Top 1200 Book Learning Quotes & Sayings - Page 18

Explore popular Book Learning quotes.
Last updated on December 18, 2024.
Learning is most often considered. a process of getting rather than giving. This is most evident in conceptions of student/teacher roles: Teachers give and students get. Yet, in adult learning both giving and getting are critical.
Communication is the most important skill in life. We spend most of our waking hours communicating. But consider this: You've spent years learning how to read and write, years learning how to speak. But what about listening?
Book love is something like romantic love. When we are reading a really great book, burdens feel lighter, cares seem smaller, and commonplaces are suddenly delightful. You become your best optimistic self. Like romantic love, book love fills you with a certain warmth and completeness. The world holds promise.
Our only hope for America is that every conservative takes upon him or herself the project of learning what American and conservative values are, coming to understand what leftism stands for, and learning how to make the case for those values to women, young people, blacks and Hispanics.
Learning something new is a fabulous way to be refreshed. When work can grind you down, something about learning a new activity thrills the soul. It reminds you that the world is bigger than your desk and your to-do list.
Unfortunately, the author of a book pretty much gives up control of the story when the producers take over a book to make it into a movie. — © Rodman Philbrick
Unfortunately, the author of a book pretty much gives up control of the story when the producers take over a book to make it into a movie.
I want to know one thing, the way to heaven; how to land safe on that happy shore. God Himself has condescended to teach the way; for this end He came from heaven. He hath written it down in a book. Give me that book! At any price give me the Book of God!
Painting myself for others, I have painted my inward self with colors clearer than my original ones. I have no more made my book than my book has made me--a book consubstantial with its author, concerned with my own self, an integral part of my life; not concerned with some third-hand, extraneous purpose, like all other books.
When you write a book, you are asking someone to make an investment in their time and money. A column can come and go as the weeks pass, but a book needs to be timeless.
The computer is the way I'm making books, but I still think about the physical properties. I visualize the length of a book, the proportions of a book, in material terms.
With the success of 'Black Privilege,' of course, the book publishers wanted me to come with another book immediately. They came with the check, but I don't do things for money.
I've tried to reduce profanity but I reduced so much profanity when writing the book that I'm afraid not much could come out. Perhaps we will have to consider it simply as a profane book and hope that the next book will be less profane or perhaps more sacred.
I did with my wife a comic book for the Raynham Hall Museum in Long Island. They sell the book every single time a busload of kids comes in.
There was a Ta-Nehisi Coates book called 'Between the World and Me' that I read the prologue, and I was so decimated by it that I couldn't even get through the rest of the book.
People say that this new generation is so used to the Internet that their heads are already different. They can't read a book from beginning to end. That is not a tragedy. The book changes form.
Of his new book, Don says: “It might be the greatest book ever written. I don’t think anybody is going to read a book again after they read my new one. I think God is proud of me. I am going to make a killing off this thing and I’m going to use the money to go to space.
No man has ceased to believe in God before having decided that he should not exist; no book would produce atheism, and no book can restore faith. — © Joseph de Maistre
No man has ceased to believe in God before having decided that he should not exist; no book would produce atheism, and no book can restore faith.
When I'm writing a book I prefer not to speak about it, because only when the book is finished can I try to understand what I've really done and to compare my intentions with the result.
Here, then, is the point at which I see the new mission of the librarian rise up incomparably higher than all those preceding. Up until the present, the librarian has been principally occupied with the book as a thing, as a material object. From now on he must give his attention to the book as a living function. He must become a policeman, master of the raging book.
I grew up as a fan of the original Star Trek series. When I was in middle school, I think in the 6th grade, I remember going to a book fair and finding a book called The Making of Star Trek, by Stephen Whitfield, and I grabbed it and took and home and just devoured it, over and over again. It was a really influential book. It was very nuts and bolts.
Coaching is something that takes place only when learning does. No matter what you are doing in your practices, if your players are not learning something significant, you're really not coaching. If a player fails in a game, the coach may have failed in practice.
A bestseller is a book that non-book buyers buy
Our education system is increasingly embracing a black-and-white way of thinking, in which 'learning' and 'play' are diametrically opposed. 'Learning' is the serious stuff that happens inside a classroom and can be measured via multiple choice questions and a No. 2 pencil. 'Play' is frivolous, fun, and worst of all, optional.
It's hard to read through a book on the principles of magic without glancing at the cover periodically to make sure it isn't a book on software design.
In the middle of my fourth year teaching is when I got my book contract - in 2010. I knew the book would come out in May 2011.
I just write the sort of book that I would enjoy reading myself, a book that is both scholarly and recreates the experience of people at that time.
There's no real manual on being a parent. There's no real manual on being a wife. I keep reminding myself, My mother did all this, only she never got to leave the house. OK, I can do this. We're all learning on our own learning curve.
Wormholes were first introduced to the public over a century ago in a book written by an Oxford mathematician. Perhaps realizing that adults might frown on the idea of multiply connected spaces, he wrote the book under a pseudonym and wrote it for children. His name was Charles Dodgson, his pseudonym was Lewis Carroll, and the book was Through The Looking Glass.
With 'Free Agent Nation,' I was figuring out how to write a book along with writing the book. Now I think I've kind of, sort of figured out how to write a book a little bit better. But the process remains not that different - slow; laborious; tiny, incremental progress each day, punctuated by feelings of despair and self-loathing.
My first book was the book that changed my life.
A book no more contains reality than a clock contains time. A book may measure so-called reality as a clock measures so-called time; a book may create an illusion of reality as a clock creates an illusion of time; a book may be real, just as a clock is real (both more real, perhaps, than those ideas to which they allude); but let's not kid ourselves - all a clock contains is wheels and springs and all a book contains is sentences.
When I think about what part of my college experience came back in my work experience, I feel like it was learning how to read deeper, learning how to keep filling the movie up with more and more resonance.
If forced to choose between a book and a Kindle, I'd opt for the comfort and ease of bound pages. I mean, I can't break a book if I drop it on a cement floor.
I spent thirty years learning manners, and I spent twenty years learning knowledge.
Learning comes from education, while knowing comes from revelation. Learning is cognitive, while knowing is spiritual.
You have read very good books, I am sure; there is an excellent book however, that never grows old; it is the one that God has written on every plant, on every grain of sand, in yourself; it is the book of Divine love. Give, therefore, your preference to that beautiful book and add to it a few pages of admiration and gratefulness. Read and understand all other books in the light of this one.
In 2008, when I wrote Book 1 and Book 2, the head of the publishing house suggested twelve books - one each month. For practical reasons, that didn't work out.
'Pnin' by Vladimir Nabokov, which is a literally small book, fit right in my common law book. I would sit in class and read it.
Every reader, I suspect, has a book like this somewhere in his or her past, a book that seemed to hold within it, at that moment, all the mysteries of the universe.
'The Handmaid's Tale' breaks my heart. It's a show based on the book written in the '80s by Margaret Atwood - who is a spectacular talent. That book is a work of art.
I definitely feel like when I write a book it's not my job to police or guide the readers. The book and the characters don't belong to me anymore. If that makes sense. — © Danzy Senna
I definitely feel like when I write a book it's not my job to police or guide the readers. The book and the characters don't belong to me anymore. If that makes sense.
What better book can there be than the book of humanity.
I've seen a lot of people in my life base their self-worth on what job they book or don't book, what car they drive, or whether they can afford a house deposit or not.
I had been working on a second book with [David] Petraeus called Relentless. Obviously that book and the income that it would have generated went away.
I love going to writers' colonies in pastoral settings where there's nothing to do, but either walk around or read a book or work on your book.
'The Brownies and the Goblins' is the only book I recall from my early childhood and is the inspiration for a children's book I wrote in the 1980s titled 'The Magic Spectacles.'
The best morals kids get from any book is just the capacity to empathize with other people, to care about the characters and their feelings. So you don't have to write a preachy book to do that. You just have to make it a fun book with characters they care about, and they will become better people as a result.
I frankly couldn't imagine being a series mystery-fiction writer, churning out book after book about the same viewpoint character.
Calling a book 'young adult' is only important in that it can help get a book to the right reader. After that, it's a useless abstraction and should be discarded.
There are some things fundamentally off about the stance of the book. And maybe that's okay; maybe every book is flawed, and great books, as flawed as they might be, articulate a moral argument that the reader then carries forward. The critique to this model is, of course, to ask: Should a book be ever so perfect that you come out of it with complete moral agreement that can be sustained?
It was very interesting [book Fast Food Nation] because all my friends who were in college, [and] this book became almost mandatory for them to read.
Here's a secret. Many novelists, if they are pressed and if they are being honest, will admit that the finished book is a rather rough translation of the book they'd intended to write.
Chrysostom, I remember, mentions a twofold book of God: the book of the creatures, and the book of the scriptures. God, having taught us first of all by his works, did it afterwards, by his Words. We will now for a while read the former of these books; 'twill help us in reading the latter. They will admirably assist one another.
You shouldn't be learning how to code when you're middle-aged. You should be learning how to code when you're a kid. — © Debbie Millman
You shouldn't be learning how to code when you're middle-aged. You should be learning how to code when you're a kid.
When I'm writing a book, I prefer not to speak about it, because only when the book is finished can I try to understand what I've really done and to compare my intentions with the result.
Every book I've written has been a different attempt to understand something, and the success or failure of the previous one is irrelevant. I write the book I want.
Write what you want to read. So many people think they need to write a particular kind of book, or imitate a successful style, in order to be published. I've known people who felt they had to model their book on existing blockbusters, or write in a genre that's supposed to be "hot right now" in order to get agents and publishers interested. But if you're writing in a genre you don't like, or modeling yourself on a book you don't respect, it'll show through. You're your first, most important reader, so write the book that reader really wants to read.
I think that the economics of book publishing favor hits with long book runs. You make all your money on the last bunch of books, not the first.
It's dedicating yourself to your craft. Spending thousands of hours in a studio learning how to write a song, learning how to play different chords, training yourself to sing. You know, to get better and better.
The Koran is a fascist book which incites violence. That is why this book, just like [Adolf Hitler's] Mein Kampf, must be banned.
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