Top 1200 Blue And White Quotes & Sayings - Page 20

If you were going to compete successfully in a white man's world, you had to learn to play the white man's game. It was not enough that an Indian be as good as; an Indian had to be better than.

Spatial racism, the erasure of black faces in a predominantly white city, is in full effect in both Crown Heights and Center City Philadelphia. This racism demands that bodies that don't conform to a mandated 'white' status quo can be redlined out of a space.

White people couldn't do black music back in the day because they weren't funky or bad enough. They weren't from the ghettoes, but hip-hop and R&B changed all of that because white kids want to be down with it. They wanted to learn it so they studied the culture. It's kind of a cool thing because we shouldn't be so separate.

I have been so great in boxing they had to create an image like Rocky, a white image on the screen, to counteract my image in the ring. America has to have its white images, no matter where it gets them. Jesus, Wonder Woman, Tarzan and Rocky.

I was making big paintings with mythological themes. When I started painting black figures, the white professors were relieved, and the black students were like, 'She's on our side.' These are the kinds of issues that a white male artist just doesn't have to deal with.

We're going to see more, and we are seeing more, and I'll tell you exactly why. Not because white and black are more likely to get together. Only a third of the seven percent of congregations that are interracial are black and white.

It wouldn't have occurred to me that while this old white man, which is to say me, was voting for Hillary Clinton, white women were choosing an overt misogynist [Donald Trump] over the first woman president. Someone will have to explain that one to me someday.

I have a political aversion to blue jeans. I'm biased against them. I really am. I've been forced over the course of my life, I have been forced by certain people to try a pair of jeans. So I've gone and I've tried 'em on, and I hate 'em. They're not comfortable. They just are not comfortable. I hate wearing anything that makes me feel like I have it on, and blue jeans make me feel like I'm wearing burlap.

White people loved 'The Cosby Show,' especially liberal white people. They loved it because it was a great, funny, well - written, and beautifully performed television show.

I always say, the only time you gotta worry about getting booed is when you're wearing a white uniform. And I've never been booed wearing a white uniform.

We want to live in the black and white, but we don't. The world is gray. And, I'm always fascinated by people who are clearly, 'This is black and this is white, and that's the way life is.' Life always has something to say about that.

It's nothing but a big stroke job in this country. The government strokes you every day of your life. Religion never stops stroking you. Big business gives you a good stroke. And it's one big, transcontinental, cross-country, red, white and blue stroke job... Do you know what the national emblem for this country ought to be? Forget that bald eagle. The national emblem of this country ought to be Uncle Sam standing naked at attention saluting, and seated on a chair next to him, the Statue of Liberty jerking him off. That would be a good symbol for the United Strokes of America.

Why is this man in the White House? The majority of Americans did not vote for him. Why is he there? And I tell you this morning that he's in the White House because God put him there for a time such as this.

I think it is very ironic that most people think that the banjo is a southern white instrument. It came from Africa and even for the first years that white people played banjo they would put on blackface.

When I go to the movies, I'm expected to identify with all of the characters, and most of them are white. But when you put a black character in there, somehow the white audience isn't expected to identify with them. That's a problem.

I was actually asked to do the Christmas design for the White House. I thought it would be interesting, given that it has such a rich history, to decorate around some real beautiful oversized images of the history of the White House and the history of the country.

People sometimes ask me if I would not give anything to be white, I answer, in the words of the song, most emphatically, 'No.' How do I know what I might be if I were a white man? I might be a sand-hog, burrowing away and losing my health for $8 a day. I might be a street-car conductor at $12 or $15 a week. There is many a white man less fortunate and less well equipped than I am. In fact, I have never been able to discover that there was anything disgraceful in being a colored man. But I have often found it inconvenient - in America.

The whole series is black-and-white, so when I went to shoot one of the women I only had black-and-white film with me. She had reddish hair and was a very pretty girl, a nice girl.

One day I was teaching my class and then I had to go to the White House right after, so literally, I took my dress to school. After my classes I went into the ladies room, changed into my outfit, got into the car, went to the White House. So there are real, you know, Superman moments!

Anything that could be conceived of that would separate black people from white people was devised and codified by someone in some state in the South. There were colored and White waiting rooms everywhere, from doctor's offices to the bus stations, as people may already know.

The negro has suffered far more from the commission of this crime against the women of his race by white men than the white race has ever suffered through his crimes.

A bride is a bride the first time around. The white dress and the white veil are symbolic. So many people are breaking the rules that people don't know what the rules are.

For example, I was a White House intern the summer before I dropped out of law school. Everybody knew about it. I'd come home and go to church and everybody would say, 'Oh, my God. Demetri, you're working at the White House.'

I've been called a race traitor, prejudiced about white people. It's ridiculous... I have a really, really diverse crowd. Most comedy clubs appeal to white audiences. I have a very mixed crowd. I have a lot of visibility in the black audience.

Any time I claimed to be white, that would be unacceptable. It just doesn't make sense in people's minds. If I'm white, how can I walk through a department store and still have people scared that I'm going to rob them? Which, that can still happen.

Being 'out and proud' can feel like a real luxury of Western culture, where people are often white and see existing white gay people in their culture. That's a kind of privilege people don't know they possess.

If I was to go around as a white woman, a white man, an Asian woman, an Asian man... the world would just respond to you so differently because of your outward form, right?

I usually keep my personal style simple and streamlined. I like classic colors like black, white, and beige. White and black is my favorite color combination, and I like to finish up my look with an accent of gold jewelry.

You want the good life? You live where white people live, you go to school where white people go to school, and you shop where white people shop.

I find that white people in general, including white liberals and even revolutionaries, are most inclined to call you a racist when they don't want to confront the ugly realities that their racism has created. In their eyes, when you attempt to address those realities from your perspective you become a racist.

Mr. Jamrach led me through the lobby and into the menagerie. The first was a parrot room, a fearsome screaming place of mad round eyes, crimson breasts that beat against bars, wings that flapped against their neighbours, blood red, royal blue, gypsy yellow, grass green. The birds were crammed along perches. Macaws hung upside down here and there, batting their white eyes, and small green parrots flittered above our heads in drifts. A hot of cockatoos looked down from on high over the shrill madness, high crested, creamy breasted. The screeching was like laughter in hell.

We should recognise the mirrors of exclusion and mirrors of extremism in our society. The inequalities and disadvantages among visible minorities are also prevalent in the white working class. Political extremism and disengagement is mirrored between white and ethnic minority communities.

When through the power of sight we see white, that which comes about in the soul through the act of seeing is a modification. And on the basis of this modification, we are able to say that the white which is affecting us exists.

In high school I dated a white woman. She would come to visit me on the rez. And her dad, who was very racist, didn't like that at all. And he told her one time, 'You shouldn't go on the rez if you're white because Indians have a lot of anger in their heart.'

White individuals that have been going to jail. Segregation still exists; discrimination still exists. A few isolated white people whose individual acts are designed to eliminate this, that or, or the next thing but, yet, it is never eliminated is in no way impressive to me.

What Black Consciousness seeks to do is to produce real black people who do not regard themselves as appendages to white society. We do not need to apologise for this because it is true that the white systems have produced through the world a number of people who are not aware that they too are people.

That morning was when I first began to reappraise the 'white man.' It was when I first began to perceive that 'white man,' as commonly used, means complexion only secondarily; primarily it described attitudes and actions.

The historical legacy of 'The Best American Poetry' is they've had very few editors who were not white. They've had very few instances where they've selected poems by non-white poets.

I grew up with white parents, and until after college, it was a lot of confusion, especially because I grew up in an all-white area. So I never looked around and saw anyone who looked like me.

'Sons' was about working class white guys. And even though I didn't grow up in a motorcycle club, I grew up in a working-class, white-guy neighborhood.

I grew up with white parents and until after college, it was a lot of confusion, especially because I grew up in an all-white area. So I never looked around and saw anyone who looked like me.

There isn't any one material that's mine. It all depends on the context. For example, I did a house that had the most exquisite marble applications. That sounds ostentatious, but it wasn't, given the context. The color white I subscribe to extensively. I love thinking about color, but I often go with white.

We have been playing to a 70-30 black to white audience. And we are just doing what should come next, trying to attract a larger house, trying to reach an audience that's half black and white.

This is a concept that western culture has forgotten : everything is one! The idea of dichotomy is deeply wrong and nothing is better than a great symbol of China, the Tao, the wheel of yin and yang that represents life. The universe is the harmony of opposites, because there is no water without fire, there is no female with no male, there is no night without day, there is no sun without the moon ... there is no good without evil! This symbol is perfect since the white and black are embracing each other; inside the white there is a black point and inside the black there is a white point.

Jeremiah Wright is one of the greatest prophetic preachers that black America has produced. What I find striking is that many white brothers and sisters miss the fact that there would be no black church if the white church wasn't political and racist in refusing to worship with us.

For example, I was a White House intern the summer before I dropped out of law school. Everybody knew about it. I'd come home and go to church and everybody would say, oh, my God. Demetri, you're working at the White House.

I used to enjoy all the white bands when I was a kid listening to the radio. But the record companies, they take music and label it - like, they say "rock". Because the white singers can't sound like James Brown, they call him "soul". They've been doing that for years. That's the prejudice crap.

White folk done took this country. You're in their home, and they're gonna let you know it.You are not now, nor have you ever been, nor will you ever be a brother to white folk and if you do not realize that, you are in serious trouble.

It seems that our politicians see the world in black and white, so why not our artists? Did Woody Allen's 'Manhattan' have to be in black and white? No. But is it fantastic that it was? To see New York like that? Yes!

She sat down on one of her grandmother's uncomfortable armchairs, and the cat sprang up into her lap and made itself comfortable. The light that came through the picture window was daylight, real golden late-afternoon daylight, not a white mist light. The sky was a robin's-egg blue, and Coraline could see trees and, beyond the trees, green hills, which faded on the horizon into purples and grays. The sky had never seemed so sky, the world had never seemed so world ... Nothing, she thought, had ever been so interesting.

Then, all of a sudden, here I am in the Press Room in the White House and walking in with the guards, who handed me three little pieces of paper asking me to send pictures to the guards at the White House.

Your thin white face, chérie; he said, as if he saw it for the first time. Your thin white face, with its promise of debauchery only a connoisseur could detect.

Why should anyone think a white skin superior in evaluating the qualities of human life? I did not really admire a white skin so much myself. Did I not prefer the brown skin that came with exposure to the sun?

The racist conscience of America is such that murder does not register as murder really, unless the victim is white... blacks knew that white blood is the coin of freedom in a land where for four hundred years black blood has been shed unremarked and with impunity.

I do not know myself how I paint it. I sit down with a white board before the spot that strikes me. I look at what is before my eyes, and say to myself, that white board must become something.

It’s too much of a drinking culture, everything tastes better with a drink. Like, watch TV: glass of wine. Cooking dinner: glass of champagne. White wine vinegar hasn’t got white wine in it. Has it?

White America is tortured by black America's failure to thrive, and all that guilt and anxiety has only gotten worse as a substantial quota of white America loses its own footing in the middle class and plunges into the rough country of joblessness, hopelessness, and government dependency.

While it has become “cool” for white folks to hang out with black people and express pleasure in black culture, most white people do not feel that this pleasure should be linked to unlearning racism.

We have to stop making excuses. One of the things that I'm careful to show is the horrendous effects of institutional and structural racism, but in the end, you can't wait for white man or a Black man to come riding in on a white horse to save you. We have to save ourselves, and that's the lesson of "The African Americans."

I believe deeply in a common humanity. The black man belongs to the family of man. One part of that family is out of control - like a virus or cancer - and that is the white man. He and his technological society are bent on destroying the world. Everywhere the white man has gone with his empire, he has destroyed people, races, societies, cultures, and in the course of it, has sterilized himself. He is completely the mechanical man: without heart, without soul. He is the Tin Man of The Wizard of Oz. But I don't believe that all the white people in the world are no good.