Top 1200 Burn Book Quotes & Sayings - Page 19

The book that convinced me I wanted to be a writer was 'Crime and Punishment'. I put the thing down after reading it in a fever over two or three days... I said, 'If this is what a book can be, then that is what I want to do.'

The main benefit of the book for the more experienced practitioners is as an evangelical tool. The book will give you some ways of expressing the value and importance of your work that you may not have had before.

Sometimes I get to see a movie that's adapted from a book that I haven't heard about or that I love the movie so much that I will, of course, read the book.

What I love about 'The Walking Dead' is it's a human story, which is to me what makes the comic book so good, but once you jump from the pages of the book to the screen, the gore and the zombies have to look great.

Whatever a writer gets paid for his book, it's never enough. I think that's true. It's hard work. But in the end, you wrote a book. It's something real and tangible that sits on a shelf forever.

I always do book signings with the same blue pen. That way, if I add a personalised message to a book I've already signed, it'll be in the same colour as my signature.

I knew that a zombie book would not particularly appeal to some of my previous readers, but it was artistically compelling, and being able to do a short nonfiction book about poker was really fun and great.

Each my book feels like my last book. And then I think, like a dedicated alcoholic, that one more won't do me any harm.

My understanding of the meaning of a book is that the book itself disappears from sight, that it is chewed alive, digested and incorporated into the system as flesh and blood which in turn creates new spirit and reshapes the world.

[Book's subtitle:] Designed as a beacon of light to guide women to life liberty and the pursuit of happiness, but which may be read by members of the sterner sect, without injury to themselves or the book.

I think for Lev [Grossman], C. S. Lewis was a huge inspiration from his childhood. I know that Brideshead Revisited is a book that he's incredibly found of and he took certain structural influences from that book that he brought into The Magicians.

Success is so fleeting; even if you get a good book deal, or your book is a huge success, there's always the fear: 'What about the next one?'

You see? I know where every single book used to be in the library. She pointed to the shelf opposite. Over there was Catch-22, which was a hugely popular fishing book and one of a series, I believe.

If I was a book, I would like to be a library book, so I would be taken home by all different sorts of kids.

I didn't want to write a book as Stephen King's son, because all I did was get born, and that's not much of an accomplishment. If that was the reason my book was published, it wouldn't be worth the paper it was printed on. I wanted to do my own thing.

Being a hardcore old-school comic book lover, it took me a while to accept the need for comic book movies.

I had ideas about music and sound and listening and time and so on that I wanted to pursue as an individual, and by doing that book, Brian [Eno] opened the door, and he decided to do a record based loosely on the book.

I believe Jack Smith might have written THE BOOK on writing and revising for publication. Clean, direct, succinct--a book that is full of pure wisdom and truth, but also amazing technical advice.

Look at Nature. Nature is a book from which we must learn. Each object in it is a page of that book.

Usually a feeling of disappointment follows the book, because what I hoped to write is not what I actually accomplished. However, it becomes a motivation to write the next book.

When I sold my first book, 'A Conspiracy of Tall Men,' it was part of a two-book deal. It wasn't hugely lucrative, but it was enough money for me to quit the paralegal job I had in San Francisco.

A noble book! all men's book!

He will find one English book and one only, where, as in the "Iliad" itself, perfect plainness of speech is allied with perfect nobleness; and that book is the Bible.

We had 1 book, the phone book, I've read it, it wasn't a great read, lots of characters, and on the end loads of polish people turn up.

The way to write a book is to actually write a book. A pen is useful, typing is also good. Keep putting words on the page.

I loved the idea of a book of fairytales meant especially for peculiar children, and I love even more the idea of making that fictional book real.

It would absolutely suck if you paid a few bucks for a book only to find that on the first page it said, 'Once upon a time they all lived happily ever after' and the rest of the book was blank.

A book cannot apologize for what people may think it should be. It has to be authoritative. That's what I want as a reader - I want to be confident that the book will do its job.

My first book, 'Running Loose', was censored back in 1983 or '84. Every book I've written since has been censored somewhere.

The book to read is not the one which thinks for you, but the one which makes you think. No book in the world equals the Bible for that.

Whether the author intended a symbolic resonance to exist in her book is irrelevant. All that matters is whether it's there. Because the book does not exist for the benefit of the author, the book exists for the benefit of YOU. If we as readers can have a bigger and richer experience with the world as a result of reading a symbol and that symbol wasn't intended by the author, WE STILL WIN.

It isn't enough for a book to be transporting or entertaining; it must also come from a place of knowledge and an understanding of aesthetics. Even where a longlisted book wears its craftsmanship lightly, the power of the writing shines through.

In the early '90s, I was finishing up my adolescence. I visited my local comic-book store on a weekly basis, and one week I found a book on the stands called 'Xombi,' published by Milestone Media.

The exercise of letters is sometimes linked to the ambition to construct an absolute book, a book of books that includes the others like a Platonic archetype, an object whose virtues are not diminished by the passage of time.

You can't write a book and just expect it to sell itself, you know. We're not building that better mousetrap and waiting for the world to beat a path to our dear. You've got to build a market for your book.

If you can't figure out how to make the beginning of your book compelling, you're probably not writing a compelling book.

Every new book I read comes to be a part of that overall and unitary book that is the sum of my readings...if you need little to set the imagination going, I require even less: the promise of reading is enough.

Authors should be as involved with the marketing of their books as they want to be. No more, no less. I happen to recognized, quite early on, that no one was going to buy my book if I didn't do everything I could to let them know that the book existed.

There are books full of great writing that don't have very good stories. Read sometimes for the story... don't be like the book-snobs who won't do that. Read sometimes for the words--the language. Don't be like the play-it-safers who won't do that. But when you find a book that has both a good story and good words, treasure that book.

Yet I'm making a book and I'm going to care immensely about what words get bound in the pages, and I want the object to look good. I won't believe in it and it won't be real to me until there's a finished book I can hold.

The reason that the book exists is because there was a gap in you. You wrote the book to fulfill that gap in some way.

The dirtiest book of all is the expurgated book.

I'm a book nerd, and I've seen authors that I love, I've gone and seen them speak or read from a book.

A status symbol is a book. A very easy book to read is The Catcher in the Rye. Walk around with that under your arm, kids. That is status.

I was lucky: I feel like I've written four books that mean something to me, and one book that means everything to me, and that's 'The Book Thief.'

A dangerous book will always be in danger from those it threatens with the demand that they question their assumptions. They'd rather hang on to the assumptions and ban the book.

Seeing my book on a billboard in New York was a bucket-list-type thing, but also a deeply surreal moment. I had to keep reminding myself that, oh, yes, I wrote that book.

The greatest compliment of the book [One Thousand Gifts]? Maybe the Muslim man in Iraq who was given the book and came to a saving knowledge of Jesus, wanted to live his life in thanks to God?

When I became obsessed with Winston Churchill, I wrote a book about Churchill. What a joy it was to write that book!

Success is so fleeting, even if you get a good book deal or your book is a huge success, there's always the fear: What about the next one?

When you write a book, people legitimise it by actually reading the book and so it's almost okay to write another one.

I wish I could write a beautiful book to break those hearts that are soon to cease to exist: a book of faith and small neat worlds and of people who live by the philosophies of popular songs.

My first book, 'Contest,' had a guy fighting aliens in the New York Public Library. The second book, 'Ice Station,' and 'Temple' were present-day military thrillers.

When a book's pattern and the shape of its inner life is as plain to the reader as it is to the author -- then perhaps it is time to throw the book aside, as having had its day, and start again on something new.

What readers ask nowadays in a book is that it should improve, instruct, and elevate. This book wouldn't elevate a cow.

As to the book called the bible, it is blasphemy to call it the Word of God. It is a book of lies and contradictions and a history of bad times and bad men.

If he can give his readers no reason why they should read his book, except that the events happened to him, it is not a valid book.

What a big book, captain, might be made with all that is known!" "And what a much bigger book still with all that is not known!

I look at life like a big book and sometimes you get half way through it and go 'Even though I've been enjoying it, I've had enough. Give us another book.'

Reading a book should be a conversation between you and the author. Presumably he knows more about the subject than you do; if not, you probably should not be bothering with his book. But understanding is a two-way operation; the learner has to question himself and question the teacher, once he understands what the teacher is saying. Marking a book is literally an expression of your differences or your agreements with the author. It is the highest respect you can pay him.