Top 1200 Bottom Line Quotes & Sayings - Page 20

Explore popular Bottom Line quotes.
Last updated on November 18, 2024.
I am able to take a wire line and go into the air and define the air without stealing from anyone. A line can enclose and define space while letting the air remain air.
I don't think anyone ever plans to change line-ups, but it's something that comes with being in bands. I was in a band once and there were always problems - members come and go - and some of the world's biggest bands have changed line-ups loads!
I am often asked what it is like to be on the 'front line.' But I do not use the term 'front line' to describe us, the protesters. Because everywhere in America, wherever we are, our blackness puts us in close proximity to police violence.
Every day I get a choice. I can choose to go God's way or I can choose to go my own way or Satan's way or if I walk out of this door I don't know that I blame myself if my choice. .. because the bottom line is I want what I want what I want. ... People ask me what the greatest sin is. I feel the greatest sin is to want to be God: Pride, I want my own way. What it means to be a follower of Jesus Christ - give as much of yourself as you understand to as much of Jesus as you understand at that moment.
I didn't like my mouth because I always felt like it was a sausage for a bottom lip, and I have an overbite, so I can't exactly close my mouth. It's really, really hard! But now I like it because it's kind of sultry, and it's my mouth. I should say I don't consider my bottom lip a sausage lip now - I like it, but I guess I grew into it. I definitely saved a couple hundred bucks instead of getting fillers.
I believe the true road to preeminent success in any line is to make yourself master in that line. I have no faith in the policy of scattering one's resources, and in my experience I have rarely if ever met a man who achieved preeminence in money making.. certainly never one in manufacturing.. who was interested in many concerns.
I didn't want a day job anymore, so I somehow made the jewelry line work. Now that I look back on it, it was, like, the dumbest idea ever. Everyone and their mother has a jewelry line, so in retrospect, maybe not the smartest fallback plan. But it ended up working out great!
I like the sensibility of Australian film a lot and the crews are fantastic. Great characters, wonderful people and no line between - I think in Hollywood they have this line between actors and crew a lot, and that just didn't exist, which I really appreciated.
The Wright brothers committed themselves to do what no one else had ever done before. They took time to do their homework. They were humble and smart enough to appreciate and learn about the work of others who went before. And they tackled the problem line upon line, precept upon precept.
Beauty is embarrassing for three reasons. When we see something beautiful it calls up raw, naked emotion and that's an embarrassing situation to be in. Number two... People that are born beautiful like supermodels act like entitled a**holes. It makes you embarrassed just to see 'em. They handle beauty embarrassingly. Number three... Artists are people who create beauty. That's the bottom line. It would be really embarrassing to introduce yourself as somebody who makes beauty. So that's just three of several reasons why I think beauty is embarrassing.
All of the films I have made, that I have chosen to make, are all about the thin line between good and evil. And also the thin line that exists in each and every one of us. That's what my films are about.
When you make a movie, you do it so piecemeal. You're doing it, not only scene by scene, out of order, but shot by shot, line by line. And there's this idea that the director has the whole thing in his or her head and they're going to somehow weave it all together in the end.
It's often hope, hopeful movie making. You're always looking for catchphrases. That's always funny, when you're looking for that future line. "Uh oh, future line. Okay." — © Samuel L. Jackson
It's often hope, hopeful movie making. You're always looking for catchphrases. That's always funny, when you're looking for that future line. "Uh oh, future line. Okay."
I did not mean to suggest that autism could be traced to Neanderthal genes. The point is that some genes that have been implicated in autism changed pretty significantly between the time Neanderthal line and human line split.
Anyone who agrees to be interviewed must decide where to draw the line between what is public and what is private. But the line can shift, depending on who is asking the questions. What puts someone on guard isn't necessarily the fear of being 'found out.' It sometimes is just the fear of being misunderstood.
Our capitalistic scheme in the latter years of the 20th century seems to have lost its way. We've had a "pathalogical change" from traditional owners capitalism where most of the rewards have gone to those who make the investments and assume the risks to a new and deeply flawed system of managers capitalism where the managers of our corporations our investment system, and our mutual funds are simply take too large a share of the returns generated by our corporations and mutual funds leaving the last line investors - pension beneficiaries and mutual fund owners at the bottom of the food chain.
At the top end I do think it's time we have goal-line technology, I'm not mad on other technology but certainly goal-line technology.
Most people draw from the mind, not the eye. They draw the idea of a table or a face, not what's in front of them. We don't actually see the line of the jaw as a line and we don't see an eye as a perfectly outlined almond shape.
Real power has fullness and variety. It is not narrow like lightning, but broad like light. The man who truly and worthily excels in any one line of endeavor, might also under a change of circumstances, have excelled in some other line. Power is a thing of solidity and wholeness.
The bottom quarter of the human population has only three-quarters of one percent of global household income, about one thirty-second of the average income in the world, whereas the people in the top five percent have nine times the average income. So the ratio between the averages in the top five percent and the bottom quarter is somewhere around 300 to one - a huge inequality that also gives you a sense of how easily poverty could be avoided.
In my 20s I was so ignorant about drugs, and so naive. I mean, my band was smoking marijuana for years; I didn't even know what a joint was. And I'd never seen a line of cocaine in my life. And I don't know whether it was bravado or - OK, I'll join in. But my stupidity, I had a line of coke, and that started the whole process.
You power through it word by word, line by line.
To view any individual as being independent of relationality is like viewing a point outside of a line, a line outside of a figure, a figure outside of a body.
I have a favorite line that I ever got to play with, and that would be at the World Cup. I got to play with Mario Lemieux and Joe Sakic. I got to be the right winger on their line.
A doctor is not criticized for describing the manifestations and symptoms of an illness, even though the symptoms may be disgusting. I feel that a writer has the right to the same freedom In fact, I think that the time has come for the line between literature and science, a purely arbitrary line, to be erased.
I strongly reject any conceptual scheme that places our options on a line, and holds that the only alternative to a pair of extreme positions lies somewhere between them. More fruitful perspectives often require that we step off the line to a site outside the dichotomy.
How does an artist know when the line that he just painted is good or not good? That's the catch. De Kooning was the greatest of my contemporaries in art, and he knew when he'd done a good line. When he didn't, he threw it away. I wish I'd thrown away some of mine.
...there was another, gorier parturition, when two nations incarnated out of one. A foreigner drew a magic line on a map and called it the new border; it became a river of blood upon the earth. And the orchards, fields, factories, businesses, all on the wrong side of that line, vanished with a wave of the pale conjuror's wand.
Probably the worst pickup line is no pickup line. I mean, at the end of the day, what is the worst that could happen?
It's great for me to hear those different reactions because when I travel with a movie like this [World of Tommorow], it's very similar. You'll hear a line in one city get a big laugh, and then in another city, the same line kind of gets a gasp, and that's wonderful.
You could take up the line that some of the gnostics took up - a line which I often thought was a very plausible one - that as a matter of fact this world that we know was made by the devil at a moment when God was not looking. There is a good deal to be said for that, and I am not concerned to refute it.
I count it a high honor to belong to a profession in which the good men write every paragraph, every sentence, every line, as lovingly as any Addison or Steele, and do so in full regard that by tomorrow it will have been burned, or used, if at all, to line a shelf.
But I really am very active in the choice of the line producer with the producer of record and the distributing company, because I've had some terrible, terrible experiences with some line producers, particularly in cable.
I knew that if I wanted to really maintain control, I would have to keep the budget down. And I did. And I feel very fortunate that - y'know, this movie [Don Jon] - frame for frame, line for line - is exactly what I wanted it to be. Nobody made me change anything.
I cut an imposing figure. I am large, and I'm tall, and I have tattoos. I am actually really quiet and shy, but maybe people see me, and they don't want to step out of line, or equate disagreement with stepping out of line with a writer they like.
But actually time isn't a straight line. It doesn't ave a shape. In all senses of the term, it doesn't have any form. But since we can't picture something without form in our minds, for the sake of convenience we understand it as a straight line. At this point, humans are the only ones who can make that sort of conceptual substitution.
In football, if you don't have the best O-line or receivers, maybe you're not as good of a quarterback as you can be. And it goes vice versa. If you're an average quarterback and you have a great O-line and great receivers, your play gets lifted.
To see the madness and yet walk a perfect silver line. ... That's what the true story-teller should be: a great guide, a clear mind, who can walk a silver line in hell or madness.
Because in this world, there is a line: on one side are the men who cannot get things done, and on the other side are the men who can. And not one in a hundred will cross that line. Will you?
It does, Tennyson, because there’s a fine line between confidence and arrogance. There’s a fine line between being assertive and being a bully. And you’re on the wrong side of both lines.
Classical singing - everything had to be homogenous, and it had to just feel like one continuous flow from top to bottom, bottom to top. And in jazz, I felt like, oh, well, I can sing these deep, husky lows if I want and then sing these really, like, tiny, laser highs if I want, as well. And I have - I have no obligation to make it sound like it's just one continuous flow.
If I'm not mistaken, I believe it was written beforehand. And it just happened in rehearsals Basically giving each person their vocal-line and I ended up getting that line! I'm so grateful I did because it was really special to sing that and you feel something when you sing it it's a very distinct piece that fits perfectly in the production.
I grew up without a lot of money and my parents grew up with far less money. And that's kept me in line. Really in line.
Prose is not so dependent on sound. The line of poetry, with the breaking of the line - to me, sound is the kind of doorway into poetry. And my sense of sound, or my ability to control it, lapsed or grew less.
For most of the guys, killings got to be accepted. Murder was the only way that everybody stayed in line. You got out of line, you got whacked. Everybody knew the rules.
You rarely see one punch kill anybody. I mean, Davey Moore died, the first fight I ever worked for the title, my guy fought and was getting killed, and he hit Davey Moore. Davey Moore went down. There was no bottom rope to it. I then put bottom rope to it, when I got in power. Hit his head. One blow, hit his head and died.
Four wings, two hearts, but only one soul. They connect in the middle, but are separated by a thin line of ash. Its what brings them together, yet rips their feathers apart. They can never truly be together as light and dark. Unless one makes the ultimate sacrifice. Blows out their candle, and joins the other in the dark. Or if the other dares to fly across the line and steals the others light And force them to cross over the line and join the darkness of life. Im not gone, princess. I will come back for you until you give in.
Honest to God, for me, I've never been a guy to stack projects. A lot of these other guys, they like to do this and then line up what they're doing next and line up what they're doing next. I just can't do it.
Jimmy Connors likes the ball to come at him in a straight line, so that he can hit it back in another straight line. When it comes to him in a curve, he uses up half of his energy straightening it up again.
I have to say the thing that I want to do so badly is design a line. I still don't know exactly what direction I want to go but designing a line for full-figured women, offering them a chance to have chic clothing that's maybe a little more daring than the clothing they've been offered in the past, I would like the opportunity to create that for them. I'd also like to break into the beauty industry and be the face of a makeup line. I think for it sends a fantastic message: Here's the face of beauty and look, she's a bigger size.
As far as innovation goes, I can tell you that Korean students are reluctant to step out of line. If I ask questions, nobody raises their hands - not because they don't know the answers, but because they don't want to step out of line.
Let me in, immigration man, can I cross the line and pray, I can stay another day? Won't you let me in, immigration man? I won't toe your line today, I can't see it anyway. — © Graham Nash
Let me in, immigration man, can I cross the line and pray, I can stay another day? Won't you let me in, immigration man? I won't toe your line today, I can't see it anyway.
As I made my way through 'On Line,' the austere, stridently dogmatic, sometimes revelatory exhibition 'about line' at MoMA, I found myself thinking, 'Someone please wake me when the seventies are over!' In the empire of curators, the sun never sets on the seventies. It is the undead decade.
There's a simple way to look at gender: Once upon a time, someone drew a line in the sans of culture and proclaimed with great self-importance, 'On this site, you are a man; on the other side, you are a woman.' It's time for the winds of change to blow that line away. Simple.
I always thought the front line was the bookstores. And bookstores around America, around the world did astonishingly well. They held the line. They didn't chicken out. You know, they defended the book. They kept it in the front of the store.
Emily Dickinson seems rather tame because she pretty much uses the same meter every time. It's called 'common meter.' It's a line of four beats that's followed by a line of three beats.
My men are being unmercifully shelled. They cannot hold out if an attack is launched. The firing line and my headquarters are being plastered with heavy guns and the town is being swept by shrapnel. I myself am O.K. but the front line is being buried.
I write a line and then I revise the line and then I write two lines and then I revise lines one and two and then I write one, two and three and I revise one and two and then I write seven and eight and then I see that should be line four and I continually work it over as I go.
That's one component: rather than creating job-training pipelines that put these kids at the back of the line for the last century's pollution-based jobs, we need to be creating opportunities for them to be at the front of the line for the new clean and green jobs.
In real constabularies, the relevant department that is the subject of 'Line of Duty' is called Professional Standards. However, 'Line of Duty' is set in a fictional anticorruption department, AC-12, in order to prevent any unintentional resemblance to actual units, cases, or individuals.
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