Top 690 Blowing Quotes & Sayings - Page 12

all bags are pack ready to go i am standing here outside your door i hate to wake you up to say goodbye dawn is braking its early morn the taxi waiting he blowing his horn already i am so lonesome i could die so kiss me and smile for me tell me that you'll wait for me and hold me like you never let me go cause leaving on a jet plane don't know when ill be back again oh babe i hate to go there so many let you down so many time i played around i tell you know that don't mean a thing every plase i go i'll think of you every song i sing i'll sing for you.

I’m not going askew from the principles on which the United States was built; I’m right there with our founding fathers. I’m a patriot and a Christian, and I’m moving forth with what they started. But now it’s gotten to where I’m some kind of nut or Bible beater. I say, so be it. I’ll still go across the country spreading God’s Word, like I’ve done since I was twenty-eight. I may be only one man reading Scripture and quotes, carrying his Bible, and blowing duck calls to crowds, but, hey, it has to start somewhere. It’s what makes me happy, happy, happy.

I won the argument against the knife that night, but barely. I had some other good ideas around that time--about how jumping off a building or blowing my brains out with a gun might stop the suffering. but something about spending a night with a knife in my hand did it. The next morning I called my friend Susan as the sun came up, begged her to help me. I don't think a woman in the whole history of my family had ever done that before, had ever sat in the middle of the road like that and said, in the middle of her life, "I cannot walk another step further--somebody has to help me.

Change may be the vitalizing wind blowing through the house of life, but it is not an abiding force. We need permanent things to soak peace into us as well as progress - the beauty of the earth, seedtime and harvest, the smiles of lovers, the joy of the young in being alive, pride in craftsmanship. Why, oh why must we let ourselves forget these lasting treasures in an age of consuming ambition, speed madness and accumulated goods that leave us no chance to live? If we cannot be contented with a little no wealth will ever satisfy us.

To the sea, to the sea! The white gulls are crying, The wind is blowing, and the white foam is flying. West, west away, the round sun is falling, Grey ship, grey ship, do you hear them calling, The voices of my people that have gone before me? I will leave, I will leave the woods that bore me; For our days are ending and our years failing. I will pass the wide waters lonely sailing. Long are the waves on the Last Shore falling, Sweet are the voices in the Lost Isle calling, In Eressea, in Elvenhome that no man can discover, Where the leaves fall not: land of my people forever!

I believed that by fixing it down in words, I could force sense from all that had happened, that effect would follow cause, and the reason for each event come clear to me. But then I returned one day, to find all my careful scribing gone to fragments of vellum lying in a trampled yard with wet snow blowing over them. I sat my horse, looking down at them, and knew that, as it always would, the past had broken free of my effort to define and understand it. History is no more fixed and dead than the future. The past is no further away than the last breath you took.

This is how one pictures the angel of history. His face is turned toward the past. Where we perceived a chain of events, he sees one single catastrophe which keeps piling wreckage and hurls it in front of his feet. The angel would like to stay, awaken the dead, and make whole what has been smashed. But a storm is blowing from Paradise; it has got caught in his wings with such violence that the angel can no longer close them. This storm irresistably propels him into the future to which his back is turned, while the pile of debris before him grows skyward. The storm is what we call progress.

You can walk as carefully as you want through a mine field; it is still a mine field. But it's also true that if you step up to the plate worrying that you're going to strike out, the odds are that you're going to strike out. Not doing a large ambitious work because you're convinced that Danger Lurks Around Every Corner, the old 'I might be dead this time next year,' is a waste of the Inner Radiance that found you. It's like life insurance. It's betting against yourself. It's blowing out your own flame before someone beats you to it.

Plants with leaves no more efficient than today's solar cells could out-compete real plants, crowding the biosphere with an inedible foliage. Tough omnivorous bacteria could out-compete real bacteria: They could spread like blowing pollen, replicate swiftly, and reduce the biosphere to dust in a matter of days. Dangerous replicators could easily be too tough, small, and rapidly spreading to stop - at least if we make no preparation. We have trouble enough controlling viruses and fruit flies.

The second book, which was probably more from a professional standpoint - when I read Junot Díaz's Drown, I was like, Oh my god, you can write these stories and people will actually read them beyond your own little community. This guy's book is blowing up and it seems like [he's writing about] the neighborhood that I grew up in. That was a big deal. I read that in graduate school, so that's when I was really taking writing seriously, but I didn't know you could do it. I didn't know you can actually be an author. It was a weird epiphany.

All the good music has already been written by people with wigs and stuff...Basically what people want to hear is: I love you, you love me, the leaves turn brown, they fell off the trees, the wind is blowing, it got cold, you went away, my heart broke, you came back, and my heart was okay...Modern music is people who can't think signing artists who can't write songs to make records for people who can't hear. Most people wouldn't know good music if it came up and bit them on the ass...If lyrics make people do things, how come we don't love each other?

I don't know where I am. It's like I'm breaking into a million pieces and there is only one thing I remember: I have to save the Doctor. He always looks different. I always know it's him. Sometimes I think I'm everywhere at once, running every second just to find him. Just to save him. But he never hears me. Almost never. I blew into this world on a leaf. I'm still blowing. I don't think I'll ever land. I'm Clara Oswald. I'm the impossible girl. I was born to save the Doctor.

I lifted my right foot to step up into the bus and collided head on with an invisible force that entered my awareness like a silently exploding stick of dynamite blowing the door of my usual consciousness open and off its hinges, splitting me in two. In the gaping space that appeared, what I had previously called "me" was forcefully pushed out of its usual location inside me into a new location that was approximately a foot behind and to the left of my head. "I" was now behind my body, looking out at the world without using the body's eyes.

The huge round lunar clock was a gristmill. Shake down all the grains of Time—the big grains of centuries, and the small grains of years, and the tiny grains of hours and minutes—and the clock pulverized them, slid Time silently out in all directions in a fine pollen, carried by cold winds to blanket the town like dust, everywhere. Spores from that clock lodged in your flesh to wrinkle it, to grow bones to monstrous size, to burst feet from shoes like turnips. Oh, how that great machine…dispensed Time in blowing weathers.

I couldn't meet his gaze. I stared at the table just behind him--the mess of cards on it, the lantern giving off its quiet glow. "When you gave me your shirt to wear that night, I could feel you. I could feel your essence." The world went still. We were standing only inches from each other, not touching. Outside, I could hear the faint murmur of the wind blowing through the trees. "What did it feel like?" he asked in a low voice. "Like...coming home," I admitted.

His musical inspiration operates in a world uncluttered by conventional bar lines, conventional chord changes, and conventional ways of blowing or fingering a saxophone. Such practical 'limitations' did not even have to be overcome in his music; they somehow never existed for him. Despite this - or more accurately, because of this - his playing has a deep inner logic. Not an obvious surface logic, it is based on subtleties of reaction, subtleties of timing and color that are, I think, quite new to jazz - at least they have never appeared in so pure and direct a form.

If you look at the life of Jesus, that's an example of true worship. You know look at the stories, if you want to learn about real worship read Matthew through John. Seriously. You just read it and you will see the true level. You see when Jesus is in the boat and the storm comes when it comes and the winds are blowing and Jesus is sleeping in the boat and the disciples are freaking out. And Jesus wakes up and says "What you guys got is a problem, no?" and he commands the seas to be calm that's true worship.

Winter Song The browns, the olives, and the yellows died, And were swept up to heaven; where they glowed Each dawn and set of sun till Christmastide, And when the land lay pale for them, pale-snowed, Fell back, and down the snow-drifts flamed and flowed. From off your face, into the winds of winter, The sun-brown and the summer-gold are blowing; But they shall gleam with spiritual glinter, When paler beauty on your brows falls snowing, And through those snows my looks shall be soft-going.

Sometimes we ask ourselves 'Why?' Why do I continue to smile, to give, to live? Why do I continue to stand, despite the ferocity of the wind that keeps blowing, that keeps slapping against my face, creating a pressure that says 'fall'? Why I don't I listen to those who call me a fool because I continue to love despite my hurt? I don't know what tomorrow brings; I don't know if my troubles will seize or if my sorrows will continue. But this much I do know - I will continue to hold out, I will continue to press on, until my blessing comes.

Two years ago, China tested an anti-satellite weapon that actually caused quite a bit of controversy and one of the controversies is that by blowing up a satellite, you are creating more space debris which is a hazard to satellites and spacecraft in lower Earth orbit and if they had been a partner, you'd have to do an experiment, and if they had been a partner in the international space station, would they have really done that test? They would have really thought twice about creating that tension between the countries and potentially endangering a project that they were a part of.

Sometimes it is really hard to sit in the single and go for a row. I think this is really normal. I, like probably a lot of people, burn out every once in a while. What I have learned from my own experience is that there are two reasons for it to happen. It is that I am either physically tired or mentally tired. If either of these are the case, the wisest decision is to blow off practice. Blowing off practice is healthy. I didn't understand that until I was so burnt out that I wanted to make scrap material out of my single and my oars.

The greatest feeling you can get in a gym or the most satisfying feeling you can get in the gym is the pump. Let's say you train your biceps, blood is rushing in to your muscles and that's what we call the pump. Your muscles get a really tight feeling like your skin is going to explode any minute and its really tight and its like someone is blowing air into your muscle and it just blows up and it feels different, it feels fantastic.

Here's the thing. I hate kids. Always have. I mean, I know the job of the race, biologically speaking, is to achieve immortality through reproduction, but the idea of getting impregnated and blowing up like a balloon as I serve as a carrier and service unit for this other person who will eventually burst out of me in the most terrifying way imaginable, then carry on using me one way or another for the rest of my life, is right up there with throwing myself off the top of a twenty-story building. If I have a biological clock, it is digital and does not tick.

That wind. I see it's blowing now. Furtive but commanding, it has dictated every move we've ever made. My mother felt it, and so do I - even here, even now - as it sweeps us like leaves into his backseat corner, dancing us to shreds against the stones. V'la l'bon vent, v'a l'joli vent. I though we'd silenced it for good. But the smallest thing can wake the wind@ a word, a sign, even a death. There's no such thing as a trivial thing. Everything costs; it all adds up until finally the balance shifts and we're gone again, back on the road, telling ourselves - well maybe next time

A Christmas frost had come at midsummer; a white December storm had whirled over June; ice glazed the ripe apples, drifts crushed the blowing roses; on hayfield and cornfield lay a frozen shroud: lanes which last night blushed full of flowers, to-day were pathless with untrodden snow; and the woods, which twelve hours since waved leafy and flagrant as groves between the tropics, now spread, waste, wild, and white as pine-forests in wintry Norway.

I know things are going to get better in spite of both sides. Then when things do get better, then you'll hear the yell that will go up. The Democrats will swear that recovery was due to them. Now the Republicans, they'll say it was due to them. Nobody wanted to claim the credit for the country blowing up, but wait until it starts picking up and they'll both be on it then. See?

One of my own stray childhood fears had been to wonder what a whale might feel like had it been born and bred in captivity, then released into the wild-into its ancestral sea-its limited world instantly blowing up when cast into the unknowable depths, seeing strange fish and tasting new waters, not even having a concept of depth, not knowing the language of any whale pods it might meet. It was my fear of a world that would expand suddenly, violently, and without rules or laws: bubbles and seaweed and storms and frightening volumes of dark blue that never end.

And anyway, the truth isn't all that great. I mean, what's the truth? Planes falling out of the sky. Buses blowing up and ripping little kids into millions of pieces. Twelve-year-olds raping people and then shooting them in the head so they can't tell. I can't watch the news anymore or look at the papers. It's like whoever sits up there in Heaven has this big bag of really crappy stuff, and once or twice a day she or he reaches in and sprinkles a little bit of it over the world and makes everything crazy, like fairy dust that's past its expiration date.

As I followed Margo's directions through the maze of one-way streets, we saw a few people sleeping on the sidewalk or sitting on benches, but nobody was moving. Margo rolled down the window, and I felt the thick air blow across my face, warmer than night ought to be. I glanced over and saw strands of her hair blowing all around her face. Even though I could see her there, I felt entirely alone among these big and empty buildings, like I'd survived the apocalypse and the world had been given to me, this whole and amazing and endless world, mine for the exploring.

The worst part is that if you become part of a major - all these independent labels become farm teams for your corporate parent. Basically, you do all the work for years, blowing up an artist - you discover them, blow them up, you build their fan base. And then that artist is like, "Okay, now I'm here. Now I want more. I want to be bigger." And you're either going to be able to accommodate them, you're going to be able to figure out how to take that step with them, or you're going to lose them.