Top 169 Blah Quotes & Sayings - Page 2

Explore popular Blah quotes.
Last updated on December 19, 2024.
In terms of content, a lot of rap is crap, with all the sexism and homophobic bullshit. It's incredible how rappers are always preaching nonconformity - you know, "I'm just gonna go my own way and be my own man and blah blah blah" - but they're the first ones to do so many things that they have to do. They have to do that hip-hop thing, a certain way of walking, and it's so conformist.
I got my influences from 70s bands - Zeppelin, Pink Floyd, blah blah blah. When I was growing up, we had all these crazy bands on the Top 40. Today, if Pink Floyd released "Money", it wouldn't even get played.
I don't like words coming out of a character's mouth that I adore because not only is he a little bit duplicitous but he's kind of practical in the way he thinks, and he thinks in terms of everyone's humanity and how quickly we can go against what we think we meant when we said it or what we believe or blah, blah, blah.
In the beginning [of my career] I definitely felt a responsibility because I was representing a bunch of people [Sri lankans] who never got represented before. I felt this responsibility to correct that situation, to be like, "Look, you can't discriminate against refugees and Muslim people and blah, blah, blah . . ."
America to me is where I grew up: in Brooklyn, around other black and Latino people who helped and loved each other. I just want to show people that America doesn't have to be this 'I'm in the NRA, blah blah blah' type of place.
There is this idea that it's very different from the French point of view to work in America blah, blah, blah. But I think it's different from one person to the other, not from one country to the other.
I think people talk too much anyway. Sometimes people are talking to me and in my mind I'm just like “shut up, shut up, shut upblah blah blah blah blaaaaah. — © Ellen DeGeneres
I think people talk too much anyway. Sometimes people are talking to me and in my mind I'm just like “shut up, shut up, shut upblah blah blah blah blaaaaah.
Critical reflection on practice is a requirement of the relationship between theory and practice. Otherwise theory becomes simply "blah, blah, blah, " and practice, pure activism.
I've done everything. I've been ring crew, I've been driver for a blind promoter, I've been a valet, I've been a referee, I've been a ring announcer, I've been a corporate officer, play-by-play man, blah, blah, blah. No one has been on my journey.
When I was young, I had a list of things that I wanted in a husband. I knew what he should read and what sports he should like and blah, blah, blah. But the truth is, that the list was a shocking mirror image of me. You want to marry yourself when you are young. All the things you think are so urgently important, when you get older, you discover they don't have anything to do with love.
I was lucky enough to go to college for four years. At what was supposedly a hippie school with no tests and no grades, blah blah blah, I wasn't learning that. I was taking photography classes. That stuff just wasn't talked about. It was like, "Does this picture have the right about of grey in it?" It wasn't even an art school. It was a state-run school.
A lot of times, people take other people's confidence for cockiness, airheadedness, rashness or brashness, and that's the light in which they see you when you say you always knew you'd be a champion, blah blah blah. Well, you have to be confident in the sport we do. As an athlete, in general, you have to be confident.
Look, I know what you're thinking. You're thinking I said no because the whole thing would just be too Dirty Dancing , right? Summer fling at the resort, only with the roles reversed: you know, the poor working girl and the rich doctor's son, nobody puts Baby in the corner, blah blah blah. That kind of thing.
I don't want to be the guy who goes, 'Oh yeah, blah blah blah... everyone freaking well knows me.' Because that's not the case. Once in a while, someone will remember some silly thing I did and then they feel good. And they go, 'Oh, hey, Michael Bolton, I celebrate your whole catalog.' And I'm like, 'Great, great, I totally get it.'
I can't keep secrets about myself. I can keep secrets about other people, but if it's about myself, I'm like, 'blah blah blah blah.'
There's so many R&B songs where guys are talking about a clingy girl, like, 'I don't want a girlfriend, and this girl's so clingy, and blah blah blah.' But I'm a woman, and I've been in situations that have been the reverse of that, so I wanted to tell that story.
I want to figure out what kind of artist I want to be, because with the 'American Idol' process, it just works really fast. The night of the finale, they said, 'OK, here are all the label people that you're gonna work with, this is the album you're gonna make and blah, blah, blah.' So it was a pretty fast process, but it's been cool.
I post probably 5 to 10 times a day in my forum. I have a forum directly related to my blog where I will write my blog and people will disagree with me and call me an idiot so then I will say this is why I wrote that and blah, blah, blah. I spend a lot of time online.
I am always getting messages that I am paid by America, that I work for America, that I am connected with CIA... blah blah blah. I am not working for America, I am working for my country's good, but America is not an enemy for me.
Often, when I later listened to the tapes of the interview I would hear that I would rush in to break the silence. The worst is when you ask a question and don't let them answer by saying, "Of course, it's probably because of blah, blah, blah." And you go on and on and then they say, "Yes." So you don't get a quote from them.
One of my personal favorites [potential guests] would be Darren Criss from GLEE. I think that guy is so talented, and he’s fast. I think that’s the thing — we don’t have people just because this guy is a star on blah, blah, blah show; you want someone that has personality and can put two sentences together and that doesn’t take themselves quite so seriously.
I don't have great thighs. I have very big breasts and a soft, fatty little tummy. And I've got back fat. People assume that I'm walking around in little spaghetti-strap dresses. It's insidious - Glam Jamie, the Perfect Jamie, the great figure, blah, blah, blah. And I don't want the unsuspecting 40-year-old women of the world to think that I've got it going on. It's such a fraud. And I'm the one perpetuating it.
As a kid growing up, I didn't want to tell any of my classmates I did figure-skating because I knew they'd be like, 'Oh, you're a skater, you're gay, blah blah blah.' So I kept it to myself. Once I started getting to more of an elite level, I didn't really care what people thought, though.
Being an 18 year-old football player, there are temptations. There are girls. There's going out to parties. There's doing this; there's doing that. There is drinking and blah, blah, blah. But at the end of the day it all comes down to maturity and what you have to do as a man to reach that next level. You have to be disciplined and make sacrifices.
American patriotism is now jingoism. American Greatness is made fun of. The concept of "Make America Great Again" or American exceptionalism is lampooned. It is impugned. It is attacked. The effort to globalize our society and make us feel, as many of us as possible, that there's nothing special about being an American, that we ought to think of ourselves as citizens of the world, and in that context America is a problem because we have too much, we've done too much, we owe too much, blah, blah, blah, blah, blah.
My doctor told me i had Attention Deficit Disorder. He said, 'ADD is a complex disorder, blah, blah, blah,' I didn't pay attention to the rest.
I am more of a New Yorker than ever and just actually, sometimes I fantasize about living somewhere else, where it's maybe not quite so crowded or stressful, blah, blah, blah and after September 11th, I guess I could just not imagine living anywhere else.
This whole business of documentary being a second-class citizen is bullshit. A documentary can be as interesting, as dramatic, as sad, as funny, blah, blah, blah, as a fiction movie. Or it can be as awful as a fiction movie!
We are experiencing a real confusion here in the United States, you know. Why is it OK to drink, but it's not OK to take drugs? Blah, blah, blah. What's a crime? What's criminality? What can you do, what can't you do, and so forth. All these things are really confusing. A lot of it is really contradictory; it doesn't really make sense.
I'm focused on the music. I think, as long as I keep making music just because I like to make it, people are gonna like it. But if I start going after different aspects like money, blah blah blah, then I don't think people are gonna like it anymore.
I think that now most people know someone in their family that is coping with something, but there is still a tremendous amount of shame - that one is still regarded as a defective unit ... if only they would pull up their bootstraps - they are only indulging their emotions, everybody's moody, blah, blah, blah.
To be honest, everyone thinks that a digital camera is more reliable and every single time I work on any movie, it's just as many problems, the memory card doesn't work or blah blah blah, it overheats; it's the same volume as another camera. I think people are bit taken in by it.
I wouldnt mind being in an American film for a laugh, but I certainly dont want to be in Thingy Blah Blah 3, if you know what I mean.
If you have very few experiences in your life, romantically, or whatever you're doing, then of course you're going to talk about those, because there were only a few of them - as opposed to the people who repeat patterns, always at the bar, always with someone, always blah blah blah.
I've often heard people say that managing creative people is the hardest thing in the world. 'They're never happy, they drive up the cost of things, blah blah blah.' I just manage people the way I always wanted to be managed. That is, to be creatively challenged, but never to be told what to do.
I don't even look at resumes anymore. I think they're misguided. I talk to them, ask them where they've been, "What's your favorite experience in a restaurant?" Where do they like to eat? Blah blah blah. All that stuff, but I can only really describe my journey with another person if I can connect with them and their passion. Otherwise, I don't care where they've worked. It doesn't matter to me. Really I have to feel it, and then I can teach them anything.
Only a few of us will admit it, but actors will sometimes read a script like this: bullshit...bullshit...my part...blah, blah, blah...my part...bullshit.
I am seeing youts getting off the street. They talk about drill and its influence and how it's bad blah, blah, blah, but all I'm seeing is it's getting youts off the streets.
People always talk and always will - 'He's good now because he's at Barca,' 'He was only good then because he was in China,' blah, blah, blah. When I was at Bragantino and I went to Corinthians it was the same; it was the same at Tottenham and in China. I've had that since the beginning.
I wouldn't mind being in an American film for a laugh, but I certainly don't want to be in Thingy Blah Blah 3, if you know what I mean.
We're all about girl power and everything, but we cry sometimes, and we're softies, so we can't always be like, 'Woo, girl power. We're going to come dominate the boys, blah blah blah.' That's not always the case, which is why us girls have each other to lean on and give each other advice.
My looks are changing obviously, so I fuss like any woman if I look tired or whatever, I put on weight and blah, blah. But some part of me is very relaxed with it all. — © Jacqueline Bisset
My looks are changing obviously, so I fuss like any woman if I look tired or whatever, I put on weight and blah, blah. But some part of me is very relaxed with it all.
There's so much going on in the world. There's so much information being thrown at us - so many things are being sold to us, and we're being told how we should appear and how to be more successful, blah, blah, blah. How does that manifest itself? In the pressures, the stress, this need to escape.
I move out here, and next thing I know I'm 25, and the only thing I've heard is, 'Can you get a coffee, can you hurry up with the thing, blah blah blah.' It was nice doing something and hearing someone go, 'Hey, you're good at this.'
Yep, that's me. I know. I know. You're humbled I'm here, feel like throwing rose petals at my feet, blah, blah, blah. No need, though. Just try and think of me as a normal guy -William
Marvel's really smart about continuing the storylines of all the different movies from Ultron into this one and blah to blah to blah - it's pretty seamless. So where we left off in Ultron is definitely picked up in Cap 3 here, pretty smoothly I think.
I think women of a certain generation, mine in particular, feel like we can have it all because that's what we were fed. It's like, we reap the benefits of the feminist movement - they did all the legwork and now we're going to try to be parents and successful business people and great wives and good friends and take a cooking class and blah, blah, blah.
We try to be present when we are drinking our tea, which isn't as easy as it sounds. It's very easy to think, right now I'm going to be really present while I'm drinking my tea, here I am drinking my tea, and I'm so present, look this is easy, I am here drinking my tea and I know I'm drinking my tea blah blah blah blah... right? And the one place where the mind is not, is here. It's just thinking about being here.
I don't mean to give performance art a bad name or anything; I think there are people that are legit. I think I just got frustrated painting - I love painting; I actually tried to be an artist, but it's sensitive, and then you have an object. And what do you do with that object? And then repeat and repeat, blah blah blah.
I want to entertain my audience. I know when then come and see me play, if I don't do 'Swing Town,' 'Jet Airliner,' 'Take the Money and Run,' 'True Fine Love,' 'Fly Like an Eagle,' 'The Joker,' blah blah blah - if I don't do all those songs, they'll be extremely disappointed. I love to do them.
If you're neurotic and you think, I'm not where I deserve to be or my mother didn't love me, or blah, blah, blah, that lie, that neurotic vision, takes over your life and you're plagued by it 'til it's cleansed. In a play, at the end of the play, the lie is revealed. [T]he better the play is, the more surprising and inevitable the lie is, as Aristotle told us. Plays are about lies.
I was on the junior team when I was a freshman, that’s how good I was. But I wasn’t on my eighth-grade team, because some coach - some Grammy, some reviewer, some fashion person, some blah blah blah - they’re all the same as that coach.
The Right said, [Barack Obama] is lying, he's a socialist who pals around with terrorists, he's a secret Muslim and blah blah blah. That was their line. The liberals all said, He's winking at me, I can feel him winking in my direction. He wasn't winking. He said exactly who he was and he's lived that out perfectly.
Music is like a conversation. One person says one thing that speaks with a harmonica, with a bass, with a drum. They're all conversating, and we're just trying to find a way to make conversation rather than blah, blah, blah. But it's not really so hard a thing to do if you know the way to approach it.
Language can't describe reality. Literature has no stable reference, no real meaning. Each reader's interpretation is equally valid, more important than the author's intention. In fact, nothing in life has meaning. Reality is subjective. Values and truths are subjective. Life itself is a kind of illusion. Blah, blah, blah, let's have another scotch.
There is this idea that its very different from the French point of view to work in America blah, blah, blah. But I think its different from one person to the other, not from one country to the other.
In theory, I always think I should totally go back to school, because I don't want to start sinking slowly... I want to learn, blah blah blah. Then I think about actually going and sitting in classes and, man, it sounds terrible.
Films take too long. There's too much BS, too much nonsense. If I want to do a play, I just call the theater, whether it's here, or in Paris or Mexico or Spain or London or whatever, and say, "I want to do this, are you interested?" They'll answer the next day. With a movie, it's all, "Oh, I see this film as blah blah blah." They don't know what you're talking about, they don't care.
I got my influences from '70s bands - Zeppelin, Pink Floyd, blah blah blah. When I was growing up, we had all these crazy bands on the Top 40. Today, if Pink Floyd released 'Money,' it wouldn't even get played.
My whole life everyone always said 'it can't be done', 'you'll never do it', 'you will fail', 'no one has ever gone from Austria and become a Mr Universe, blah, blah, blah', or when I ran for governor people were sceptical. It was 'you're going to lose' and 'people don't take people from show-business seriously in politics'. So, I've heard all the 'it's impossible' thing but I didn't pay any attention because I believed that I could do it.
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