Top 1200 Brooklyn Bridge Quotes & Sayings - Page 18
Explore popular Brooklyn Bridge quotes.
Last updated on November 15, 2024.
I believe in the power of journalism. To make informed decisions, you have to have an understanding of the dynamics of a situation. And journalism does bridge gaps and creates dialogue.
I actually want to hold on to where I came from, and also I want to be at this bar in Brooklyn, even if I'm not drinking at all. What does that tension look like? It's less an attack on the parents and more an interrogation of personal guilt, personal responsibility. That's my internal dialogue.
I remember going up and doing 'Bridge Over Troubled Water' with Paul Simon, Santana playing up there with us.
When people come to play music as they do to play bridge, civilization will have taken the longest stride forward since the beginning of time.
Mike Tyson is the most complex person I've ever met in my life. I've known Mike since 1986. We're both from Brooklyn. I didn't know him growing up, but once he became heavyweight champion, I knew him then.
I want to figure out how we put California and America back on track - how we bridge this partisan divide that is so polarizing.
I will always remember
when the stars fell down around me
and lifted me up above
the George Washington Bridge.
It's not for the president to determine the arrangements between Israel and the Palestinians, and the Arab world, but to be the bridge between opinions and to facilitate dialogue and understanding.
This is Shaun Mason activating security protocol Campbell. The bridge is out, the trees are coming, and I’m pretty sure my hand is evil. Now gimme some sugar, baby.
Give me a few bits of wool to stick on the car, a good gust of mistral wind, and I could come up with a better aerodynamic package on the bridge at Avigon
There can be little doubt that in many ways the story of bridge building is the story of civilisation. By it we can readily measure an important part of a people's progress.
Great triumphs of engineering genius-the locomotive, the truss bridge, the steel rail- ... are rather invention than engineering proper.
I have the outsider's vision, which is creating wisdom I can share with the world. The fact that I am misunderstood has always given me an added impetus to work on communication to bridge the gap.
The idea of trust-fund guys who live in Brooklyn in their 30s is really interesting to me. There's a time and a place where that kind of bohemian lifestyle is appropriate, soon after college, in your 20s. But there are people still living that many years later; they haven't evolved to the next phase.
This whole phenomenon of the diversion of organizations from their purposes and ideals does not seem very serious when the scum rise to the top in the bridge club or the offices of a small magazine publisher.
I know Coney Island more than I know Queens and Brooklyn! And I understand everything about it - Coney Island is my home.
We need to bridge the gap between the medical libraries and the hospital rooms; take the information out there already, add to it, focus it, harness it - and bring it to the patient who was just diagnosed today.
If the purpose of the stumpy little NFT theatre under Waterloo Bridge is not to acquaint young audiences with Ozu, with Ophuels, with D. W. Griffith and with Agnes Varda, then what exactly does it exist for?
After The Sopranos, my mother said, "Couldn't there be some raft floating under the bridge when you jumped? Or couldn't you have a twin brother?" I said, "Yeah, if they'd wanted me that bad. But they don't."
I didn't know exactly what a hipster was until we were in Brooklyn. It's like a species. On first seeing it, I was like, 'Oh my God, oh my God...' Pre-tt-y fun-ny.
I have quite a good card sense. My grandmother taught me to play bridge, so I had a reasonable sense of the cards and how they work.
I love speculating about solutions to problems in mathematics. I have no interest whatever in sudoku. But I do look at chess and bridge problems in newspapers. I find that relaxing.
What voice did on my spirit fall, Peschiera, when thy bridge I crost? 'Tis better to have fought and lost That never to have fought at all!
To be called up to England, to play at Old Trafford and then to come and play at the Bridge, there's so much experience I can take away.
Separation isnt time or distance
its the bridge between us
finer than silk thread sharper than swords
BEFORE YOU JUMP OFF A BRIDGE OR HANG YOURSELF OR BE UNHAPPY PLEASE CONSIDER: LIVE FOR YOURSELF; THOSE WHO HATE YOU HAVE NO PURCHASE
I've been really fortunate to have Bridge Records interested in publishing my music for the past 25 years. Most of my music is available in their catalog.
Brooklyn has a bit of everything - some of the most beautiful things in America, and some of the most wretched, ugly, impoverished things.
Books set in Brooklyn and L.A. are often about people who are rootless, who want to go somewhere else. In the Midwest, though, the stories are about people who want to stay where they are - who like where they are.
Whenever I work with different artists, I expand as a song writer, as a producer, and I always want to try and find the bridge between my world and their world.
I've chosen not to live in Hollywood, and instead I live in Brooklyn, New York. It's how I like to live. I'd rather hang out with my kids and family when I'm not working. Going to premieres is not my idea of a fun night out.
I don't really go out, 'go out' that much anymore. I live in Brooklyn, in Williamsburg, so I just like to wander around. Williamsburg's such a cool little neighborhood community spot.
On an exceptionally hot evening early in July a young man came out of the garret in which he lodged in S. Place and walked slowly, as though in hesitation, towards K. bridge.
I thought I was a pretty good physical specimen. But there was a teenager from Brooklyn, who basically wiped the floor with me on the street. He gave me a punch that I didn't even feel. All I knew I was looking up at the sky. I tried to fight him, and I got a number of injuries after that.
It's almost like going to high school before you got to go to college. You felt a little bit better before you got to college. That's how I feel about Brooklyn.
I want to build a bridge to the 21st century that ends the permanent underclass, that lifts up the poor and ends their isolation, their exile, and they are not forgotten anymore.
You've got to speak; you've got to be able to articulate the Republican message to the American people and take that fight to the president, but you also have to bridge internally.
I was on a bridge going down; the bicycle broke and I smashed to the ground, face first. I broke my jaw and my teeth, and had to have plastic surgery.
My solution would be to bridge the skills gap, such as coal to gas training, you have to give people a sense of hope that they have the tools to be able to diversify and stay in the community where they wish to live.
Miscommunication is the number one cause of all problems; communication is your bridge to other people. Without it, there's nothing. So when it's damaged, you have to solve all these problems it creates.
I was never a 'bad' kid, but I did get into minor juvenile trouble. Look, I grew up in Brooklyn. This was the '60s, and the neighborhood was rapidly changing and not without its problems. All the kids of the neighborhood 'did their thing,' breaking windows and the like. I was no different.
I want to paint the air in which the bridge, the house and the boat are to be found - the beauty of the air around them, and that is nothing less than the impossible.
Next to an old-fashioned church social, or possibly a monster bridge party, there is no buzz which can equal the sibilant buzz ofa matinée.
I'm going to have cute boobs 'til I'm 90, so there's that. I'll have the best boobs in the nursing home. I'll be the envy of all the ladies around the bridge table.
Congress passes bills that appropriate money. Congress says, 'We're building this bridge or funding that defense project, and they cost this much.'
Run as far as you can in the direction of your best and happiest dreams across the bridge that was built by your own desire to heal.
The trouble is, walking in Venice becomes compulsive once you start. Just over the next bridge, you say, and then the next one beckons.
There are not many designers who are truly creative and literate. Most are self-indulgent, illiterate, fashion-mongering, service people trying to bridge a message between a product and an audience.
I've never stabbed, hurt, killed, stolen, anything, but I went to jail for a year. What is that? My pastor said to me the fact that I'm not living under a bridge as a crazy woman, talking to myself, is amazing.
As with all the other rappers I've worked with, Biggie and I shared common ground. Even though Biggie grew up in Brooklyn and I grew up in Chicago, we came from the same 'hood.
All we have is the knowledge passed on to us by our elders, experiences we inculcate and hardly negate. But to bridge the generation gap, one needs to adapt to the new while retaining the goodness of the old.
I am of the bridge generation that remembers life before social media permeated everything but cannot imagine life without it now.
It’s amazing what a healing effect horses can have on kids, particularly troubled kids, that might bridge the gap that a well-intended human just can’t do.
I like L.A., but I'm definitely a Brooklyn girl; I'm a city girl. I need the cars honking. I need the bright lights. I need people yelling in the middle of the night screaming at each other. I need all of that.
The fact that The Bridge contains folk lore and other material suitable to the epic form need not therefore prove its failure as a long lyric poem, with interrelated sections.
If I was to play any song for anybody asking, 'What is metal about?' I'd just play 'Master of Puppets.' The progressions and the bridge are brilliant.
I love to shop vintage clothes; in London, I usually go to Relic and Alfie's Market. I usually brunch around London Bridge, where I live.
I first saw 'The Dinner Party' in 2007 at the Brooklyn Museum in New York City. While perusing the Heritage Panels, which honor 999 women who have made important contributions to Western history, I came upon the names of two sisters, Sarah and Angelina Grimke.
I started working in front of the camera for the first time when I was 15 years old. I joined a soap opera. We filmed in Brooklyn and I would skip class to shoot my scenes. It was terrifying and I entirely self-conscious in front of the camera.
The past was a bridge that looked solid and sturdy, but once you were on it, you saw that it extended only far enough to strand you, to suspend you between loss and longing with nowhere to go at all.
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