Top 1200 Brave New World Character Quotes & Sayings - Page 4

Travel makes the world look new, and when the world looks new, our brains work harder.

Whenever I read a script or sign a film, I don't see whether he is a bad guy or a good guy. I see how much the character is contributing to the story? How much is the importance of the character in taking the story forward? And what new I would be able to learn and what new I would be able to try in that?

What you do in a fight gym is learn how to be brave. You're learning how to punch and kick in a proper way, of course, but above all else, a fighter is someone who's got courage, who's dead game in a fight. Most guys don't come into the world that way. You learn to be brave through that process of getting your fear and timidity beaten out of you night after night after night.

We're not going to get the jack-booted thugs stomping on a human face that you get in '1984' but we might get the 'Brave New World' where the biggest problem there is how to deal with the fact that everyone is so happy...[W]hat we're going to get is a nanny-type of fascism, if we get one at all...[S]imply because the nanny-state wants to hug you doesn't mean it's not tyrannical if you don't want to be hugged.

If you think of even Tolstoy or a book like 'Anna Karenina,' you go from character to character, and each section is from the third person perspective of a different character, so you get to see the whole world a little more kaleidoscopically that way. That's traditional narrative manner, and I haven't done a book like that before, but I enjoyed it.

Brave? Or stupid?" Roger shrugged. "I've never been quite sure where brave stopped and stupid began, myself.

Always the danger for me in life and in art is not to be brave. I am not a naturally brave person. I have to will myself not to hole up in my house and read my life away.

Bran thought about it. 'Can a man still be brave if he's afraid?' 'That is the only time a man can be brave,' his father told him.

When you enter a mindset, you enter a new world. In one world (the world of fixed traits) success is about proving you’re smart or talented. Validating yourself. In the other (the world of changing qualities) it’s about stretching yourself to learn something new. Developing yourself.

In a world suffering from mental stress, yoga promises calm. In a distracted world, yoga creates focus, creates concentration. In a world of fear, yoga promises strength and courage. A healthy body and a disciplined mind are the foundations of a world free from fear. In crafting a new self through Yoga, we create a new world.

One thing I hate about the New Deal is that it is killing what, to me, is the American pioneering spirit. I simply do not know what to tell my own boys, leaving school and confronting this new world whose ideal is Security and whose practice is dependence upon government instead of upon one's self. All the old character-values seem simply insane from a practical point of view; the self-reliant, the independent, the courageous man is penalized from every direction.

Sometimes I think everyone is just pretending to be brave, and none of us really are. Maybe pretending is how you get brave, I don't know.

Geoff Johns is super talented, super smart. Part of what got me excited about the Aquaman character is his re-envisioning of Aquaman, the character, with 'The New 52.'

A new person in your life gives the rest of you a chance to be new, too. Your life can be whatever you want it to, from there on out. I leaned in and kissed and that is who I was to him, not shy, but bold. Not inhibited, but brave. I was that to him and so I kept being that. It was what I thought he wanted and what he was attracted to, and yet it was this, this exact thing I wasn't even really, that made him the most insecure.

After World War II, defending America in the modern world required new intelligence agencies, the unification of the armed services under a massive new Defense Department, and later the creation of new civilian organizations with some defense functions, such as NASA and the Energy Department.

I make a playlist for every character I portray. Music plays a huge part in helping me understand a character. Every time I get a new role, I will take a chunk of time to just sit and listen to a bunch of songs and select the ones that make sense in my mind for that character. I can't even explain how much it helps me.

Christian holiness consists not of trying as hard as we can to be good but of learning to live in the new world created by Easter, the new world we publicly entered in our baptism. There are many parts of the world we can't do anything about except pray. But there is one part of the world, one part of physical reality, that we can do something about, and that is the creature each of us call "myself.

Steve was among the greatest of American innovators - brave enough to think differently, bold enough to believe he could change the world, and talented enough to do it...The world has lost a visionary. And there may be no greater tribute to Steve's success than the fact that much of the world learned of his passing on a device he invented.

Shooting in New York is the shiznit, if I may be so bold. It was great. New York is a character. People who live here know that.

Character is money; and according as the man earns or spends the money, money in turn becomes character. As money is the most evident power in the world's uses, so the use that he makes of money is often all that the world knows about a man.

I'm building a career as big as humanly possible so I can be in a 'Star Wars' project. My life goal is to have a character in the 'Star Wars' universe, film or other media. I just want to go to my grave knowing I played some character or some character based on my likeness was part of that world.

It was a strange season coaching under that new [Alderson] regime. I felt like I was watching the deterioration of the Mets organization. They seemed to have no identity. My concern was that the character of the players they were looking for superseded the talent they brought to the table. Character on a team is important, but you've got to have the horses to win.

Just as surely as every new language mastered opens up a new world, so knowledge of a Beethoven, a Chopin, or a Schumann opens up a new world in spiritual beauty and thought.

The '80s was a really creative and brave period. Remember, it was a period of ultraconservatism, and so you needed brave people to push ahead like that.

In 'Westworld,' I really got to explore new areas, stylistically. We had the Indian world, we had Shogun world, so I got to play with new instrumentation - and also, a lot of new themes.

I must confess that the original 'Pretty Woman' was terrific and a hit, but I always felt that creatively I didn't do justice to Richard Gere's character. So in the musical, we have some great new moments for Richard's character.

Each week the machine is spitting out a number for a new person or a new world within New York that you get to know. And the idea from the beginning was that some of the characters would stick around and become part of the lives of the show, and the world of the show itself will continue to grow.

It is praiseworthy to be brave and fearless, but sometimes it is better to be a coward. We often stand in the compound of a coward to point at the ruins where a brave man used to live.

Brave means that we will try to create something for ourselves. Brave means never going backwards when we can go forwards. That is the bravery that we need.

When I was acting, I got trained in creating a character as a three-dimensional person. If you're doing it right you should be able to draw an audience into the character's world and make them feel their fears.

What I may call the messages of Brave New World, but it is possible to make people contented with their servitude. I think this can be done. I think it has been done in the past. I think it could be done even more effectively now because you can provide them with bread and circuses and you can provide them with endless amounts of distractions and propaganda.

Being brave is being scared and worried and still doing it [what you do]. Because if you're just a wacko, a mashugana, a crazy guy, then you're not brave, your nuts!

Character grows in the soil of experience with the fertilization of example, the moisture of ambition, and the sunshine of satisfaction. Character cannot be purchased, bargained for, inherited, rented or imported from afar. It must be home-grown. Purely intellectual development without commensurate internal character development makes as much sense as putting a high-powered sports car in the hands of a teenager who is high on drugs. Yet all too often in the academic world, that's exactly what we do by not focusing on the character development of young people.

The thing that I think was very brave of my younger self was that he decided he would be an idiot. Just persevere. That feels brave to me: deciding that I'm going to damn well be this person that I've set my heart on being.

It took me a long time to be as brave in my personal life as I was in my professional life to be brave in love means opening yourself up to the possibility of heartbreak.

New York is the greatest character actor ever. Any film that is shot in New York is elevated by the city.

I watched pretty much every coming out video on YouTube that has ever been posted; I watched it in between 14 and a half and 15. Those coming out videos, and those people on YouTube, those brave, brave, brave people on YouTube, without them, I don't know where I'd be.

If I love the story, and if I really connect with my character, I'm willing to do it. I'm willing to try new characters, to be someone that I'm not like. I like trying new emotions and being new characters. That's the thing about acting: You can be so many things!

Conversion is not a repairing of the old building, but it takes all down, and erects a new structure... The sincere Christian is quite a new fabric, from the foundation to the top-stone. He is a new man, a new creature; all things are become new. Conversion is a deep work, a heart work. It makes a new man in a new world. It extends to the whole man, to the mind, to the members, to the motions of the whole life.

For a new type of progress throughout the world to become a reality, everyone must change. Tolerance is the alpha and omega of a new world order.

Michelle Alexander's brave and bold new book paints a haunting picture in which dreary felon garb, post-prison joblessness, and loss of voting rights now do the stigmatizing work once done by colored-only water fountains and legally segregated schools. With dazzling candor, Alexander argues that we all pay the cost of the new Jim Crow.

I want to read about a character doing something fairly quiet where I can picture who the character is, and what their attitude towards the world is - which I'm a lot more interested in than what they do under the pressure of a gunfight.

When you are writing, you have to love all your characters. If you're writing something from a minor character's point of view, you really need to stop and say the purpose of this character isn't to be somebody's sidekick or to come in and put the horse in the stable. The purpose of this character is you're getting a little window into that character's life and that character's day. You have to write them as if they're not a minor character, because they do have their own things going on.

I have been called brave in my time, but brave as I may have been against foreign invaders, I have no heart to shed Filipino blood.

Be not afraid of absurdity; do not shrink from the fantastic. Within a dilemma, choose the most unheard-of, the most dangerous solution. Be brave, be brave.

It is fear and terror that make all men brave, except the philosophers. Yet it is illogical to be brave through fear and cowardice.

For me acting is passion, emotion, and creating the character and the whole world around the character. We enjoy all that. Sleeping on time, eating healthy, you are what your lifestyle is.

The New World Order is a world that has a supernational authority to regulate world commerce and industry; an international organization that would control the production and consumption of oil; an international currency that would replace the dollar; a World Development Fund that would make funds available to free and Communist nations alike; and an international police force to enforce the edicts of the New World Order.

There are enough cowards in the world without killing a brave creature for so little reason.

Even in a world that's being shipwrecked, remain brave and strong.

I have this feeling that the world is not in balance. And people are afraid, but we're also starting to be really brave.

Well, you know, what's better? To play a character who stays stuck in the same baggage year after year, or to play a character who gets beyond that and goes to a new level?

I write from this tight third-person viewpoint, where each chapter is seen through the eyes of one individual character. When I'm writing that character, I become that character and identify with that character.

Men are brave enough to go to war, but they are not brave enough to get a bikini wax.

We could never learn to be brave and patient, if there were only joy in the world.

America's the great conundrum and the great dream and the great fascination: the new land, the new world, the new temple, the new city, and the great mess. The most handguns, bombs, weaponry, violence, the cop of the world etcetera. All the contradictions. Mediocrity versus something like indigenous jazz, one of the most evolved sophisticated musical forms on the planet.

Toil for the brave! The brave that are no more.

Our brave men and women are fighting around the world and they deserve relief.

Brains and character rule the world. The most distinguished Frenchman of the last century said: Men succeed less by their talents than their character. There were scores of men a hundred years ago who had more intellect than Washington. He outlives and overrides them all by the influence of his character.

It's interesting how we often can't see the ways in which we are being strong - like, you can't be aware of what you're doing that's tough and brave at the time that you're doing it because if you knew that it was brave, then you'd be scared.