Top 1200 Black Quotes & Sayings - Page 3

For a lot of comics who aren't as silly or physical but more intellectual, we get looked at as 'alt comics.' No, I'm still a black comic, and there are black people who want to hear my type of black comedy, but that space hasn't been built out for us.

I grew up in what my mom will always dispute as 'the hood.' She just doesn't like the name. But it had its similarities to any neighborhood like that. The all-black neighbors and the all-black problems and the all-black happiness. And I really loved it.

If black lives matter, then why is it that black women are more than five times as likely as a white woman to have an abortion? I think the womb that brings forth the black life should matter... Because black lives absolutely matter, what about the babies in that womb? What about that mama?

There’s one thing about Black Sabbath which should not be understated: If Black Sabbath is missing any one of its members it’s no longer Black Sabbath.

Black History Month is a great celebration for Black people everywhere. I just hope we get to the point as Black people that we celebrate everyday like it is Black History month by living our lives and aspiring to be all we can. Many people lost their lives for us to have the privileges we have so we need to honor them by striving to be the best we can be.

We used to have an all-Black baseball team, all Black stars and when White folks took Jackie Robinson and brought him into the major league that was the beginning of the crushing of Black baseball teams and leagues.

My dad, who was creative director in the '60s, always wore black jeans with black desert boots; he thought he was cool. He told me to buy a pair as well. I didn't like black, so I got the sand color, and I've been wearing them since college.

There was a manifesto in the late '60s/early '70s, and it basically laid out what 'black art' was and that it should embrace black history and black culture. There were all these rules - I was shocked, when I found it in a book, that it even existed, that it would demarcate these artists.

A lot of black women still carry a lot of pain when they see black men with women who aren't black, and that's really unfortunate that that could make us so upset. It has to do with self esteem.

You can wear black in any moment of the day, no matter your age. You can wear black with almost any occasion. A black dress is essential for every woman.

Unfortunately, as I tell my white friends, we, as black people, we're never going to be successful - not because of you white people but because of other black people. When you're black, you have to deal with so much crap in your life from other black people.

There's one more thing I want to say. It's a touchy subject. Black beauty. Black sensuality. We live in a culture where the beauty of black people isn't always as celebrated as other types. I'd like to help change that if I can!

It's so important to create roles and characters and projects that feature black people in a way that's not specifically targeted towards the niche market, which is, like, a black movie is created, and it's produced and pitched so that only black people will watch it.

People say I'm into black women. Robert De Niro is into black women. I'm just into women who are real, and they happen to be black.

As a strong and proud and intelligent Black man I have no problem expressing my respect for and adoration of the Black woman. Simply put, I love you. I love the Black woman.

I've never seen a sincere white man, not when it comes to helping black people. Usually things like this are done by white people to benefit themselves. The white man's primary interest is not to elevate the thinking of black people, or to waken black people, or white people either. The white man is interested in the black man only to the extent that the black man is of use to him. The white man's interest is to make money, to exploit.

I did this whole series on the buffalo soldiers-on black soldiers-I did another series on black cowboys, and I presented myself to the gallery system, and all these people with these massive collections didn't know there were black cowboys or black soldiers. I ended up hitting a niche I didn't know was there.

At screenings for 'Black in America,' I've heard people say, 'Well you know, I never thought you were black until you did Katrina, and then I thought you were black.'

I don't see myself as a 'black actor,' I'm just Shemar Moore the actor. I'm very proud to be black, but I'm just as much black as I am white.

I'd say a lot of black comics were forced to do the black comedy circuit. I'd go into black comedy clubs and see what they're going through, which is different because they're almost made to be in another world.

The beauty of the literary art, the grappling with the black church, the wrestling with one's identity in the bosom of a complicated black community that was both bulwark to the larger white society as well as a threshing ground, so to speak, to hash out the differences that black people have among ourselves.

Without black, no color has any depth. But if you mix black with everything, suddenly there's shadow - no, not just shadow, but fullness. You've got to be willing to mix black into your palette if you want to create something that's real.

When I was coming up, we didn't have the movement of Black Girl Magic or Black Girls Rock, but my parents made it their business to make sure I saw positive images of myself and celebrated images of black women.

We've been fighting our whole lives to say we're just human beings like everyone else. When we start separating ourselves in our work, that doesn't help the cause. I've heard it for years: 'How do you feel being a black filmmaker?' I'm not a black filmmaker, I'm a filmmaker. I'm a black man, I have black children. But I'm just a filmmaker.

When you're a black superhero, you can't erase the notion that you're black. If you're black, living in the community, and you want to change things, there are going to be things that happen. That's true of anybody. I mean, you could use celebrity as a similar metaphor.

I'm not going to be one of those people who says, 'I'm a showrunner; I'm not a black showrunner.' I'm black when I go to sleep. I'm black when I wake up, period. It doesn't affect my perspective on everything, but at the same time, it's who I am, and I'm proud of it.

Everything I do, I go to black people. If I have a problem at the airport, I'll go to the black ticket agent. I hope they notice me because I'll get better service. If I'm at a restaurant, I look for the black waiter. Rent-a-Car, give you the upgrade.

People ask me why my figures have to be so black. There are a lot of reasons. First, the blackness is a rhetorical device. When we talk about ourselves as a people and as a culture, we talk about black history, black culture, black music. That's the rhetorical position we occupy.

Every February, we reflect on and honor the achievements, struggles, and icons that comprise Black history. As a proud, Black man running for office and raising two young, Black boys in the South, I am acutely aware that I stand on the shoulders of giants.

I have black friends, but I don't just hang out with black kids. I might pull up with Indian kids, white kids, black kids, whatever.

But when I fell in love with black, it contained all color. It wasn’t a negation of color. It was an acceptance. Because black encompasses all colors. Black is the most aristocratic color of all.... You can be quiet and it contains the whole thing.

I come from an era of black pride, black power, my father riding around listening to James Brown singing, 'Say it loud: I'm black and I'm proud,' and people walking around with African medallions and Malcolm X hats.

Black Lives Matter was born out of our unwavering love for black people and our undeniable rage over a system that has historically dehumanized black people.

I love everything black, because black is cool. When something crosses over, people are like, "Oh, this is a crossover." First of all, there is no urban anymore. Pop culture is black. White kids are dressing like black kids. It's all crossed the lines now. The way I understand it is, everything black is cool. When it crosses over to white, that means it's going from cool to uncool. That's what crossover is.

One of the big mysteries about the black hole at the center of the galaxy is, 'Why don't we see emission from matter falling onto the black hole, or, rather, the black hole eating up its surroundings?'

Michael Brown happened to be black. Trayvon Martin happened to be black. Eric Garner was a black man. So this pattern continues over and over.

Santa Claus was white and everything bad was black. The little ugly duckling was the black duck, and the black cat was the bad luck. And if I threaten you, I'm going to blackmail you.I said, 'Momma, why don't they call it 'whitemail'? They lie too.'

As a black woman trying different products and figuring out what works best for me, the one thing that I realized is that hair brands lump us together as having 'black hair,' but all black hair is not alike.

As a black person, I'm used to going to places in which I might be the only black person that shows up there. This experience has an effect on the way you see yourself in the world and what it means to be black in the world.

Some black filmmakers will say, "I don't want to be considered a black filmmaker, I'm a filmmaker." I don't think that. I'm a black woman filmmaker.

Black women's feelings of responsibility for nurturing the children in their own extended family networks have stimulated a more generalized ethic of care where black women feel accountable to all the black community's children.

What I say about myself, black footballers or black pop stars is that we have been 'elevated out of blackness.' Because when people see us, they don't see us as being black. These are the issues that we should address.

It's very lonely being a prominent black intellectual at an institution where you're the only prominent black intellectual. That was the model that was followed in the late 60s when black studies started. You'd get one here and one there and one here, like Johnny Appleseed.

There's no reason why you can't say "August Wilson, playwright" even though all of my work, every single play, is about black Americans, about black American culture, about the black experience in America. I write about the black experience of men, or I write about black folks. That's who I am. In the same manner that Chekhov wrote about the Russians, I write about blacks. I couldn't do anything else. I wouldn't do anything else.

The truth of the matter is, I am a black woman, and I am an actor. I don't try to get caught up in being a black actor; I'm just an actor who is a black woman. It's not about forgetting that you're black, but you don't need to be hammered over the head, either; it just is what it is.

I'm not talking about my children's father'he's a wonderful black man, the hero of my life, and he's never disrespected or betrayed me. But I'm talking about what I see in the streets and in the media, this naked hatred that black men have towards the authentic black woman'which is really an indication of black men's hatred for blackness itself.

Black comics, they only watch Black comedians. You're a comedian; you're not just a Black comedian. You're a comedian. I try to get that through to everybody.

I think one of my first jokes - in the black community, there's people who have jokes about skin tone. People like, 'You so black, you purple.' 'You so black, you gotta smile so we can see you at night.'

I love going to black churches, and I love some of these black preachers. The best preacher I ever saw in my life was a 93-year-old in a black church in Hamilton, Virginia. What a preacher!

Calling Michelle 'Obama Barack's baby mama?' Tell me, is that acceptable? But the Obamas aren't the only targets. Fox's pattern of race-baiting and fear-mongering regularly focuses on black leaders, black institutions and ordinary black people.

Black Lives Matter was created as a response to state violence and anti-black racism and a call to action for those who want to fight it and build a world where black lives do, in fact, matter.

Black women are some of the most colorful women in the world. We come in all shadeshave so many hair textures..eye colors..body types. In this generation, it's sad to see so many black girls claiming ethnicities that they know nothing about in hopes of impressing a man or appearing 'exotic'. So many people act as if being black and beautiful is impossible. It's not. If we wanna get technical and look at our history, almost every black American is mixed. But we must stop implying that a woman's beauty comes from a part of her that is not black.

To understand how black projects began, and how they continue to function today, one must start with the creation of the atomic bomb. The men who ran the Manhattan Project wrote the rules about black operations. The atomic bomb was the mother of all black projects, and it is the parent from which all black operations have sprung.

If a dog is biting a black man, the black man should kill the dog, whether the dog is a police dog or a hound dog or any kind of dog. If a dog is fixed on a black man when that black man is doing nothing but trying to take advantage of what the government says is supposed to be his, then that black man should kill that dog or any two-legged dog who sets the dog on him.

Among liberals and Democrats, there is this notion that the poor - especially the black poor - can do no wrong. If you criticize any poor and black person who displays inappropriate, boorish or egregiously bad conduct, you'll be dismissed as a racist if you're not black. And as an Uncle Tom or sellout if you are.

There are many things that black women can continue to do to help black folk. First, black women have historically been among the most vocal advocates for equality in our community. We must take full advantage of such courage by continuing to combat the sexism in our communities. Black women, whether in church, or hip-hop, don't receive their just due. Second, when black women are in charge of child-rearing, they must make ever so sure to raise black children who respect both men and women, and who root out the malevolent beliefs about women that shatter our culture.

Seven out of 10 black faces you see on television are athletes. The black athlete carries the image of the black community. He carries the cross, in a way, until blacks make inroads in other dimensions.

I was adopted my black Americans, I feel that I'm a 'Hybrid'. When I'm around Africans'I suddenly feel very black American. And when I'm around black Americans'I feel very North African. North Africa and black America are both the creators of Kola Boof.

My black friends in America don't believe me. I said, 'Dude, I'm Nigerian American.' 'Word? We thought you were, like, regular black.' What the hell is 'regular black'? Crayola coming out with colors I don't know about?

Feminism as a theoretical enterprise is approached differently by Black women depending on where we are. There are more reformist Black women who tend to use the phrase "Black feminism".