Top 1200 Black White Quotes & Sayings - Page 4

I don't see myself as a 'black actor,' I'm just Shemar Moore the actor. I'm very proud to be black, but I'm just as much black as I am white.

White people scare the crap out of me. I have never been attacked by a black person, never been evicted by a black person, never had my security deposit ripped off by a black landlord, never had a black landlord, never been pulled over by a black cop, never been sold a lemon by a black car salesman, never seen a black car salesman, never had a black person deny me a bank loan, never had a black person bury my movie, and I've never heard a black person say, 'We're going to eliminate ten thousand jobs here - have a nice day!'

There was segregated unions, which was a real problem for me because - especially as I was working in the recording scene, I had flack from the white union for hiring black musicians. I had flack from the black musician by hiring white musicians.

I know that the Black emphasis must be not against white but FOR Black.

If you take five white guys and put 'em with five black guys, and let 'em hang around together for about a month, and at the end of the month, you'll notice that the white guys are walking and talking and standing like the black guys do. You'll never see the black guys going, "Oh, golly! We won the big game today, yes sir!" But you'll see guys with red hair named Duffy going, "What's happenin'?"

In it he proves that all things are true and states how the truths of all contradictions may be reconciled physically, such as for example that white is black and black is white; that one can be and not be at the same time; that there can be hills without valleys; that nothingness is something and that everything, which is, is not. But take note that he proves all these unheard-of paradoxes without any fallacious or sophistical reasoning.

We like things to be black or white, tall or short, here or there. We like to consider two sides to every story. Unfortunately, there aren't always two sides. Sometimes there's only one; more often, there are multitudes. Many facets on the stone. Nooks and crannies in abundance. Things are usually not either black or white, but multicolored.

The beauty of being black in American society is that black has always been an inclusive definition. White has always been an exclusive definition. I think one of the challenges for white people is to figure out how to have a more inclusive picture of who their families are, of who they are.

Never mind what you've heard. Halle Berry was not the first black woman to win an Academy Award for Best Actress. She was actually the 74th white one. And never mind all this talk about America electing its first black President; Barack Obama is actually the 44th white man to hold the job.

The pilots I did test for, I was the only black actor testing against white actors for parts that were written white.

I was born in Jackson, Mississippi, in 1969, in a time and place where no one was saying, Look how far weve come, because we hadnt come very far, to say the least. Although Jacksons population was half white and half black, I didnt have a single black friend or a black neighbor or even a black person in my school.

Did Rahm Emmanuel serve President Barack] Obama or did he serve himself as he prepared to run for Mayor of Chicago? I don't use the term black-on-black violence, since I've never heard the term white-on-white violence.

I say it in the writers' room all the time: My black is not your black. What's terrifying is that, just the same way we've all accepted that normal is white, everybody seems to buy into the idea that there's only one way to be black or one way to be Hispanic. That's as damaging as anything else.

I have a black Grandma and white Grandma. My white Grandma lives in Fort Lauderdale, paints, and teaches bridge. She's wonderful. My black Grandma, equally wonderful, is my neighbor across the street, Bobbie, who's always insisted that I call her Grandma, and honestly, over the years she's become a real Grandma to me.

I joke to people in the press that I realize I'm not black, I'm actually white. But I've got these roots in black American music. I love it.

I see racism as institutional: the rules are different for me because I'm black. It's not necessarily someone's specific attitude against me; it's just the fact that I, as a black man, have a much harder time making an art-house movie and getting it released than a white person does about their very white point of view. That's racism.

Hockey is a sport for white men. Basketball is a sport for black men. Golf is a sport for white men dressed like black pimps.

I was born in Jackson, Mississippi, in 1969, in a time and place where no one was saying, 'Look how far we've come,' because we hadn't come very far, to say the least. Although Jackson's population was half white and half black, I didn't have a single black friend or a black neighbor or even a black person in my school.

'Chels-emojis' are in the works. I use emojis heavily in life, and I think a lot of people do. There are a number that are frustratingly absent - you know how there's kind of a generic white man and a generic white woman? I just want to put a generic black man and a generic black woman.

The beauty of the literary art, the grappling with the black church, the wrestling with one's identity in the bosom of a complicated black community that was both bulwark to the larger white society as well as a threshing ground, so to speak, to hash out the differences that black people have among ourselves.

Nothing is as it seems. Black can appear white when the light is blinding but white loses all luster at the faintest sign of darkness.

There was such hostility to the idea of a banjo being a black instrument. It was co-opted by this white supremacist notion that old-time music was the inheritance of white America.

In the real world there are many tones, from white at one extreme, through a large number of medium tones to black at the other extreme. To achieve a three-dimensional effect on paper you need just three - white, black and medium gray.

I remember the first thing I did when I found out I was illegal was to get rid of my thick Filipino accent. I figured that I had to talk white and talk black at the same time, like Charlie Rose and Dr. Dre. If I can talk white and black then no one is ever going to think that I'm "illegal."

The Jam went through a phase of wearing satin jackets. But that was pre-getting signed and making it, when we were still playing the pubs and clubs - around '75. Shocking, really - what would you call them apart from 'horrible?' We'd wear these white zip-up bomber jackets with black kind of loon pants and black and white shoes.

When we hold a photo negative up to the light all objects are reversed. Black is white, white is black. Moreover, the character lines of any face in the picture are not clear. Once placed into the developing solution, what photographers call "the latent image" is revealed in the print-darkness is turned to light; and, lo, we have a beautiful picture.

Choices of right or wrong are not presented to you in black and white. If they were, I'm sure most people would choose white.

I adore my black skin and my kinky hair. The Negro hair is more educated than the white man's hair. Because with Negro hair, where you put it, it stays. It's obedient. The hair of the white, just give one quick movement, and it's out of place. It won't obey. If reincarnation exists I want to come back black.

Santa Claus was white and everything bad was black. The little ugly duckling was the black duck, and the black cat was the bad luck. And if I threaten you, I'm going to blackmail you.I said, 'Momma, why don't they call it 'whitemail'? They lie too.'

If black lives matter, then why is it that black women are more than five times as likely as a white woman to have an abortion? I think the womb that brings forth the black life should matter... Because black lives absolutely matter, what about the babies in that womb? What about that mama?

White-on-black shootings evoke America's history of racism and so carry an iconic payload of menace. Black-on-black shootings carry no such payload, although they are truly menacing to the black community. They evoke only despair.

The fans called me Jungleman. They said this young guy's not white. He's black in a white man's skin.

The moth settled onto the curtain and sat still. It was an astonishing creature, with black and white wings patterned in geometric shapes, scarlet underwings, and a fat white body with black spots running down it like a snowman's coal buttons. No human eye had looked at this moth before; no one would see its friends. So much detail goes unnoticed in the world.

In black America there's such a thing as passing, the black people who are light skinned and they will pass for white.

We say Black lives matter, but a lot of white folks don't know Black folk.

I don't know if it's more acceptable or if black men are more comfortable. Black men certainly are more comfortable with it. I don't know that society, like white society loves it or black women. When you see a black man with a white woman there is a feeling that you have and I think the feeling is an instinctual feeling of you want her you don't want me. I don't look anything like her, so you don't like. You know what I mean? Something like that. It's a real instinctual primal thing.

I have black friends, but I don't just hang out with black kids. I might pull up with Indian kids, white kids, black kids, whatever.

Black professors make more than white professors. That's because we are in demand. I'll tell you, give me two blacks in institutions of higher learning, one has a Ph.D. from an elite institution and has a certain publication record. You give me a white scholar with the same credentials, and I will take that black scholar.

I come in with this rock 'n' roll-oriented music, and it's not black enough . . . I've always had to deal with this black-white thing.

Until the image of the black man in the mind of the black man has been changed, there will always be delinquency, parental and juvenile. The idea is not to change the attitude of the white man to the black man but to change the attitude of the black man to himself.

My father had a dairy farm. He employed three black families and one white family, and I used to play with black children.

America's most dangerous and threatening black man is the one who has been kept sealed up by the Northerner in the black ghettos - the Northern white power structure's system to keep talking democracy while keeping the black man out of sight somewhere, around the corner.

I don't trust white critics' judgment about most things that deal with black life, particularly when a black person is the creator.

The issue of redistribution of resources and wealth needs to resolved systemically, but in the meantime but there are individual spots you can occupy. There are things that you can do on a daily basis that will make a difference in moving the needle in individual lives. When we look at the mentoring of young black kids, for instance, the number-one mentor group is white women. I think after that maybe it's black women, and then white men, and then black men. We can make all kinds of arguments about that.

My problem is white comfort with Black death. I am personally tired of white comfort with black death.

As far as I knew white women were never lonely, except in books. White men adored them, Black men desired them and Black women worked for them.

White people's fear of Black people with guns will never cease to amaze me. Probably it's because they think about what they would do were they in our place. Especially the police, who have done so much dirt to Black people - their guilty conscience tells them to be afraid. When Black people seriously organize and take up arms to fight for our liberation, there will be a lot of white people who will drop dead from no other reason than their own guilt and fear.

There are black men who are madly in love with white women. God bless them, if that's what works for them. I just hope that we can strike a balance that portrays black folks and the black family in a light that's not extreme. Those are the types of characters that I find myself attracted to.

Black power is organizing the rage of Black people and putting new hard questions and demands to white America.

We were from a predominantly white area, my dad was black and my mum was white, so that had its complications.

Human nature is not black and white but black and grey.

And although I have seen nothing but black crows in my life, it doesn't mean that there's no such thing as a white crow. Both for a philosopher and for a scientist it can be important not to reject the possibility of finding a white crow. You might almost say that hunting for 'the white crow' is science's principal task.

The prejudice many photographers have against colour photography comes from not thinking of colour as form. You can say things with colour that can't be said in black and white... Those who say that colour will eventually replace black and white are talking nonsense. The two do not compete with each other. They are different means to different ends.

If you are going to call a film a 'black film' then you have to make a film that represents everyone that's black, which is almost impossible. That is why white films are not called white films, they are just called 'films.'

I am Charles Mingus. Half-black man. Yellow man. Half-yellow. Not even yellow, nor white enough to pass for nothing but black and not too light enough to be called white.

It was common practice for me to take my children with me whenever I went shopping, out for a walk in a white neighborhood, or just felt like going about in a white world. The reason was simple enough: if a black man is alone or with other black men, he is a threat to whites. But if he is with children, then he is harmless, adorable.

Traveling in the segregated South for black people was humiliating. The very fact that there were separate facilities was to say to black people and white people that blacks were so subhuman and so inferior that we could not even use public facilities that white people used.

As black Americans continue to be insulted and dismissed by protected white liberals, the Black Talented Tenth will continue to benefit from political donations, speaking engagements, national media presence, accolades as the official black leaders, and perpetual gigs on MSNBC and CNN.

Color is the overpowering of black; white – the final victory over black.

The American white relegates the black to the rank of shoeshine boy; and he concludes from this that the black is good for nothing but shining shoes.