the Tea Party movement with the charge of racism is proving to be an effective strategy for Democrats. There's no evidence that Tea Party adherence are any more racist than other Republicans and indeed many other Americans. But getting them to spend their time purging their ranks and having candidates distance themselves should help Democrats in November, having one's opponent rebut charges of racism is far better than discussing joblessness.

Sometimes, you feel like, 'Am I going to be upset about this as a black person or as a woman first? Or am I gonna be both?' Because some things inherently affect black women; some things affect you as a woman and not a black person; and some things just affect you as a black person.

Black culture, to me, is so important and I identify with young black women.

You need Black [people] sometimes to understand things about Black culture.

Rates of black poverty have decreased. Black teen-pregnancy rates are at record lows - and the gap between black and white teen-pregnancy rates has shrunk significantly. But such progress rests on a shaky foundation, and fault lines are everywhere.

When I walk out into the street or go to the toilet, I don't think of myself as being black. Of course, other people think of me as black when I walk into a pub. Obviously being black is a part of me.

I didn't want to write a 'black' book because black characters are a tough sell.

People are more afraid of black unity than black rage.

I would love 'Awkward Black Girl' to be on television, with the right team of people who understand and get it. If 'Awkward Black Girl' could make it to HBO starring a dark-skinned black girl, that would be revolutionary.

But for poor black people and working-class black people, it is a much more difficult way to go. The over-incarceration of black people is just intolerable. When you look at the disparity in terms of education and access to fair schooling, it is horrible. If this would happen to white people in this country, it would not be tolerated.

Better have a black face than be worried about black deeds.

I want to burn as a beacon of possibility. I don't want nobody to misconstrue the commercial success I've had as anything other than an example of what black music is capable of. And what it's capable of is being more than just black. I'm not black or white anymore. I'm Cee Lo Green.

Republicans and blacks had an unlikely alliance around 'max black' after the 1990 census. By concentrating black voters in some districts, the strategy elected a record number of black congressmen in 1992. But the remaining 'bleached' districts were more likely to elect white Republicans.

When I started, I was aware of using the black as a rhetorical device. It's understanding that black people come in a wide range of colors, but you find instances in a lot of black literature in which the blackness is used as a metaphor. In some places, you can find an extreme blackness used as a descriptive.

When the Kerner Commission told white America what black America has always known, that prejudice and hatred built the nation’s slums, maintains them and profits by them, white America could not believe it. But it is true. Unless we start to fight and defeat the enemies in our own country, poverty and racism, and make our talk of equality and opportunity ring true, we are exposed in the eyes of the world as hypocrites when we talk about making people free - (Chapter 9).

I grew up in Columbia, Maryland, a planned community built during the sixties. During the early years, it was very integrated. I grew up being taught by black teachers with black principals and vice principals and, you know, a lot of black friends. We played in mixed groups, and I kind of thought that was how it was.

Somebody once said to me after I'd done "Deep Impact," "What is it like to play a Black president," and I said, "I didn't play a Black president. I played a president. I just happened to be Black. There's a difference.

They used to call me Firefly when I was a little girl, and I always tried to figure out why I was being called a firefly. I was really black, black, black from the sun. After being in Jamaica for 13 years, my eyes were really beady and white, and my skin was really black. I must have really looked like a fly. My eyes looked like lights, like stars.

I'm a sponge for historical images of black people and black history on film.

When we did 'Air Dance,' I thought we were actually quite courageous doing that because it's not necessarily quote-unquote a Black Sabbath song. But I don't give a damn about that because it is part of Black Sabbath; it is a Black Sabbath song.

Black and awkward is the worst, because black people are stereotyped as being anything but awkward in mainstream media... Black people are always portrayed to be cool or overly dramatic, anything but awkward.

I am admiring of my fellow peers, black filmmakers and black actors and actresses.

There is a movement we call Afro-Futurism, where we imagine a black way of life free of white supremacy and bigotry. 'Black Panther,' I think, is the first blockbuster film centered in the ethos of Afro-Futurism, where the writers and directors and makeup and wardrobe team all imagined a beautiful, thriving black Africa without colonialism.

I was raised in a completely black world. In those days, if a white woman married a black man, she lived as a black woman, and that was just the end of it. So, I don't have a feeling of being bi-racial. I don't have a connection to it. People often come up to me thinking I do have a connection to it, and I kind of let them down because I really don't.

One of the reasons I paint black people is because I am a black person.

If the white man can come here uneducated and as an immigrant, and within 10 or 15 years set up an industry that provides job opportunities and educational opportunities for black people, then if the black man, the black leadership, who has access to all of this money and has all of these degrees today, can't use his talent and his know-how to set up business opportunities, job opportunities, housing opportunities for the black people the same as the white leaders have done for white people, then these black leaders need to get off the boat.

I've always loved black, and I realized that, from the beginning, man went into completely dark caves to paint. They painted with black too. They could have painted with white because there were white stones all over the ground, but no, they chose to paint with black in the dark.

When a country doesn't respect Black lives, maybe it doesn't deserve to be entertained by Black athletes.

Whether or not you call it Black Lives Matter, whether or not you put a hashtag in front of it, whether or not you call it the Movement for Black Lives, all of that is irrelevant. Because there was resistance before Black Lives Matter, and there will be resistance after Black Lives Matter.

I tend to play characters that arent supposed to black or written black.

Color is the overpowering of black; white – the final victory over black.

I love leather vests and jackets, black leggings, black lips.

The Dominican Republic says 'We're black behind the ears.' And in Mexico, 'there's a black grandma in the closet.' They know, they've just been intermarrying for a long time. But if we did the DNA of everyone in Mexico a whole lot of people would have a whole lot of black in them.

I'm a big fan of Tarantino's work, and I think I'm fascinated by his evident sense of entitlement to use black characters and black material that he feels not simply comfortable with, but that it's his right and privilege - the apparent ease with which he handles black characters, fully aware that he's been criticized for that, too.

My mother was a woman. A black woman. A single mother. Raising two kids on her own. So she was dark skinned. Had short hair. Got no love from nobody except for a group called the Black Panthers. So that's why she was a Black Panther.

Life is just like a book. Only after you've read it do you know how it ends. It is when we are at the end of life that we know how our life ran. Mine, until now, has been black. As black as my skin. Black as the garbage dump where I live.

It's better to be black than gay because when you're black you don't have to tell your mother.

The problem is there are people in this country - maybe 10%, I don't know what the number, maybe 20% on a bad day - who want this President to have an asterisk next to his name in the history books, that he really wasn't President....They can't stand the idea that he is President, and a piece of it is racism. Not that somebody in one racial group doesn't like somebody in another racial group. So what? It is the sense that the white race must rule. That's what racism is. And they can't stand the idea that a man who is not white is President.

American television, for all its faults, still has a black presence in shows and even in commercials. You'll see black people in automobile ads, black women starring on their own television shows. We don't see that on British television.

It's not enough even to have one black Barbie... because black women are not a monolith.

I hope that audiences understand that there is a precariousness to black lives in this country that we need to address, that there has always been a precariousness to black lives in this country that we need to address. In fact, our country is built on the precariousness of black lives, the disposability of black lives.

Black Nativity certainly lends itself to reinterpretation. It was kind of designed to be infused with the creativity of whoever is putting it on, and every performance is a little bit different. So, this is definitely my version of Black Nativity. It has its own story, which is a family story. Langston Hughes' Black Nativity informs it, and is contained within it.

There is an obsession with black tragedy. If you see a black movie, it's typically historical, and it tends to deal with our pain. And listen, there have been some excellent films made in that vein, and there are some painful parts of black history that should be explored, but it is kind of weird that only those films bubble up to the surface.

I am proud of my black roots and of the black blood that runs in my veins.

My mom experienced racism. She was harassed by the KKK several times. And I experienced racism myself, growing up. In New Jersey, we had trash thrown on our lawn every day. And we had the lines to our Christmas lights cut three years in a row. We just stopped putting up Christmas lights after that. That's probably why I still don't put up any lights during the holidays.

A Murphy [Eddie Murphy] movie is like a Sidney Poitier comedy - he's that intensely good... He revolutionized acting. He's literally black Brando. Before Eddie Murphy, there were two schools of acting for a black actor: Either you played it LIKE THIS or youplayeditlahkdis. He was the first black guy in a movie to talk like I am talking right now. That did not exist for black actors before him.

To be black and beautiful means nothing in this world unless we are black and powerful.

The Black Lives Matter movement can be read as an attempt to keep mourning an open dynamic in our culture because black lives exist in a state of precariousness. Mourning then bears both the vulnerability inherent in black lives and the instability regarding a future for those lives.

Tutankhamun was not black, and the portrayal of ancient Egyptian civilization as black has no element of truth to it.