Top 1200 Book Of Disquiet Quotes & Sayings - Page 18

I thought, if I write a book that is not a retelling of Pride and Prejudice, it's not going to mean that I will not get any criticism. I might as well write the book that I want to write.

There are people who are always, I think, going to remain people of the book, to use another author's title, but people of the book, who really must be around.

I think a new world will arise out of the religious mists when we approach our Bible with the idea that it is not only a book which was once spoken, but a book which is now speaking.

Not every book has to be loaded with symbolism, irony, or musical language, but it seems to me that every book-at least every one worth reading-is about something.

I'm not going to make judgments about what people are reading. I just want them to be reading. And I think reading one book leads to another book.

Harry: This book belongs to Harry Potter. Ron: Shared by Ron Weasley, because his fell apart. Hermione: Why don't you buy a new one then? Ron: Write on your own book, Hermione. Hermione: You bought all those dungbombs on Saturday. You could have bought a new book instead. Ron: Dungbombs rule.

I would love it if my book was considered chick-lit or a beach read. That would be great. People would buy my book.

Writing 'Native Guard,' I didn't know I was working on a single book. I began writing that book because I was interested in the lesser-known history of these black soldiers stationed off the coast of my hometown.

Pastoralia by George Saunders. Possibly my favorite book. Its one of the weirdest books Ive ever read. If Monty Python and Thomas Pynchon had a love child, and it was raised by Frank Zappa on a weird commune, that would be this book.

Few things linger longer or become more indwelling than that feeling of both completion and emptiness when a great book ends. That the book accompanies the reader forever from that day forward is part of literature's profligate generosity.

The Rosary is the book of the blind, where souls see and there enact the greatest drama of love the world has ever known; it is the book of the simple, which initiates them into mysteries and knowledge more satisfying than the education of other men.

I often have the impression that the book I've just finished isn't satisfied: that it rejects me because I haven't successfully completed it. Because there is no going back, I'm forced to begin a new book so I can finally complete the previous one.

I happen to think that a book is of extraordinary value if it gives the reader nothing more than a smile or two. It's perfectly okay to take a book, read it, have a good time, giggle and laugh - and turn off the TV. I love that.

I'm grateful for every teacher or librarian who reads a book and says, "This is exactly the book that so-and-so needs to read; I'll get it in his hands." I'm amazed at the network of adults who make sure that kids get books.

A person might see that I've blurbed a certain book and decide they want nothing to do with it! Like, 'If that reprobate Toews likes it, forget it!' So, it's a crapshoot. But it feels good to be able to praise a book that I love or that has been written by a new writer.

Reading ... changes you. You aren't the same person after you've read a particular book as you were before, and you will read the next book, unless both are Harlequin Romances, in a slightly different way.

I would say that, in the future, the book will be reserved for things that function best as a book. So, if I need a textbook that's going to be out of date because of new technological inventions, you're better off having it where you can download the supplements or the update.

I feel sorry for people who have to edit me. Which is why book writing is by far the most enjoyable. Really the only thing it's based on is whether it's good or not. No book editor, in my experience, is getting a manuscript and try to rewrite it.

I started writing as a child. But I didn't think of myself, actually writing until I was in college. And I had gone to Africa as a sophomore or something, no maybe junior and wrote a book of poems. And that was my beginning. I published that book.

The American people want to know that when they borrow a book from the library or buy a book, the government won't be looking over their shoulder. Everybody wants to fight terrorism, but we have to do it in away that protects American freedom.

On rare occasions there comes along a profound original, an odd little book that appears out of nowhere, from the pen of some obscure storyteller, and once you have read it, you will never go completely back to where you were before. The kind of book you may hesitate to lend for fear you might miss its company. The kind of book that echoes from the heart of some ancient knowing, and whispers from time's forgotten cave that life may be more than it seems, and less.

Teens are not like the weird, dumb dwarves you have around your house. They are actually you when you were younger. Why not write a book which is as sophisticated as a book for an adult, but is about the concerns that teenagers actually have?

As soon as I finished the first book, I wrote a second, which I hope to sell this year, and I have just about finished the third book in the series. Two more are already outlined. I'm in this for the long haul.

Think of a book special to you, and how much bleaker and poorer your life would be if that one writer had not existed - if that one writer had not, a hundred times or a thousand, made the choice to write. You're going to be that one writer one day for somebody you may never meet. Nobody can write that book you're going to write - that book that will light up and change up a life - but you.

I'd rather that people could be both entertained and given rest while reading my book than for someone to have to put the book down to take a rest. You can't just be lighting firecrackers all the time.

When we want a book exactly like the one we just finished reading, what we really want is to recreate that pleasurable experience--the headlong rush to the last page, the falling into a character's life, the deeper understanding we've gotten of a place or a time, or the feeling of reading words that are put together in a way that causes us to look at the world differently. We need to start thinking about what it is about a book that draws us in, rather than what the book is about.

I was born in England and brought up in London. When I was 18 I read a book and came across the Dharma. I was halfway through the book when I turned to my mother and said, "I'm a Buddhist," to which she replied, "Oh are you dear? Well finish the book and then you can tell me about it." I realised I'd always been Buddhist but I just hadn't known it existed, because in those days not even the word 'Buddha' was ever spoken. This was in in the 1960s, so there wasn't that much available, even in London.

Some years ago, I wrote a book called the Emperor's New Mind and that book was describing a point of view I had about consciousness and why it was not something that comes about from complicated calculations.

My greatest wish — other than salvation — was to have a book. A long book with a never-ending story. One I could read again and again, with new eyes and a fresh understanding each time.

When I found the book was condemned as soon as the book was printed, or rather as soon as it was set up ready to print, I held it in plates for a year nearly, waiting to see what would come out of all this discussion.

Chapter One. The Bride." He held up the book then. "I'm reading it to you for relax." He practically shoved the book in my face. "By S. Morgenstern. Great Florinese writer. The Princess Bride. He too came to America. S. Morgenstern. Dead now in New York. The English is his own. He spoke eight tongues." Here my father put down the book and held up all his fingers. "Eight. Once in Florin City...

The first book was called 'Oh My Dog,' and it's kind of a whole huge resource book on when you go adopt a dog to the dog's final days.

I looked up towards the immensity of the labyrinth. "How does one choose a single book among so many?" Isaac shrugged his shoulders. 'Some like to believe it's the book that chooses the person...destiny, in other words.

I still love the book-ness of books, the smell of books: I am a book fetishist—books to me are the coolest and sexiest and most wonderful things there are.

I like to sit down every day and not know where the book is going. I have no idea where the book is going to go or how it's going to end as I'm writing it.

To many book professionals, Amazon is a ruthless predator. The company claims to want a more literate world - and it came along when the book world was in distress, offering a vital new source of sales.

I feel sorry for people who have to edit me. Which is why book writing is by far the most enjoyable. Really the only thing it's based on is whether it's good or not. No book editor, in my experience, is getting a manuscript and trying to rewrite it.

I was aware that there is an expectation that writers inevitably falter at this stage, that they fail to live up to the promise of their first successful book, that the next book never pleases the way the prior one did. It simply increased my sense of being challenged.

A number of things in 'Dhalgren' are just meant to function as mysteries. They're mysteries when the book begins, and they're mysteries when the book ends.

I have a number of friends that try to live off their writing, and there's way more pressure for a hit or to write a certain type of book. You can't do a limited-edition short-story book with drawings unless you don't want to eat anything but ramen.

What can happen if a young reader picks up a book he/she isn't yet ready for? Questions, maybe. Usually, that child puts down the book and says, 'Boring.' Or, 'I'm not ready for this.' Kids are really good at knowing what they can handle.

It's my hope that as you dip your toe into the Bible's story and viewpoint, you'll find yourself feeling that the Good Book knows more about the world - and about you - than any normal book does.

I don't know if any single book made me want to write. C.S. Lewis was the first writer to make me aware that somebody was writing the book I was reading - these wonderful parenthetical asides to the reader.

You don't know about me without you have read a book by the name of The Adventures of Tom Sawyer; but that ain't no matter. That book was made by Mr. Mark Twain, and he told the truth, mainly. There was things which he stretched, but mainly he told the truth. That is nothing. I never seen anybody but lied one time or another, without it was Aunt Polly, or the widow, or maybe Mary. Aunt Polly—Tom's Aunt Polly, she is—and Mary, and the Widow Douglas is all told about in that book, which is mostly a true book, with some stretchers, as I said before.

Well, we think that time "passes," flows past us, but what if it is we who move forward, from past to future, always discovering the new? It would be a little like reading a book, you see. The book is all there, all at once, between its covers. But if you want to read the story and understand it, you must begin with the first page, and go forward, always in order. So the universe would be a very great book, and we would be very small readers.

About a year after (my stories began being published), magazine editor George Scithers, suggested to me that since I was so new at being published, I must be very close to what I had to learn to move from fooling around with writing to actually producing professional stories. There are a lot of aspiring writers out there who would like to know just that. Write that book.SFWW-I is that book. It's the book I was looking for when I first started writing fiction.

I started to read my first book at about the age of six. I started to write a book simultaneously. Not to compete, just to augment. And that's how one starts. Or I started.

This principle of nature being very remote from the conceptions of Philosophers, I forbore to describe it in that book, least I should be accounted an extravagant freak and so prejudice my Readers against all those things which were the main designe of the book.

A number of things in Dhalgren are just meant to function as mysteries. They're mysteries when the book begins, and they're mysteries when the book ends.

An e-book is not a physical book. That point might seem trite until you stop for a moment to think how much simpler it is, in a certain sense, to destroy electronic than physical traces.

We come to this book because something is missing in our souls. This book will take you through the steps that you stumbled over in all your other attempts. And it will bring more than you asked for.

When people ask for book recommendations, I say this: Do some math. If you read one book every week for the rest of your life, and if you're lucky enough to live for 50 more years, you're only going to get to 2,600 books.

Somebody threw a book at President Obama. If you're trying to scare a president by throwing a book at him, you're one president too late.

Well, at the end of our movie Fireproof, we released a book that my brother Stephen and I wrote called The Love Dare. It was for couples. That book had a much larger impact than we expected. As a matter of fact, if I could use the term "overwhelmed," we were. The book went on to become a New York Times bestseller and sold over five-million copies and is now in 28 different countries and languages. So, we were blessed and just surprised at how well that did.

There is nothing is more musical than a sunset. He who feels what he sees will find no more beautiful example of development in all that book which, alas, musicians read but too little - the book of Nature.

'Pastoralia' by George Saunders. Possibly my favorite book. It's one of the weirdest books I've ever read. If Monty Python and Thomas Pynchon had a love child, and it was raised by Frank Zappa on a weird commune, that would be this book.

Some years ago, I wrote a book called the Emperor’s New Mind and that book was describing a point of view I had about consciousness and why it was not something that comes about from complicated calculations.

sometimes after I finished a particularly good book, I had the urge to get the library card, find out who else had read the book, and track them down to talk about it

Nothing shakes my opinion of a book. Nothing -- nothing. Only perhaps if it's the book of a young person -- or of a friend -- no, even so, I think myself infallible.

I think what's happening with book advances is something that most of the world just doesn't fully appreciate, especially when it comes to nonfiction, because writing a book of investigative journalism is an expensive endeavor, and the system works best if you have publishers making bets on authors.