Top 1200 British Music Quotes & Sayings - Page 16

It's celebrated in British culture to be eccentric.

Congolese rumba was so huge in Africa that everybody was inspired by it. But my African roots brought me this music. In every African family, parties in Brussels, we used to listen to this kind of music. And salsa music as well.

I'm not a story; I'm a person, and my passion is music. And I want your passion to be my music - so, judge me on my music.

I love old-time music, I love country music and I love the American music that we have to offer the world. And any part of that is fine with me, as long as it's pure.

We [with Cisco Adler] came back to the concept that our music, our lifestyle, and what we stood for was dope. So whoever the show brought to the music, they would stick. It was a way to bring people to the music, and I'm still doing that.

Music copyright and licensing laws haven't kept up with technology or the times. The Music Modernization Act fixes that with a comprehensive set of reforms that will help musicians receive royalties they are owed while ensuring the public has access to that music.

I'm quite a fan of British designers.

I feel a vocabulary in my music that is coming from popular music. Popular music is like the mother of all languages.

I didn't know he was dead; I thought he was British.

I love the ingenuity of British entrepreneurs.

The Billy Carter of the British monarchy.

I need a hobby, and I don't want it to be basketball. I want it to be music. So to get away from music, I do other music.

I'm intimidated by anyone with a British accent.

I was kind of, I would say, even obsessed with music. I wanted to start learning piano when I was six years old, and after that, my parents were very supportive and they took me to several kinds of music lessons. So music filled all my childhood.

I don't feel the cold. It's my British blood!

Music, for me, is the most sacred of the arts. I say that because music communicates in a way that no other art form can. All great art has a spirit that we recognize and appreciate, but music goes directly to your heart.

I don't really like British comedy.

Lawrence of Arabia, British Beatlemania.

I always felt that the music sells by itself. The music has always been the successful aspect on my career, and that means that, to me, I can always still stay very focused on music.

God told me, 'I gave you the music, Al. Sing the music I gave you - all the music.' So I did.

Be blind. Be stupid. Be British. Be careful.

What is very interesting when talking about electronic music is that - I would say that rock and roll is called the ethnic music born in America that invaded the world. Electronic music is certainly kind of ethnic music born in countries like Germany and France that has invaded the world.

Music, music, music. It doesn't get much better than that! It pretty much consumes my life.

The only place where any artist feels liberated is doing independent music. I have had great experience making music for The Dewarists and Coke Studio. No actor, producer or label is telling me what to do with my music. I'm the boss. It is my life, my expression.

Call it whatever you want, whether it's hip-hop or cult music or pop music, but to me, it's all pretty disposable. I don't think that the music of Nikki Minaj or Justin Beiber is going to be played on the radio twenty-five years from now.

I don't like the idea that in music, clothes, taste or anything, we are limited to a certain style, because we need to maintain an identity, maybe between some subculture group. Hopefully, all those walls break down, and music is just music.

British girls are as temperamental as Americans.

I want to travel around the country and make my living playing music. I also try to behave in a way that I would appreciate as a music fan. That's how we conduct ourselves, be it in writing music or playing it live.

If we taught music the way we try to teach engineering, in an unbroken four year course, we could end up with all theory and no music. When we study music, we start to practice from the beginning, and we practice for the entire time.

I always think about fashion when it comes to making music and music videos... what the colours will look like, what the material will be, how will it work with the sound of the music.

I like to listen to Congolese music because when I was a kid with my father, he took me to play some tournaments in the car and always put on this music. I always fell asleep with this music so it's good things that I remember.

However, I have a lot of greed. The types of music I want to show are on this side and on that side. Conclusively, if I'm able to make good music and people continue to look for my music, won't this kind of controversy get better... is my thought.

I do not wish disaster to British arms.

In the 1960s, people like Bob Dylan, his music and words were a threat to the society and mainstream of the time. It shook people alive, and directly and indirectly things changed. But, as I see it, the change is never through the music alone. It's also the circumstances around the music that will cause/create the effect. And sometimes it's just strictly accidental that a piece of music becomes a form of protest.

I think British humour is very cruel, and gay humour is very cruel. I think the two go hand-in-hand and that's why they mix so well in England. I think that's why you get so many gay comedians in England that are accepted so well because British humour is very cruel. I love it.

We are Korean, so obviously they call our music K-pop. But we never thought of our music as K-pop. Our music is just our music.

I think I have an inbuilt British skepticism.

The biggest looters are the British Museum.

The British government is a murder machine.

The British have slang words, as we do, but it was fun.

As far as using electronics in my music, I have to do that as honestly as possible. Also, I have a broad range of listeners from a classical music base, as well as people, like me, who listen to a lot of different music. So I'm mindful of letting my sitar playing remain at the center of what I do.

Nothing is more futile than theorizing about music. No doubt there are laws, mathematically strict laws, but these laws are not music; they are only its conditions? The essence of music is revelation.

Companies that pretend to care about music and really care about other things - whether it be hardware, whether it be advertising - and now they look at music as a loss leader. And we know music isn't a loss leader; music is an important part of our lives.

I just wanted to do a music show, with the whole realm of music from Ella Fitzgerald to rock bands like Cream to Kenny Rogers. We had a lot of country, but we did every kind of music. The Monkees were on, and so was Johnny Cash.

If I don't already know a song's chord progression, I'll stop writing and try to figure it out. I can occasionally listen to unstructured, amelodic ambient music, but I prefer no music. I don't need silence - I can write just about anywhere - but music is a major distraction.

And you should hear the music. Incredible, amazing music, like nothing you've ever heard, music that almost takes your head off, you know? That makes you want to scream and jump up and down and break stuff and cry.

Some people draw a line between music videos and short films, looking down on music videos as a format, but there's so much potential in music videos.

I grew up with British rock.

I kind of always wanted my own music to just sound like, like me, I suppose, like if I was music it would be the music I make, I think.

As Dutch, British and French explorers literally put this Great Southern Land on the map it would be ridiculous to say that modern day Australia is anything other than a grand - and successful - outpost of Euro-colonialism and, more specifically Anglo-Celt British colonialism. It's a fact of life like the Euro-colonization of the Americas etc. If it was an outpost of, let's say, Iranian or Zimbabwean colonialism would so many people still be so desperately trying to get into Australia by any means necessary, legal or otherwise? It's doubtful. Thank the Gods for Euro-colonialism!

But back then the thing that saved me was the music, and it's certainly the music that saves me now. The music, my family and my friends and everybody around me.

I love London and British women.

I don't believe in an annual dose of film music for the sake of it being film music. If we program film music, it will be because there is a real artistic reason for doing so.

Music is generally important to blind people, and most of the blind people that I have come into contact, through my parents, music is very special to them. Obviously, because it is more salient, you know? We might like going to the movies, and of course we like music too, but when the eyes don't work then the ears pick up slack. Music is all the sweeter at that point.

What's wrong with the 'Laffy Taffys' and the Soulja Boys? We need fun records. We gotta have dance music. We gotta have club music. We gotta have kids' music.

Today a Scot is leading a British army in France [Field Marshall Douglas Haig], another is commanding the British Grand Fleet at sea [Admiral David Beatty], while a third directs the Imperial General Staff at home [Sir William Roberton]. The Lord Chancellor is a Scot [Viscount Finlay]; so are the Chancellor of the Exchequer and the Foreign Secretary [Bonar Law and Arthur Balfour]. The Prime Minister is a Welshman [David Lloyd George], and the First Lord of the Admiralty is an Irishman [Lord Carson]. Yet no one has ever brought in a bill to give home rule to England!

Maybe one day music will just be music, and there won't be these categories; it'll just be different shades of music.

... the hardest studio music to play is Tom & Jerry - cartoons. The music makes absolutely no sense, as music. You can't get into hearing it. There's nothing to hear-'bleep!, blop! scratch!' and it comes fast; everything's first take. That'll change the way you look at life.

It's funny, the power of music. I was watching 'Dracula,' the 1931 version with Bela Lugosi, and the only music you hear is at the very beginning of the credits. There's not one other piece of music; it's all silent. It's unbelievable, and it's very effective, too.

I support British designers as much as I can.