I've been told there's a special golden shelf, in the secret vault kept at the back of every bookstore in America, that contains the Bible, 'War and Peace,' and 'Driving Mr. Albert.'
As I watched bookstores close, I began to wonder how that felt for the owners. Owning a bookstore was their dream and now they're struggling and seeing those dreams fall apart.
When I was a boy in Salem, Mass., in the 1950s, if you wanted to buy a book, you had to take a train to Boston. And when you got there, to a bookstore, there was no such thing as a science-fiction section.
Sometimes when I'm in a bookstore or library, I am overwhelmed by all the things that I do not know. Then I am seized by a powerful desire to read all the books, one by one.
If you're at my level and you go to a bookstore, even a good turnout is not that many people. Sometimes it is. But for the most part, it's not a huge turnout.
Get your friends together, go to your local bookstore and have a book-buying party.
I think, to give our bookshelf a little credit, our area of the library and the bookstore has attracted stronger writers as it's started to thrive.
If Im in the bookstore, and I see a 700-page novel, my first thought is, Ooh, how could you cut this down to size and make a movie out of it?
My dad was the chaplain at Mankato State University, and my mom worked in the bookstore. We lived just off-campus. Then we moved to the suburbs of Minneapolis, to New Hope, which is where I went to high school.
Tacked above my desk are photos of artists I admire - Hopper, Sargent, Twain - and postcards from beloved bookstores where I've spent all my time and money - Tattered Cover, Elliot Bay, Harvard Bookstore.
I do bookstore signings, and it seems to me that I get a variety of men and women, more women than I'd expect, and grown-ups among my readers.
Writers are stewards of the culture. Publishers, librarians, bookstore owners. We're all in this together. To write books that are gripping, important, that people want to have, is to keep publishing alive.
I never read the "Bobbsey Twins" or "Boxcar Children."But I did remember being downtown, at the bookstore by myself and having an allowance and spending it on a Nancy Drew mysteries. And I was probably eleven, twelve.
There's an unwritten compact between you and the reader. If someone enters a bookstore and sets down hard earned money (energy) for your book, you owe that person some entertainment and as much more as you can give.
When I go into a bookstore I always look for books by John Fante. If they are out-of-stock on one of his titles, I tell the clerk to order what is missing. I do it because I want people to read my father's work.
Bookstore operators tell us that the books which head the bestseller list are books on peace and happiness.
I went to a bookstore to try to find a book. The bottom line is, it all comes by trial and error. It was scary and exciting at first you don't know what to expect. But once you look into your child's eyes, you forget about that.
There's a bookstore in New York where you could buy scripts, and I got addicted to them because they were easy, quick reads and the pictures were so vivid.
What has always surprised me when I walk into a bookstore is the number of books that you can find that are written with certainty. The authors tell some story as though it's true, but they don't have any evidence that it is true!
Reading is such a personal thing to me. I'd much rather give someone a gift certificate to a bookstore, and let that person choose his or her own books.
We're conditioned to let businesses fail, regardless of how much we like them. We believe that if the market doesn't want that bookstore to exist, then it shouldn't exist.
My books are shelved in different places, depending on the bookstore. Sometimes they can be found in the Mystery section, sometimes in the Humor department, and occasionally even in the Literature aisle, which is somewhat astounding.
When I was a boy, my parents were writers and they owned a bookstore, 'The Complete Traveler in New York,' so writing and books have held special places in my heart all my life.
I wanted a bookstore because the book business is the business of life.
It strikes me that people want to be engaged, and that those who go into a bookstore in a time of crisis are much more likely to be looking for explanation than for escapism.
It's funny how we like labels. If I ever have a bookstore, I'm not going to put any labels on the sections.
When I go to places and do book tours, I don't really like doing traditional bookshops. It's nice to walk people through something instead of just standing up in a bookstore.
I am at the bookstore a lot, but let my friends, the professional Birchbark Books staff, handle the day in and day out.
Walking rapidly - or even slowly - through a gallery is equivalent to browsing through a bookstore and reading the blurbs.
I work full-time in a used bookstore. I get up. I drink a cup of coffee. I think, The last thing I want to do is write. Then I go to the computer and write.
Editors are more concerned with the first chapters of a book; that's what everyone reads first in the bookstore or in the online sample.
After years of practice, I can walk into a bookstore and understand its layout in a few seconds. I can glance at the spine of a book and make a good guess at its content from a number of signs.
I sell well now in Russia. I remember one signing in Russia some years ago where the bookstore had two strongmen to hold the crowds back.
There is that romanticized idea of what a bookstore can be, what a library can be, what a shop can be. And to me, they are that. These are places that open doors into other worlds if only you're open to them.
There's something called the 'Washington Read,' which is the habit of many locals to go into a bookstore, pull a book off the shelf, rifle through the index to see if they're in there.
A lot of the ways of advertising a book - the cover, whether somebody sees it on a subway or sees it in a bookstore - those things are going to rapidly diminish as we move to an electronic model.
I thought that my life would be spent working in a bookstore, teaching community college, and making music in my spare time that no one would be willing to listen to.
Genre is a bookstore problem, not a literary problem.
My goal is two pages a day, five days a week. I never want to write, but I'm always glad that I have done it. After I write, I go to work at the bookstore.
To walk into a modern-day bookstore is a little bit like studying a single photograph out of the infinite number of photographs that cold be taken of the world: It offers the reader a frame.
I'm totally into new age and self-help books. I used to work in a bookstore and that's the section they gave me, and I got way into it. I just loved the power of positive thinking, letting yourself go.
I like to give people novels I think they would like, on no particular occasion - just when we're in a bookstore together. I like to receive reference books on my birthday.
Genres do exist because frequent users of any large bookstore can instantly tell what any piece of fiction is supposed to be about by its title, its cover and its location in the shop.
If the college you visit has a bookstore filled with t-shirts rather than books, find another college.
I love bookstores. I love the energy in a bookstore and the smell of the paper.
What bothered me most about chick lit, frankly, was how the term was used to dismiss a huge chunk of the bookstore as silly, girlish prattle.
I went to a bookstore and asked the saleswoman, 'Where's the self-help section?' She said if she told me, it would defeat the purpose.
There's a bookstore in New York where you could buy scripts, and I got addicted to them because they were easy, quick reads... and the pictures were so vivid.
The kids who leave their favorite authors behind do not in fact leave us utterly abandoned, but in due time drive children of their own to the bookstore and the post office.
The airport bookstore did not sell books, only bestsellers, which Sita Dulip cannot read without risking a severe systemic reaction.
I was digging for stuff in a used bookstore, and I came upon 'Little Sister.' I fell in love with Chandler that night. I fell right down the rabbit hole of crime fiction.
I'd never heard of the 'Lord of the Rings', actually. So I went to the bookstore and there it was, three shelves of books about Tolkien and Middle-earth, and I was like, 'Holy cow, what else am I missing out on?'
Every newspaper feels it must have an astrology column, and even in the Carleton University bookstore this morning, I found books on astrology for sale.
I went to a bookstore the other day. I asked a woman behind the counter where the self-help books were. She said, ‘If I told you, that would defeat the whole purpose.’
He looked as if he'd stepped straight off the cover of one of those romance novels she ordered from Amazon.com so she didn't have to be embarassed by some supercilious male clerk in the bookstore.
A literary academic can no more pass a bookstore than an alcoholic can pass a bar.
It's weird for me to say I'm lucky when I can't go into a bookstore and have more than five choices if I want to read something about Asian-American characters.
It's one thing for the people in the industry to know who you are, because they've heard about you earlier. I have friends calling me from the Christian bookstore because there's a poster on the wall. It's just weird.
Here, you can walk into a bookstore and pick up a Bible or Christian literature and learn. Over there, they are lucky if they have one Bible for a whole village.
My books are often shelved around those of Chinua Achebe and Margaret Atwood, or Chimamanda Adichie and Monica Ali. All of this depends, of course, on the bookstore and how conversant the shelf stocker is with the alphabet.
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