Top 1200 Cable TV Quotes & Sayings - Page 3

There's something really cool about TV. TV, you get the luxury of having the same people around. It is such a blessing when you get a TV job. You really have a chance to get to make, like, work friends. I think TV is one of the few mediums where I've had the opportunity to get to know my crew members.

North Koreans are irrational to some extent, but I don't think they're totally irrational. I think they watch American cable channels. I think they watch the European cable channels. I think they, their decision makers keep up more than we know. And I think they want us to think they're a little crazy.

The reason people talk about cable cutting is they imagine the price burden will get so high that people won't be able to pay it. They're missing something: that the actual price of the electronic package is going down. They've got their Internet, phone, TV, all of it. Now people are using more and more stuff for less.

I believe that the major operating ethic in American society right now, the most universal want and need is to be on TV. I've been on TV. I could be on TV all the time if I wanted to. But most people will never get on TV. It has to be a real breakthrough for them. And trouble is, people will do almost anything to get on it. You know, confess to crimes they haven't committed. You don't exist unless you're on TV. Yeah, it's a validation process.

We've got a portfolio of companies that range all the way from hotels to television stations and cable TV companies, oil and gas, consumer products, and industrial products. If there's anything that I want to know more about, I have the opportunity. It's right in our portfolio. I can spend time at the factory or with the manangement and learn as much as I want. You can't get bored doing that.

Have you talked to North?" he said. "Yes," she said. "I asked him to get us cable." "I wish you weren't talking to him." "I'd talk to Satan to get cable," Andie said.

TV is a language all its own, a land of one dimensional stereotypes that destroys culture, not adds to it. TV is anti-art, a reflection of consumerism that serves the power structure. TV is about demographics.

It's been possible for years to use a PC to watch and record over-the-air television broadcasts, and unencrypted cable television tuners have been available almost as long. But for a long time, you could only watch copyright-protected channels with a cable company-leased box.

I don't want to be a TV star for the sake of being on TV. I want to have a TV show that's based around my comedy.

I actually don't watch TV at all. If you asked me what my favorite TV show is, I couldn't tell you because I don't watch TV.

Cable is not a robot. The metal in his body is actually organic tissue. Ed and I have talked about this a lot. We liken it to a cancer that changes your body's cellular structure. Last time we saw him, his arm had been severed. It's back with a kind of force that will play a major role in this storyline. This is a battle inside Cable's body that he has waged since the first time he appeared.

My mom has this thing where if I'm doing anything doing dirty or crazy, she sniffs it out and yells at me. But the good thing is my mom doesn't have cable, and so much of the stuff I've done was on cable, so many times she'll miss it. I tend to gloss over the crazier things I shoot.

You're used to a TV show, and TV is just made for TV shows. It's not made for live events.So anyways, I was resistant to it, but I did it anyway.

I read everywhere. It's like a bodily function. I don't need quiet. I write and read with the TV on. I follow the TV show while I read. TV doesn't require a lot of brainpower.

I'm not a huge TV person. I don't like having the noise when I'm doing other things unless I'm really lonely, and then I turn the TV on. But I do like to sit down and watch TV in the evenings.

Something economically changed. It used to be that you needed 20 million people to watch a TV show for it to be a hit. Now, with just a few million people watching, you're considered very successful, for a lot of these streaming services, or cable channels. Now, that allows people to do much more creatively ambitious work, because it's not lowest common denominator.

Because of the control of the media by corporate wealth, the discovery of truth depends on an alternative media, such as small radio stations, networks, programs. Also, alternative newspapers, which exist all over the country. Also, cable TV programs, which are not dependent on commercial advertising. Also, the internet, which can reach millions of people by-passing the conventional media.

I want everyone out there in TV land to touch the TV. Touch the back of the TV and get a shock for Jesus.

I had achieved a lot on TV and I wanted to do a film. And during that time I was told many that 'you are a TV star, when people can watch you for free on TV who will buy a ticket to watch you on screen?' I faced it a lot.

I grew up in a town with no movie theater. TV was my only link to the outside world. Film wasn't such a big deal to me. It was TV. So much so, that when I meet TV stars now... Not my co-workers, but real TV stars, I get nervous. I freak out around them.

The first time I was on TV, on "Flight of the Conchords," someone put up a YouTube clip and said, 'You're too ugly to be on TV.' And I was like, 'That is exactly why it's a good thing that I'm on TV.'

I am here to tell you, TV is not dead. Rather, it is constantly evolving as we are. My view is that we are in the next Golden Age of content. If AOL, Google, Netflix, Amazon, and Yahoo felt TV was dying, they would not be so eager to play in our sandbox. It is, after all, TV content that's driving their business.

The only difference in reality TV and the other TV is that the scriptwriters for reality TV are not union. I have been on reality TV shows. Believe me, my friends: It's not just improv and whatever happens when the cameras are rolling.

I just think there's more paparazzi, there's more cable TV, there's millions of networks now, there's more paparazzi. People liked gossip then, and they like gossip now.

I'm not really sure what I'd like to see people doing more of online, but what I'd like to see less of is the warning signs that not ratifying net neutrality is gonna cause two separate nets: one that the big dogs can afford to be on and the other a ghetto internet that no one goes on. Think FM vs AM radio, or cable vs broadcast TV.

I don't revisit anything unless there's a really good occasion, like BAM screened 'This Is My Life', with Lena Dunham and Nora Ephron before she died. It also screened 'Uncle Buck', so I took my niece. I don't have a TV, so I don't happen upon old movies like you would if you had cable.

I think right now there's more TV shows than ever. You've got network, you've got cable, you've got Netflix, you've got Hulu, even Amazon is putting out original content. So there's a lot of opportunities to find fans. You don't have to have a huge audience. You can cater to the people that like your stuff. So there is a boom in comedy and television and stand-up too through podcasting and all the different talk shows.

During its retransmission dispute, CBS pulled its signal off of certain cable TV systems - and also blocked all Time Warner broadband customers from accessing CBS's Web-based content, even outside the territory of dispute. This is precisely the kind of content-blocking broadband providers are so often accused of but aren't actually doing.

There is something spurious about the very term 'a movie made for TV,' because what you make for TV is a TV program.

You can talk about things indirectly, but if you want to talk how people really talk, you have to talk R-rated. I mean I've got three incredibly intelligent daughters, but when you get mad, you get mad and you talk like people talk. When a normal 17-year-old girl storms out of the house or 15-year-old boy is mad at his mom or dad, they're not talking the way people talk on TV. Unless it's cable.

Movie is a near art form. It's showbiz and people want to make money. And generally people are financing things because they think it will make money whether it's a cable news show, a cable show, or a feature film, or whatever it is. So that's the part of it that drives it, I think, is really the dollar.

I don't have ADD, but I only like to pay attention to the things I like to pay attention to, and things like getting a TV and getting the cable working are beyond me, and so I let such things lapse, sometimes for years. This applies to keeping my apartment clean.

The weakness of cable news is that it chases its audience around. Your audience wants fast-paced, popular news. It needs real news. Cable news changes its stripes based on audience reaction. Viewers are reacting well to breaking news? You probably do more breaking news than you need to. The struggle is building something so that people will come to you, as opposed to constantly changing what you are because you're unsure of where the audience is.

I'm a musician. I've done TV, but I've never really been a reality TV star, and it's not the route I'm looking to go down, and when I do TV, I want it to be connected to music.

Tully was the first young, handsome, cocky, well-dressed bad guy. He was our version of Ric Flair before I knew who Ric Flair was. This was before cable TV or any of that, and Tully was our Ric Flair.

There was a day when doing TV was like, oh my God, the end of your career. Now it's just like, we all want to do TV; we all want to do great TV.

We try to make the name longer and longer every year. First, it was 'Larry the Cable Guy's Christmas Spectacular.' Then it was 'It's a Very Larry Christmas.' Now it's 'Larry the Cable Guy's Hula-palooza Christmas Luau.' I'll tell you what it is: It's funny. That's what it is. Who cares what the name of it is? It is a funny special.

I used to watch TV in the days that I was on TV. But in that time, streaming has come along. So I can honestly say, I have no idea what's on real-time TV.

Hollywood can be an exclusive place. Who gets to be on TV, or who gets to make TV can be a small clique of an industry. There's so many talented, skilled people, all over the world, that might not have the connections or the opportunities to work in TV.

Most of the time, I don't think movies of TV shows are a great idea. It's worked a few times, but usually, I think that what's on TV works on TV.

We were the ultimate consumers of the thing, and we thought, "Every college kid is going to go berserk. High school kids - it will introduce them to music they didn't know about. This is going to be a phenomenon." Plus, it seemed like it was insider-y, yet it was available to everyone. I thought, "Cable companies are going to be snatching this up." You think about the dreck that is on so many cable companies, of course they're going to love this. And we were just crushed that nobody cared.

TV has a longer narrative, and TV's more like short stories. So there's less rules with TV; you can make it a little bit different. [With] movies, the medium has more constraints, so it was just about what stories are the most cinematic and the best resolution.

I remember thinking all TV was black and white, but that was because we had a really old, broken TV. And then I went to a friend's house and I was like, woah, your TV is like, crazy! Teenage Mutant Ninja Turtles. That was my first show.

In theater, you can be free. That's how Lin-Manuel Miranda got to do the most revolutionary piece of theater with 'Hamilton': color-blind casting in roles in which they would never cast Latinos if it were a film or TV show. It just goes to show that Hollywood and cable are way behind.

Everybody's slow right now, there's nothing happening musically, everybody's all on cable television and being manipulated by all the television right now, what's on cable telling people what to listen to and stuff.

I think that, especially with cable, it's an avenue to be creative. I think why people are drawn more now to cable shows than ever is that they take more risks, they're creatively pushing the envelope. I think that the networks have to answer to a bigger advertising calling, whereas the smaller cables have lower ceilings that they can bump their heads on.

Traditional TV will have to innovate their TV delivery software in new ways beyond just offering their content in an app in order to change the viewing erosion of TV.

I get very, very bored by TV series or TV movies. But when you see great acrobats on TV, my eyes stick to the screen. I can watch them forever.

TV acting is so extremely intimate, because of the peculiar involvement of the viewer with the completion or "closing" of the TV image, that the actor must achieve a great degree of spontaneous casualness that would be irrelevant in movie and lost on the stage. For the audience participates in the inner life of the TV actor as fully as in the outer life of the movie star. Technically, TV tends to be a close-up medium. The close-up that in the movie is used for shock is, on TV, a quite casual thing.

You will never ever, in any circumstance, win any struggle at any time. That being said, we have a long way to go. At the moment, the battle over network neutrality is not to completely eliminate the telephone and cable companies. We are not at that point yet. But the ultimate goal is to get rid of the media capitalists in the phone and cable companies and to divest them from control.

If I need to buy a TV, I'll definitely buy a Japanese TV. A Chinese TV might explode.

I don't really watch any TV. I'll glance at the TV sometimes if my wife's watching 'Empire' or 'Scandal.' I'll sit with her for an episode. But I don't have a TV show that I watch.

Even if a media of a TV is not available in a home, there's this concept of community homes, where a reasonably well-off villager will have a TV - and a nice TV - and he'll keep it outside the house in the evenings.

I feel like network didn't want me. I was doing all these pilots, and it never worked out. I was like, network doesn't like me. I'm going to go to cable where I'm appreciated. Then it was funny; I think I had to go to cable for network to appreciate me.

The worst thing you can do is end up with a network show on cable or end up with a cable show on network.

You have cable?” He nodded toward her TV. She tossed him the clicker. “Sure do. And if I remember, there’s a Godzilla marathon on TBS tonight.” “Sweet,” the vampire said, kicking his legs out. “I always root for the monster.” She smiled at him. “Me, too.

When I was 11, I moved to the United States with my two brothers and my mom. We moved to northern New York, up near the Canadian border, from Argentina, and there was nobody there that spoke Spanish, and because there was no internet at the time, not even cable TV yet, I lost the connection with my childhood friends and the culture I had been brought up with for my first decade completely.

I remember when cable happened and everyone said broadcast was dead, and then satellite happened and everyone said cable was dead, and then DVDs happened and everyone said everything was over. Nothing was over. I'm very optimistic about the future.

You sit around watching all this stuff happen on TV. . . and the TV sits and watches us do nothing! The TV must think we're all pretty lame.

If you go to go to countries in Europe or Asia or even Canada, even with all the Internet and cable TV and satellite, public systems tend to be the most popular stations in the countries. In some countries like Norway and Germany, public stations are, if anything, more popular than ever as people see what Rupert Murdoch's got in store for them in the commercial stations.