Top 1200 Book Quotes & Sayings - Page 16

My thought is, if you're a book lover, you're going to enjoy winning a book even if it's not something you'd ordinarily pick up on your own. It's a chance to expand your horizons a little.

If you are making a script based on a book it can be frustrating going back to the source novel, because you're turning the story into a totally different thing; the narrative of film is different from that of a book.

Imagine a survivor of a failed civilization with only a tattered book on aromatherapy for guidance in arresting a cholera epidemic. Yet, such a book would more likely be found amid the debris than a comprehensible medical text.

I hadn't originally intended to do any reading, what if I did read one book more or one book less, whether I read or not wouldn't make a difference, I would still be waiting to get cremated.

Follow your instincts. Do the kind of writing you love to do and do best. 'Stiff' was an oddball book - I mean, a funny book about cadavers? - and I worried that it would be too unconventional. In the end, that's what has made it a success, I think.

The New Testament is an invaluable book, though I confess to having been slightly prejudiced against it in my very early days by the church and the Sabbath school, so that it seemed, before I read it, to be the yellowest book in the catalogue. Yet I early escaped from their meshes. It was hard to get the commentaries out of one's head and taste its true flavor. [...] It would be a poor story to be prejudiced against the Life of Christ because the book has been edited by Christians.

I certainly think that the best book in the world would owe the most to a good index, and the worst book, if it had but a single good thought in it, might be kept alive by it.

Eitan Hersh wrote a book in 2015 called 'Hacking the Electorate.' It's pretty much the best book I've seen on the use of data science in U.S. elections and what good evidence shows works and does not work.

I have read every book in the 'Dune' series and every Anne Rice book.

There was a table laid with jellies and trifles, with a party hat beside each place, and a birthday cake with seven candles on it in the center of the table. The cake had a book drawn on it, in icing. My mother, who had organized the party, told me that the lady at the bakery said that they had never put a book on a birthday cake before, and that mostly for boys it was footballs or spaceships. I was their first book.

I got Elliott Smith's photography book as a gift before. The publisher of that book's logo were glasses, and those glasses came to my mind when I was thinking of having a tattoo.

I was greatly affected by a guy named Rob Briner, who died about five years ago, who wrote a book called "Roaring Lambs", which is a book on how to be salt and light in the secular community.

I'd read the book and liked the book, but it made me really uncomfortable trying to picture myself in this part. Here's this guy who seems to be the embodiment of every single perfect guy.

There are certain things that I'll hear about and that I think will make a great book and I put it in a file. Sometimes it's a situation that interests me, and I don't even realize what I'm trying to say about it until I get closer to it. Sometimes the book after that I've written 125 pages of, and I can tell you what the book is after that. I just sort of have a linear progression, but more than anything, the topics land in your lap. I don't feel that I go out searching for them.

I don't do a comic book thinking there is a movie. I just want it to be as good a comic book as it can be.

Any time you can take a book a little beyond the realm of pure entertainment, I think it's a good thing. But I don't really have it on my to-do list when I write a book. It just evolves naturally during the process of immersing yourself in a subject.

There's this book that I love called 'Eleanor & Park.' It's an incredible story about these two misfit kids who fall in love. I've loved that book for years and I'd be so thrilled if I got to be in an adaptation of that.

In my couple of books, including Going Clear, the book about Scientology, I thought it seemed appropriate at the end of the book to help the reader frame things. Because we've gone through the history, and there's likely conflictual feelings in the reader's mind. The reader may not agree with me, but I don't try to influence the reader's judgment. I know everybody who picks this book up already has a decided opinion. But my goal is to open the reader's mind a little bit to alternative narratives.

I'm never ashamed to read a book twice or as many times as I want. We never expect to drink a glass of water just once in our lives. A book can be that essential, too.

I think it's a fallacy to say that a good book sells itself. It doesn't happen. I'm a voracious reader and I can give you a long list of books which should have been best sellers but they aren't. How can you buy a book if you haven't heard of it?

The first time I read an excellent book, it is to me just as if I had gained a new friend. When I read a book over I have perused before, it resembles the meeting with an old one.

It was not until I began to write a book called 'Light Years' that an editor really stepped in. The editor was Joe Fox at Random House, and he wound up editing a subsequent book.

Australian SF book publishing has undergone a boom recently, and sometimes it's easier for new writers to sell a book to a local publisher first, which then makes a US edition more likely.

I posted the first three chapters and I had enough people say that chapter two was dragging that I cut it out just before the book went to press. And I'm glad I did. The book is a lot better without it.

Promised Lands was a better book in my opinion, and it's still my mother's favorite of the three I've done, but I doubt anyone who isn't a blood relative has ever heard of it. Which is to say expectations aren't worth much in the book world.

Some, in their curiosity, will say, "But you Mormons have another Bible! Do you believe in the Old and New Testaments?" I answer we do believe in the Old and New Testaments, and we have also another book, called the Book of Mormon. What are the doctrines of the Book of Mormon? The same as those of the Bible.

The European and the North American consider that a book that has been awarded any kind of prize must be good; the Argentine allows for the possibility that the book might not be bad, despite the prize.

When you're trying to do a traditional book musical like 'Book of Mormon,' it's always nice to have characters that could very naturally break into song, and its good to pick a subject matter that allows that to happen in a way that doesn't disarm the audience.

I thought it must be pure science fiction. But when I checked it out I found a lot of magazine articles that actually supported the theory behind the book which was incredible. That's when I decided to acquire the rights of the book and everything went from there.

TV's not the problem, and I'm tired of it being posed as this antithesis to creativity and productivity. If TV's getting in your way of writing a book, then you don't want to write a book bad enough.

I placed my new novel, 'The Book of Lost Fragrances', in Paris, knowing it would be a challenge. But the book belonged in the city that is one of the greatest perfume capitals of the world and has been since for more than three centuries.

I got my iPad, and I'm trying to buy books on that, but I kind of like a book. At the end of my life, when I'm old, I want to have all these shelves full of books. So I'm just gonna do the book thing.

A book tour is not a good opportunity to let your mind wander. You have to pay attention, remember salespeople's and interviewers' names, succinctly summarize your book in a 'selling' way, and so on.

Just give me a comfortable couch, a dog, a good book, and a woman. Then if you can get the dog to go somewhere and read the book, I might have a little fun.

There were about ten years of trying, failing, trying again, suffering rejection, etc. My first published book, 'Story of a Girl', was the fourth book I wrote.

Often the adult book is not for you, not yet, or will only be for you when you're ready. But sometimes you will read it anyway, and you will take from it whatever you can. Then, perhaps, you will come back to it when you're older, and you will find the book has changed because you have changed as well, and the book is wiser, or more foolish, because you are wiser or more foolish than you were as a child.

It is true what Rimbaud said; If you think a book is strong enough, try it at the ocean, in the wind, at the waves. If the book can resist the ocean, then it exists. Otherwise, throw it away.

Well, if I am not vulgar, neither is my book. I wrote myself. Suggestiveness is always vulgar. But truth never. My book is not even remotely suggestive. I call things by their names. That is all.

My favorite book is my next one. I’m always hoping to make my next book my best one.

You know, a vampire book is not a book to be the vehicle for big themes and stuff, where sometimes when you're dealing with art or the life of Christ or the oeuvre of Shakespeare, you know, it's a little more ambitious.

I want my books to exist in the literary world, not only in the art world. I am interested in having a dialogue with other writers, and the readers of those writers. Someone who is reading a book of mine might not have visited my exhibitions related to it, but can still have a full, literary experience with that book. This would be a completely different experience from stepping into the show, not having read the book. One form is not illustrative of the other.

I always want readers to lose themselves completely in a story and feel something, whatever the book invites them to feel. That experience is the best takeaway any book can offer.

The God in whose hands are all our days and ways, did cast into my hand (one day) a book of Martin Luther's ; it was his Comment on the Galatians! ... I found my condition in his experience so largely and profoundly handled, as if his book had been written out of my heart ... I do prefer this book of Martin Luther upon the Galatians, excepting the Holy Bible, before all the books that ever I have seen, as most fit for a wounded conscience.

If you think reading a book is hard, you should try writing one. Because it's even harder. It's still not as hard as writing a game, though. If you discount the purely visual pop-up parts, a book is made almost entirely of words. As a novelist, you just need to think of a few decent strings of words and then fill the other 98% of the book with more or less random descriptions of things and exclamation points.

I have to admit that I was terrified of ending the book, precisely because I go around saying about pretty much every book I read, "It fell apart at the end." I have friends who are waiting to ridicule me forever.

Like many of the people quoted on this dust-cover, I have not read Carl King's book. I am confident, however, that my review still applies: So, You're a Creative Genius is the best book available on modern cartography.

The idea of a physical stigma is quite appealing. When I wrote the book of 'Bodies,' there was a lot of that in the book about how there are physical manifestations of psychological problems - I think it's described as 'Narrativizing The Body.'

One of the things I love most about second person is that it reminds the reader that they are reading a text. It doesn't allow them to drift into the story and not notice that they are reading a book - a book that has an author.

But the animation has become very good, and I think that a movie is not a book, and a book is not a movie.

Therefore, in the course of the work I have followed this plan: I describe in the first book all the positions of the orbits together with the movements which I ascribe to the Earth, in order that this book might contain, as it were, the general scheme of the universe.

The best self promotion is your next book. And the book after that and after that.

In a book, even the real bastards can't hurt you. And you can never loose a friend you make in a book. When you get to a sad part, no one's there to see you cry. Or wonder why you don't cry when you should.

The way one perceives a book and a film are totally different. You read a book in the privacy of your room. You are the boss; you set the pace and rhythm of your reading. In the movie house, you can't do that.

I don't know what to do or where to turn in this taxation matter. Somewhere there must be a book that tells all about it, where I could go to straighten it out in my mind. But I don't know where the book is, and maybe I couldn't read it if I found it.

Isn't it odd how much fatter a book gets when you've read it several times?" Mo had said..."As if something were left between the pages every time you read it. Feelings, thoughts, sounds, smells...and then, when you look at the book again many years later, you find yourself there, too, a slightly younger self, slightly different, as if the book had preserved you like a pressed flower...both strange and familiar.

Some day, as soon as a book is printed it will be simultaneously put into digital form. That will be a wonderful research tool, but it will never substitute for holding the book. I feel certain that at least within my lifetime, everyone will still be going to the bookstore and buying printed books. Thank God I'll die before I have to worry about whether the printed book itself will disappear. That's something I don't want to live to see.

To me the question is always this: if a ray of light came out of the sky and said, "Your next book will never be published - would you still write it?" If the answer is yes, the book is worth writing.

I don't think it is enough appreciated how much an outdoor book the Bible is. It is a "hypaethral book," such as Thoreau talked about - a book open to the sky. It is best read and understood outdoors, and the farther outdoors the better. Or that has been my experience of it. Passages that within walls seem improbable or incredible, outdoors seem merely natural. This is because outdoors we are confronted everywhere with wonders; we see that the miraculous is not extraordinary but the common mode of existence. It is our daily bread.

If you wrote a page a day, at the end of the year you would have a book. Whether it's any good or not is beside the point, but you would have a book, instead of just talking about it all the time.

I came into book publishing without any particular impulse to be in book publishing.