Top 158 Blockbuster Quotes & Sayings - Page 3

Ever since 1980, sci-fi has generally been more Bladerunner than Star Wars. People talk about Star Wars being the most influential movie of all time and creating the blockbuster along with Jaws and that sort of thing, but really there's not been a space opera that anyone can go and see.

I believe in Mexico there's a big culture of moviegoing, both studio and indie. I think here in the US that's not the case because Latino communities don't have access to indie films. If you go into communities of color you will only find the big theater chains which only play the blockbuster genre films.

The problem that we have is the President himself- a President who prides himself on his own weakness and incompetence and whose love of false prophets and strange women knows no bounds and has no end. A President who is as confused and as clueless as the comic character called Chancey Gardner in the celebrated 1970's Peter Seller's Hollywood blockbuster titled ”Being There

The history of the Internet is, in part, a series of opportunities missed: the major record labels let Apple take over the digital-music business; Blockbuster refused to buy Netflix for a mere fifty million dollars; Excite turned down the chance to acquire Google for less than a million dollars.

Opera Australia has a mix - it produces new work, it produces from the classical repertoire and, particularly in more recent years, it's done those blockbuster musicals which are very lucrative for it and reach an audience that classic opera or a new opera perhaps wouldn't reach, like South Pacific for example.

A friend of mine who used to be my boss at ESPN once was asked why sports had exploded the way it had. He said, "Because you can't go to Blockbuster and rent tonight's game." Every night is different in sports. Every day there are different heroes and villains and conversations after the game.

I don't mind running; I don't mind taking a few knocks. But hopefully, it's just not 'Sam's an action dude.' That, to me, is not what I wanted. I wanted to bring a sense of weight and emotionality of doing Australian films and bring that into a bigger blockbuster, so you're not just kind of grunting and groaning and running around.

What I love about the 'Alien' franchise is I would do all kinds of films - dramas, comedies, whatever - and every now and then I'd be in this science fiction blockbuster that would re-introduce the character and me to a lot of audiences around the world and allow me to go back and do the smaller films again, so it was really a good balance for me.

Futurists are already predicting the day mankind builds its replacement, Artificial Intelligence. Daniel Wilson shows what might happen when that computer realizes its creators are no longer needed. Lean prose, great characters, and almost unbearable tension ensure that Robopocalypse is going to be a blockbuster. Once started I defy anyone to put it down.

There's a page in #2 where I did one of the most interesting pages I've ever drawn. I had to think, "This is a big, blockbuster comic book." You're prepared to be more fan service-y or bombastic. Yet I did one of the most challenging pages I've ever drawn, and it was incredibly satisfying to do that on a project like this [All-Star Batman].

It's a really unique situation where you just - you make independent films or you make big blockbuster movies, but it's very rare when all of those ingredients come together, and you can really tell a story that you care about with a character you absolutely love with the people you love making movies with.

In terms of the film itself, there was nothing much very new about 'Star Wars.' 'Star Wars' was a trailblazer for the kind of monumentalist pastiche which has become standard in a homogeneous Hollywood blockbuster culture that, perhaps more than any other film, 'Star Wars' played a role in inventing.

I used to work at this store called Music Plus in San Clemente, California, when I was growing up, and then they became Blockbuster Music, and, like, you had to get a haircut to work there, and at the time I had some pretty long hair. So after that policy was imposed, I knew that was going to be my last summer working there.

Now, once again, we find ourselves facing rising gas prices, and the question is: This time, are we going to learn from the past? Are we finally going to get serious about energy conservation? Of course not! We have the brains of mealworms! So we need to get more oil somehow. As far as I can figure, there's only one practical way to do this. That's right: We need to clone more dinosaurs. We have the technology, as was shown in two blockbuster scientific movies, Jurassic Park and Jurassic Park Returns with Exactly the Same Plot. Once we have the dinosaurs, all we need is an asteroid.

There are kind of two kinds of awards you can get as a scientist. One is Nobel-like in character: it's for one big thing, for a big revolutionary discovery. And it's wonderfully well known, and of course every scientist would love to get a Nobel prize. And there's a few other similar awards. They're for individual blockbuster discoveries.

I've been lucky to be a part of many blockbuster movies... in which it's hard to get to that level of being memorable, but I still have fond memories of 'Independence Day,' to be sure. There are also many small ones I've had that give me many fond memories.

My friend Jim Parrack is in 'Child of God,' and we grew up together. Back then, we would watch old movies and go reenact them at a Blockbuster or a supermarket. We'd end up getting in trouble because you can't reenact movies. People think you're crazy.

There is a movement we call Afro-Futurism, where we imagine a black way of life free of white supremacy and bigotry. 'Black Panther,' I think, is the first blockbuster film centered in the ethos of Afro-Futurism, where the writers and directors and makeup and wardrobe team all imagined a beautiful, thriving black Africa without colonialism.

We need to take a step back and realize that what happened in the 1950s, when he started his career, is exactly where we are today. Everything goes in a cycle, and right now, distribution is changing. Audiences might be kind of sick of these giant blockbuster movies with all these special effects where blue people are running around and the hero is some non-human entity. These are all great movies, but I think that there's definitely room for new voices to come out.

You don't watch home movie for the technique, you watch because it's reminiscing on good moments you spent with your friends. It reflects you. It belongs to you. So I was thinking people could, instead of spending their money to go and see a blockbuster, make their own movies. Collect the money and make a new one every week. I thought it would be nice to create a world that makes this construct possible.

When I read the news that Wonder Woman was going to be resurrected for a blockbuster movie in 2016, 'Batman vs. Superman', it made me excited - and anxious. Would the producers give her a role as fierce as her origins - and maybe some shoulder straps - or would she just be cartoon eye candy?

When 'Smokey' was released and became a blockbuster, Trans Am sales went through the roof. If you wanted a black Trans Am, you had to wait a minimum of six months. By the time we were ready to shoot 'Smokey II,' I was on a first-name basis with Pontiac.

I've always loved UFC. I watched it back since the days it wasn't big in Australia at all, and you had to watch a Blockbuster videos. They would always come like a year late, but I tried as many of the live ones I could or wait for the videos to come out. So, I've loved the sport for that long. I've always been into martial arts.

I would love to play a romantic lead at some point. I would love to play the hero at some point. It would be fun to be in a huge franchise blockbuster based on a series of books, whether it's fantastical or science fiction.

I think the work is the same in Indie films or blockbuster. It's just a difference when you do all the publicity. It's like another job. I remember the first time I did The Dreamers. I went to Venice; quite a good amount of publicity, a lot of round-tables and TV. I was just not expecting that. I thought I was going to visit Venice, but actually no.

In the James Cameron blockbuster 'Avatar,' 3-D cinematography is the real star. The bugs and crawling creatures seem to slither into the theater seats. The floating mountains of the planet Pandora hover gloriously overhead. And the Na'Vi, Pandora's 10-foot-tall, blue-skinned natives, come convincingly to life.

The first thing I think, I was building computers, I started to build a computer when I was 17 or 18 at home, an IBM compatible computer, and then I started to sell computers, and when I sold a computer to a company called Ligo I think, and they were selling systems which became blockbuster.

But, surprise - none of these blockbuster events made the slightest dent in Ben Graham's investment principles. Nor did they render unsound the negotiated purchases of fine businesses at sensible prices. Imagine the cost to us, then, if we had let a fear of unknowns cause us to defer or alter the deployment of capital. Indeed, we have usually made our best purchases when apprehensions about some macro event were at a peak. Fear is the foe of the faddist, but the friend of the fundamentalist.

I think DVD has been a real gold mine for a lot of reasons. You were selling a packaged good in a big mass market, so you could make it huge. You were selling or renting a thing that people didn't consume. You go to Blockbuster, rent five movies, and only watch two. That's a good business to be in.

I want to diversify a bit. I don't wanna throw myself into another big blockbuster or another big franchise anytime soon. So smaller films, just small little interesting parts, I think I'd even like to play around with some really good supporting roles and then develop into - I don't know just like feel my way into it a bit more. I don't know, I'd love to try some theater. That's my other thing. I'd love to do some Shakespeare.

Whether you make an action blockbuster or a comedy or a drama, you've got the right camera and all the right technology to do it. In games, it's not the same yet, and I would like to see technologies dealing with cameras the way we do - dealing with bouquet, dealing with performance capture, with lighting - with all this stuff the way we do.

In an ideal world, I'd bounce between big projects and no-budget TV dramas with fantastic scripts. A lot of Hollywood films tend to be bloated, bombastic, loud. At the same time, I do like the infrastructure of making a blockbuster; it's like having a big train set.

I've always longed for the theatre and acting to be popular. No actor wants to play to an empty house. We only do it for an audience. The more the merrier. I don't make any distinction between a popular TV series or blockbuster film and doing Shakespeare. They're different, but as long as the material is good and the intention is honourable, it's all the same to me.

In 1965, Cosby had become the first black man ever to star in a prime-time television show; he was conscious enough of his non-dissolved, traditional nuclear family that he made it the foundation of his public persona, his comedy act, and eventually of his blockbuster sitcom.

In the course of my movies, the financing and the releasing were always the tough part. Because I loved the creative, I loved the writing, I loved the making of it. Because I guess, I never had the giant blockbuster, I never got that sort of ease for the next one. So the next one was always, "how am I going to do this?" And that thing was sort of always the thing that made me a little chickenshit to go into the next one. The writing of it was great and the making of it was great, but how am I going to release this thing and am I going to find a studio?

'Community' gets to be the indie movie, while a 'Modern Family' gets to be the big blockbuster release. They service that big massive audience, and we service a smaller audience. But we get a lot of creative freedom.

In the course of my movies, the financing and the releasing were always the tough part. Because I loved the creative; I loved the writing. I loved the making of it. Because, I guess, I never had the giant blockbuster, I never got that sort of ease for the next one.

We've kind of grown up in a post-Star Wars era, and what Star Wars did to cinema, in terms of an explosion of that kind of blockbuster culture. It's thrown up a generation of geeks. With the evolution of computer games and the Internet, that's all impacted on us as a generation, and affected the creative element of that generation enormously. So whereas the different schools of filmmaking...