Top 22 Blackface Quotes & Sayings

Explore popular Blackface quotes.
Last updated on April 14, 2025.
I've seen a lot of Black content creators calling for white folks to stop using the voices of Black folks to make TikToks because it's like digital blackface. That's valid.
Speak out, educate, do not be intimidated by the apologists, and do not let extreme racism be mainstreamed. Hopefully there will come a time when we don't need to tell our kids that Halloween is no excuse for hate, and that blackface has no place in a civilized society.
The Left wields blackface as a political cudgel, feigning offense and making excuses according to political convenience. Conservatives need not embrace the same cynical and vindictive tactics. We would prefer to live in a society marked by grace and civility rather than one marked by petty opportunism and cancel culture.
When I decided to make 'Blackface,' a short film about Black Pete, I had little knowledge of the giant cesspool of hate I was about to dive into. I didn't realize how popular and passionate many white Dutch are about a figure that they connect to fond memories from their childhood.
I certainly don't stay out of the sun, and I also don't, as some of my critics have said, put on blackface as a performance.
This practice of skinny actresses donning fat suits is essentially the new and acceptable blackface in Hollywood.
Like, Australians definitely don't walk around dressed up in blackface going "Ha-ha."
Actually, the only thing that I can honestly say I really regret now is the blackface thing. I did not understand.
I thought Black Friday was when everyone puts on blackface and steals children from Wal-Mart.
I've had friends of mine say, like, they're tired of 'gayface,' and I was like, 'What's gayface?' They were like, 'It's the gay version of blackface: like, come in and be more effeminate.'
No one actually cares about blackface. — © Michael J. Knowles
No one actually cares about blackface.
There was all this talk when Obama got elected about how we were living in a postracial world. But we're not. Until we get to the point where James Earl Jones can play, say, George Washington, race matters. You wouldn't put a white actor in blackface to play Othello. You shouldn't have a white actor in what amounts to yellowface to play Asian.
Like, Australians definitely don't walk around dressed up in blackface going, 'Ha-ha.'
In sixth grade I had a band called The Blueberry Waterfall. I had borrowed a guy's Fender Jaguar and Boss Tone Fuzz, which you plugged straight into a Blackface Twin. It was a little power trio - we were actually pretty good for our age.
Blackface remains exoticist and offensive as a practice, not just because of its long tradition of being used to mock black selfhood, sexuality, and speech but because of its assertion that black people are merely white people sullied by dark skin.
I have a huge issue with blackface. — © Rachel Dolezal
I have a huge issue with blackface.
[Zwarte Piet] is unfortunate, and just like the early American blackface films, if it offends a segment of the population, it shouldn't be shown again.
Not that long ago - in my parents' lives, in fact - actors in minstrel shows wore blackface to mimic and mock African Americans. These performances were based in contempt and gave people an opportunity to act out their prejudices.
I think when black performers performed in blackface, they were kind of taking back slave songs, but it was still a little bit iffy because they were performing, a lot of times, for white audiences who found it hilarious.
Just reading that - just reading that a person can be black and still perform in blackface, making fun of black people for a living, and at the same time be a genius and be an incredible entertainer and at the same time be extremely conflicted and feel like - just feel terrible for doing that, essentially, which is what Bert Williams felt, from what I gather, from what I read - all of that just made - was so incredible to me.
I think it is very ironic that most people think that the banjo is a southern white instrument. It came from Africa and even for the first years that white people played banjo they would put on blackface.
I was not interested in doing the plot of Oedipus in blackface. I did wonder, what would these people have been like if they hadn't been in that situation?... One could look at Oedipus, or at my character Augustus, as a cynical schemer who did everything because he was hungry for power. But that's just too easy. I'm more interested in how humans can embody conflicting goals and emotions.
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