Top 1200 Book Of The Dead Quotes & Sayings - Page 3

There is not on the face of the earth-after the Book of Allah - a book which is more sahih than the book of Malik.

I'd say the purest experience for the movie is not to have read the book because I think when you've read the book you're just ticking off boxes. I think that after you see the movie, reading the book is a cool thing. I always say the movie's not meant to replace the book. That's ridiculous. I'm a huge fan of the book.

There's this book," Jared said. "And in this book a guy said that he would rather touch someones hand if she was dead than another girl who was alive. It's creepy. I know that." He was staring off into space, as if at some private nightmare. "Nothing matters in comparison. Nobody is real but her. So it feels sometimes as if nothing else matters at all, including other people. She wouldn't like that. Other people SHOULD matter." *** So he loved Kami.

Attending a book group is always a salutary experience for a writer. There's no guarantee that the people there will have enjoyed your book, and, as anyone who has taken part in a book group will know, half the fun is in ripping a book you haven't liked to shreds.

Some hard and dry book in a dead language, which you have found it impossible to read at home, but for which you still have a lingering regard, is the best to carry with you on a journey.

Are they dead that yet speak louder than we can speak, and a more universal language? Are they dead that yet act? Are they dead that yet move upon society and inspire the people with nobler motives and more heroic patriotism?

I'm publicizing the book that's done. I'm writing the book that's in the hopper, and I'm doing a little advance research on the book to come.

In the opening chapters of the Book of Revelation the Apostle John tells us how on the Isle of Patmos he was given an awesome vision of the Lord Jesus, risen from the dead. Then John says, 'When I saw Him, I fell at His feet as dead.' He tells us not only the vision itself, but the profound effect it had on him. It utterly prostrated him before the Lord until He came and laid His right hand on him and said 'Fear not.'

My favorite zany horror flick is 'Evil Dead 2.' Sam Raimi is awesome! I saw this back in the day when I was younger. 'Evil Dead' was actually scary, and 'Evil Dead 2' was zany as hell. I don't really watch 'Army of Darkness' though.

I didn't want to do a book just to do a book. I wanted to do a book that, if you should read it, you might take one thing from it. Until that was clear in my mind, I wasn't going to do one.

You have to surrender to your mediocrity, and just write. Because it's hard, really hard, to write even a crappy book. But it's better to write a book that kind of sucks rather than no book at all, as you wait around to magically become Faulkner. No one is going to write your book for you and you can't write anybody's book but your own.

Hell was not for the living, it was for the dead, even the hallowed dead. Let the dead rest in peace. Someday Mack Bolan, too, would rest. For now, he had to find his way among the living.

Many years, I would publish four books - an anthology, a book of criticism, a new book of poems, a book of essays.

Shorter work - personal essays and book reviews - allow me to take a break from working on a book, which is good for the book and for its author.

The dead look so terribly dead when they're dead.

Books are the perfect entertainment: no commercials, no batteries, hours of enjoyment for each dollar spent. What I wonder is why everybody doesn't carry a book around for those inevitable dead spots in life.

There are probably a couple of things I'd never write about until everyone I know is dead. And then there's other stuff which nobody would want to read a book about anyway.

I rarely, if ever, had another book in mind while I was writing the previous book. Each book starts from ashes, really.

I've only written one science-fiction book: 'Fahrenheit 451.' That book is a book based on real facts and my hatred of people who destroy books.

I've always enjoyed stories that take place in the future but my one disappointment was that the future books described never came. We're not on other planets, there are no flying cars, and the only robots we have in our homes just sweep the floor. So I wanted to write about a future that I thought could really happen. People ask me when I tell them the title of the book, 'Are we all dead?' The good news is, no. We're still here. And I even think the future in my book is strangely hopeful, although I'm sure there will be people who strongly disagree.

It's important to read a book, but also to hold the book, to smell the book... it's perfume, it's incense, it's the dust of Egypt.

When you're dead, you're dead. No one is going to remember me when I'm dead. Oh maybe a few friends will remember me affectionately. Being remembered isn't the most important thing anyhow. It's what you do when you are here that's important.

The reason why congregations have been so dead is, because they had dead men preaching to them. O that the Lord may quicken and revive them! How can dead men beget living children?

I came to a dead stop and began major revisions. Sometimes these entailed the shredding of all existing manuscript for a fresh start - an inefficient way to write a book, though I found it exciting.

Now everything was changed. She walked about with cautious, anxious steps, staring constantly at the ground, on the lookout for things that crept and crawled. Bushes were dangerous, and so were sea grass and rain water. There were little animals everywhere. They could turn up between the covers of a book, flattened and dead, for the fact is that creeping animals, tattered animals, and dead animals are with us all our lives, from beginning to end. Grandmother tried to discuss this with her, to no avail. Irrational terror is so hard to deal with.

As it now stands, I Enoch appears to consist of the following five major divisions: (1) The Book of the Watchers (chaps. 1-36); (2) The Book of the Similitudes (chaps. 37-7l)-, (3) The Book of Astronomical Writings (chaps. 72-82); (4) The Book of Dream Visions (chaps. 83-90); and (5) The Book of the Epistle of Enoch (chaps. 91-107).

To gain the book, one must give up all hope for the book. It is the only way the book can get written.

I'm usually working either on a picture book and a young adult book, or a middle grade book and a young adult book. When I get bored with one, I move to the other, and then I go back.

I am writing this book because we're all going to die - In the loneliness of my own life, my father dead, my brother dead, my mother faraway, my sister and my wife far away, nothing here but my own tragic hands that once were guarded by a world, a sweet attention, that now are left to guide and disappear their own way into the common dark of all our deaths, sleeping in me raw bed, alone and stupid: with just this one pride and consolation: my broke heart in the general despair and opened up inwards to the Lord, I made a supplication in this dream

Being a stranger was like being dead, and brought to mind how, in a book he had read that most folks misunderstood one common state: The flip side of love is indifference, not hate.

If a girl breaks up with me, I want her to just die, just be dead. Not 'cause I hate her so much as it's just easier for when my friends go, 'Hey, what happened?' 'Oh, she's dead. I'd still be with her, but she's dead. What can I do? She was loving me, but she's dead.'

The moment you give up your principles, and your values, you are dead, your culture is dead, your civilization is dead. Period.

The process of writing a book is infinitely more important than the book that is completed as a result of the writing, let alone the success or failure that book may have after it is written . . . the book is merely a symbol of the writing. In writing the book, I am living. I am growing. I am tapping myself. I am changing. The process is the product.

Let no man despise the oracles of books! A book is a dead man, a sort of mummy, embowelled and embalmed, but that once had flesh and motion and a boundless variety of determinations and actions.

Out of the people that ever were, almost all of them are dead. There are way more dead people, and you're all gonna die and then you're gonna be dead for way longer than you're alive. Like that's mostly what you're ever gonna be. You're just dead people that didn't die yet.

So my first book I had no experience having written a book, but each book is a little snapshot of who you are at that moment, accrued all through time, so I accept that.

The book. The book...think about a book. What a perfect invention. The best and most important ever.

If i write a book it will probably be a book about how not to use the internet or a book of poetry.

Do you think that your fathers are watching? That they weigh you in their ledgerbook? Against what? There is no book and your fathers are dead in the ground.

The book is not really the container for the book. The book itself is the narrative. It's the thing that people create.

When you read the book, you paint the picture but when you adapt a book then the audience will, by and large, say the book was better and every filmmaker knows this.

I said it before and I’ll say it again: books are dead, plays are dead, poems are dead: there’s only movies. Music is still okay, because music is sound track. Ten, fifteen years ago, every arts student wanted to be a novelist or a playwright. I’d be amazed if you could find a single one now with such a dead-end ambition. They all want to make movies. Not write movies. You don’t write movies. You make movies.

It is not simply a theological treatise, a code of laws, a religious homily, but the Bible - the book - while the only book for the soul, the best book for the mind

The living always get over the dead. That’s what the dead never realize. If ever the dead did come back, they’d only have been sore that somehow you managed to get over their dying at all.

They used to pour millet on graves or poppy seeds To feed the dead who would come disguised as birds. I put this book here for you, who once lived So that you should visit us no more.

To slay the sinner is then the first use of the Law, to destroy the life and strength wherein he trusts and convince him that he is dead while he lives; not only under the sentence of death, but actually dead to God, void of all spiritual life, dead in trespasses and sins.

But then of course you reach a point where you have to say, I've got to figure out how this book's going to end. Otherwise, you're going to write yourself into so many dead-ends.

Pedantry and bigotry are millstones, able to sink the best book which carries the least part of their dead weight. The temper of the pedagogue suits not with the age; and the world, however it may be taught, will not be tutored.

There's nothing good about ash dieback, but there is one useful thing that could be done: wherever possible, leave the dead trees to stand. There is more life in a dead tree than in a living tree: around 2,000 animal species in the UK rely on dead or dying wood for their survival.

The book has very specific qualities. Let's say in 2300 they discover the physical book, after having lived with the digital book for several hundred years. They'll be able to say, "Look at all the cool stuff you can have in a real book and how different it is." The differences are manifold.

I think, for me, there's The Book I Should Write and The Book I Wanted to Write - and they weren't the same book. The Book I Should Write should be realistic, since I studied English Lit. It should be cultural. It should reflect where I am today. The Book I Wanted to Write would probably include flying women, magic, and all of that.

Usually, the creating of the book happens while I'm writing the book. I start with Chapter One, with a few ideas and a handful of characters, and the book grows from there.

Great nations write their autobiographies in three manuscripts - the book of their deeds, the book of their words and the book of their art.

Atticus Lish is a true original and this is a tremendous book, relentless, moving, written in prose of marvelous integrity. Now that America and the novel are dead, I hope we can have more great American novels as alive as this one.

I try to express with the camera what the story is, to get to the heart of the story with picture. In battle I look at things first in terms of people, second in terms of strategies or casualties... To tell a story, you don't photograph one hundred dead civilians to prove there were one hundred dead civilians. You photograph one dead civilian with an expression on his face that says, This is what it's like if you're a dead civilian in Vietnam.

Every day without fail one should consider himself as dead. There is a saying of the elders that goes, 'Step from under the eaves and you're a dead man. Leave the gate and the enemy is waiting.' This is not a matter of being careful. It is to consider oneself as dead beforehand.

He is not dead, this friend; not dead, Gone some few, trifling steps ahead, And nearer to the end; So that you, too, once past the bend, Shall meet again, as face to face, this friend You fancy dead.

A book, being a physical object, engenders a certain respect that zipping electrons cannot. Because you cannot turn a book off, because you have to hold it in your hands, because a book sits there, waiting for you, whether you think you want it or not, because of all these things, a book is a friend. It’s not just the content, but the physical being of a book that is there for you always and unconditionally.

If I were asked what book is better than a cheap book, I should answer that there is one book better than a cheap book, - and that is a book honestly come by.

For every Book of Job, there's a Book of Leviticus, featuring some of the most boring prose ever written. But if you were stranded on a desert island, what book would better reward long study? And has there ever been a more beautiful distillation of existential philosophy than the Book of Ecclesiastes?