Top 1200 Book Of Life Quotes & Sayings - Page 2

The book has very specific qualities. Let's say in 2300 they discover the physical book, after having lived with the digital book for several hundred years. They'll be able to say, "Look at all the cool stuff you can have in a real book and how different it is." The differences are manifold.

I often like to think that our map of the world is wrong, that where we have centered physics, we should actually place literature as the central metaphor that we want to work out from. Because I think literature occupies the same relationship to life that life occupies to death. A book is life with one dimension pulled out of it. And life is something that lacks a dimension which death will give it. I imagine death to be a kind of release into the imagination in the sense that for characters in a book, what we experience is an unimaginable dimension of freedom.

[Book's subtitle:] Designed as a beacon of light to guide women to life liberty and the pursuit of happiness, but which may be read by members of the sterner sect, without injury to themselves or the book.

I got my iPad, and I'm trying to buy books on that, but I kind of like a book. At the end of my life, when I'm old, I want to have all these shelves full of books. So I'm just gonna do the book thing.

When you are writing a book, it feels as if you are simply concentrating on the world of the book and that whatever is happening in your personal life is outside the room, as it were. But maybe that's just the way you have to talk to yourself to make it possible.

I usually have about four books on the go - a bedside book, a lavatory book, a downstairs book, and the book in my study that I read sneakily while I should be writing. Short stories for the lavatory, obviously.

Libraries are my passion in life. Before I became mayor (of Los Angeles), I used to sneak out here during lunchtime...and I'd go to a corner and take a book-any book almost-and read it for a while, and then feel rejuvenated.

The greatest compliment of the book [One Thousand Gifts]? Maybe the Muslim man in Iraq who was given the book and came to a saving knowledge of Jesus, wanted to live his life in thanks to God?

I wrote a little autobiography about how luck has to do with everything. It's called "My Lucky Life In and Out of Show Business." A publisher came to me and said write a book so I did. I wanted to call it "Everybody Else Has Got a Book."

Attending a book group is always a salutary experience for a writer. There's no guarantee that the people there will have enjoyed your book, and, as anyone who has taken part in a book group will know, half the fun is in ripping a book you haven't liked to shreds.

When people ask for book recommendations, I say this: Do some math. If you read one book every week for the rest of your life, and if you're lucky enough to live for 50 more years, you're only going to get to 2,600 books.

I look at life like a big book and sometimes you get half way through it and go 'Even though I've been enjoying it, I've had enough. Give us another book.'

A good book is the precious life-blood of a master-spirit, embalmed and treasured up on purpose to a life beyond life, and as such it must surely be a necessary commodity.

We are free, in the West, to choose; we have real choice to pursue our own desires; we are free to set the goals and contents of our own lives; the West is made up of individuals who are free to decide what meaning to give to their lives-in short the glory of the West is that life is an open book,[1] while under Islam, life is a closed book, everything has been decided for you: God and the Holy Law set limits on the possible agenda of your life.

I wrote a little autobiography about how luck has to do with everything. It's called 'My Lucky Life In and Out of Show Business.' A publisher came to me and said, 'Write a book,' so I did. I wanted to call it 'Everybody Else Has Got a Book.'

Now, to describe the process of the Wrapped Reichstag, which went from 1971 to '95, there is an entire book about that, because each one of our projects has its own book. The book is not an art book, meaning it's not written by an art historian.

The Bible in itself is not the Word of God. The Word of God is a person. Neither does the Bible have life, power or light in itself any more than did the Jewish Torach. These attributes may be ascribed to the Bible only by virtue of its relationship to Him who is Word, Life, Power and Light. Life is not in the book, as the Pharisees supposed, but only in the Man of the book .

I didn't want just a squeaky-clean book that just illuminated my stardom. For me, that would just be such a waste of time. I wanted my book to reflect real life - the highs and lows.

Many years, I would publish four books - an anthology, a book of criticism, a new book of poems, a book of essays.

I've been asked to write a book several times; I've had several publishers come to me and offer me book deals. Especially right after I left Dream Theater and Avenged Sevenfold, there was a lot of drama going on in my life, so the book companies came at me thirsty for blood and gossip. And I turned down all the deals.

By the time I was writing the second book, my life had changed rather dramatically, thanks to the intervention of television, and I needed to find a way to discuss that. Otherwise the big, fake book would not be true on some level.

The book, you understand, was not written for publication. It was the portrayal of my emotions, the analysis of my own soul life during three months of my nineteenth year. I wrote then all the time, just as I do now, but, though the book is in diary form, it is not a diary.

One of the traps or the pitfalls of writing a trilogy - or a triptych, or whatever term you want to use - is that the second book can be a long second act to get you from book one to book three, which borrows all of its energy from the first book.

I began writing books after speaking for several years and I realize that when you have a written book people think that you're smarter than you really are if I can joke. But it's interesting. People will buy your book and hire you without reading the book just because you have a book and you have a book on a subject that they think is of interest to themselves or e to their company.

'The Things They Carried' is labeled right inside the book as a work of fiction, but I did set out when I wrote the book to make it feel real... I use my own name, and I dedicated the book to characters in the book to give it the form of a war memoir.

In my case, I made the decision early on that I was going to be very open about the book and claim upfront that each of the stories was based on my life experience. I think my reasoning goes back to what I was saying earlier, about wanting the book to be "more than a book," that I wanted the reader to feel a little unsettled about what they were reading: there's a core of factual truth here.

Some people may contend that there is no image more charming that a child holding a puppy or kitten. But for me that's a distant second. When I see a child clutching a book... to his or her tiny bosom, I'm moved. Children can possess a book in a way they can never possess a video game, a TV show, or a Darth Vader doll. A book comes alive when they read it. They give it life themselves by understanding it.

We’re all in the end-of-our-life book club, whether we acknowledge it or not; each book we read may well be the last, each conversation the final one.

I can't go into Oklahoma without thinking about Larry Clark's photography book 'Tulsa.' It's a great book about how life works.

Usually, the creating of the book happens while I'm writing the book. I start with Chapter One, with a few ideas and a handful of characters, and the book grows from there.

Painting myself for others, I have painted my inward self with colors clearer than my original ones. I have no more made my book than my book has made me--a book consubstantial with its author, concerned with my own self, an integral part of my life; not concerned with some third-hand, extraneous purpose, like all other books.

I would willingly pass my life writing and re-writing the same book - that one book every writer carries within him - the image of his own soul.

I suppose I've been interested in Abraham Lincoln for almost as long as I can remember. My first Lincoln book was the Classics Illustrated comic book version of the life of Lincoln, and with that, I was hooked.

As it now stands, I Enoch appears to consist of the following five major divisions: (1) The Book of the Watchers (chaps. 1-36); (2) The Book of the Similitudes (chaps. 37-7l)-, (3) The Book of Astronomical Writings (chaps. 72-82); (4) The Book of Dream Visions (chaps. 83-90); and (5) The Book of the Epistle of Enoch (chaps. 91-107).

Your life is like a book. The title page is your name, the preface your introductions to the world. The pages are a daily record of your efforts, trials, pleasures, discouragements, and achievements. Day by day your thoughts and acts are being inscribed in your book of life. Hour by hour, the record is being made that must stand for all time. Once the word 'finish' must be written, let it then be said of your book that it is a record of noble purpose, generous service, and work well-done.

If i write a book it will probably be a book about how not to use the internet or a book of poetry.

I'm usually working either on a picture book and a young adult book, or a middle grade book and a young adult book. When I get bored with one, I move to the other, and then I go back.

This was an age before e-books. We all knew that the only way you can allow a book to survive in print in the long term is in paperback. The hardback has a certain life, and then it stops having that. It stops selling, and if you want the book to just stay around there has to be a paperback edition. So if there were not a paperback edition the book would eventually disappear from the shelves, and we would have lost the battle.

Great nations write their autobiographies in three manuscripts - the book of their deeds, the book of their words and the book of their art.

If I were asked what book is better than a cheap book, I should answer that there is one book better than a cheap book, - and that is a book honestly come by.

You have to surrender to your mediocrity, and just write. Because it's hard, really hard, to write even a crappy book. But it's better to write a book that kind of sucks rather than no book at all, as you wait around to magically become Faulkner. No one is going to write your book for you and you can't write anybody's book but your own.

The process of writing a book is infinitely more important than the book that is completed as a result of the writing, let alone the success or failure that book may have after it is written . . . the book is merely a symbol of the writing. In writing the book, I am living. I am growing. I am tapping myself. I am changing. The process is the product.

The book is not really the container for the book. The book itself is the narrative. It's the thing that people create.

Sarah Palin - now don't laugh - is writing a book. Not just reading a book, writing a book. Actually, in the word of the publisher, she's 'collaborating' on a book. What an embarrassment! It's one of these 'I told you,' books that jocks do.

The book is not a cut-and-paste job. Yeah, I have a blog, but the material in the book is all new. The blog deals with my life now, whereas as the book starts a few years before my birth until right about the end of junior high. And yes, I am contractually obliged to mention this as much as possible (each time I do, HarperCollins sends me a free pizza).

I think of a book and a play, or a book and a movie, as two separate things - I don't think of it as my novel having a new life.

You know, a vampire book is not a book to be the vehicle for big themes and stuff, where sometimes when you're dealing with art or the life of Christ or the oeuvre of Shakespeare, you know, it's a little more ambitious.

Your whole life you are really writing one book, which is an attempt to grasp the consciousness of your time and place– a single book written from different stages of your ability.

There is not on the face of the earth-after the Book of Allah - a book which is more sahih than the book of Malik.

Any book that can help you survive the slings and arrows of adolescence is a book to love for life; 'The Catcher in the Rye' did just that, and I still do love it.

To gain the book, one must give up all hope for the book. It is the only way the book can get written.

I'd say the purest experience for the movie is not to have read the book because I think when you've read the book you're just ticking off boxes. I think that after you see the movie, reading the book is a cool thing. I always say the movie's not meant to replace the book. That's ridiculous. I'm a huge fan of the book.

Life is a book that never ends. Chapters close, but not the book itself. The end of one physical incarnation is like the end of a chapter, on some level setting up the beginning of another.

When I was a kid my primary goal in life was to find a book that was alive. Not alive in the human sense, but like a thing that would send me to a place not otherwise accessible on Earth. This book should have hidden words encrypted beneath the printed ones, so that if I worked hard enough and discovered the code I would somehow end up inside the book, or the book would take on a body and consume me, revealing a secret set of rooms behind the wall in my bedroom, for instance, inside which anything could be.

It's important to read a book, but also to hold the book, to smell the book... it's perfume, it's incense, it's the dust of Egypt.

Before I wrote The Power of Now, I had a vision that I had already written the book and that it was affecting the world. I had a sense there was already a book somehow in existence. I drew a circle on a piece of paper and it said "book." Then I wrote something about the effect the book had on the world, how it influenced my life and other people's lives, and how it came to be translated into many languages affecting hundreds of thousands of people.

When a book's pattern and the shape of its inner life is as plain to the reader as it is to the author -- then perhaps it is time to throw the book aside, as having had its day, and start again on something new.

The book. The book...think about a book. What a perfect invention. The best and most important ever.

It's always a better choice to write a new book than it is to keep pounding your head against the submissions wall with a book that's just not happening. The next book you write could be the book, the one that isn't a fight to get representation for at all.

I'm publicizing the book that's done. I'm writing the book that's in the hopper, and I'm doing a little advance research on the book to come.