Top 1200 Cable TV Quotes & Sayings - Page 19

I was joking the other day about how my real life feels like a TV show, and my TV life feels real - because, to be on Thursday nights on NBC, which is what I grew up with, has been such a big part of inspiring me. To be part of that tradition is really completely surreal, and I'm so grateful.

Back in pre-Revolutionary America cruel and unusual punishment meant the rack and burning at the stake... in more recent rulings it has been taken to mean the absence of cable television and denial of sex-change operations, or just overcrowding in the prisons.

When I was younger, I did a TV show in the U.K. for a couple years, and I learned a lot from that. It taught me a lot about being known amongst your peers and having to deal with a lot of derision from them. It's not easy being known as 'the kid from the TV show.' Not in school it's not.

I feel like my competition is everything else that's competing for people's attention, not just other print magazines, newspapers and cable. It's your kid's report card and the games you want to play, all the things that compete for people's time.

It's the cable shows that are really the most interesting - 'Mad Men,' 'Breaking Bad,' those shows are really the premiere shows on television right now.

Maybe I could just James Bond my way down the cable if I draped the scarf over it, clinging to the ends as my body careened down it to safety-- Careened. What an ugly word that was

When you talk about President Trump, the cable networks turned over so many hours of prime time to him. Why? Because he was entertaining, but also because it drove ratings. And that is different from what the news media is supposed to focus on.

TV does not care about you or what happens to you. It's downright bad for your health now, and that's not a far-out concept. I think watching the TV news is bad for you. It is bad for your physical health and your mental health.

In terms of writing and developing, TV is very open because TV needs stories. They need new pitches, and they need new ideas. They don't always take the risk for new ideas, but they are certainly open to it. They can't have enough people come in and pitch to them. It doesn't matter how they look or what gender they are.

Because of television, sports columnists have become personalities. I went to a party [during Super Bowl week] and there must have been 500 people who wanted to talk to me because they saw me on TV. I've become sort of the Soupy Sales character on TV, and people do not really know me as a writer.

All of the people who are using their BlackBerries or their iPhones, Facebook, all of the people who are sitting in cafes and hotels rooms doing their work, they're all using wireless technology, and we shouldn't assume that the only way of the future is high speed cable.

The thing is when I started doing standup, you had to have a clean act because that's how you got on television. There weren't all these cable shows. Also, I didn't want to have that kind of act in case my family came to see me or my kid one day.

It was actually the production group that ended up producing the show for us...Every musician, especially in the hip-hop community, you always make these show recaps or vlogs, and essentially what "Touring's Boring" was is, we tried to make our vlogs interesting and almost more like a TV show. That's how we got discovered by TV.

Since the 1980s, I've been known more for my TV work, I used to host 'Live at Jongleurs' and of course 'Grumpy Old Men,' and so it's really all come from there. It's been a funny career really, there are people that know me now as a TV person, a comedian, an interviewer - I've had people genuinely gobsmacked to find out I am a musician.

Reality TV now doesn't feel reality TV when it started. The line between reality and fiction is blurred. So many of these people are phony or shallow, in their own right. If you've ever watched any of The Real Housewives, or those types of shows, they're all performing. Even though they're real people, they're performing.

The chance to tell personal, language-specific, culturally specific stories is really flourishing on TV and I think it's just the nature of movies and international demands that you need to get a much bigger audience. TV is more like independent film was. The forms of adult drama and certain kinds of sophisticated comedy, there's no room for them in the tentpole movie universe.

Cable is a niche business. If you can own a niche, that can be a very strong business.

I don't want to do something just to be on TV. If I did I might as well just go on and put a meat pie on my head! If I go on TV I want to be doing something I want to do.

I go back to when we met with the late Steve Jobs. He couldn't understand why we didn't put Wi-Fi in every cable set box. And I literally went home and said, 'Tell me again - what's Wi-Fi?'

The hardware manufacturers, game designers, cable companies and computer companies and, in fact, film studios are going to ensure that this thing marches on. They know that they are going to make an enormous amount of money from it.

I got a cable from New York saying that what I'd written about the growth of Soviet agricultural production didn't make sense because the same levels were reached under the czars. I wanted to confirm it, but by then the censors were on to me.

I really made the cartoon Life with Louie with one reason in mind: I didn't have a very good relationship with my dad, and we didn't all watch TV together like we should've, like you hope for, like you've seen on TV, and I wanted to make it for moms and dads and their kids. That was always my goal. And then I wanted to put real things in it. We did a thing about the homeless and won a Humanitas award for that.

I did a pilot for Fox years ago called 'Faceless,' with Sean Bean. I always thought it was such a cool show because it was really raw. I thought we were pushing it. This was back at a time before there was the 'cable standard.'

If I were to ask you who the first million-pound show winner was on British TV, you'd probably go for Judith Keppel. She was, indeed, the first 'Who Wants To Be A Millionaire' contestant to win £1 million, but the first one on TV was actually Clare Barwick, who won £1 million on Chris Evans' show 'TFI Friday.'

Yeah, I've done Jim Breuer's radio show a couple times, and I heard from Larry the Cable Guy when I got 'Mike & Molly,' wishing me congratulations. I'm always the last one to the party, man. But that's okay. I got there.

Polo is a great thing to do with your kids and your family - it is a great day out. And to me, horses are amazing creatures that give you this cable to Earth and put you in contact with nature.

People behave differently to TV stars and film stars; it's to do with the scale of the medium. Film stars get hushed awe, TV stars get slapped on the back. Neither is good for you. Famous people don't hear the word 'no' enough.

We've always dreamt of a TV series and working in film. When we first sat down to seriously write 'A Little Nightmare Music,' to write something for TV was our original inspiration. But all the stuff we were writing down is not going to work on stage. We had to rewrite it so it would work on the stage.

If you look at cable networks, they almost always start licensing content wherever they can, so they can build a subscriber base. But then they start doing their own content; it's a pretty well-trodden path.

With drama, especially, it seems like the bigger the budgets and the edgier the characters, the more interesting they are. We're very lucky because 'Modern Family' wouldn't fit on cable: they'd want us to push it more and be edgier and turn it into something that it's not.

There's always something at least a little smug about self-reference - magazine articles about idealistic journalists, TV shows about TV actors, ironic films within ironic-er films: all this meta-media populated by thinly disguised characters making oblique inside jokes.

The 8 P.M. hour in the cable news world is currently driven by the indomitable Bill O'Reilly, Nancy Grace, and Keith Olbermann. Shedding my own journalistic skin to try to inhabit the kind of persona that might coexist in that lineup is just impossible for me.

Sonali Cable' is not a low budget film, it's a normal budget film.

Rarely, if ever, has a cable news channel employed a host who has previously campaigned for the business goals of the channel's parent company. But as channels like MSNBC have moved to more opinionated formats, they have exposed themselves to potential conflicts.

I come out of TV. I come out of live television, BBC drama: that's where I started first as a designer, then a director. Then I went independent TV, then television advertising.

A lot of cable television is shot on a single camera. Our eyes are more trained to that. It takes the camera off the crane, away from observing the action, to becoming a character in the story along with everyone else. People are getting used to that.

my dream is someday to have a bank of TVs, where all the different channels could be on and I could be monitoring them. I would love that. The more the better. I love the tabloid stuff. The trashier the program is, the more I feel it's TV. ... Because that's TV's mode. That's the Age of Hollywood. The idea of PBS - heavy-duty Masterpiece Theater, Bill Moyers - I hate all that.

The movie industry has collapsed into two types of film - the $100 million blockbuster or the small independent film of $1 million or less - and the huge middle ground has been lost. Cable is filling that void.

TV has taken reflection out of the human condition. People didn't use to have a ready answer for everything, whether they knew something about it or not. People think they have to have an answer for everything because the guys on TV have an answer for everything. But it's bullsh**t! Reflection is crucial.

I was like, 'I'm only going to do musical theater for the rest of my life. I'm never going to do TV.' And whenever I'd get auditions for TV, I'd be like, 'Okay, whatever. I've got a lisp, so they're not going to take me.' And then I started doing this, and I guess it was my sister that got me into the acting thing.

You can cut the fat from your spending: Stop taking taxis, call your cable company and ask for the same deal new subscribers get, have dinner at home and then a drink out instead of a $100 meal with wine.

I encourage all novelists to move to TV right now, that is the way to go. I was living in New York working at a bank as a day job about seven years ago. I was writing novels at night and decided, "Wow, there's so much great TV, and they're telling the complex, interesting, psychologically nuanced stories that, as a novelist, you dream of telling. And it's a healthy, exciting, thriving medium - that's where I need to be."

'Suits' fans. I've never met a more diverse audience: across gender, race, class. It's incredible. People who are high-powered lawyers to doormen. A Chinese immigrant cable installer - who barely spoke English - loves 'Suits!'

What Cable is up to is not something that can be done quietly. It will raise the interest of some pretty important people and leaders in the X-Men community will have to step in at some point in the storyline.

I want to see more Asians on TV. I want to see more faces like mine on TV.

Charter hired me - which, to be honest, took some humility on its part, since I have helped lead public campaigns against cable companies like Charter - to advise it in crafting its commitment to network neutrality.

I'm not suggesting that the entire nation can't be successful, but there's something to it when you have 150 cable channels and the Internet at your fingertips and video games and all kinds of ADD-addled devices like my iPhone and your BlackBerry and things that keep us busy.

A new survey reveals that women would rather give up sex than give up the remote control for the TV. Men, on the other hand, would be willing to have sex with the remote for the TV.

You see now more girls getting involved in their sports because they can see it on TV and see these people playing, and I think - the more and more it's exposed and is out there - it will continue to grow and grow. They watch it on TV and think, 'Well, that could be me!'

We now assume that when people turn on the evening news, they basically already know what the news is. They've heard it on the radio. They've seen it on the Internet. They've seen it on one of the cable companies. So that makes our job a bit different.

I had a 2-week courtship with a fellow student in the fiction workshop in Iowa and a 5-minute wedding in a lawyer's office above the coffee shop where we'd been having lunch that day. And so I sent a cable to my father saying, 'By the time you get this, Daddy, I'll already be Mrs. Blaise!'

I don't watch much television. My old TV agent used to always get mad at me because he'd send me out on auditions and I'd be like, 'What's this show?' and he'd be like, 'It's literally the top show on television.' I wasn't allowed to watch TV as a kid.

'Network neutrality' is sometimes called 'Internet freedom' or 'Internet openness' and is a legal principle that would forbid cable and phone companies like AT&T, Verizon, and Comcast from blocking some websites or providing special priority to others.

Both TV and movies seem to be produced in a more similar way as time goes on. It used to be that movies were much bigger productions on every level and took much longer to shoot. I liked that. But with the advent of digital, everything can be done much quicker and cheaper, and that seems to be the goal of most movies and TV these days.

I must confess that I've never trusted the Web. I've always seen it as a coward's tool. Where does it live? How do you hold it personally responsible? Can you put a distributed network of fiber-optic cable "on notice"? And is it male or female? In other words, can I challenge it to a fight?

I think Ronald Reagan is what happened....The age of Reagan brought conservatism into the mainstream....It also brought us the beginning of the new media-talk radio, the internet, cable television.

People can see you on TV sloshing paint around with big four-inch brushes, and I learned to talk to camera in a friendly voice, not talking down to people, just explaining what I was doing. People like Picasso, Van Gogh, and Rembrandt did not have a weekly TV programme where people could see them painting.

Sour Patch, Swedish Fish. I love candy, man. I can't go without candy. And when I'm recording, I always have a TV on with cartoons - on mute, though. When I'm recording, I like to look at the TV now and then and see some crazy, wacky stuff. When you're thinking creative, it just keeps you creative. Everybody got their way of making music.

If people can't take the heat and can't take the controversy then they shouldn't be involved in advertising of reality TV because there is so much heat and controversy in reality TV.

I hope people realize that drag queens and queer people, we're not just archetypes and stereotypes. We're human beings with a lot to share. And a drag queen doesn't have to just be a clown, she can also be like a cooking TV personality or like a DJ, or a talk-show host. We should be able to infiltrate TV everywhere.