Top 127 Bookstores Quotes & Sayings - Page 2

I spent a lot of time standing on street corners [of New York City] talking to local residents. I spent time in bookstores and galleries. But most of the time, I really did not have much to do.

The reason why bookstores are going out of business in the States is that people just can't focus on longer narratives now - even narrative film is in crisis in many ways, unless it's an adventure film.

Bookstores never seem to know where to put me on the shelves. But I do. I love my genre and I love those writers, so I am happy to be considered a crime writer. That's what I consider myself.

Radio Shack is meeting the fate of many other stores that were wildly popular in the twentieth century, including record stores, comic book stores, bookstores and video stores.

As I've often said, you can shop online and find whatever you're looking for, but bookstores are where you find what you weren't looking for.

Also, if nothing else, writing this book has really changed the way I experience bookstores. I have a whole different appreciation for the amount of work packed into even the slimmest volume on the shelves.

It should be said upfront that I totally dig people who work in bookstores and libraries. They love books, and I love books, and that is all I really need to know. If they are friendly to me, then we are clearly soul mates.

Museums and bookstores should feel, I think, like vacant lots - places where the demands on us are our own demands, where the spirit can find exercise in unsupervised play.

Estimates are that in 2012, more than 32 million books were available - the explosion, thanks to the ease of self-publishing; 2013 could see even more titles grace our virtual bookstores! That means we are going to be awash in covers and titles, plot descriptions and characters.

My novels are in the literature section as opposed to the romance section of bookstores because they're not romance novels. If I tried to have them published as romances, they'd be rejected. I write dramatic fiction; a further sub-genre would classify them as love stories.

I go to Amazon to browse for things I can then go find at the mall. It's like window shopping online. I want to touch the things that I buy. I am the kid who still likes actual books, bookstores, and libraries.

People who didn't live pre-Internet can't grasp how devoid of ideas life in my hometown was. The only bookstores sold Bibles the size of coffee tables and dashboard Virgin Marys that glowed in the dark.

There's nothing definite yet. Of course, any time you have a book, there's going to be book signings and stuff. We'll do bookstores that handle both audio and video. And some of the stores want to have the CDs available at the same time. So that part looks real good.

My parents didn't know much science; in fact, they didn't know science at all. But they could recognize a science book when they saw it, and they spent a lot of time at bookstores, combing the remainder tables for science books to buy for me. I had one of the biggest libraries of any kid in school, built on books that cost 50 cents or a dollar.

Please just look at those Indonesian cities: Jakarta, Surabaya, Medan... are there any other cities on earth, of that size, with such an absolute chronic lack of culture, and institutions that are supposed to make people think? Like theatres, archives, grand libraries, concert halls, art cinemas, progressive bookstores... There is nothing here.

Every single day, authors read at bookstores and libraries - and coffeeshops and bars - all over the country. And these readings are amazing: you get to hear the book in the author's own voice, ask questions, and meet the writer. For free.

I always thought that television was the way to go in my goal to invade pop culture because it got to towns in which there were no bookstores. That's how I used to think of it: How do I reach kids who not only don't read but probably have no access to much in the way of books?

I'm in the middle of a 25-city book tour, and I like watching what people buy in bookstores. I see people buy books that I strongly suspect they will never read, and as an author, I must tell you, I don't mind this one bit. We buy books aspirationally.

For the mind and the imagination, bookstores aren't enough, college courses aren't enough, the Internet isn't enough. Those resources are all governed by the tastes and needs of the moment. Only libraries take the long view, quietly shelving the unused with the used, knowing that one of these days the two categories will be reversed by a student's discovery of those hitherto undisturbed volumes whose contents will unsettle the learned world.

Most - and I mean maybe 99% or more - graphic novels are simply fat comicbooks. The term is a bogus, cocked-up concept some marketing whizkid conceived to get comics on the shelves of bookstores.

In spite of the six thousand manuals on child raising in the bookstores, child raising is still a dark continent and no one really knows anything. You just need a lot of love and luck - and, of course, courage.

I feel like today's culture seeks at every turn to place more and more power in the hands of the individual. Bookstores are lined with shelves filled with self-help books. Facebook, Twitter, Instagram, and every other social media outlets turn our focus inwards, allowing us to fall more and more in love with ourselves, our thoughts, our opinions, our voices.

Indie bookstores love writers as much as they love readers, and there is something about a community store, where you walk in, you feel known, and the delight in books is just infectious.

I'm very privy to the way bookstores work, and I think a lot about the ecosystem that my books have been published in. I think it's great to be aware of how publishing works.

Ever since the '70s, Maj Sjowall and Per Wahloo were the godfathers of Scandinavian crime. They broke the crime novel in Scandinavia from the kiosks and into the serious bookstores.

By the mid 1970s, the great downtown bookstores had begun to disappear as their customers migrated from city to suburb where population density was too thin to support major backlist retailers.

Nobody recognizes that a bookstore or library can also be a drowning polar bear. And in this country [US], magazines, newspapers, and bookstores are drowning polar bears. And if people can't see that or don't want to talk about it, I don't understand them at all.

If you were an alien who came to our bookstores - or browsed our teen magazines - you'd think that only Earth girls who look like Mila Kunis ever got any action.

We're competing with everything: the beach, the mall, bookstores. Libraries are in a transition right now, caught between two forces, the old ways and technology. Libraries are under a lot of pressure to provide both.

I had some very, very fond memories of the people I worked with and the authors I worked with - and I won't mention any names - but as I have been traveling through rural Maine over the past few weeks, one of my favorite things to do is to go into bookstores on the side of rural routes and paw through the old copies of Tom Clancy and Trevanian books they have in there for weird old 1970s thrillers that I haven't read yet.

Those of us who read because we love it more than anything, who feel about bookstores the way some people feel about jewelers.

I can understand the allure of a venerable Big Six imprint, of a shot at the New York Times list, of a publisher-sponsored book tour, of seeing your hardbacks in bookstores and your paperbacks in supermarkets.

I’ve often wondered where Jesus would apply His hastily made whip if He were to visit our culture. My guess is that it would not be money-changing tables in the temple that would feel His wrath, but the display racks in Christian bookstores.

As a small kid, I came across things like these early Edward Gorey books in department-store bookstores. These were these really unusual objects to me. I didn't know how they fit into the comic world or into newspaper comics.

The conventional wisdom is that authors get only one chance in this world. If your first novel doesn't sell, publishers and bookstores lose interest, and your career stalls, barring an act of God or Oprah.

I think if you come from where I came from and where I have always been, I've always been reaching out and whether it's talking with our neighbors or going shopping or standing, talking to people in these bookstores and hearing what's on their minds, or even the work I did for eight years as a senator to bring new jobs to New York and stand up for the people I represented.

Why is thinking about crime or imagining crime so goddamn central to pop culture? It doesn't matter whether it's American TV or British TV. And there's entire sections of bookstores devoted to crime.

I think it's crazy, crazy that book tours lose so much money. They shouldn't. Book tours should be part of what keeps independent bookstores vibrant and profitable.

Once he entered my life, I promptly forgot all my years of putting on a brave face while browsing at bookstores until closing time, and of having one, two, three beers while watching crime shows and CNN. I completely forgot the hateful sensation of loneliness, like thirst and hunger together pressing on my stomach.

The only people who have never had a problem with me speaking in their venues are independent bookstores and libraries. Universities and humanities councils have canceled me, but never an independent bookstore.

Culture has to be constantly on the vanguard, too. It should be educating people, as it does in Latin America: thousands of great theatres, art cinemas, millions of free books distributed by the governments, public poetry readings, free public lectures, and all sorts of bookstores are open until early mornings, exhibitions reacting to the needs and sorrows of society, concerts of engaged music.

I had relatives in New York City who I stayed with. And in those days, the area from Union Square down Fourth Avenue had small bookstores, many of which were run by Spanish immigrants who'd fled after [Francisco] Franco's victory. I spent time in them, and also in the offices of Freie Arbeiter Stimme (Free Worker's Voice) with anarchists. I picked up a lot of material and talked to people, and it became a major influence.

It's like so great to be in Toronto and to see everything that's in the books and everything they reference and to be able to hang out in those places and go to those bookstores and those comic book stores and those music stores, and like have that, from the books onto the screen, is so cool and I'm glad to have been part of that.

Best-selling writers should go to bookstores to say thanks to the booksellers, to meet fans, sign autographs, sign books, talk, whatever.

Tacked above my desk are photos of artists I admire - Hopper, Sargent, Twain - and postcards from beloved bookstores where I've spent all my time and money - Tattered Cover, Elliot Bay, Harvard Bookstore.

As far as Love Dare for Parents goes, you can download the book. You can buy it at bookstores...We're really excited about it and believe that it's going to make significant impact for parents.

The more I do bookstores, the more people come up to me from church groups. I spoke at Pittsburg State College and had 2 or 3 ministers and book groups from a couple of churches.

I sometimes have the sense that I live my life as a writer with my nose pressed against the wide, shiny plate glass window of the"mainstream" culture. The world seems full of straight, large-circulation, slick periodicals which wouldn't think of reviewing my book and bookstores which will never order it.

I grew up in rural Tennessee. There were no bookstores in the town, but the school had a little library and the town had a little library, each with a patient and enthusiastic librarian, and I raced into both as if they were doorways to another world.

What is childhood without stories? And how will children fall in love with stories without bookstores? You can't get that from a computer.

I always ask the booksellers to look at me and recommend a book; 9 out of 10, they get it right; it’s usually a book about someone dysfunctional. To me bookstores are like brothels of imagination, each book is luring me over going, 'Read me, read me'.

The individual writer is a lonely figure in the wilderness of agents, editors, chain bookstores, and dwindling numbers of independents. The stronger MWA can be, the better it can serve us, and the more respect it can bring to bear in dealing with the problems most of us face every day.

The measure ov overexposure is not how many times people see you on TV or in the bookstores. It's whether you can maintain the quality of your entertainment. If you can, people will always be glad to see you.

I was a huge fan of 'Mad' magazine when I was 11, 12, 13 years old. I'd scour used bookstores trying to find back issues, and I'd wait at the newsstand for a new issue to come out. My life revolved around it.

As for whether genre considerations influence what I write, they don't at all, but I might sell more books if they did. The Night Journal is a hodge-podge of historical fiction, western, mystery, and contemporary domestic drama. It doesn't settle into a specific market, reviewers have a hard time describing it, and sometimes it gets classified weirdly in bookstores. But from a writer's standpoint, I like that it's hard to categorize.

It’s been a tough couple of years for condescending nerds. And if bookstores fall, Jon, America will be inundated with a wandering, snarky underclass of unemployable purveyors of useless and arcane esoterica.

I read. I order books from the States. I literally go into bookstores, close my eyes, and take things off the shelf. If I don't like the book after a bit, I don't finish it. But I like to be surprised.

I represent a rural state and live in a small town. Small merchants make up the majority of Vermont's small businesses and thread our state together. It is the mom-and-pop grocers, farm-supply stores, coffee shops, bookstores and barber shops where Vermonters connect, conduct business and check in on one another.

Most companies that are great at something - like AOL dialup or Borders bookstores - do not become great at new things people want (streaming for us) because they are afraid to hurt their initial business.

Sitting with a deck of cards in your hand all day is an obsession. Visiting print shops and bookstores and libraries is an obsession. And writing about this is an obsession. I think, in general, most collectors are obsessed. I think the only form of a rationalized greed is when you're collecting something you are supposedly serious about.