Top 1200 Book Titles Quotes & Sayings - Page 2

Great nations write their autobiographies in three manuscripts - the book of their deeds, the book of their words and the book of their art.

One of the traps or the pitfalls of writing a trilogy - or a triptych, or whatever term you want to use - is that the second book can be a long second act to get you from book one to book three, which borrows all of its energy from the first book.

It really gets me when the critics say I haven't done enough for the economy. I mean, look what I've done for the book publishing industry. You've heard some of the titles. 'Big Lies,' 'The Lies of George W. Bush,' 'The Lies and the Lying Liars Who Tell Them.' I'd like to tell you I've read each of these books, but that'd be a lie.

If I were asked what book is better than a cheap book, I should answer that there is one book better than a cheap book, - and that is a book honestly come by.

I began writing books after speaking for several years and I realize that when you have a written book people think that you're smarter than you really are if I can joke. But it's interesting. People will buy your book and hire you without reading the book just because you have a book and you have a book on a subject that they think is of interest to themselves or e to their company.

I'm no longer religious, but the Bible fascinates me. Hardly anyone reads it anymore, but it's got everything: it's a book of poetry, it's a book of principle, it's a book of stories, and of myths and of epic tales, a book of histories and a book of fictions, of riddles, fables, parables and allegories.

Attending a book group is always a salutary experience for a writer. There's no guarantee that the people there will have enjoyed your book, and, as anyone who has taken part in a book group will know, half the fun is in ripping a book you haven't liked to shreds.

What if there was a library which held every book? Not every book on sale, or every important book, or even every book in English, but simply every book - a key part of our planet's cultural legacy.

I didn't want to do a book just to do a book. I wanted to do a book that, if you should read it, you might take one thing from it. Until that was clear in my mind, I wasn't going to do one.

My personal telephone book is a book of the dead now. I'm so old. Almost all of my friends have died, and I don't have the guts to take their names out of the book.

There is not on the face of the earth-after the Book of Allah - a book which is more sahih than the book of Malik.

A blessed companion is a book! A book that, fitly chosen, is a life-long friend. A book — the unfailing Damon to his loving Pythias. A book that — at a touch — pours its heart into our own.

The book is not really the container for the book. The book itself is the narrative. It's the thing that people create.

So my first book I had no experience having written a book, but each book is a little snapshot of who you are at that moment, accrued all through time, so I accept that.

For every Book of Job, there's a Book of Leviticus, featuring some of the most boring prose ever written. But if you were stranded on a desert island, what book would better reward long study? And has there ever been a more beautiful distillation of existential philosophy than the Book of Ecclesiastes?

I usually have about four books on the go - a bedside book, a lavatory book, a downstairs book, and the book in my study that I read sneakily while I should be writing. Short stories for the lavatory, obviously.

Many years, I would publish four books - an anthology, a book of criticism, a new book of poems, a book of essays.

I rarely, if ever, had another book in mind while I was writing the previous book. Each book starts from ashes, really.

The book, the idea of a book or the image of a book, is a symbol of learning, of transmitting knowledge.. I make my own books to find my way through the old stories.

As a digital creator, there's been so much pressure to write a book because so many of my peers have done it. I've been very adamant about saying, "No! I don't want to release a book just for the sake of writing a book. I'm going to write a book when I feel like I have something to say in a book."

I'm publicizing the book that's done. I'm writing the book that's in the hopper, and I'm doing a little advance research on the book to come.

A general cry of "What book? What book? Let us see this famous book!

I teach a lot of graduate creative writing classes, and on the first day, I like to go around the room and ask everybody what's the last book you've read that you really loved. And all of the women tend to give me chick lit titles. And to me, that's sort of disappointing because it's their only exposure to fiction somehow.

A book, a book full of human touches, of shirts, a book without loneliness, with men and tools, a book is victory.

The Bible is a book of faith, and a book of doctrine, and a book of morals, and a book of religion, of especial revelation from God.

History no longer shall be a dull book. It shall walk incarnate in every just and wise man. You shall not tell me by language and titles a catalogue of the volumes you have read. You shall make me feel what periods you have lived.

To gain the book, one must give up all hope for the book. It is the only way the book can get written.

When a translator translates my book, it is no longer just my book. It is the translator's book, too. So the book in another language is almost the work of two people. And that is quite interesting to me.

But once an original book has been written - and no more than one or two appear in a century - men of letters imitate it, in other words, they copy it so that hundreds of thousands of books are published on exactly the same theme, with slightly different titles and modified phraseology. This should be able to be achieved by apes, who are essentially imitators, provided, of course, that they are able to make use of language.

I have a new book coming out, so I do movie, book, movie, book, movie, book, every place we go.

Sarah Palin - now don't laugh - is writing a book. Not just reading a book, writing a book. Actually, in the word of the publisher, she's 'collaborating' on a book. What an embarrassment! It's one of these 'I told you,' books that jocks do.

Now, to describe the process of the Wrapped Reichstag, which went from 1971 to '95, there is an entire book about that, because each one of our projects has its own book. The book is not an art book, meaning it's not written by an art historian.

Usually, the creating of the book happens while I'm writing the book. I start with Chapter One, with a few ideas and a handful of characters, and the book grows from there.

The book has very specific qualities. Let's say in 2300 they discover the physical book, after having lived with the digital book for several hundred years. They'll be able to say, "Look at all the cool stuff you can have in a real book and how different it is." The differences are manifold.

It's always a better choice to write a new book than it is to keep pounding your head against the submissions wall with a book that's just not happening. The next book you write could be the book, the one that isn't a fight to get representation for at all.

I have always thought, the secret purpose of the book tour is to make the writer hate the book he's written. And, as a result, drive him to write another book.

It's important to read a book, but also to hold the book, to smell the book... it's perfume, it's incense, it's the dust of Egypt.

The book. The book...think about a book. What a perfect invention. The best and most important ever.

A book, being a physical object, engenders a certain respect that zipping electrons cannot. Because you cannot turn a book off, because you have to hold it in your hands, because a book sits there, waiting for you, whether you think you want it or not, because of all these things, a book is a friend. It’s not just the content, but the physical being of a book that is there for you always and unconditionally.

You have to surrender to your mediocrity, and just write. Because it's hard, really hard, to write even a crappy book. But it's better to write a book that kind of sucks rather than no book at all, as you wait around to magically become Faulkner. No one is going to write your book for you and you can't write anybody's book but your own.

Look at a book. A book is the right size to be a book. They're solar-powered. If you drop them, they keep on being a book. You can find your place in microseconds. Books are really good at being books, and no matter what happens, books will survive.

There's no such thing as a good book or a bad book. There's a book that matters to a reader.

I believe there's a platonic ideal for every book that is written, like there's the perfect version of the book somewhere in the ether, and my job is to find what that book is through my editing.

The Premier League is a very strong league. Chelsea, Manchester City, Arsenal, and Liverpool all have a high quality. But those who know me also know that I always want to win titles. And I think that Manchester United are a club which can win titles.

A book is a garden; A book is an orchard; A book is a storehouse; A book is a party. It is company by the way; it is a counselor; it is a multitude of counselors.

A movie is not a book. If the source material is a book, you cannot be too respectful of the book. All you owe to the book is the spirit.

I'm usually working either on a picture book and a young adult book, or a middle grade book and a young adult book. When I get bored with one, I move to the other, and then I go back.

The process of writing a book is infinitely more important than the book that is completed as a result of the writing, let alone the success or failure that book may have after it is written . . . the book is merely a symbol of the writing. In writing the book, I am living. I am growing. I am tapping myself. I am changing. The process is the product.

I've only written one science-fiction book: 'Fahrenheit 451.' That book is a book based on real facts and my hatred of people who destroy books.

I immediately went out and bought a book on anger management. And now I have that book, and I don't know if I'll get to the book. But I'm certainly excited about the day where I can't find the book, and I get to say, 'Where the hell is my anger management book?!'

When you read the book, you paint the picture but when you adapt a book then the audience will, by and large, say the book was better and every filmmaker knows this.

If i write a book it will probably be a book about how not to use the internet or a book of poetry.

I'd say the purest experience for the movie is not to have read the book because I think when you've read the book you're just ticking off boxes. I think that after you see the movie, reading the book is a cool thing. I always say the movie's not meant to replace the book. That's ridiculous. I'm a huge fan of the book.

As it now stands, I Enoch appears to consist of the following five major divisions: (1) The Book of the Watchers (chaps. 1-36); (2) The Book of the Similitudes (chaps. 37-7l)-, (3) The Book of Astronomical Writings (chaps. 72-82); (4) The Book of Dream Visions (chaps. 83-90); and (5) The Book of the Epistle of Enoch (chaps. 91-107).

It is not simply a theological treatise, a code of laws, a religious homily, but the Bible - the book - while the only book for the soul, the best book for the mind

Titles of honor add not to his worth, who is himself an honor of his titles.

Cotton Mather's publications in his own lifetime amounted to more than 400 titles, and his magnum opus, on which he labored most of his life, remains unpublished: a commentary on every verse of every book of the Bible. Anyone who leaves that kind of record behind issues an irresistible invitation to historians.

Shorter work - personal essays and book reviews - allow me to take a break from working on a book, which is good for the book and for its author.

'The Things They Carried' is labeled right inside the book as a work of fiction, but I did set out when I wrote the book to make it feel real... I use my own name, and I dedicated the book to characters in the book to give it the form of a war memoir.

I think, for me, there's The Book I Should Write and The Book I Wanted to Write - and they weren't the same book. The Book I Should Write should be realistic, since I studied English Lit. It should be cultural. It should reflect where I am today. The Book I Wanted to Write would probably include flying women, magic, and all of that.