Top 1200 Brooklyn Bridge Quotes & Sayings - Page 2

There's a bridge to tomorrow, There's a bridge to the past.

Then she offers him a slim but sincere smile, and he reluctantly returns it. It doesn't bridge the gap between them, but at least it marks the spot where the bridge might be built.

I've met others [people] who simply responded to me, "You're Kehinde Wiley. I know your work. I saw it at the Brooklyn Museum [Brooklyn, NY] And I'd be honored to be in your work."

I like sports. I'm a big football fan. When I was a kid, I was a... I don't even know how to describe it... I was an obsessed Brooklyn Dodgers fan. And I think when they left Brooklyn, which was simultaneous with me starting college, everything changed, and I haven't had the same passion for sports.

He fell in love with Manhattan's skyline, like a first-time brothel guest falling for a seasoned professional. He mused over her reflections in the black East River at dusk, dawn, or darkest night, and each haloed light-in a tower or strung along the jeweled and sprawling spider legs of the Brooklyn Bridge's spans-hinted at some meaning, which could be understood only when made audible by music and encoded in lyrics.

If the building of a bridge does not enrich the awareness of those who work on it, then the bridge ought not to be built.

Once, a union job at GM or AT&T was a bridge to success. Now, a nonunion Wal-Mart job is a bridge to nowhere.

O'Malley wanted to move the Dodgers out of Brooklyn because he saw the promised land. He was right about that, but to this day I think he was wrong to take the Dodgers out of Brooklyn.

Dear Mom and Dad, Leave $50,000 in a bag under the bridge on Decatur Street. If there is no bridge on Decatur Street, please build one.

Just be careful. Passion is a bridge that connects love and hate. When you're standing in the middle of that bridge, don't let yourself get turned around. You've got to make sure you know which direction you're heading. Watch yourself.

I'm from Brooklyn. In Brooklyn, if you say, 'I'm dangerous', you'd better be dangerous.

I come from a fragmented society. A country proud to serve as a bridge between Europe and Asia yet unable to bridge its own differences.

It is a good habit to thank always the bridge which takes you to the other side or to mention the name of the bridge or to take the photo of it or to repair it if you can! In short, do something good for those who do goodness for you!

Romance was a game, like bridge, in which you said things instead of playing cards. Like bridge you had to pretend you were playing for money or playing for some stakes.

Sometimes in life it is most wise to behave like a bridge: Don't judge the person who comes to you; let him come and pass! Behave like a bridge!

I'm named after a horse. My mom's best friend had a horse named Brooke, so my dad suggested 'Brooklyn' as a more formal version, and it just stuck - and now I live in Brooklyn part-time, so go figure.

The final bridge to cross is to let go of the mind-created 'spiritual' self. Burn that bridge behind you. Stay empty of self-image and cease looking back. Remain in the neutrality of being. That's it!

Icon of Prague, the medieval bridge crossed the Vltava between Old Town and the Little Quarter. Gothic bridge towers rose on both sides, and the whole span — pedestrian-only — was lined by monumental statues of saints.

We moved to Brooklyn when I was about 9 or 10, and from Brooklyn we moved to Rochester in New York. I went to high school in Rochester in New York.

Apparently Brooklyn needn't always push itself to be something else, something conscious and anxious, something pointed toward Manhattan.... Brooklyn might sometimes also be pleased, as here on Flatbush, to be its grubby, enduring self.

It is easier to bridge the oceans that lie between continents than it is to bridge the gap between individuals or the peoples.

Software is definitely engineering. It's different in that we take on novel tasks every time. It's not like building a certain bridge that is virtually identical to some previous bridge or some previous building.

My whammy system is set up so I can yank the bar up as well as do dive-bombs with it. This means that if I accidentally push down on the bridge with my palm, my strings go sharp and sound out of tune. I make sure this never happens by never resting my hand on the bridge when muting. I always do my muting just in front of the bridge.

I get invited to do panels with other Brooklyn writers to discuss what it's like to be a writer in Brooklyn. I expect it's like writing in Manhattan, but there aren't as many tourists walking very slowly in front of you when you step out for coffee.

One day I'll be standing at the river looking out across tomorrow, and the bridge I need to get there will be a bridge that I have burned.

I love to walk around New York. Honestly, that's like the best thing, to walk over to Park Slope and go visit my friend Betty and take her dog out in the park or go walk across the Brooklyn Bridge. I really dig being outside and getting to see everybody in the street.

Coaches are bridge builders. It's our job to build a bridge for our athletes to cross over.

I see a curator as a catalyst, generator and motivator - a sparring partner, accompanying the artist while they build a show, and a bridge builder, creating a bridge to the public.

One thing 'not right' on the 50th anniversary of the Selma marches is the sad fact that the Edmund Pettus Bridge hasn't been renamed the John Lewis Bridge.

With 'Pariah,' at the time, I had just come out. I had a coming out experience, and I was writing about it, transposing my experience as an adult: What would it have been like if I had been a teenager in Brooklyn? The funny thing was people thought I was from Brooklyn. I had to be like, 'No, I'm from Nashville.'

Perhaps one could appoint three or four professional people specially concerned with the task of bridge building between the majority and the minority. Bridge building of this kind requires an effort from both sides. It's no good if the majority alone do it. The question is whether there is any response, whether people on the other side of the river also wish to try to build a bridge.

I feel a real connection to Brooklyn, certainly, because I spent 20 years of my life there, but I don't think of myself as a Brooklyn artist any more than I think of myself as a male artist.

Try to look at the bigger picture. The majority of people you date will not be your destination. They were meant to be a bridge. So find the lesson, the growth opportunity so you don't have to keep repeating your pattern and crossing that same bridge over and over again. Once you learn what you need to learn and become more self-aware and emotionally healthy, you will then cross another bridge, and one day you'll get to your destination.

I've lived most of my life in Manhattan, but I lived in Brooklyn for a while as a kid. I went to junior high school there. Girls in Brooklyn have to be tough - I mean real tough - just to get by. It's life in the combat zone.

I didn't fit in on any level when I moved from Brooklyn to Burbank - on any level. And then I met a bunch of hippies, and I became a little hippie myself. A Brooklyn hippie.

Building a bridge, in my opinion, is a symbolic gesture, linked with the needs of people who cross over it, and with the idea of overcoming or surmounting obstacles. A modern bridge can also be a work of art. It helps to shape our daily lives and becomes a vital experience for all the people who use it.

I think growth is a big part of everything, it think even growth for Brooklyn, growth for Downtown Brooklyn is good.

A truck driver was driving along on the freeway. A sign comes up that reads, Low Bridge Ahead. Before he knows it, the bridge is right ahead of him and he gets stuck under the bridge. Cars are backed up for miles. Finally a police car comes up. The cop gets out of his car and walks to the truck driver, puts his hands on his hips and says, Got stuck, huh? The truck driver says, No, I was delivering this bridge and ran out of gas.

When I heard of the 'garden bridge' idea, it seemed so clear and powerful, the notion of using nature to scale down an enormous piece of potentially wind-swept exposed link. That's what struck me - not treating the bridge just as a link, but as a place.

When you become a teenager, you step onto a bridge. You may already be on it. The opposite shore is adulthood. Childhood lies behind. The bridge is made of wood. As you cross, it burns behind you

I made a tape recording of a bridge collapsing and I wanted to play it suddenly and very loudly when people were walking over a big bridge in Belgrade. The council forbid it. Their imagination is tiny; mine is big. I want always to shake everything up.

Or about how when you're a child, to stop you from following the crowd you're assaulted with the line "If everyone jumped off a bridge, would you?" but when you're an adult and to be different is suddenly a crime, people seem to be saying, "Hey. Everyone else is jumping off a bridge. Why aren't you?

On Waterloo Bridge where we said our goodbyes, the weather conditions bring tears to my eyes. I wipe them away with a black woolly glove And try not to notice I've fallen in love On Waterloo Bridge I am trying to think: This is nothing. you're high on the charm and the drink. But the juke-box inside me is playing a song That says something different. And when was it wrong? On Waterloo Bridge with the wind in my hair I am tempted to skip. You're a fool. I don't care. the head does its best but the heart is the boss- I admit it before I am halfway across

In the middle of nowhere, an old wooden bridge is a golden bridge!

The simple model of a bridge is great, and you could not build a bridge without understanding it well. But if you're actually building the bridge, you need to know the site. A lot of economics is like that: When prices go up, demand is gonna go down. You can't forget that and run your economy. But it's not the only thing you need to know.

If art is the bridge between what you see in your mind and what the world sees, then skill is how you build that bridge.

Some people say hybrid vehicles such as the Prius are only a bridge to the future ... but we think it could be a long bridge and a very sturdy one. There are many more gains we can achieve with hybrids.

Federal regulations forbid delaying inspections for fracture-critical bridges like the fallen Minneapolis bridge - the kind with a lack of redundancy in design, so that a single failure in a load-bearing part can cause the entire bridge to collapse.

It would be nice to abandon the verse-chorus-bridge structure completely, and make it so none of these things are definable...Make up new names for them. Instead of a bridge, you can call it a highway, or an overpass...Music should never be harmless.

I called my mother immediately to inform her that she was a bad parent. "I can't believe you let us watch this. We ate dinner in front of this." "Everyone watched Twin Peaks," was her response. "So, if everyone jumped off the Brooklyn Bridge, would you do it, too?" "Don't be silly," she laughed, "of course I would, honey. There'd be no one left on the planet. It would be a very lonely place.

Nicholas Temelcoff is famous on the bridge, a daredevil. He is given all the difficult jobs and he takes them. He descends into the air with no fear. He is a solitary. He assembles ropes, brushes the tackle and pulley at his waist, and falls off the bridge like a diver over the edge of a boat.

I get invited to do panels with other Brooklyn writers to discuss what it's like to be a writer in Brooklyn. I expect it's like writing in Manhattan, but there aren't as many tourists walking very slowly in front of you when you step out for coffee. It's like writing in Paris, but there are fewer people speaking French.

The catch off Bobby Morgan (a backhanded grab of the Brooklyn Dodger's line drive in September 1951 at Ebbets Field) in Brooklyn was the best catch I ever made. Jackie Robinson and (Giants manager) Leo Durocher were the first people I saw when I opened my eyes

It was always a funny thing when someone would ask me my name and I would say "Brooklyn." They would always think that I meant that I lived in Brooklyn, and I would have to clarify that.

With all respect to Congressman Lewis, when I think about him, I always have that image in my mind when he was on the Selma Bridge. The truth of the matter is, with all that he has given towards the fight for civil rights - which we greatly appreciate - these are no longer the days of marching over the Selma Bridge.

A railroad may have to be carried over a gorge or arroya. Obviously it does not need an Engineer to point out that this may be done by filling the chasm with earth, but only a Bridge Engineer is competent to determine whether it is cheaper to do this or to bridge it, and to design the bridge which will safely and most cheaply serve.

Most blues guitar players don't concentrate on singing and melodies. And forget about the bridge - the bridge doesn't exist. They go straight for the solo.

I'm one of those people who when I go over a bridge, I want to jump. It's just this intense tickle in the back of my throat. It's like I'm on the verge the whole time I'm walking over that bridge, and I'm not going to get a release until I jump.

I lived in Red Hook, Brooklyn, for about 10 years, and then we moved out to Jersey City after my wife and I bought a house up in the Catskills. I miss Brooklyn, but the commute to the Catskills is about 45 minutes shorter.

David Harrington asked me to write a piece for Kronos Quartet for a performance in Prospect Park, Brooklyn. I live just two blocks from the park and spend many mornings running around it. The park for me symbolizes much of what I love about New York, especially the stunning diversity of Brooklyn with its myriad cultures and communities.