Top 801 Boots Quotes & Sayings - Page 14

Mr. Branwell and Mr. Carstairs seem to have no problem cleaning their boots,” Sophie said, looking darkly from Will to Tessa. “Perhaps you could learn from their example.” “Perhaps,” said Will. “But I doubt it.” Sophie scowled, and started off along the corridor again, her shoulders tightly set with indignation. Tessa looked at Will in amazement. “What was that?” Will shrugged lazily. “Sophie enjoys pretending she doesn’t like me.” “Doesn’t like you? She hates you!

I hate the way you talk to me, and the way you cut your hair. I hate the way you drive my car. I hate it when you stare. I hate your big dumb combat boots, and the way you read my mind. I hate you so much it makes me sick; it even makes me rhyme. I hate it, I hate the way you're always right. I hate it when you lie. I hate it when you make me laugh, even worse when you make me cry. I hate it when you're not around, and the fact that you didn't call. But mostly I hate the way I don't hate you. Not even close, not even a little bit, not even at all.

He was tall, one of the tallest men she had ever seen. Dressed in jeans, boots and a cotton shirt. Thick black hair grew rakishly long, falling over the collar of his shirt. Intense brown eyes, almost the color of amber, surveyed the diner slowly before coming back to her. Electricity sizzled in the air then, as though invisible currents connected them, forcing her to recognize him on a primitive level. Not that she wouldn’t take notice anyway. He was power, strength, and so incredibly male that her breath caught at the sight of him.

[T]his free and easy old-bachelor sort of life is quite full of fun and jollity. Pease and myself room together; and everything like order and neatness is banished from our presence as a nuisance--old letters and old boots and shoes, duds clean and duds dirty, books and newspapers, tooth-brushes, shoe-brushes, and clothes-brushes, all heaped together on chairs, settees, etc., in dusty and "most admired confusion." Now, what is there imaginable in clean, tidy private life equal to this?

The tears, when they come to some men, are worse than beatings. They're wounded worse by sobbing, men like that, than they are by boots and batons. Tears begin in the heart, but some of us deny the heart so often, and for so long, that when it speaks we hear not one but a hundred sorrows in the heartbreak. We know that crying is a good and natural thing. We know that crying isn't a weakness, but a kind of strength. Still, the weeping rips us root by tangled root from the earth, and we crash like fallen trees when we cry.

'Who dares this pair of boots displace, Must meet Bombastes face to face.' Thus do I challenge the human race. Bombastes: So have I heard on Afric's burning shore, A hungry lion give a grievous roar; The grievous roar echo'd along the shore. King: So have I heard on Afric's burning shore Another lion give a grievous roar, And the first lion thought the last a bore.

Vulnerability is the only authentic state. Being vulnerable means being open, for wounding, but also for pleasure. Being open to the wounds of life means also being open to the bounty and beauty. Don't mask or deny your vulnerability: it is your greatest asset. Be vulnerable: quake and shake in your boots with it. The new goodness that is coming to you, in the form of people, situations, and things can only come to you when you are vulnerable, i.e. open.

does you costume involve leather?" she'd asked. and he'd said, "Actually, yeah, it might." it really did. it involved a leather dog collar, leather pants and a leash, and the leash was held by Ysandre, who was in skintight red rubber, from neck to knee high boots. she'd topped it off with a pair of devil horns and a red tridant. she'd made Shane her dog, complete with furry dog mask. ***"Breathe," Myrnin said. "I'm not much for it myself, but i hear it's quite good for humans."***

Crazy isn´t always what they say it is. It´s not always the old woman wearing sneakers and a skirt and a scarf, wandering around with a shopping cart, hollering at no one, nothing, tumbling through years in her head. No. Sometimes it is a girl wearing boots and jeans and a sweater, arms crossed in front of her, shivering, wandering through the streets at night, all night, murmuring to no one, nothing, tumbling through the strange unreal dimensions in her head.

The clothes I wear... that doesn't change. I love long dresses. I love velvet. I love high boots. I never change. I love the same eye make-up. I'm not a fad person. I still have everything I had then. That's one part of me... that's where my songs come from. There's a song on the new Fleetwood Mac album [Mirage] that says, 'Going back to the velvet underground/back to the floor that I love,' because I always put my bed on the floor. 'To a room with some lace and paper flowers/ back to the gypsy that I was.'

There was a small wooden gazebo built out over the water; Isabelle was sitting in it, staring out across the lake. She looked like a princess in a fairy tale, waiting at the top of her tower for someone to ride up and rescue her. Not that traditional princess behavior was like Isabelle at all. Isabelle with her whip and boots and knives would chop anyone who tried to pen her up in a tower into pieces, build a bridge out of the remains, and walk carelessly to freedom, her hair looking fabulous the entire time.

We're creating a TV show of Scrooge, starring Jamie Farr, with Buddy Hackett as Scrooge. We're shooting in this Victorian set for weeks, and Hackett is pissed all the time, angry that he's not the center of attention, and finally we get to the scene where we've gotta shoot him at the window, saying, "Go get my boots," or whatever. The set is stocked with Victorian extras and little children in Oliver kind of outfits, and the director says, "All right, Bud - just give it whatever you want." And Hackett goes off on a rant. Unbelievably obscene.

Now that the most interesting matter of identity is not what place someone was born in, but what point in time they are from - where they sit in relation to time. Age has become much more divisive than place. With the Internet and globalization, a twenty-year-old in New York has far more cultural references in common with a twenty-year-old in Nebraska than they do with a thirty-year-old who lives next door. National identity is what they trick you with when they want your feet in their army boots or your taxes in their bailouts.

There are many factors that impact the value of login credentials sold on the dark web. The main factor is how easy it is for a hacker to resell the merchandise, especially from a brand name, i.e., it's easier to sell an Apple iPhone over a pair of boots. Another factor that contributes to cost on the dark web is if there is a credit card saved on the account file and whether the stolen credentials have been verified. This means that a hacker was able to verify a successful login and the owner/consumer hasn't changed their password so we can expect even more fraud transactions to come.

The Unexpected stalks a farm in big boots like a vagrant bent on havoc. Not every farmer is an inventor, but the good ones have the seeds of invention within them. Economy and efficiency move their relentless tinkering and yet the real motive often seems to be aesthetic. The mind that first designed a cutter bar is not far different from a mind that can take the intractable steel of an outsized sickle blade and make it hum in the end. The question is how to reduce the simplicity that constitutes a problem ("It's simple; it's broke.") to the greater simplicity that constitutes a solution.

I felt a funeral in my brain, and mourners to and fro kept treading, treading till I felt that sense was breaking through. And when they all were seated, a service, like a drum, kept beating, beating, till I felt my mind was going numb. And then I heard them lift a box and creak across my soul with those same boots of lead again, then space began to toll, as if the heavens were a bell and being were an ear, and I, and silence, some strange race wrecked, solitary, here. Just then, a plank in reason broke, and I fell down and down and hit a world at every plunge, and finished knowing then.

I am always behind the shopper at the grocery store who has stitched her coupons in the lining of her coat and wants to talk about a 'strong' chicken she bought two weeks ago. The register tape also runs out just before her sub-total. In the public restroom, I always stand behind the teen-ager who is changing into her band uniform for a parade and doesn't emerge until she has combed the tassels on her boots, shaved her legs, and recovered her contact lens from the commode.

The capitalist engine is first and last an engine of mass production which unavoidably also means production for the masses. . . . It is the cheap cloth, the cheap cotton and rayon fabric, boots, motorcars and so on that are the typical achievements of capitalist production, and not as a rule improvements that would mean much to the rich man. Queen Elizabeth owned silk stockings. The capitalist achievement does not typically consist in providing more silk stockings for queens but in bringing them within reach of factory girls.

Sean pushes up to his feet and stands there. I look at his dirty boots. Now I've offended him, I think. He says, "Other people have never been important to me, Kate Connolly. Puck Connolly." I tip my face up to look at him, finally. The blanket falls off my shoulders, and my hat, too, loosened by the wind. I can't read his expression--his narrow eyes make it difficult. I say, "And now?" Kendrick reaches to turn up the collar on his jacket. He doesn't smile, but he's not as close to frowning as usual. "Thanks for the cake.

Too, some of my teachers helped me to navigate those books, showed me the maps and paths and secret decoder rings - people like Linda Kintz and Forest Pyle and Mary Wood and Diana Abu Jaber. They didn't treat me like a messy writer girl in combat boots who had infiltrated the smart people room. They treated me like I deserved to be there, potty mouth and all, they helped make a space for me to rage and ride my own intellect. That's why I'm saying their names out loud.

Hannah Storm in a horrifying, horrifying outfit today. She's got on red go-go boots and a catholic school plaid skirt ... way too short for somebody in her 40s or maybe early 50s by now...She's got on her typically very, very tight shirt. She looks like she has sausage casing wrapping around her upper body ... I know she's very good, and I'm not supposed to be critical of ESPN people, so I won't ... but Hannah Storm ... come on now! Stop! What are you doing? ... She's what I would call a Holden Caulfield fantasy at this point.