Top 345 Brian Quotes & Sayings - Page 6

I think it's funny, if you look at Brian Cage, the guy calls himself 'The Machine.' 265 lbs and spends a lot of time in the gym and eating chicken breasts. The guy comes in Impact Wrestling and instead of going after a guy like Moose or Killer Kross, who is he beating up? A bunch of guys half his size? Walking around like he's a big man.

The misfortune of a young man who returns to his native land after years away is that he finds his native land foreign; whereas the lands he left behind remain for ever like a mirage in his mind. However, misfortune can itself sow seeds of creativity. ---- Afterword to "Hothouse" Brian Aldiss

We just got a tour bus. I didn't know tour buses could be this nice. It's just me, Brian Haner the guitar guy, the tour manager and a writer. We laugh ourselves silly. Apparently we're going to have a road dog, a miniature pincher. It's the smallest they've ever seen. How masculine am I going to look, working with dolls and a miniature dog?

Will none of the powers that be realize what Brian Wilson did with the chords. Deftly taking from all sources, old rock, Four Freshman, he got in his records a beautiful hybrid sound - Let Him Run Wild, Don't Worry Baby, I Get Around, Fun, Fun, Fun - 'and she had fun, fun, fun 'till her daddy took her T-bird away.'

My friends are trying to get me to go out on blind dates. Big 'NO' to that because all my friends are a bunch of lying geeks. They're always like, 'Brian, you're really gonna dig this girl. She's got Traci Lords' eyes, Michelle Pfeiffer's nose, Kim Basinger's lips.' Yeah, they always forget to tell me she's also got Charlie Brown's head.

Just a whole different style, just a whole different way of going about an audience and a way about skating. And they are so brilliant in their own way, which is great, and that's what Brian was saying; is the styles are different, and it's the whole mentality.

Because of the attitude of a few mental dinosaurs intent on exploiting our initial success, Brian's huge talent has never been fully appreciated in America and the potential of the group has been stifled.... If the Beatles had suffered this kind of misrepresentation, they would have never got past singing 'Please Please Me' and 'I WannaHold Your Hand' and leaping around in Beatle suits.

Judged by the stark, sure-footed portrait in Hard Time, Brian Azzarello and Richard Corben clearly have John Constantine down, cold and to the life. Azzarellos grasp of pacing, character and situation resonates through every scene with a black crystal clarity thats short of masterful, while Corben contributes what is, perhaps, one of the most darkly expressive pieces in a long, already-legendary career.

I love music/sounds that have a passion, a fire, an energy I can connect with. I love angry sounding beat tracks, dark sounds for sure but I also love delicate sounds, they both connect I think. Discharge back in 1980 was a big explosion in sound for me to hear the anger and the energy, still an influence on me. Miles Davis has been an influence, as much as John Coltrane, Brian Eno, John Hassel. So much around me has influenced me: my everyday life, everything around me, the family, etc.... It has an impact.

I am more into the old school guy than I am with the new school guys. I came in young and I had to pay my dues to be considered a vet. To be able to play for over 10 years at wide receiver, that's why I like looking at the older guys like Larry Fitzgerald, Teddy Ginn Jr., Brian Hartline. That's what I'm about.

We were fortunate at that time we were working with Virgin, and with Flood, probably more well-known as Brian Eno's engineer now and U2's producer, etc. Even though we weren't working in a strictly popular music area, which was great, we were lucky enough to work with people who were on the cusp of those sort of things.

When I was seventeen I drank some very good beer I drank some very good beer I purchased With a fake ID My name was Brian McGee I stayed up listening to Queen When I was seventeen

I grew up born and raised in Las Vegas and actually grew up skiing. You know, we've got some ski resorts close to Las Vegas, up in Mount Charleston or Brian Head, so I grew up skiing and snowboarding.

Hillary Clinton is a world class liar. Just look at her pathetic email server statements, or her phony landing - or her phony landing in Bosnia, where she said she was under attack, and the attack turned out to be young girls handing her flowers. A total and self-serving lie. Brian Williams' career was destroyed for saying less.

Brian Myers takes a fresh approach. He largely ignores what the regime tells the outside world about itself, but concentrates instead on what North Koreans themselves are supposed to believe, paying special attention to the North Korean narratives and mass culture, including movies and television shows. (...) There are few books that can give the world a peek into the Hermit Kingdom. The Cleanest Race provides a reason to care about how those in North Korea see themselves and the West. It is possibly the best addition to that small library.

Interviewer: [What do you get up to] In real time? Brian Molko: I go on Placebo sites and have a terrible time trying to convince fans it's actually me. No one ever believes it. I've spent about four hours, giving away intimate details about myself that I'd never tell a journalist, in an effort to prove that it's me.

I had to re-write "Philosophy" a lot. It was more obscure than what's in the book now, even! Some things I had to go back to and excise my former self, who was even more dense. I think you should teach whatever you want, Brian! That's the point of books like White Girls, to help free our thoughts!

Here's a list of some of the folks who have written Swamp Thing over the years: Alan Moore, Len Wein, Scott Snyder, Brian K Vaughan, Joshua Dysart, Rick Veitch, Grant Morrison, Mark Millar. That's not even a full list, but you see my point - ol' Swampy has had some seriously brilliant people behind the keyboard in his time.

The 'Fake News Alert' Chrome extension, created by 'New York Magazine' journalist Brian Feldman, identifies hoax news articles. However, cutting out fake news source entirely from operating is easier said than done, since anyone with internet access can create fake news.

Carrie was a terrific piece of work. At the end of the movie comes, when Amy Irving kneels down to put the flowers on Carrie's grave, a hand comes up through the grave and seizes her by the arm. The audience went to the roof, totally to the roof. It was just the most amazing reaction. And I thought, 'We have a monster hit on our hands. Brian De Palma has done something new. He's actually created a shock ending that shocks an audience that was ready for a horror film.' And there were several people who did it after that.

I was never too interested in high school. I mean, I never went to a dance, I never went out on a date, I never went steady. It became pretty awful for me. Except, of course, I could go see bands, and that was the kick. I used to go to Cleveland just to see any band. So I was in love a lot of the time, but mostly with guys in bands that I had never met. For me, knowing that Brian Jones was out there, and later that Iggy Pop was out there, made it kind of hard for me to get too interested in the guys that were around me. I had, uh, bigger things in mind.

Some of us are born more than once. Some of us recreate ourselves many times. Ryodan says adaptability is survivability. Ryodan says a lot of stuff. Sometimes I listen, All I know is, every time I open my eyes, my brian kicks on. Something wakes up deep in my belly, and I know I'll do anything it takes... To. Just. Keep. Breathing.

Every day, every scene, you were like, "My god. I'm doing a scene with Brian Cox today and then I'm onto a scene with Stephen Rea." For us young actors, I think we were all very, very star-struck and impressed by the caliber of everyone who came out.

There are things I read doing research, and there are certain books and writers I just love to read. There are books of Brian Morten's that I love, for instance. There's a wonderful book by an Australian writer named Helen Garner called 'The Children's Bach,' and I just love the way she uses language in it.

The same tantalizing guile and sublime skill....[The series is] reinforced in its claim to be one of the major literary works of this century....Only two other writers that this reviewer can think of have each created an entire, discrete and compelling world, a totally believable entity which one might wish to inhabit, and they are Joyce and Proust. It is not pretentious to place Patrick O'Brian in the first canon of literature.

Truth be told, actually, my favorite director of the Movie Brats was not Scorsese. Loved him. But my favorite director of the Movie Brats was Brian de Palma. I actually met De Palma right after I'd done 'Reservoir Dogs,' and I was very beside myself.

I rang Brian [Mulroney] up. I said, "What's this bloody nonsense. You've got a wheat trade with Iraq and you won't come aboard?" I said, "We've got a bloody big wheat trade too, so get your priorities right." And he said, "Okay, Bob. I'll come." I rang George and he was very appreciative.

I have to admit, I am aware of my Latin roots now. In the past, people couldn't place me. They thought that I was Danish or English or French. They never got that I am Italian. I'm not typical, maybe because my visual education was very mixed. There was a lot of London in my aesthetic: The Face, i-D, British music, and a lot of British fashion . . . But I really enjoy this contrast. I can go from Lady Gaga to Brian Eno in a split second.

THE LONG WALK is a raw, wrenching, blood-soaked chronicle of the human cost of war. Brian Castner, the leader of a military bomb disposal team, recounts his deployment to Iraq with unflinching candor, and in the process exposes crucial truths not only about this particular conflict, but also about war throughout history. Castner's memoir brings to mind Erich Maria Remarque's masterpiece, All Quiet on the Western Front.

Martin Scorcese is probably America's greatest living director, and while he is not a titan like John Ford or Alfred Hitchcock or Federico Fellini, he is certainly consistently more interesting than Steven Spielberg, Brian de Palma, Francis Ford Coppola or Woody Allen. Even a failure like Gangs of New York or a curiosity like The Aviator is more interesting and ambitious than Munich, The Black Dahlia or Scoop.

So what if Brian made me feel like fireworks were going off inside me. He could also make me feel like a big fat clod of heartsick dirt. It was like he could take any emotion I had and make it ten times stronger. Which is great when it's happiness but pretty darn awful if it's anything sad.

I would like to wish the England squad every success. I would also very much like to extend those wishes to Martin Johnson, Brian Smith, Mike Ford, John Wells, Graham Rowntree and the rest of the England 2011 World Cup management team who have been fantastic and deserve people to know that.

I felt that film (Let It Be) was set up by Paul for Paul. That is one of the main reasons the Beatles ended. I can't speak for George, but I pretty damn well know we got fed up of being sidemen for Paul. After Brian died, that's what happened, that's what began to happen to us. The camera work was set up to show Paul and not anybody else. And that's how I felt about it.

When George Bush Senior [George HW Bush] was getting his alliance together to go into Iraq - to kick the Iraqis out of Kuwait - he rang me up. I was very close to George Bush Senior; I got to know him well as Vice President to Ronald Reagan. And George rang me up and said, "Oh, Bob," he said, "I'm having trouble with Brian [Mulroney]." He said, "He's got a big wheat trade with Iraq, and he doesn't want to upset that." I said, "You leave it with me."

I think I sent one [book] to Brian Eno. I don't know how I got to know his address, but I sent one to him. He called me up and he said, "I really like the book, and I'm starting a new label, would you liked to do something?" It was a tricky situation for me, because I've always had this thing in my life of a tension between collaboration, which was extremely important to me, and then being alone. Make of that what you will!

I think probably kindness is my number one attribute in a human being. I'll put it before any of the things like courage or bravery or generosity or anything else. Brian Sibley: Or brains even? Oh gosh, yes, brains is one of the least. You can be a lovely person without brains, absolutely lovely. Kindness - that simple word. To be kind - it covers everything, to my mind. If you're kind that's it.

Brian Walker and David Salt have written a thoughtful and powerful book to help resource users and managers put resilience thinking into practice and aim toward increasing the sustainability of our world. I urge public officials, scholars, and students in public policy programs to place this volume on their list of must-read books. It is a powerful antidote to the overly simplified proposals too often offered as solutions to contemporary problems at multiple scales.

Peeping through my keyhold I see within the range of only about 30 percent of the light that comes from the sun; the rest is infrared and some little ultraviolet, perfectly apparent to many animals, but invisible to me. A nightmare network of ganglia, charged and firing without my knowledge, cuts and splices what I see, editing it for my brain. Donald E. Carr points out that the sense impressions of one-celled animals are not edited for the brian: 'This is philosophically interesting in a rather mournful way, since it means that only the simplest animals perceive the universe as it is.

Brian De Palma was one of the rare directors who wanted us all to go to dailies. It was like a party. After shooting The Boy In The Plastic Bubble, we'd all walk over together, at like 5 or 6 o'clock, to the little theater. And we'd sit down and watch the dailies from like, the day before. And John Travolta, whenever I came onscreen, he was just laughing hysterically. He just thought I was a riot.

Brian is an archetypal character, a bit like Don Juan, which is how I play him. He's a blast to play. He believes unapologetically in his freedom. He holds nothing back. Something I'm learning is, you can't hate the character you play. If I think my character is an asshole, that's all that will come across. He is drawn in an extreme way, but that doesn't mean he's not a person.

I can't remember who it was - maybe Brian Eno - but some important musician guy said he recorded ambient noise from a city street and after he listened to these field recordings for the millionth time, it was like, "Oh yeah, at 1:23, that's where the car horn comes in." So when you're doing stuff like this, and you've been working on it for a year, you're like, "Oh yeah man, that makes perfect sense!" And then you forget when you give it to people, they're bewildered.

What's that?' Beck shoved his back ineffectually against the glass door, suffering under the weight of a huge box. 'Your brian.' I already have a brain.' If you did, you'd have opened the door for me.' I shot him a dark look and let him shove against the door a moment longer before I ducked under his arms to push it open. 'What is it really?' Schoolbooks. We're going to educate you properly, so you don't grow up to be an idiot.; I remembered by intrigued by the idea of school-in-a-box, just-add-water-and-Sam.

We were doing Scarface many years ago...and I remember having my coffee and looking at the beach, the surf, and I saw a hundred people looking out into the ocean. I thought, what's going on? Did some whale get washed up to shore? So I stood up on the table to see what it was, and it was the director, Brian De Palma, standing there alone by the surf and they were all waiting for him. And I never forgot that because it represented to me what a director is, what a director does.

The Sun, each second, transforms four million tons of itself into light, giving itself over to become energy that we, with every meal, partake of. For four million years, humans have been feasting on the Sun’s energy stored in the form of wheat or reindeer. Brian Swimme

I'm the one who started spreading that particular factoid, about Bendis, Azz and me all being bald Brian's from Cleveland, just to get my name mentioned in the same sentence as two much-better writers, and it's worked like a goddamn charm. Next up, I'm going to grow a big, disgusting beard, just so people will start talking about Alan Moore and me in the same breath.