Hollywood has known this for quite a while: Cable is the place to go because they truly have a supportive network and they want to do things that cannot be seen on broadcast. That stimulates the writer-producer. Cable is king.
I didn't know growing up what I wanted to do. I finally settled on broadcast journalism as a way to satisfy the urge to perform and also do something important, which is to give people in a democracy information to make good decisions.
It was very hard to get any records, so the only source for us to really hear what was happening was listening to the Voice of America. We would be taping all the broadcast and then sharing the tapes and talking about it.
Everyone has a childhood, everyone had awkward years and weird stages. Mine were broadcast for eight years.
You have to realize that the game is played by people and not by robots. You have to try to get across in the broadcast the difference in personalities of these players, and that's part of the fun, of course, being in a position where you can pass along that knowledge because you represent the fan.
What has been adjudicated and established in the wake of Vietnam and the Civil Rights movement is the ability of the press to basically write or broadcast almost anything about the government. There's very few restrictions in that way.
Just as our kids don't understand the difference between broadcast and cable, the line between TV and Internet TV is about to disappear.
The bottom line is this: I want America to be at the forefront of innovation in the broadcast sector, the wireless sector, and every other sector of the communications industry.
Almost every day I wrap up my two-hour live broadcast and I say to myself as I'm driving home, 'I wish I would've done this' or 'We really should have gone live longer with this segment.'
Almost every day I wrap up my two-hour live broadcast and I say to myself as I'm driving home, 'I wish I would've done this' or 'We really should have gone live longer with this segment.
I think I can go on the record and say this: I am the only player in the history of the NFL that has called an NFL game that was not a broadcast bootcamp graduate. And with that being said, that also means I have no clue what the hell to do.
Pay-TV companies that built their businesses on the backs of local and network broadcast signals should pay a fair price for access to that high-value programming.
I know enough to know every time a cable show beats a broadcast show... you've attracted people outside the scope of what you normally reach.
By April 1998, the fortunes of Lazio were on the rise as they won their first trophy in 24 years. Meanwhile, my salary of around £400,000 basically tripled overnight when TV companies started paying for rights to broadcast games.
May I share with you my earliest memory of a political row? It was with my mother, about the Queen - classic Freudian stuff, shrinks would say. I was eight, and refusing to watch the Queen's Christmas Day broadcast.
Trust that whatever you are dealing with, whatever doorway to crisis you experience, it is leading you to a greater lesson in liwing where ideally the power of love is what you learn. Forgive, and broadcast your excitement to be alive.
In a broadcast society, there were these gatekeepers, the editors, and they controlled the flows of information. Along came the Internet and it swept them out of the way, and it allowed all of us to connect together, and it was awesome. But that's not actually what's happening right now.
Broadcast TV is still the mothership and it will be for the foreseeable future. Audiences may be declining slightly but revenues are going up and profits are going up.
When you call a game, it's almost like you're doing a three-hour movie and the production of it all, living in the moment in real time, the replays, all the intricacies that go into putting a game in a broadcast. It's not just 100 percent football.
When I was 10, 11, 12 years old, I would pretend to be on the radio. I bought a mixer and these big, ugly headphones and I would literally broadcast the cassette tapes in my bedroom.
I am not an Internet superstar. I am, ironically perhaps, the most old media superstar of all time. My fame is due to broadcast television.
In Sweden, they broadcast the American shows in English with Swedish subtitles, whereas in many European countries they dub them. Watching those shows in English was big for me.
The idea of Twitter started with me working in dispatch since I was 15 years old, where taxi cabs or firetrucks would broadcast where they were and what they were doing.
What's great about cable is that the ceiling of expectation is lowered because fewer people have to tune in for it to be a success. You don't need 23 million people a week like you do in broadcast.
People pay their licence fee in this country because people believe that we should have public service broadcast programming. Of course, there are lots of different ways you could do that.
Nothing could be more stupid than for the communications commission to give to people who handle the means of broadcasting the inventing of what to broadcast, and then, disturbed at the poor quality, to worry about censorship.
Be careful about gossiping because loose lips really do sink ships. Now that I'm in the broadcast business, and people talk about me, I know what it feels like to be the victim of gossip.
I don't have any personal memories of the broadcast of 'Civilisation'. I was born the year afterwards. But the many personal stories I have heard from the people it touched do resonate as I had my own television-induced epiphany.
I studied journalism at Binghamton University, even interning for NBC's longtime anchor Carol Jenkins. Before graduation, I told my parents I wanted to pursue broadcast journalism.
The cable operators are paying to show content. The most important content you have is the broadcast stations. They take the position that over the air is free to people, so it should be free to them.
Being in this position enables myself and others to deliver messages of positivity - we can broadcast to everyone just how beautiful this world is, and all the ways we can keep it beautiful by treating one another with kindness.
I've been receiving a lot of emails and messages from folks that say, 'Hey, my kid saw you and they're so excited and it's great that he can look at the NASA TV broadcast and see someone that looks like him,' and I think that's important.
At one of the games I broadcast at Florida State a few years back, the mercury soared to 105 degrees, and you try attempting to look composed and professional, providing insight from the benches, while sweat pours into your eyes.
I don't think any of us are careful enough about emails. When you are writing an email, you should imagine yourself in an auditorium speaking to 5,000 people, with your mother and grandmother in the audience, and it is being broadcast on CNN.
Television is very much like the motion picture; you need high-end product that will first go on broadcast or cable and eventually on the Internet, and then the lifespan of this content being distributed worldwide.
Why do you do smoky makeup, why do you try to act pretty on broadcast, etc. For hip-hop where purity is important and masculinity plays a large part, I believe it's definitely a critique that could come out.
The government would be able to go to court with respect to newspaper articles, broadcast pieces and the like that they thought were bad or harmful or even against the government and try to block them.
If we compare the two, Facebook is currently a superior place to market a product like Slide. Twitter is more like a general distribution agent. It's like broadcast radio.
The episodic, reactive, almost frantic pace of what is broadcast makes children feel and act frantic and shortens their attention spans and their patience for activities that take time and problems that don't yield immediate solutions.
The stories about broadcast dying or it being overtaken by cable have stopped. Same goes for the stories about the Internet hurting our business.
Back in the late 1980s I was programme editor of Channel Four's Business Daily. Day after day we broadcast the latest news, views and analysis for the City in a period when its visibility was as high as it has ever been.
Don't think of the Internet as a broadcast medium...think of it as a conversational space. Conversation is the opposite of marketing. It's talking in our own voices about things we want to hear about.
The storm center of lawlessness in every American State is the State Capitol. It is there that the worst crimes are committed; it is there that lawbreaking attains to the estate and dignity of a learned profession; it is there that contempt for the laws is engendered, fostered, and spread broadcast.
The broadcast networks - they are literally broad. They try to appeal to everyone. They try to reach all of America, all the time. Increasingly, they fail to do that, but they try.
There's no reason the story of Christianity wouldn't be more prevalent in film and television considering the audience size who love and believe the stories. This is a broad audience and deserves to be on broadcast TV.
Internet TV and the move to the digital approach is quite revolutionary. TV has historically has been a broadcast medium with everybody picking from a very finite number of channels.
Obviously, there's a million things we're allowed to say on late-night cable that you're not allowed to say on a prime time broadcast.
I open the door for old ladies, I help old ladies across the road. I do a show for leukemia every year, but I don't broadcast that because it's against my image.
If it gets to a situation where it turns into a debate, look, the person that I'm debating is the person that is writing the story or presenting the broadcast. They're not going to write the story in such a way that shows they lost.
Too many brands treat social media as a one way, broadcast channel, rather than a two-way dialogue through which emotional storytelling can be transferred.
TV broadcasting is owned, in the sense that governments around the world have asserted power over the airwaves that permeate their territories, deciding who can use what bandwidth and why - and those with licenses then, with exceptions determined by regulators, decide what to broadcast.
Today, every skirmish in every part of the planet is broadcast straight into your living room live, in HD... over and over again.
I've always liked the Muppets. I watched 'The Muppet Show' in England every week as a child. The show was originally broadcast in England.
I've been a woman in a man's world now for 30 years. I was the first person to broadcast from the floor of the New York Stock Exchange and that was just all suits all the time. It didn't really affect me in any way.
Televisions and radios are locked on government frequencies - it is a serious crime to listen to a foreign broadcast. As a result, North Koreans think that they live in the best country in the world and that, as difficult as their lives may be, everybody else has it much worse.
Unlike the on-air talents in the NFL where they have producers figuratively joined at their hip, providing them with info and tidbits of data, we WWE announcers are responsible for getting ourselves ready for every broadcast.
Be careful what you say if you wouldn't want it broadcast everywhere - because you never know. My basic advice would be - for trust - is: Live the way you ought to live - all the time - as much as you can help it.
Most of us still haven't grasped the fact that everything we commit to the digital space - not just our public blogs and broadcast tweets, but every private text message, email, and voicemail is likely to be stored and accessible. Forever.
The movies that I love and model after, like 'Annie Hall,' 'When Harry Met Sally,' and in particular for me, 'Broadcast News,' are the tone of life, which isn't a setup punch-line every two minutes.
With the advent of Trump Tower Live, the campaign`s new nightly broadcast, streamed over Facebook, rumors are once again, swirling of a potential Trump media empire to be launched after the election.
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