Top 1200 Cable TV Quotes & Sayings - Page 18

My first media interview was when I was a high school freshman and I was set to compete at state champs. The interview was the first occasion people had heard me on TV. When I watched back the recording on TV, I thought, 'Wow, is that what I sound like?' I didn't like the sound of my voice.

When my TV show, 'Sports Jobs with Junior Seau,' assigned me to be a 'Sports Illustrated' reporter for a weekend, I didn't realize I'd have to squeeze it in around another sports job. I had planned to retire from the NFL to enjoy the cushy lifestyle of a full-time reality TV star, but I wound up getting run over by a bull.

For a man who purports to have learned of media ethics only this month, Mr. Williams has spent an undue amount of time appearing as a media ethicist on both CNN and the cable news networks of NBC.

We've still got a cathode ray TV with a big back. An ancient, massive thing. All our teenagers' friends come round and say the TV's really cool. The picture is so much better than HD TVs - everything looks like film. It's not digital, and we still haven't got Netflix. It's too confusing.

When you're dealing with TV and with movies, people dont take it as serious as they do with music. If a rapper does a song about shooting people on the block, and goes into a restaurant or grocery store, people grab their purses because they're afraid the person is violent. With TV and movies, people know it's okay, it's just a script.

The way that people are watching TV is changing. The landscape of television is changing. Movies are becoming much more insular. They're like a walled garden, where you know what you're going to see and you expect it. But in the world of TV, because it's episodic, you can explore any area because you have time to do that. You can take risks on the kinds of storytelling that you're doing.

In TV, kid roles are like this: You're either in a couple minutes of an episode playing somebody's kid, or you get in these procedurals where you're crying or you're playing a witness or you're playing a crazy person. Every once in a while you get a big guest star role, but there's a formula to those TV shows.

I like cable stuff; I really do - 'American Horror Story,' 'American Crime Story.'

You hit a certain age and - especially because of TV - the young cooks coming up say, 'You're a sellout, because you're doing something other than what you should be doing.' 'Top Chef' is a double-edged sword for me: There's a whole group of people who will not come to the restaurants because they assume I'm not in them anymore, all I do is TV.

Why are we seeing George Bush on TV every two hours for nine or ten days at a time, like some kind of mutated Mr. Rogers clone? Something is dangerously wrong in any country where a monumentally-failed backwoods politician can scare our national TV networks so totally that they will give him anything he wants.

I think when I got drawn to film, I didn't know it was a business. I mean, like most filmmakers, I probably saw more films than a lot of people when I was a kid. But I watched them on TV as well. I was no purist about it. I spent lots of time in movie theaters, but I also watched a lot of films on TV.

There's no doubt that cable news hosts can say things that the president of the United States shouldn't say, and people can be harsh at you. That doesn't mean you benefit by being harsh back.

If I could make a device where people could just intuit everything you are thinking - a little cable you plug into, like, a USB port, I would make a billion dollars.

Since I have access to every, every crisis in the world because it's always blaring at me on cable television, that doesn't mean I have to worry about every one of them. This is also known as knowing where the 'off' button is.

I think the thing we see is that as people are using video games more, they tend to watch passive TV a bit less. And so using the PC for the Internet, playing video games, is starting to cut into the rather unbelievable amount of time people spend watching TV.

The truth is, for me, when I was a young black girl who knew I was different, was watching TV, I would always be staring at the TV set looking for myself, and I didn't see me. And when you don't see yourself, you start to think that you don't matter, or you start to think that something is wrong with you.

Back in our day, if you wanted someone to go up the side of a building, he had to put a harness and a cable on and really climb the building! For what it was, it had a certain charm.

I went out in my yard and saw a snake, so I got really scared, and I came back inside to get a shovel, and beat the hell out of that snake. Then I didn't have cable for a week.

Go find very early versions of things: the first TV pilot of a later-successful TV show; early audition tapes by famous actors; early demos by famous musicians. Focus on these early examples, not what they became over the next 20 years. Remember that what you're doing will constantly improve.

It's not the day in which I grew up, long time ago, where we had three news networks. No cable, no social media, no internet. Where what you see is what you got. We had basically straight journalism. We don't have that anymore.

In TV, you are much more likely to see the episode closer to the script as written - in terms of the order of the scenes - than you would in a movie, and here's why: you don't have as many days to edit. You have 10 to 12 weeks or more to edit a feature, and you have four days to edit TV. That's a huge difference.

I think the people who probably have it the best are the people on cable like on Entourage, the Sopranos, etc. who have 13 episodes per season and breaks to do films and theatre. I think thats the most ideal life.

People choose their modes of information in much more tunneled ways. I think cable news contributes for sure. I think President Trump contributes.

My whole life revolved around TV as a kid. I would come home and make sure I finished my homework every night by 8 o'clock, generally so that I could sit down and watch TV from 8 to 10. As a kid, it was 'Family Ties' and 'Roseanne' and 'Growing Pains' and 'Perfect Strangers' and 'Golden Girls.' I mean, I watched everything.

Imagine if you have a million views on a show and they say it's a hit on some cable networks. I could put out a piece of content that has 20 million views.

I was an apprentice television engineer when I decided to pack it up and go full-time, much to my father's disgust. But I'm still interested and I like messing about with TV. I can't deny it ... TV engineering was the job I'd wanted at the time, and I got what I wanted. But in the long-term it would have been second best to being a musician.

The TV set, or Satanic family altar, has grown more elaborate since the early 50s, from the tiny, fuzzy screen to huge ‘entertainment centers’ covering entire walls with several TV monitors. What started as an innocent respite from everyday life has become in itself a replacement for real life for millions, a major religion of the masses.

The goal of cable news executives is not to make me an informed citizen of Earth. Their mission is to tickle the dark reptilian depths of my brain and hook me so they can then barter with my soul for advertising revenue.

you're infamous, Tally. Everyone's terrified of you. The new system may have made the other cities nervous, but they seem to think my little gang of psychotic sixteen-year-olds is worse" - Cable to Tally

I want to be comfortable on TV. If I'm comfortable, they're comfortable watching me. I think nothing's more icky than watching icky on TV.

Our producer Jon Davison thought it would be a good idea to put in additional TV scenes. So, they sent me a tape of these additional TV scenes, and I watched them, and I didn't think they were that great. I didn't think it was worth putting them in.

'Baskets' isn't a CBS show. Nothing against that, but this is an off-kilter show on cable that the channel lets you do interesting things. Look, if it works, it works. And if it doesn't, it's just a miniseries.

Nature was tough, it could be dangerous, but unlike Dr. Cable or shay, or peris-unlike people in general-it made sense. The problems it threw at you could be solved rationally.

In a fashion similar to the leftist occupiers on Wall Street, their antics would be the target of rabid moral indignation on the front pages of the New York times and Washington Post and on the lead stories of every cable news show.

Why call me inferior to another person just because of the platform we come from. I think the audience need to reflect on that aspect. If I work on TV, and on web as well, and even in films then why just call me a TV actor?

There's discussion in athletics about how sport - where they say 'SportsCenter' has ruined the fundamentals of basketball because it's - it only applauds dunks and three point shots and blocks, and I think, you know, the cable news has done the same thing for politics.

Storytelling is all about using the imagination, for me at least it is. That's why I'm bored sometimes to see movies. I'm bored to see TV. I never see TV. I see news sometimes. I'm sorry to say, I work in this business and I love working in it, but I haven't seen a movie in so many years.

The beginning of a habit is like an invisible thread, but every time we repeat the act we strengthen the strand, add to it another filament, until it becomes a great cable and binds us irrevocably thought and act.

Sometimes you feel a need to express yourself, and there is no better way than to go to places where people need everything. It's dramatic, it's tragic. You just can't understand why, in the world of today, there are still things like that. The images you see on TV kill you. Of course when you are there (at these trouble spots) you can't turn off the TV. You are face-to-face with reality.

For a lot of people, most of their exposure to politics and politicians involves events on the campaign trail, interviews on cable news, or seeing a viral tweet here or there. But day to day, there's so much more than anyone sees.

I like TV in the way that it moves quickly, I like the pace of TV because I'm that type of actor. I like to go-go-go. I don't have to do 50 million takes of something. I guess I'm not that patient. I really like the pace of it.

I go to pick up a girl in a bar. I say will you go home with me? She says I don't know, do you have cable? I say no, but the rope should work just fine.

I don't like being at food festivals and have someone from some weird cable access show that's all about lifestyle get in my face with a microphone and wants to know which party I'm going to later... That just is pointless kind of stuff to me.

I do not mean to be the slightest bit critical of TV newspeople, who do a superb job, considering that they operate under severe time constraints and have the intellectual depth of hamsters. But TV news can only present the "bare bones" of a story; it takes a newspaper, with its capability to present vast amounts of information, to render the story truly boring.

In the voyeurism of Reality TV, the viewer's passivity is kept intact, pampered and massaged and force-fed Chicken McNuggets of carefully edited snippets that permit him or her to sit in easy judgment and feel superior at watching familiar strangers make fools of themselves. Reality TV looks in only one direction: down.

My personal sense of humor is edgy, I would say more cable-like: words you're not allowed to say, ideas that the majority of people might say, "That's too risqué for me."

Whenever I catch a chunk of an Adam Sandler comedy on cable, it looks as badly shot and goofily tossed off as a Jerry Lewis gag reel once he hit the late downslide with 'Hardly Working' and 'Cracking Up.'

The cable operators are paying to show content. The most important content you have is the broadcast stations. They take the position that over the air is free to people, so it should be free to them.

When I was four I thought everything in TV was just TV, then I was five and Ma unlied about lots of it being pictures of real and Outside being totally real. Now I’m in Outside but it turns out lots of it isn’t real at all.

It's very difficult to break into motion pictures, but it's oddly easier for directors today because of independent films and cable, who have inherited for the most part those films of substance that the studios are reluctant to finance.

I grew up in Lancaster, Pennsylvania, watching the Tony Awards on TV. Not just 'watching' the Tony Awards on TV - I would record them on a VHS tape and bring them in to school and show them to the other kids.

I guess probably in my time in politics, it continued to be affirmed to me that the African-American community, despite being subscription television's most valuable customers, they are very underserved by cable and satellite television programming options.

I met Princess Anne once at a charity do and she said Blue Peter made her realise TV was all lies - she'd gone to Africa on safari with Valerie Singleton and they didn't see a thing, but when she watched it on TV they'd edited in some lion cubs. I was like, 'Oh dear.' I still don't know if she was joking or not.

We've made so much headway with storytelling - mostly on cable, let's be honest - but also on the networks and, you know, I think it's about time that the leads are women. I'm not a woman, so I'm a bit biased - I wouldn't mind if a few roles were left over for men.

I just think I started off like many composers, just in different fields of music I was doing. I started doing a lot of commercials and jingles, and then that led to doing TV and then films and games and TV.

TV has taken reflection out of the human condition. People didn't use to have a ready answer for everything, whether they knew something about it or not. People think they have to have an answer for everything because the guys on TV have an answer for everything.

Now that we've transitioned to more Smart TVs, where people are broadcasting their cable box, I hope that Geek & Sundry is something that people will click on in the future, knowing that they're going to get content that they love.

Since I have access to every, every crisis in the world because it's always blaring at me on cable television, that doesn't mean I have to worry about every one of them. This is also known as knowing where the off button is.

I've always been fascinated, obsessed even, with books and TV shows about unsolved murders, cold cases, forensic science, mysteries, and so on. Many times when I get inspiration for my work, it's from something in one of these books or TV shows, or perhaps some newspaper article about a specific case.

If I go back to when Borat and Ali G. were doing it, they were more just TV, cinema, TV, cinema. Whereas I live in more of the Internet age where people like to feel like they can still touch you, and so it's important for me not to almost box myself off.