Top 1200 Cable TV Quotes & Sayings - Page 15

When I was little I adored the windy beaches of Ventor and the dinosaur cliffs at Alum Bay. I was thrilled to take the cable car, and I coveted the layers of coloured sand in tiny jars in the gift shop.

You know, we were worried that in the UK, there's no anarchy on kids TV. When we grew up kids TV was very anarchic and it was about stuff that your parents would probably object to, if they got to object. And it's gotten very safe.

TV and film for me are not as exciting as the live stand-up show and getting the immediate reaction of the crowd. TV is a lot of hurry up and wait for your shot and less immediate reaction from people.

There's been a great development with scale on TV, but my approach is always the same across projects, whether it's a video game, a movie, or a TV show: I always try to set up my sounds and my themes. I really try to stay with the characters and do the storytelling through the music.

I watch a lot of bad TV. I spend my entire day reading and writing, and after dinner my idea of fun is just to watch a lot of bad TV. That's how I relax and stay in touch with modern culture.

I feel like there's a lot of experience I have from doing TV animation that would be especially useful doing an animated film in terms of some efficiencies of the process that are necessary for TV, just because you have to crank out material every week, that could be applied to film.

I am constantly visible in TV shows because anybody who is thinking of a role sees me performing on TV and may say, 'Why not him?' That way I am always in the limelight. It's better than running around for good roles. I can't lobby for roles.

TV is the place that writers want to be. When you don't have a very strong indie market going on, talented writers want to have their voice heard, so they'll go somewhere else, and everyone goes to TV because their voices are heard.

Ideally, in the future, you'll just pay your cable company for the stream, which you'll be able to watch and manipulate through whatever means on whatever devices you like.

If you looked at their cable bill, their telephone, their cell phone bill, other things they're spending money on, it may turn out that, it's just that they haven't prioritized health care.

Best-selling horror fiction is indeed necessarily conservative because it must entertain a large number of readers. It’s like network television. I’m your local cable access station.

I really want to play a superhero. I want to take the role-model thing up a notch. I've always been a fan of movies and TV, and to be able to play the ultimate TV superhero would be awesome.

I wanted to do 'Fargo' rather than do a TV production. I've been offered TV things over the years, but usually, that's about that I don't want to be away from home for that long because it's a long time to be away your home country and my family.

I can work every day of the year. TV is easy. My call's at 8:30 a.m. I'd like to break out of the comedy thing and take a shot at something serious like theater. The off-season allows me to do movies, but I'm not tired of TV yet. There's nothing like it. I've got the best of both worlds.

I believe that 'advocacy journalism' is not an oxymoron. If that means that I'm going to disrupt the cable, partisan fracas of obsession over what this means from left and right, then so be it. I will be disruptive of it.

It's funny; it's a real balancing act. In TV, everybody's talking about authenticity. In order to make 'Dirty Jobs' authentic, I really can't be overly informed. The minute I am, I become a host It's a very tricky business paying a tribute to work, because TV is very bad at it.

Cable series have more time to focus on characters, and a structure that allows for a development in character as you go along. Network shows have a pressure of time and space that is completely different.

There has been an attempt to pull in a more cable mentality to the big networks - from NBC hiring Scott Sassa from TNT, to FOX hiring Herzog from Comedy Central.

I've always loved theatre because it's so immediate. The challenge of it is that, career wise, it's easier to get traction in the industry if you do film and TV because the audience is larger, and because the work can be seen for a longer period of time. I did solid work in a series of regional and Off-Broadway shows, but the work I did on TV or film will have a longer life with a larger audience (and with services like Netflix). Ultimately, there's something intimate about TV, because the storytelling and the actors come home with the viewer. It can be powerful because of that.

According to me films like 'Sonali Cable' are career changing films and only few get such chance, I am happy that I did this film.

Cable boxes are, almost without exception, awful. They're under-powered computers running very badly designed software. Their channel guides are slow, poorly laid out, and usually riddled with ads.

It's funny because when I first met with Carmen, she said, "Have you ever thought about doing TV?" And I was like, "No, not really, but I'd audition for TV." And she said, "That's where the roles are for women now. That's where you can go and get a really great part."

YouTube is the new TV. I'm the voice of the young people. I feel like kids these days don't watch TV anymore... No, I will never leave YouTube. Never ever ever... If I do, you can do whatever you want to me.

The good news about showcasing chefs and the TV shows is they've attracted a lot more smart kids to the profession than 30 years ago. On the downside, though, these young chefs all say they want their own restaurant and their own TV show.

I never watch TV. I know I'm missing so much, aren't I? I'm probably not. I can't stand popular TV. I've got too much to do to watch it. I know that sounds pretentious and pompous, but there you are.

I think a lot of people who watch TV don't realize when they're watch TV shows and it says 'produced by' and producer, producer... there are all these producers. What the hell does a producer do? It's funny how much you have to worry about as a producer.

Succeeding in network prime time has gotten tougher. Every day, several thousand homes are wired for cable, and more people are buying videodisks and video cassettes. That all represents competition.

It's funny; it's a real balancing act. In TV, everybody's talking about authenticity. In order to make 'Dirty Jobs' authentic, I really can't be overly informed. The minute I am, I become a host... It's a very tricky business paying a tribute to work, because TV is very bad at it.

Ideally I'd like to be working steadily as an actor: movies, a TV series, that sort of thing. I've been through a few different TV development cycles, and they didn't work out. When the time and project are right, it'll come together. Like I tell a lot of guys, it's not a race; there's no finish line.

Kids and violent TV, violent TV and violence, violence and kids. The only people missing from this discussion are the parents. Where are we? Gone. Abdicated.

I have seen women walk right past a TV set with a football game on and - this always amazes me - not stop to watch, even if the TV is showing replays of what we call a "good hit," which is a tackle that causes at least one major internal organ to actually fly out of a player's body.

The biggest change in the government's behavior has been because of TV and its ability to show to the world what has happened in this community... that's the biggest change. But without TV... the separation between the government and the people would be much worse than it is.

What's great about cable is that the ceiling of expectation is lowered because fewer people have to tune in for it to be a success. You don't need 23 million people a week like you do in broadcast.

All the big actors are now on TV, and all the big actors have come from TV. It's a great platform.

I think it's very dangerous, the idea of celebrity - you have to be constantly controversial to maintain the status of celebrity. Reality TV is the death of entertainment - it's just mindless TV but popular because of its voyeuristic nature, and people are very voyeuristic.

Commercials led to TV, and TV led to movies here and there.

How do you do something where you're able to be specific and edgy enough to compete with what the cable networks are doing and, at the same time, appeal to a broader audience? That's the line that everyone in network television is trying to tread.

Cable television is such a part of our society now. Oftentimes, the shows are really good, and you're just like, 'Well, it's worth sitting through the sex and violence because the narrative is so great.'

When the kids were growing up, we didn't have a television in the house connected to a cable or an antenna. If something bad happened in the world, I wanted the kids to hear about it from me.

I've kind of gone from TV series to TV series or project to project, and I've wanted to get back in a rehearsal room. I feel like there's that exploration process, in a way, that you get in phases on jobs but I do wish I had that time [at school].

More American young people can tell you where an island that the 'Survivor' TV series came from is located than can identify Afghanistan or Iraq. Ironically a TV show seems more real or at least more meaningful interesting or relevant than reality.

At the Emmys, you've got a bunch of people who are used to being on TV on TV. You don't have that at the Oscars. At the Oscars, you have people who are used to having 40 takes.

There are still some pieces that aren't being used, like the white-space bands between TV channels. With digital broadcasting, those buffers aren't needed anymore. The wireless telcos want to lease them, while the TV industry wants to maintain the status quo. Either decision would be a mistake.

Now, all America sits in front of television sets and those television sets exude, I am sorry to say, a considerable amount of radioactive material. It's not huge, you know, but it's enough so that people who have made a habit of watching TV ... get the TV radiation.

I don't know how many bands I saw who would try to wreck a hotel room, but I never wrecked a hotel room in my life! If I'm gonna sit there and throw a TV out the window... if it's a good TV, maybe I should just take it home.

When we got home from school, every TV in the house was on 'General Hospital,' so if I wanted to watch TV instead of do homework, I had to watch 'General Hospital.'

TV is the place for writers to live. This is where you have creative control and you're constantly writing. 'Twilight' had almost a TV schedule to it. I was constantly working on these projects. There was not a whole lot of lull but I've gone onto other feature projects that's like, 'Okay, I'll get back to you on notes.'

Once cable started coming around, I had a lot of access to a lot of different wrestling, but primarily, the Mid Atlantic stuff is what I sort of fell in love with.

It almost feels like a movie or a- I know it's been said many times - that cable television is the new novel kind of thing - but it does feel like that.

I didn't think, 'I'd really like to work in TV; maybe I could carve out a niche where I talk to people who are somehow involved in marginal or difficult lifestyles... ' It was something I gravitated to very naturally as a subject area, almost instinctively, and somehow turned into a TV career without meaning to.

Britons still commemorate the Battle of Cable Street in London. There are still pop songs in Britain that reference Sir Oswald Mosley and his black shirts.

Where I grew up, acting wasn't really accessible. I was just playing sports. But, I did watch a lot of TV. I watched a lot of Clint Eastwood movies on TV and had this fantasy of being like him when I grew up.

I've seen my family watch TV every day, and they develop a liking for various characters more and more with time. So, I think TV does bring a celeb closer to his fans. I feel I have come closer to people without losing my raw appeal.

The kids can't watch 'The Wire,' but there's great educational stuff for them to watch on TV if it is TV time. There are great apps on the iPad that are interactive and educational.

But instead they tell you they'll come to fix your cable between noon and five, and I say, okay, I'll pay my next bill between July and November, but they don't laugh.

I love TV. I love being behind the scenes on a TV show but there's something about, I don't know there's something very special when you've signed an artist and that first record comes in and it's a good record. It is an indescribable feeling.

My first job, honestly, was as a proofreader. I say that a little disparagingly, but it actually was this sort of incredible thing, where I got this job proofreading for a cable television magazine.

TV, and the culture it anchors, masks and drowns out the subtle and vital information contact with the real world once provided. There are lessons, enormous lessons, lessons that may be crucial to the planet's persistence as a green and diverse place and also to the happiness of it's inhabitants-that nature teaches and TV can't.

I think its very dangerous, the idea of celebrity - you have to be constantly controversial to maintain the status of celebrity. Reality TV is the death of entertainment - its just mindless TV but popular because of its voyeuristic nature, and people are very voyeuristic.

With network, shows are pulled half the time after three episodes whether they're good or they're not good. It's a numbers game. With cable, they can take a lot more liberties.